Document wrZMYN5ZB0084R5GQvawpEr13

; A File of Manufacturers' Catalogs designed for the use of Architects, Engineers, Contractors, Builders, and others whose practice it is to select, specify or purchase building mate rials, equipment and allied services. SWEET'S CATALOG SERVICE DIVISION OF F. W. DODGE CORPORATION 119 WEST FORTIETH STREET, NEW YORK rC-:\ k Printed in the United States of America t: F.W. DODGE CATALOG NO. 5 CORPORATION 1940-SWEET-00429 Copyright, 1939, by F. W. Dodge Corporation CONDENSED PAINTING EAGLE-PICHER PAINTING PRODUCT! AGLE-PICHER has been manufacturing painting products since 1843. During this tim< E the company has conducted countless tests to determine the ideal methods for formulatin and applying paints in order to achieve most satisfactory results. However, the cumulativ experience of these many years has been distilled into fairly simple recommendations. Thi manual contains basic formulas for durable paints adapted to various surfaces and averag conditions. It also includes data on surface preparation, on the number of coats required, am what precautions to follow in modifying formulas or application methods to meet certain varia tions from average conditions. Beyond this, it is impractical to go. An experienced painting and decorating contractor is qualified to weigh all factors and tchange his formulas and procedure to meet them. Others should strictly follow the formula and recommendations given here, which are much more satisfactory, even under unusual con ditions, than haphaxard deviations from them. SELECTING THE PROPER PAINT Cost, exposure, required durability, frequency of cleaning and of repainting--all these factors influence the selection of the proper paint. The principal problem in selecting paints is the adjustment between initial cost and desired durability. When properly applied, pure lead-in-oil paints are as durable as any combination of pigments, and far more du rable than most. Lead-in-oil paints can usually be prepared on the job for less cost than many paints of not even approximately equal qualities. The ma terials cost less, and mixing and tinting take little more time than stirring and retinting ready-mixed paints. The labor cost for a paint job is usually tw< or three times the cost of the materials. Thus if repainting will be required within one o two years, the use of a minimum-cost short lived paint may be justified. But if repaintinj will be done only when the life of the origina paint is over, the high cost of labor makes i considerably more economical to use the mos durable paint there is, even though its initia cost may be a little higher than a short-live( cheaper paint. It is important to remember that the servio of any paint depends upon the skill of th< painter. Reputable manufacturers can onl'j guarantee the composition of the paints thej sell. They cannot guarantee results. HOW TO USE THIS GUIDE Reliable data on the selection of durable paints for every major type of painting job are given on the following pages. Formulas are tabulated for various lead-in-oil paints according to the type and condition of the surface to be painted. Complete spedfications can be written for any job by adapting these data to conditions prevailing on the project. When master painters are& emp,loyedj, thuese rformulias may serve as a guide to materials and proportions. When less skilled workmen are employed, they may be made mandatory. CONTENTS Page Selecting Proper Paint............................. 2 Advantages of Pure White Lead............. 3 Elements of Paints.................................... 4' How to Mix Lead-in-Oil Paints............. 4 Paint Failures, Causes and Remedies... 5 l Formulas for Exterior Woodwork.......... 6 1 Formulas for Interior Woodwork........... 7 1 ~^ formulas for Plaster and Wallboard___ 8 = Formulas for Masonry and Stucco. .... 9 J Formulas for Iron and Steel........... 10 Stipples and Decorative Finishes;. 11 4 D BY: THEDISTRIBUTE EAGLE-PICHER SALES COMPAn ! General Offices: Temple Bar Building, Cincinnati, Ohio J 1940-SWEET-00431 (for list of Branch Offices: see back cover) jjf Te pure White Lead for all types of Painting %f-\ ** E lead as a paint pigment dates back to the Romans Ktst'2000 years ago. Its popularity has grown ever till it has become the standard ofcomparison. Searches Reaper substitutes have produced many other paint Ibut unbiased authorities still agree that white lead most universally reliable painting material. jTA N DING CHARACTERISTICS lute tead ispackaged in two forms--Heavy Paste and All-Purpose ,,3:Either is ideally adapted for both interior and exterior work. The fterehce is that AU-Purpose contains a small amount of turpentine, special grinding process. This makes it easier to mix on the job. raring--No Scaling $hlte Lead unites chemically with linseed oil and forms a soft rpkint film. When the surface to which it has been applied exjjajid contracts with temperature^ changes, this elastic film Swi^ '1 contracts with it, so that it does not crack or scale. Repainting Surface gjfet'wears by slow, even chalking. An Eagle White Lead film lintthis way--not by cracking and scaling. It leaves a perfect for repainting--no burning or scraping is necessary. feS'-i'1 ^ Freely - Good Coverage for surface, pure-white lead paint will hold its own in coverage most paints--and excel many of them. Furthermore, it brushes ^enabling a painter to paint more surface each hour he works, gle White Lead paint film goes on evenly and smoothly. f Hiding Power sot particles in an Eagle White Lead paint form a solid mass jnjptnent that completely covers the surface. Its "refractive index" ivmg it great opacity. Easy to Mix on the Job Oil is added to Eagle White Lead at the factory so that it is in ah easy-mixing consistency when the painter receives it. He merely has to thin it into paint of the type.best suited to meet surface con ditions--a matter of only a few minutes for 100 lbs., which when mixed according to finish coat formula produces more than six gallons of paint. Does Not Retain Rust Stains A film of paint made from Eagle White Lead and oil does not react chemically with the ferrous metal compounds formed by rust. For this reason, the paint does not retain rust stains from nail heads or iron screens. The rust washes down and off the surface, leaving no stains behind which cannot be removed with water. Easily Tinted Painters can easily tint Eagle White Lead to any desired color (except extremely darkshades). Exact values are obtained by adding colors in oil. Color pigments are tightly held, minimizing fading. PRACTICAL TEST PROVES DURABILITY &$>:4 lidwestern community where the paint test was made, and twenty-four homes were divided into three groups lit kind of paint used on each group. The service results ''i.checked. (All work was done by the same painters.) 4 This photograph shows theresultsofis months wear on paper with only 50% white lead. All houses in thisgroup showed similar signs of failure. 5 Same house as left, six months later. Note how rapidly the disintegrationofthe paint film progresses onceithasbegun to fail. 6 Two closeupsofhomes in the Eagle White Lead group after the same weather exposure as homes above. Paint film still in good condition. No cracking or scaling. Perfect surface for re painting. 1940-SWEET-00432 bite lead is a chemically active "/Went. These two phototmcro- iraphs illustrate chemical action that place when it is mixed with nseed oil. "A" shows how pigment articles look beforeoil is aJded."B" ihows how lead particles "blossom in linseed oil. Note that no sharp -rtes divide pigment and vehicle. ELEMENTS F PAINTS Pigments/ Oils, Thinners and Driers . . . Their Relation to the Formulas AINT is a mixture of a pigment, which forms the "armor" of the Ppainted surface, and a liquid called a vehicle. The pigment portion may consist of one or several elements. In the latter case, some of the substances may be "fillers," added to lower the cost (usually at the expense of durability and hiding power), or to give the paint some' special quality. Colored pigments may also be added when required.' The vehicle consists of a non-volatile oil; a volatile thinner to make the' paint spread more readily and to give "tooth" to aid in the adhesion of succeeding coats; and driers to hasten drying. dualities Desired in a Pigment desirable characteristics of a pigment include opacity, covering power, good and enduring color, and the ability to combine actively with the oil in the vehicle, it should be neutral or basic with respect to the sur face, and upon airing should present a smooth pjrface which can be repainted without costly surface preparation. Qualities Required in a Vehicle The oil portion of the vehicle should combine chemi cally with the pigment, forming a hard, tough and elastic film which will contract and expand with the vmface; it should dry in reasonable time and not Tscolor the pigment. Linseed is the most widely accepted oil, but certain special oils such as Eagle Hatting Oil and Eagle Lead Reducing Oil add life to the paint and increase Its sealing qualities. The duties of the "thinner," which are described above, are generally fulfilled by turpentine, which evaporates when the paint is applied. Proportions of Pigment and Vehicle by Volume An exterior paint, ready to apply, should range from 28% to 32% pigment and from 68 to 72% vehicle, by volume. Too much pigment usually causes early chalking and loss of gloss, while too much vehicle causes running, wrinkling, slow drying and stickiness. Paste white lead, thinned to painting consistency according to the recommendations in this manual, will conform to this ratio. Tinting Colors Colored pigments ground in oil can be added to white! lead paint to create all the colors except the very dark', ones, in the exact values desired. When paints are being tinted, the entire quantity required for the job, should be mixed at one time and in one container, so. that parts of the job will not vary in color. HOW TO MIX LEAD AND OIL PAINTS Mixing is the first step in good painting. There is little difference in mixing lesd-and-oil paints and preparing so-called ready-mixed paints for the brush. In each case, pigment and vehicle must be thoroughly mixed, color added when necessary, and the mixture strained. s t ep K PREPARING t h e l e a d p a s t e Eagle AU-Purpose Paste is merely stirred in the keg until oil and pigment are thoroughly incorporated. Heavy Paste is transferred into a larger keg, then a small amount of the oil called for by the formula is added and stirred in until the mix is just thin enough to pour. Ka&le Sublimed Blue Lead and Eagle Red Lead are prepared in the same way as Heavy Paste White Lead. STEP 2. PREPARING t in t in g c o l o r s The tinting color is put into a small container and beaten up with turpentine until it forms a creamy paste,' and then grayed off with white lead before adding to. the large batch of white lead paste. STEP 3. MIXING TO FORMULA The paste, prepared as in Step 1, is poured into a con tainer large enough to hold three or four times the: required quantity of paint. Then the oil is added in small quantities, and thoroughly stirred into the paste. Colors, mixed as in Step 2, and the required amount of turpentine are stirred in next, and finally the drier.' The entire mix is then strained. Any paint containing oil and an "active" pigment likelead should stand for about 24 hours before use. Greater' uniformity, coverage and improved brushing and dur-. ability will result. The entire mix should be stirred just, before application, and kept covered. 1940-SWEET-00433 I N T F A I L U R E S -- Appearance, Causes and Remedies ERY paint film eventually "wears out." The jSyjdeal way for a paint to wear is by slow, even diking, so that when the time to repaint finally comes, Jj surface is smooth, and requires only a minimum of Reparation before repainting. Defective performance evidenced k by such failures as cracking, scaling, eling, fading and alligatoring, which may be caused improper paint formulation, improper workman- or faulty construction. By studying the many wm* . Iligatormg Caused by application of relatively hard, fast-drying surface coat over undercoats which are soft or slow dry ing. Improper oil, too much oil or insufficient drying time may be the cause. Each coat should be formulated to be successively softer than the priming coat. Alligator cracks usually do not pene trate the entire paint coat, len not severe, the cracked layer can be wire-brushed fff, before painting. Otherwise the entire paint coat "list be removed. gtracking and Scaling Resul ts from use ofhard dry ing inelastic paint which does not contract and ex pand with under surface. Old paint must be removed, usually by burning. Reme died by using properly form ulated lead-in-oil paint. types of paint failures, their causes and remedies, they may be entirely avoided or at least corrected at a minimum of expense. However, the more familiar one becomes with paint troubles, the more obvious'is the conclusion that nearly all of them can be averted by employing skilled paint craftsmen who use paint materials which can. be mixed on each job to suit the conditions of the surface and the weather. Mildew Stains Caused when an air-borne fungus attaches itself to wet paint in shaded areas and feeds on oil in the paint film. Mildew stains must be re moved before repainting by a wash of 1 lb. tri-sodium phosphate or sodium carbon ate to 1 gal. of water, after which the surface should be flushed with clean water and allowed to dry about 48 hours before repainting. Addition of A oz. mercuric chloride per gallon of paint, or the use of less oil and more turpentine, is desirable in sections of the country where mildew is common. Wrinkling Usually caused by one of three things: (1) sudden drops in temperature; (2) application or too thick a paint; (3) using an excess of drier. To remedy, sand the surface and use a properly formulated paint applied in the correct way. lering and Peeling Caused by moisture under the unbroken paint film. First evidence is a blister which later breaks and causes peeling of the paint film. All blistered paint must be scraped off, the source of moisture found and corrected, and the sur face thoroughly dried be fore repainting. Spot Fading Evidenced by color changes and loss of gloss in irregular patches. Caused by spots in the surface which absorb oil from the paint unevenly. It appears only when insuffi cient paint has been used. Application of three coats of properly formulated paint will avoid it. ar T0 alligatoring but much less serious and g|.?cte^zed by minute surface cracks. Flakes are anc* generally disappear as paint gradually chalks. jsre repainting, it is sufficient to brush the surface ilfaove loose particles. Washing Caused by pigments which form water-soluble com pounds or by painting under damp conditions. It is evidenced by streaks at lower edges of clapboards, by accumulations on column footings and deposits on foundations. 1940-SWEET-00434 FORMULAS FOR EXTERIOR WOODWORK Specification Data: Painting should be done in dry weather and when the temperature is above 40 F. Painting done at lower temperatures, especially when nights are likely to bring frost and moisture with sudden drops in temperature, will not be as satisfactory as painting done under ideal conditions. Flatting, loss of gloss, spotting and premature chalking may result. Moisture in wood will be drawn out by the sun and form blisters under a paint film which will eventually result in peeling. Green lum ber should be primed as soon as possible and allowed to stand several days before application of succeeding coats. Defer all painting two to three days after a driving rain. In new and repainting work, fill nail holes, cracks and crevices with putty after priming or first coat has dried, to form a smooth surface and to prevent water from entering behind the paint. Three coats of paint on new work and two coats on repainting work are generally sufficient. NEW WORK REPAINTING COAT Pr imin g PREPARATION Dust and scrape off lime, dirt and adherent matter PAINT FORMULA FORMULA NO. 1 100 ib. All-Purpose White Lead 4 gal. Raw Linseed Oil IK gal. Eagle Flatting Oil or Pure Turpentine 3 pt. Liquid Drier Yield: 8K gals'- of Paint Coverage: 600 sq. ft. per gal. Se c o n d Apply 3-7 days after priming coat. Coat knots and sapwood with shellac before applying Th ir d (Oil-gloss finish) Apply 3-7 days after second coat Th ir d Apply 3-7 days after second coat (Flat finish) Pr imin g (Not required unless bare wood is ex posed) Ifin good condition dust offonly. . Loose scaly paint scraped off. Ifin bad condition burn off all paint and treat as new wood Fir s t Apply 3-7 days after spot prim ing if required Se c o n d (Oil-gloss finish) Apply 3-7 days after first coat Se c o n d Apply 3-7 days after first coat (Flat finish) FORMULA NO. 2 100 lb. AU-Purpose White Lead IK gal- Raw Linseed Oil IK gal. Eagle Flatting Oil or Pure Turpentine 1 pt. Liquid Drier Yield: 6K gal. of Paint Coverage: 700 sq. ft. per gal. FORMULA NO. 3 100 lb. All-Purpose White Lead 3 gal. Raw Linseed Oil I pt. Liquid Drier Yield: 6K gals, of Paint Coverage-. 700 sq. ft. per gal. FORMULA NO. 4 100 lb. All-Purpose White Lead 3-4 gal. Eagle Lead Reducing Oil Yields 6y$-7l4 gals, of Paint Coverage: 700 sq- ft. per gal. Same as for new wood if required FORMULA NO. 5 100 lb. All-Purpose White Lead 2K gal. Raw Linseed Oil IK gal. Eagle Flatting Oil or Pure Turpentine 1 pt. Liquid Drier Yield: 6K gals, of Paint Coverage: 700 sq. ft. per gal. FORMULA NO. 3 100 lb. All-Purpose White Lead 3 gal. Raw Linseed Oil 1 pt. Liquid Drier Yield: 6K gal*- of Paint Coverage: 700 sq. ft. per gal. FORMULA NO. 4 100 lb. All-Purpose White Lead 3-4 gals. Eagle Lead Reducing Oil Yield: 6K-7K gals, of Paint Coverage: 700 sq. ft. per gal. - 3 APPLICATION^ Brush in carefully and lay off in an evenfilm as thisiii foundation of all subsequentpaint ing. Its impor] tance cannot be over-emphasized! Brush in carefully! to an even film] of u n i f o r ra] thickness Brush in careful!TM to an even filn of u n i f o rnS thickness 7"Wm Brush in carefulmj to anevenfilmofl uniform thickneSa Same as for new wood if require Brush in eyefulJ to smooth fib ofeven thickne Brush in carefuu] to smooth filing even thickness* Brush in carefulTM to smooth filni&l even thickness* Notes: Eagle Flatting Oil is recommended in preference to turpentine for its smoother brushing and greater wearing qualities and because it will produce a better and more lasting finish. If thinner brushing is desired, do not add more linseed oil to these formulas, but reduce them to the desired consistency with Eagle Flatting Oil or turpentine. Eagle Heavy Paste White Lead is used, add 1 pint more turpentinl flatting oil to formula No. 3, one quart more to all other fornu*' 1940-SWEET-00435 FORMULAS FOR INTERIOR WOODWORK Specification Data: The room temperature should not be less than 7o F. Paints should be kept at this temperature before being used. White lead, however, brushes easier than varnishes and enamels and may, therefore, be applied at lower temperatures. All dust and dirt should be swept from the room before any paint is applied. Three coats are usually sufficient in new work, and two coats in repainting. In certain cases where a specially durable job is required, additional coats may be added, each coat being extremely thin. It is advisable in specifications to require adherence to formulas only when work is not in the hands of qualified contractors or decorators. The following formulas will produce paint that will give satisfactory service in a majority of cases. INTING COAT Pr imin g Se c o n d Th ir d (Oil-gloss finish) Th ir d (Flat finish) Pr imin g (Not requir ed unless bare wood is exposed) Fir s t Se c o n d (Oil-gloss finish) Se c o n d (Flat finish) PREPARATION Clean, sandpaper, dust off and sweep room PAINT FORMULA FORMULA NO. 6 100 lb. All-Purpose White Lead 3 gal. Raw Linseed Oil 214 gal. Eagle Flatting Oil or Pure Turpentine 1 pt. Liquid Drier Yield: 8)4 gals- of Paint Coverage: 800 sq. ft. per gal. Putty holes, cracks, etc. Sand paper lightly and sweep room FORMULA NO. 7 100 lb. All-Purpose White Lead 1)4 gal. Raw Linseed Oil 1 !4 gal. Eagle Flatting Oil or Pure Turpentine 1 pt. Liquid Drier Yield: 6 gals, of Paint Coverage: 800 tq. ft. per gal. Sandpaper lightly and sweep room FORMULA NO. 8 100 lb. All-Purpose White Lead 3-5)4 gal. Raw Linseed Oil I pt. Liquid Drier Yield: 6)4-6% gals, of Paint Coverage: 800 sq. ft. per gal. Sandpaper lightly and sweep room Wash with paint cleaner to cut gloss. Rinse with clear water. Remove cracked or scaling paint. Putty nails, cracks, etc. Sandpaper if needed Apply after spot priming is dry FORMULA NO. 4-A 100 lb. All-Purpose White 1-ead 2 M gal. Eagle Flatting Oil or Pure Turpentine (If Turpentine is used add 1 pt. Pale or White Enamel Varnish) Yield: 5 M gals, of Paint Coverage: 800 sq. ft. per gal. Treat as new wood if required FORMULA NO.. 9 100 lb. All-Purpose White Lead 1 gal. Raw Linseed Oil 2J4 gal. Eagle Flatting Oil or Pure Turpentine 1 pt. Liquid Drier Yield: 6)4 gak. of Paint Coverage: 800 sq. ft. per gal. Sandpaper slightly and sweep room FORMULA NO. 8 300 lb. All-Purpose White Lead gal. Raw Linseed Oil 1 pt. Liquid Drier Yield: 6M-6M gals, of Paint Coverage: 800 sq. ft. per gal. Sandpaper slightly and sweep room FORMULA NO. 4-A 100 lb. All-Purpose White Lead 2)4 gal. Eagle Flatting Oil or Pure Turpentine (If Turpentine is used add 1 pt. Pale or White Enamel Varnish) Yield: 5)4 gals, of Paint Coverage: 800 sq. ft. per gal. APPLICATION Brush in thorough ly and lay off smoothly with the grain Apply freely and brush out well with the grain Brush out care fully, laying off in_ an even film without brush marks Brush out careful ly, laying off in an even film without brush marks Same as for new wood ifrequired Brush out careful ly to a smooth even film Brush outcarefully, laving off in an even film with out brushmarks Brush out careful ly, laying off in even film without brush marks Eagle Flatting Oil is recommended in preference to turpentine a" smother brushing and greater wearing qualities, and because it -Ce a better and more lasting finish. If thinner brushing consist.. desired, thin down with small amounts of Eagle Flatting Oil or jsure turpentine. Do not add linseed oil. When Eagle Heavy Paste White Lead is used, add one pint more turpentine or flatting oil to formula No. 8, one quart more to all others. 1940-SWEET-00436 FORMULAS FOR PLASTER AND WALLBOARD Specification Data: When enamels and varnishes are used, the tem perature should not be less than 70 F. In cold weather, paints should be kept at this temperature over night before being used. White lead, because of its superior brushing qualities, may be applied at lower temperatures. All dust and dirt should be wiped from the surface and swept from the room before paint is applied. Formulas given below are recommended for average conditions. They may be modified by an experienced painting contractor to meet special conditions. When joints between wallboards are to be hidden under paint, they must be filled with putty and sanded down if necessary. (Putty made from white lead is ideal for this purpose.) COAT NEW PLASTER OR Pr imin g WALL BOARD Se c o n d PREPARATION Patch cracks in plaster. Conceal joints in wallboards if re quired. Wipe surface clean. Glue size required on soft wallboards, when sealer or lead re ducing oil is not in primer. Al low plaster to dry for 6 months No preparation required. Allow 2-3 days for drying of priming coat PAINT FORMULA FORMULA NO. 10 100 lb. All-Purpose White Lead 3 gal. Boiled Linseed Oil 1.'^ gal. Eagle Flatting Oil or Pure Turpentine 2 gal. Floor Varnish Yield; 9% gals, of Paint Coverage: 800 sq. ft. per gal. FORMULA NO. 11 100 lb. All-Purpose White Lead I '< gal. Eagle flatting Oil or Pure Turpentine % gal. Floor Varnish Yi pt. Liquid Drier Yield: 5 Jfj gals, of Paint Coverage: 800 sq. ft. per gal. REPAINTING Th ir d Co a t (Semi-gloss finish) No preparation required. Allow 2-3 days for drying of second coat FORMULA NO. 12 100 lb. All-Purpose Whire Lead % gal. Eagle Flatting Oil or Pure Turpentine I Ya. gal. Floor Varnish M pt- Liquid Drier Yield: SX gal. of Paint Coverage: 800 sq. ft. per gal. Th ir d (Flat finish) No preparation required. Allow 2-3 days for drying of second coat Pr imin g (Not required unless bare surface is ex posed) Old paint or enamel; Wash with sal soda solution to remove grease and cut gloss. Rinse with clear water. Patch cracks and coat with shellac. Scrape off cracked or scaly paint Calcimine*. Remove calcimine with warm water FORMULA NO. 13 100 lb. All-Purpose White Lead 2J gal. Eagle Flatting Oil or Pure Turpentine (If Turpentine is used add 1 pt. Pale or White Enamel Varnish) Yield: 5J4 gals, of Paint Coverage: 800 sq. ft. per gai. Treat as new plaster or wallboard if required Fir s t Se c o n d (Semi-gloss finish) Se c o n d (Flat finish) No special preparation. Allow 2-3 days for drying of priming coat if required Allow 2-3 days for drying of first coat FORMULA NO. 11 100 lb. All-Purpose White Lead 1 % gal- Eagle Flatting Oil or Pure Turpentine gal. Floor Varnish pt. Liquid Drier Yield: 5 % gals, of Paint Coverage: 800 sq. ft. per gal. Same as the third semi-gloss coat for new work Allow 2-3 days for drying offirst Same as the third flat coat for new work coat APPLICATION Brash with shoj semi-circul criss-crossstrokl allowingpainto flow and oblicdj ate brush marlf Brush with shoa semi-circul criss-cross strokes allowing paints flow andoblitejg ate brush mark! Brush with shot semi-circula criss-cross strok^ allowingpaintt flow and oblitei ate brush mark Brush with sh semi-circula criss-cross stroke aUowiiigpamfj flow and oblitei ate brash mark Same as primifl coat on `vhe; work if requiri Brush with sfio semi-circuij criss-cross stroki allowingpaint flow and oblite ate brush mafl Same as the thg semi-gloss cbj for new work* Same as the tfcufl flat coat for new work -ill Notes: When painting over old varnish or enamel, a little floor varnish or enamel should be added to first coat. Eagle Flatting Oil is recommended in preference to turpentine for its smoother brushing 1940-SWEET-00437 and greater wearing qualities. It produces a better and more last finish. When Eagle Heavy Paste White Lead is used, add one dm more flatting oil or turpentine to all formulas except alternates. FORMULAS FOR MASONRY AND STUCCO Specification Data: Surface must be thoroughly dry and chemically stable. Moisture should not reach the surface under the paint through faulty flashings, condensation or improper drainage. (If unsatisfac tory conditions cannot be corrected, use special cement paints.) Surface should be tested for free lime and other salts which are harm ful to oil. The following solution is a simple test for free lime: Mix I dram phenolphthalein, and 4 02. grain alcohol in 1 qt. of water. Dip a glass rod into this solution and touch the surface in several places. Free lime will cause a bright red spot to appear. To correct an alkaline condition, apply a solution of 4 lbs. zinc sul phate to 1 gal. of water. Use large brush and rub in well. When dry, brush off surface before painting. Painting should be done only in dry weather and when the tempera ture is not under 40 F. Allow ample time for thorough drying. COAT PREPARATION PAINT FORMULA APPLICATION Pr imin g Allow to age for at least 6 months. Test for free lime and use neu tralizing solution if needed. Brush clean before painting. Surface must be dry Se c o n d a n d Th ir d (Flat finish) Allow 3-7 days for drying. Dust clean before painting FORMULA NO. 14 100 lb. Heavy Paste or All-Purpose White Lea J 4-S gal. Eagle Lead Reducing Oil Yield: gals, of Paint Coverage: 200 sq. ft. per gai. FORMULA NO. 15 300 lb. Heavy Paste or All-Purpose White Lead 3-4 gal. Eagle Lead Reducing Oil Yield: 6yg-7gals, of Paint Coverage: 400 sq. ft. per gal. Brush in thorough ly and Jay off in a smooth even coat Brush to a smooth even coat Th ir d (Oil finish) Allow 3-7 days for drying. Dust clean before painting FORMULA NO. 16 100 lb. All-Purpose White Lead 3 gal. Raw Linseed Oil 1 pt. liquid Drier Yield: 6% gals, of Paint Coverage: 600 sq. ft. per pal. Brush to a smooth even coat Th ir d (Semi Gloss) FORMULA NO. 16-A 100 lb. Heavy Paste or All-Purpose White Lead 2-3 gals. Eagle Lead Reducing Oil H~1 gal. Spar Varnish Yield: 6^-7J^ gait, of Paint Coverage: 400 sq. ft. per gal. Pr imin c (Not required if paint is smooth and even) Dust clean before painting. Paint in bad condition must be removed and those areas treated as new work The formulas and application used for repainting are identical with those used for new work, omitting the priming coat when not required Pr imin g Allow 3-7 days for drying. Dust dean before painting FORMULA NO. 14-A 100 lb. All-Purpose White Lead 3 gal. Boiled Linseed Oil 2 gal. Spar Varnish _ 1\4 gal. Pure Turpentine Yield: 9?$ gals, of Paint Coverage: 200 sq. ft. per gal. Brush to a smooth even coat Se c o n d . Allow 3-7 days for drying. Dust dean before painting FORMULA NO. 15-A 100 lb. All-Purpose White Lead 2 gal. Raw Linseed Oil IK gal. Pure Turpentine 1 pt. Liquid Drier Yield: 6J4 Bah* of Paint Coverage: 400 sq. ft. per gal. Brush to a smooth even coat Th ir d Allow 3-7 days for drying. Dust (Flat finish) clean before painting FORMULA NO. 1S-B 100 lb. All-Purpose White Lead % gal. Spar Varnish \]4 gal. Pure Turpentine Vi pt. Liquid Drier Yield: 5H gals, of Paint Coverage: 400 sq. ft. per gal. Brush to a smooth even coat Use smaller quantity of Eagle Lead Reducing Oil when greatest opacity is desired. If Eagle Heavy Paste White `.is used, add one quart more turpentine or flatting oil to formulas 16, 14-A, 15-A. 1940-SWEET-OO438 I 11 1- FORMULAS FOR IRON AND STEEL Specification Data: Painting should be done only in dry weather when the temperature is not under 40 F., particularly if nights are likely to bring frost and moisture. Painting on exposed iron and steel should preferably be brushed to assure intimate contact of the paint with all parts of the metal work. Sublimed Blue Lead may be used for both priming and finish coats. Each coat may be tinted characteristically to permit proper super vision. Red Lead is often used as a second coat, as well as for priming. The second coat may be tinted by adding carbon black. If light colors are desired with Sublimed Blue Lead or Red Lead, sec ond and subsequent coats may be White Lead-in-Oil, plain or tinted. NEW WORK r REPAINTING 7 1940-SWEET-00439 COAT PREPARATION PAINT FORMULA APPLICATION Pr imin g o r Sh o p Remove rust, mill scale and dirt to bright metal. Clean off grease and oil with benzine FORMULA NO. 17 (Using Eagle Sublimed Blue Lead) 100 lb. Sublimed Blue Lead-in-oil 2K gal- Raw Linseed Oil 1 qt. Pure Turpentine or Paint and Varnish Manufacturers' 48 to SO* Naphtha 1 qt. Liquid Drier Yield: 6H gals, of Paint Coverage: 800 sq. ft. per gal. FORMULA NO. 18 (Using Eagle Red Lead) 100 lb. Eagie Red Lead-in-oil 2 gal. Raw Linseed Oil lpi pt. Pure Turpentine or Paint and Varnish Manufacturers' 48" to S0 Naphtha pt. Liquid Drier Yield: 4K gals, of Paint Coverage: 600 sq. ft. per gal. Brush on har carefully ar thoroughly, u ing round bru: to get into ; corners an around rivets Where two coa ofBIueLead a to be applie about a qua more thinn< may be used a vantageously give flatter fini: Se c o n d o r Fir s t Fie l d Dust off carefully FORMULA NO. 17 (Using Eagie Sublimed Biue Lead) See above FORMULA NO. 2 (Using Eagle White Lead) 100 lb. Ail-Purpose White Lead IK gal. Raw Linseed Oil IK gal. Eagle Flatting Oil or Pure Turpentine 1 pt. Liquid Drier Yield: 6H gal*- of Paint Coverage: 700 sq. ft. per gal. Brush on har carefully ar thoroughly, u ing round bru: to get into i corners an around rivets Th ir d o r Dust off carefully Se c o n d Fie l d FORMULA NO. 17 (Using Eagle Sublimed Blue Lead) See above Brush on careful and evenly Th ir d o r Se c o n d Fie l d (Oil-gloss finish) Dust off carefully FORMULA NO. 3 100 lb. All-Purpose White Lead 3 gal. Raw Linseed Oil 1 pt. Liquid Drier Yield: 6J4 gals, of Paint Coverage: ?00 sq. ft. per gal. Brush on careful and evenly Th ir d Se c o n d Fie l d (Flat finish) Dust off carefully FORMULA NO. 4 (Using Eagle White Lead) 100 lb. All-Purpose White Lead 3-4 gals. Eagle Lead Reducing Oil Yield: 6J4"7K gals, of Paint Coverage: 7C0 sq. ft. per gal. Brush on careful and evenly Pr imin g (Not required unless bare metal is ex posed) Remove any loose paint, scale, rust and dirt to bright metal FORMULA NO. 17 (Using Eagle Subtimed Blue Lead) 1001b. Sublimed Blue Lead-in-oil 2Kgal- Raw Linseed Oil 1 qt. Pure Turpentine or Paint and Varnish Manufacturers' 48" to S0" Naphtha 1 qt. Rosin-free Drier Yield: gals, of Paint Coverage: oOO sq. ft. per gal. FORMULA NO. 18 (Using Eagle Red Lead) See above Brush on har carefully ar thoroughly, u ing round bru: to get into s corners an around rivets Fir s t a n d Se c o n d Brush off dust and dirt, and The formulas and application used for repainting are.identical wit scrape off loose paint the first field coat and the finish coat on new work $ AND DECORATIVE FINISHES ECORATION of walls in other than flat or glossy monotones to add interest "livability" may be accomplished in a wide variety of ways by means Sfptipples and low-relief textures, blends of opaque colors, transparent color lazes, or by endless combinations of these methods. !e finishes are not much more expensive than an ordinary job of high quality Jilting. Their added cost is due largely to the extra labor involved and will ferefore vary with the type of finish desired and the skill of the painter in ^ _ g ejected stipples and decorative finishes are illustrated to suggest the range of jjjcbrative treatments possible with Eagle White Lead paints and glazes made wU? Eagle Flatting Oil. The principal techniques include the following: mppiiNc Stippling in one of its manifold forms is the foundation for all fine interior work Stflat surfaces and also should be used as a base for work to be color glazed, [t: eliminates brush stroke marks, producing a surface that diffuses light and [adds interest and character. main brush stippling. A finish coat slightly lighter in color than the under coat is applied, using a paint mixed a little thicker than usual. The surface is "stippled by tapping the wet paint with a clean bristle stippling brush. [Gained and brush stipples. More distinctive stippled finishes may be obtained fby using a whisk broom, various types of brushes, combs or similar tools to Iproduce a low-relief texture. The experienced craftsman has an almost limitless ^variety of patterns at his command, merely by the use of different tools and (strokes. See Figures 1 and 2. TEXTURING .Conservatively between the very subtle texture of stippling and the extremely |coarse, high relief textures produced by plastic paints (which won and lost popu larity some years ago) are various decorative textures produced in a final coat of [thickened white lead paints. These are worked over, while wet, with sponges, .brushes, combs, the palm of the hand, crinkled paper or other materials to roughen the surface to any desired degree. In all cases the desired texture is developed tby experimentation on trial panels. Degree of relief is largely governed by ^consistency of the paint, while character of texture is determined by the implejments and stroking employed. The scope of textures possible is indicated by [Figures 3 and 4. [i - [g l a z in g a n d a n t i q u i n g dazing gives the effect of sunlight passing through stained glass windows, while pne particular method of glazing known as "antiquing" may be used to give f age" to a painted surface. The method used consists of applying a coat of transparent special liquid, called "glazing liquid," over the regular coats and then adding spots, stripes or patches of color, which are wiped out with a cloth mto cloud-like effects. The safest way to be sure of obtaining the desired effect tohave the painting contractor submit samples ofthe many different possibilities. o t t l in g :^s Pr<*rss us?s two or more coats of paint in contrasting tints or harmonizing olors. One finish coat is applied and allowed to dry thoroughly. The second then applied with a sponge, coarsely crinkled paper, or other similar material spots and clouds, all over, but not completely concealing, the under coat, tnother method is to apply the second coat, to the wall, then remove it in spots by ipping with a damp clean sponge, clean crinkled paper or similar material. en c u in g ecorative all-over patterns, borders or special designs may be applied by paint|g through oiled-paper or metal stencils with a stiff bristle brush carrying very tle paint, by tapping rather than brushing. Paste white lead is often used ithinned for this purpose. 1940-SWEET-00440 Whisk Broom Finish, Figure 1 Flat Brush Stipple, Figure 2 Crinkled Palm Pattern, Figure 3 v13a?3 im COMPANY .' W' BRANCH SALES OFFICES /; .t HENRYETTA, Ok l a h o ma HILLSBORO, ILLINOIS ARGO, ILLINOIS i-'d JOPLIN, MISSOURI SINCE 1843 1940-SWEET-00441 PICHER, OKLAHOMA CINCINNATI, OHIO ^ 1940-SWEET-00442 THE GLIDDEN COMPANY Established in 1870 MANUFACTURERS OF ARCHITECTURAL FINISHES PAINTS VARNISHES LACQUERS ENAMELS Factories horn Coast to Coast Branches in Principal Cities National Headquarters, Cleveland, Ohio THE COMPANY . . . Since 1870 the LABORATORIES ... A corps of name Glidden has been synony chemists and trained men con mous with fine paint, varnish, and stantly perfect new Glidden Prod lacquer products. The scientific ucts, and check production all training and practical experience of many men, plus every modern mechanical improvement, make each Glidden Product represent 26 Paint Laboratories, representing many of America's oldest and best known paint brands have sponsored the "TIME-TESTED" Mark of Quality. Glidden Paints are priv ileged to carry this famous Mark on the label along the line to insure uniformity of quality. Glidden laboratories are large and fully equipped with all the scientific instruments for ative of the most advanced achievement in paint formulating paints to the exacting standards of manufacturing. Time-Tested Laboratories. GUARANTEE . . . The name Glidden on the label is a GLIDDEN PAINTS ARE USED ON FAMOUS BUILDINGS AND STRUCTURES THROUGHOUT AMERICA MANUFACTURING ... Back of Glidden products are the guarantee of qual great resources of ity. Furthermore, an organization that quality is with nearly seventy doubly assured by years of manufac the fact that all turing experience. Glidden Products Immense buying carry the famous power and large "Time - Tested" scale production Mark of Quality, which is recognized everywhere as ab solute proof of paint dependability. with modern ma-. chinery enable The Glidden Company to market paint that represents the maximum in qual- ABCHITECTURAL SERVICE DEPARTMENT Local Representative for Glidden Faints ity at a minimum cost. 1 . . . The Glidden SERVICE Company main Glidden factories tains an Architec and warehouses are - tural Service Department, where paint problems of located strategically throughout the United States the architect are handled by the Glidden Architec and Canada. Delivery to any point on the American- tural Consultant, who has direct access to a modern continent means no more than a short, economic finishing room where materials may be tested for haul, saving both time and expense. Because of practical use. The Architectural Consultant wel tremendous paint sales, these factories and ware comes, at any time, an opportunity to co-operate houses maintain large complete stocks at all times. with the architect in solving painting problems. Glidden gives the architect the service he demands. Copyright 1938--The Glidden Company 1940-SWEET-00443 RECOMMENDED GENERAL INSTRUCTIONS Suggestions to aid the architect in preparing complete painting speciGcations. If written into the specifications, they will help to insure that the painting work is done correctly. g GENERAL PAINTING CLAUSE ... Be it under stood that the Instructions to Bidders and the Gen ital Conditions applying on the General Contract jfpply also on the painting contract. f. WORK TO BE DONE . . . The work required finder a painting contract includes the furnishing 5f all materials, labor and equipment of every nature yhich may be required for the proper painting and fishing of the building, all as hereinafter specified, Sown on the plans, or implied in either plans, or Specifications; that the work be complete in every |respect unless definitely excepted by the architect. WORK NOT INCLUDED IN THE PAINTING CONLCT. N. B. . . . At this point it is well to make a nil of exceptions showing exactly the surfaces rifich do not come under the painting contract; for lple, the back of interior wood trim, which has ien shop primed by others. |4. PREPARATORY WORK ... All surfaces to be ^painted shall be in proper condition before the work begun; that is, the surface shall be perfectly dry, lean and smooth. In case any work is defective, or unsuitable for finishing, the painting contractor shall notify the architect of the fact in writing. If Ifhe architect is not so notified, the painting contrac tor will be held solely responsible for the finished ^condition of the work. SAMPLES. N. B. . . In case it will be necessary ^.for the proper completion of the work to match cer tain samples, the architect should at this point fill . in. his requirements as to samples which will serve as standards to be matched in finish, color, etc. ^6. WORKMANSHIP . . . All work under this con tract shall be executed only by concerns of standing ^approved by the architect. All work shall be made jperfect in material, workmanship and finish. All rwprk shall be -done by skilled mechanics. No work |shall be done under conditions of weather, or tem perature, unsuited to good work. 7. MATERIALS . . . All materials coming under the painting contract shall be delivered to the building in unbroken packages, bearing the Glidden name and label. Such materials should be used without any adulteration, and only with such thinning as called for in the manufacturer's directions. In case of sealed packages, the seal should not be broken until the contents are to be used. Materials requiring mix ing shall be mixed on the premises. All materials must at all times be subject to the inspection and approval of the architect. 8. PROTECTION AGAINST DAMAGE ... The painting contractor shall be responsible for the con dition of the building in his charge. Due care shall be taken while painting is in process to protect all portions of the building and also all materials be longing to, or installed by, other contractors. 9. PATCHING . . . Carefully patch and finish all work injured, or marred from whatsoever cause, to the satisfaction of the architect. Upon completion the entire job should be in perfect condition and free from defacements of any nature. 10. FIRE PREVENTION . . . Keep all oily rags or waste in covered metal receptacles. 11. CLEANING ... At the completion of work, re move all surplus materials, staging, rubbish, etc.; clean off all paint, varnish, stains, etc., from floors, glass, walls, hardware, etc., and leave the premises in perfect condition, acceptable to the architect. SUMMARY . . . No paint, varnish, or other finish should ever be applied to a surface containing mois ture or bearing scale, rust, dirt, grease--or to any surface not clean and ready to paint. Any possible alkalinity in plaster, cement, or con crete surfaces must be neutralized. Neutralize the alkali by giving the wall a wash coat with a solution of two to three pounds of zinc sul phate to a gallon of water. All nail holes, cracks, etc., must be properly filled with linseed oil putty. 1940-SWEET-00444 INDEX TO SPECIFICATIONS Architectural Specifications Section EXTERIOR FINISHES Spec. No. WOOD SIDING Base-Coat |, Endurance House Paint )..................... Old Work................................................... 2 Ripolin Enamel..........................................13 Titan-O-Zinc ............................................. 3 Euston White Lead Page No. ... 5 ... 5 ... 7 ... 5 ... 5 WOOD SHINGLE SIDING AND ROOFS Endurance Shingle Stain......................... 4 .................. 5 Old Work ................................................... 4 .................. 5 COMPOSITION ROOFS Endurance Roof Coating................. 5 EXTERIOR WOOD SURFACES (VARNISHED) Glidden Oil Stains .................................... 5 Gliddenspar ................................................ 5 5 6 PORCHES WOOD FLOORS Porch and Deck Paint.............................. 6 WOOD CEILINGS Gliddenspar ................................................ 5 6 6 CONCRETE. STUCCO AND BRICK Liquid Cement Coating............................ 7 Old Work ...................................................7A 6 6 STRUCTURAL STEEL AND METAL ORNAMENTS Liquid Red Lead ) o Nev-A-Rust )................................... Graphite Liquid Paint............................. 9 Aluminum Paint Metallite......................... 6 6 6 GALVANIZED IRON Glidtite Iron Primer.................................. 10 6 SMOKE STACKS, PIPES AND OTHER HOT SURFACES Smoke Stack Black...................................11 7 METAL ROOFS Tinner's Red ..............................................12 Nev-A-Rust ................................................ 8 7 6 GUTTERS. DRAINS AND FLASHINGS Tinner's Red ............................................. 8 7 RIPOLIN ENAMEL NEW EXTERIOR WORK Base-Coat Exterior Ripolin First Coater Exterior Ripolin Enamel 13 NEW INTERIOR SOFT WOOD Ripolin Enamel Undercoater 1 Ripolin Enamel j 14 NEW INTERIOR SAPPY WOODS Ripolin Enamel Undercoater \ Ripolin Enamel J 15 NEW INTERIOR OPEN-GRAINED WOOD Glidden Paste Wood Filler ] Ripolin Enamel Undercoater j-..............16 Ripolin Enamel J 7 7 8 8 INTERIOR WALL FINISHES Spec. Page No. No. PLASTER WALLS (ROUGH AND SMOOTH) AND WALL BOARD FLAT WALL FINISHES Speed-Wall Flat .......................................17 ......... Reflect-O-Lite Casein Paint................... 18.......... SEMI-GLOSS WALL FINISHES Speed-Wall Semi-Gloss ......................... 19 ......... GLOSS WALL FINISHES Speed-Wall Gloss.....................................20 ___ Old Work ................................ 21 ........ Ripolin Enamel...........................................14 ........ Canvas Covered Walls................. ......................... WOOD PANEL WALLS Endurance Wood Stains 1 ,, Wearette Varnish j........................ Lik-A-Rub ................................................. 22 FACTORY INTERIOR WALLS Spray-Day-Lite ......................................... 23 Dado (Florenamel) ..................................23 Insulite White................................................ Pli-namel..................................................... 30 INTERIOR FLOOR FINISHES 8 . 9. .9 .7 . 9^ .9 .9 .9 .9 .10 OPEN-GRAINED WOOD Endurance Wood Stains ) ... Floorette Varnish j..................... Jap-A-Lac Wax......................................... 24 Old Work................................................... 25 Rapid-Cote Varnish....................................... SOFT WOOD (Stain) Endurance Wood Stains ) Floorette |............................. OPEN-GRAINED (Natural Wood) Glidden Paste Wood Filler.................... 26 Floorette Varnish ............... :................. 26 PAINTED WOOD FLOORS Florenamel { New Work J............................................. 27 .9 .9 .10 .10 .10 .10 10 .10 INTERIOR PAINTED FLOORS Old Work ...................................................28 GYMNASIUM FLOORS New Work ................................................. 29 CONCRETE Pli-namel.....................................................30 Florenamel Concrete Floor Dressing. .27 Masticrete ........................................................ .10 .10: .10 .10 10; INTERIOR WOOD TRIM FINISHES OPEN-GRAINED WOOD (Stain) Endurance Wood Stains ) Wearette Varnish J.............. Lik-A-Rub Varnish......................... ....31 ........ Rapid-Cote Varnish......................... Old Work........................................... SOFT WOOD (Stain) Endurance Wood Stains ) Wearette Varnish j ............ ....33 ........ OPEN-GRAINED WOOD Paste Wood Filler | Wearette Varnish J ..................... .10, ,11 .11 .11 .11 .11 MISCELLANEOUS FINISHES RADIATORS Chromatized Primer) Metallite ) ..................... ...... 35 ........ Jap-A-Lac Gold and Aluminum___ Speed-Wall Flat ............................... SWIMMING POOLS ................................. BARNS AND FARM BUILDINGS............. ADDITIONAL ARCHITECTURAL FINISHES .11. .11 .11 .11 ,11 ,11 4 1940-SWEET-00445 EXTERIOR FINISHES OOD SIDING . . . `PEN ENDURANCE PAINT (Prepared) is as -ly perfect a paint as it is possible to manufact. It is a ready mixed, ready to use House Paint, *ch combines the long wearing qualities of lead ' the film hardening qualities of zinc. Sen Endurance Paint (Prepared) works easily, ?Srs well, resists wear and weather, has extreme Ability, leaves a good uniform surface for re nting and costs less than other house paints |jen measured by years of service. RIPOLIN ENAMEL. . .(See Ripolin Section--Speci fication 13) EUSTON WHITE LEAD is a lead of unusual white ness. It produces a smooth and enamel-like film. Euston White Lead is pure carbonate of lead made by a secret patented process that controls its white ness and fineness, which in turn governs its unusual spreading capacity and ability to produce more paint per hundred pounds. Furnished in three forms: Heavy Paste; Soft Paste; and All-Purpose. (Speci fications furnished on request.) Iftfden Endurance Paint covers approximately 400 to square feet per gallon, 2 coats. ase-Coat--New wood should be primed with Glidden. le-Coat. The use of this specially prepared first coater -iiiates blistering and peeling, and insures longer wearisand better finished results on any kind of wood, par tly the porous, resinous and sappy types. aserCoat covers approximately 300 square feet per gal2 coats. tew Work, Specification 1 si': Coat--Glidden Base-Coat applied as it comes in the jntainer. (Under no condition should this material be re iced.) Allow 72 hours to dry. jOTE: After the priming coat has dried thoroughly, putty Jnail holes, cracks, etc. with a first quality linseed oil $7? llCoat--Brush on coat of Glidden Endurance Paint Prepared) thinned with a pint of turpentine to each gal~a*:Allow this coat to dry 72 hours or more. Coat--A well brushed out coat of Glidden Endurance it (Prepared) as it comes in the container. Id Work JThe surface to be repainted shall be dusted free from all `foreign matter, loose paint removed by wire brushing and "craping, and rust removed from all eaves, downspouts, or tsbings. Loose boards or siding shall be renailed and ; pairs made to siding over drip caps and window and headers. The open spaces around door casings, winWws and corner boards shall be puttied, sr?-'* ecification 2 -^fPoat--Apply Base-Coat over the entire surface, work57-E--.*t well into all spots that have become bare. (Alter- ate:--If Base-Coat is not available reduce Glidden En trance Paint (Prepared) with one quart of linseed oil xa one pint of turpentine to each gallon for application . .wthe south and west sides of the house and with one .,qoart of turpentine and one pint of linseed oil for the east and north sides.) Jpd-. Coat*--This final finishing coat shall be Glidden EnJ^nce Paint (Prepared) as it comes in the container. IITANO.ZINC is made with titanated pigments which give hiding quality and a brilliant whiteness. It is offered an alternate to Glidden Endurance Paint (Prepared) for who prefer a paint with Titanium base instead of id. It is recommended in smoky districts where fumes are prevalent. It is regularly supplied only in white but cl red as desired by adding Glidden Pure Colors ^ian-O-Zinc covers approximately 400 to 425 square e* Per gallon, 2 coats. Specification 3 as Specification 1 substituting Glidden Titan-O-Zinc and third co t^Cn n<^urance Print (Prepared) in second WOOD SHINGLE SIDING AND ROOFS ENDURANCE SHINGLE STAINS are high grade opaque stains used to prevent warping, curling, splitting and general decay of the wood as well as supply permanent and decorative color. Brushing: -- Endurance Shingle Stains cover approxi mately 150 SQuare feet per gallon, 1st coat; 100 square feet per gallon, 2nd coat. Dipping:--Two-thirds dip on 1000 shingles will require approximately 3 gallons of Stain. New Work, Specification 4 1st Coat--Dip two-thirds of the length of the shingle into Endurance Shingle Stain of consistency supplied by Glid den. Stack loosely to allow proper penetration and drying. 2nd Coat--After shingles are laid apply one full brushing coat of Endurance Shingle Stain as it comes in the con tainer. Old Work On old work Endurance Shingle Stains can be applied by either brushing or spraying although the brushing applica tion is recommended. Particular care shall be exercised to see that all portions, particularly the edges of the shingles, are well coated. Two coats are recommended and in such instances the first coat shall be reduced 25% with raw linseed oil. COMPOSITION ROOFS . . . ENDURANCE ROOF COATING is a pure asphalt suitable for reconditioning and waterproofing all types of composition roofs. Insures protection against water, weather, alkali, common acids, gases, fumes, etc. Applied with regular roof brushes. EXTERIOR WOOD SURFACES (Varnished) Including Porch Ceilings, Doors, Trim, Etc. GLIDDEN OIL STAINS are permanent, non-fading pigmented stains that require but little wiping and are recommended for all exterior work. Glidden Oil Stains cover approximately 800 square feet per gallon, 1 coat. GLIDDENSPAR is recommended as the finest varnish available today for either interior or exterior use. It is made from bakelite and synthetic type resins which are the latest developments in varnish re search and manufacture. 5 1940-SWEET-00446 EXTERIOR FINISHES (Cont'd) Gliddenspar is pale in color, will not turn white from water, and is impervious to alcohol. Specification 5 1st Coat--After sanding wood to a smooth surface, brush on a coat of Glidden OH Stain. Wipe off excess stain with a soft cloth. Allow 24 hours to dry. 2nd Coat--(Open grained wood only) Sand and fill with Glidden Paste Wood Filler reduced as needed with tur pentine or naphtha. Wipe before Filler becomes hard, rub bing across grain and hard enough to force the Filler into the pores and remove excess. 3rd Coat--Brush on one coat of Gliddenspar Varnish in the consistency as supplied by the manufacturer and allow to dry. 4th Coat--(Same as 3rd Coat.) NOTE: Don't use Shellac anywhere in a schedule em bracing Synthetic Varnishes. WOOD PORCH FLOORS . . . PORCH AND DECK PAINT is a wear-resisting, pro tective and decorative coating for exterior porch floors. Porch and Deck Paint covers 600 to 700 square feet per gallon, 1 coat. Specification 6 1st Coat--One brush coat of Glidden Porch and Deck Paint thinned with one quart of pure linseed oil and one pint of pure turpentine to the gallon. 2nd Coat--After 72 hours, apply a full flowing coat of Glidden Porch and Deck Paint thinned with one pint of pure turpentine to the gallon. 3rd Coat--Allow 48 hours for drying and apply a full coat of Glidden Porch and Deck Paint as it comes in the con tainer. CONCRETE, STUCCO and BRICK . . . LIQUID CEMENT COATING is for damp-proofing and rendering uniform exterior surfaces of concrete, stucco, etc. It is composed of carefully selected pig ments and specially prepared oils which produce an extremely durable and water-resisting semi-gloss finish. Liquid Cement Coating covers 300 to 500 square feet per gallon depending on the porosity and texture of the sur face. New Work, Specification 7 1st Coat--To each gallon of Glidden Liquid Cement Coat ing add one pint of Glidden Liquid Cement Mixing Liquid and brush well into the surface. Allow 36 to 48 hours to dry. 2nd Coat--Brush on a coat of Liquid Cement Coating as it comes in the container. Allow 72 hours for drying. 3rd Coat--One additional coat brushed on evenly (as sup plied by the manufacturer.) OLD WORK Remove all loose paint from old surfaces. Touch up bare spots with Glidden's Liquid Cement Coating that has been thinned 25% with Liquid Cement Mixing Liquid. Specification 7A 1st Coat--Apply one coat of Liquid Cement Coating, of color selected, to the entire surface after having reduced it in the ratio of four to one with Liquid Cement Mixing Liquid. 2nd Coat--The second coat shall be Liquid Cement Coat ing applied full body and brushed well onto and'into the surface. STRUCTURAL STEEL AND METAL ORNA MENTS . . . LIQUID RED LEAD is recommended wherever a shop coat of red lead is specified. It comes ready- apply, is extremely elastic, and is an excellent r preventative. :J NEV-A-RUST embodies every requirement of a h grade metal protective paint. It is the result of ye of research and observation of the product in actuse. i Nev-A-Rust covers 600 to 700 square feet per galloi coat. ,-j The combination of these two materials, if applied as h< after specified, will adequately protect all the coated m of any structure from the destructive elements. .j NOTE: It is impossible to overestimate the need of absolutely clean and rust-free steel which must be obtai by thorough sand blasting or wire brushing. Specification 8 Shop Coat--A priming coat of Glidden Liquid Red L as it comes in the container to be applied at the mill.:? 1st Field Coat--A brush cpat of Glidden Nev-A-R of color selected, as it comes in the container. 2nd Field Coat--(Same as 1st Field Coat.) .v NOTE: By alternating the colors of the material use the Field Coats, the architect secures a color contrast tween the coats which insures thorough workmanshij inspection. GRAPHITE LIQUID PAINT is recommended for on any metal surface. It is offered as an alternat Nev-A-Rust for those who prefer a graphite t paint for this use. Its heat resisting qualities mal especially good for painting chimneys, boilers. Specification 9 Same as Specification 8 substituting Glidden Graj Liquid Paint for Glidden Nev-A-Rust. METALLITE (Aluminum Paint) is a product of usual covering and hiding ability excellent foi exterior surfaces both hot and cold. It may be i as a priming coat to be covered with Glidden durance Paint (Prepared) or other exterior pain it may be used as a finish coat over Glidden Ne^ Rust or Base Coat where an Aluminum finis desired. GALVANIZED IRON . . Specification It The galvanizing process leaves on the surfac the iron a film to which most paint will not adl It is therefore, necessary to prepare galvanized in a special way, no matter what the final coats : be. The most satisfactory method of preparing the is to apply a brush coat of the following solut dissolve 1 ounce each of Chloride of Copper, Ammoniac and Nitrate of Copper in yz gallo water in an earthenware vessel. When dissol add 1 ounce of Hydrochloric Acid. Allow 24 h to dry and then use a stiff brush to remove the i der which has formed. Best results are obtained by immediately follow with one coat of Glidtite Galvanized Iron Pri Follow with Glidden Endurance Paint ( pared), Nev-A-Rust or other exterior paint. 6 1940-SWEET-00447 EXTERIOR FINISHES (Cont'd) SMOKE STACKS, PIPES and OTHER HOT SURFACES . . . ASMOKE STACK BLACK is so formulated that it will fbake hard to the metal, practically becoming a part of it and forming an excellent protective film. liSpecification 11 One Coat--Remove all grease spots and foreign matter 'roro the surface and brush on one heavy coat of Glidden Smoke Stack Black of a consistency as supplied by the aanufacturer. METAL ROOFS . . . TINNER'S RED is a popular sheet metal paint, per manent in color and absolutely waterproof. It is quick-drying and elastic; withstands rigid metal bending tests. Covers approximately 700 square feet per gallon, 1 coat. Specification 12 One Coat--Remove all rust, scale, grease, dirt, etc. from the surface. Apply one coat of Tinner's Red as it comes in the container. NEV-A-RUST . . . (See Specification 8) GUTTERS, DRAINS and FLASHINGS . . . (See Specification 8) RIPOLIN ARCHITECTURAL ENAMELS For Fine Exterior and Interior Enamel Finish RIPOLIN is internationally known as a fine, durable eiiamel. The secret process by which it is manufac;:tured, together with the aging of the essential oils, makes BLT Ripolin Enamel a super-product. It actually improves with age; there are numerous -public buildings and fine homes in the United States where 15 years of continuous service have not ^dimmed the lustre and beauty of Ripolin. 'he ever increasing demand for a quicker-drying product resulted in Q.D. Ripolin which was de veloped after years of careful research. Q.D. Ripolin vdries in a much shorter length of time than BLT Ripolin but still retains all of its outstanding qualities. Q.D. Ripolin is manufactured in 18 washable, mod ern colors, carefully selected by authorities on architure, and color harmony. This enamel smoothes ^gway to a glossy, tile-like finish, free from brush rks and will give lasting beauty to all surces where a high grade enamel finish is desired, ipolin is furnished in High Gloss, Semi-Gloss JCEgg-shell) and Dead Flat White. Any finish de sired between the High Gloss and Dead Flat can be obtained by intermixing in varying proportions. To obtain any of the lighter shades, White Ripolin may be tinted by the use of pure color ground in Japan, ||p?*iing down the color with a small quantity of jentine and adding slowly to the enamel until the esired color is obtained. The addition of a large fgnwjuit'of coloring matter to obtain any of the darker shades is not recommended. We will supply Sibber shades on order. Ripolin is to be used in colors, Ripolin Un seat tinted the same shade as the finishing coat 'jild be used. _4I>olin of itself will show a perfectly smooth, even hrface without brush-marks, but will not cover cgularities in the under-coating. For this reason at care should be exercised to keep the working pots, brushes and surface to be worked on free from dust, grit, or other foreign matter. For extremely fine work, where there are two coats of enamel to be applied, the first coat of enamel should be rubbed with pumice rather than with sandpaper or steel wool. Do not thin the finishing coat of Ripolin. NEW EXTERIOR WORK . . , Exterior finishes on Ripolin-enameled homes are ex tremely durable with permanency of lustre and depth of beauty. A Ripolin surface because of its enamel-like finish does not hold the soot and grime. It cleans easily and always maintains extreme whiteness. Ripolin First Coat covers approximately 300 square feet per gallon, 2 coats. Exterior Ripolin covers approxi mately 360 square feet, 2 coats. Specification 13 1st Coat--A priming coat of Glidden Base-Coat applied without reduction as it comes from the container. Allow 72 hours for drying. 2nd Coat--A full coat of Exterior Ripolin First Coat. Allow 72 to 96 hours for drying. 3rd Coat--Exterior Ripolin First Coat reinforced with 1 quart Exterior Gloss Ripolin to the gallon. Allow 96 hours for drying. 4th Coat--A good full coat of Exterior Gloss Ripolin as it comes from the container. NOTE: Third coat may be eliminated where cost is a vital factor. NEW INTERIOR SOFT WOOD . . . Specification 14 1st Coat--A priming coat of Ripolin Enamel Undercoat, thinned with 1 quart of raw linseed oil and 54 pint of pure turpentine to the gallon. Allow 48 to 72 hours ior drying. 2nd Coat--Full coat of Ripolin Enamel Undercoat. Allow overnight to dry. 3rd Coat--Full coat of Ripolin Enamel Undercoat. Sand paper this coat to a smooth surface. 4th Coat--Ripolin Enamel Undercoat reinforced with 54 gallon Gloss Ripolin added to the gallon. Sandpaper lightly after drying. Sth Coat--A good flowing coat of Ripolin Enamel. This coat may be thinned with 54 pint of pure turpentine to the gallon. Allow 96 hours for drying; rub smooth with pumice and water. 7 1940-SWEET-00448 RIPOLIN ARCHITECTURAL ENAMELS (Cont'd) 6th Coat--A good flowing coat of Ripolin Enamel as it comes in the container. DO NOT THIN FINISHING COAT OF RIPOLIN. NOTE: If expense is of prime importance, 2nd or Sth coats may be omitted, or, if desired, both. NEW INTERIOR SAPPY WOODS ... Specification 15 1st Coat--A priming coat of Ripolin Enamel Undercoat, thinned with \z/2 pints of raw linseed oil and ll/2 pints pure turpentine to the gallon. Allow 48 to 72 hours for proper drying. NOTE: After applying first coat, all woodwork should b< thoroughly rubbed down with fine sandpaper or steel wool, NEW INTERIOR OPEN-GRAINED WOODS Specification 16 1st Coat--A coat of Glidden Paste Wood Filler should be rubbed well into the surface. After this is dry and hard sandpaper the work thoroughly. 2nd Coat--A priming coat of Ripolin Enamel Undercoat, thinned with 1 pint of raw linseed oil and 1 pint of pure' spirits of turpentine to the gallon; sandpaper to a smooth surface after thorough drying. Follow Specification 14 from this point. INTERIOR WALL FINISHES PLASTER WALLS (ROUGH and SMOOTH) and WALL BOARD . . . General Instructions All wall- surfaces should be carefully checked for "hot" spots caused by excessive lime in the body coat. A litmus paper or phenolphthalein applied to those spots that indicate an alkaline condition should be used to prove whether such a condition exists. All plaster on which "hot" spots appear should be washed previous to the painting with a neutralizing solution made of at least 3 pounds of zinc sulphate dissolved in a gallon of water. Allow this application to dry thoroughly and brush all zinc crystals from the surface. New walls should be carefully pointed up before priming, cracks should be widened to at least and filled flush to the surface with a mixture made of *4 Part of plaster of Paris to 34 parts of whiting by weight. This is mixed to an easy working con sistency by the addition of a good grade of varnish. Quick setting of the mixture indicates too much plaster of Paris and the addition of more whiting and varnish will ease working conditions. FLAT WALL FINISHES . . . SPEED-WALL FLAT is manufactured in 14 modern pastel shades. It dries to a soft finish with a slight sheen that indicates its washability. Speed-Wall Flat covers approximately 400 square feet per gallon on smooth plaster, 1st coat. 450 to 600 square feet per gallon on smooth plaster, 2nd coat. New Work, Specification 17 1st Coat--Speed-Wall Mixing Size to which has been added an equal amount of Speed-Wall Flat in the color selected for finishing coats. Allow overnight to dry. 2nd Coat--Speed-Wall Flat as it comes in the container. Allow overnight to dry. 3rd Coat--(Same as 2nd Coat.) CASEIN PAINT ... REFLECT-O-LITE is a paint furnished in semi-paste form that differs from other types of water paints in that casein is used in making the vehicle and has 8 the faculty of producing unusual adhesion. Its pig ment is lithopone commonly used in practically all types of wall finishes. Reflect-O-Lite covers solidly with one coat and has no lingering or strong penetrating odors. The instances where size is necessary are few. Reflect-O-Lite is quick drying. It is economical because it can be thinned with water but in this respect it is different from Kalsomine because it is washable. New Work, Specification 18 Surface Preparation--Only in those instances where there are indications of uneven suction or porosity of the sur face is a primer necessary. When priming is recom mended use Speed-Wall Interior Base-Coat. After primer has dried apply one coat of Reflect-O-Lite after reducing each gallon of this material with one-half gallon of water. 2nd Coat--In extreme cases a second coat may be advis able. Old Work Surface Preparation--The surface to be painted shall be cleaned free from dirt and grease while loose paint, Kal somine, and other foreign matter shall be entirely removed. Fill all cracks, nail holes and damaged spots with Patch ing Plaster. Prime all patches. Add one part of water to two parts of Reflect-O-Lite ` slowly and stir continually until evenly mixed. Apply by ! brushing, flowing out evenly to avoid brush marks. SEMI-GLOSS WALL FINISHES ... :j SPEED-WALL SEMI-GLOSS is a quick-drying, low-! lustre finish, highly recommended for use in hos- j pitals, hotels, public buildings, schools, apartment] houses, offices and homes. It . can be washed re- ] peatedly and easily without harming the finish. \ Speed-Wall Semi-Gloss covers approximately 400 square feet per gallon on smooth plaster, 1st coat. 500 to 525 - square feet per gallon on smooth plaster, 2nd coat. }, 4 New Work, Specification 19 f 1st Coat--Apply Speed-Wall Interior Base-Coat reduced in \ the proportion of one quart of naphtha to the gallon. Four 3 hours drying time is sufficient with good drying conditions, f 2nd Coat--Speed-Wall Semi-Gloss as it comes in the con- tainer. . Allow overnight to dry. 1 3rd Coat--(Same as 2nd Coat.) -j GLOSS WALL FINISHES ... SPEED-WALL GLOSS is a high grade wall finish with easy working properties and is very well 1940-SWEET-00449 INTERIOR WALL FINISHES (Cont'd) llapted to kitchen and bathroom walls and other "" faces that must be washed or cleaned frequently. aeed-Wall Gloss covers approximately 400 square feet r^gallon on smooth plaster, 1st coat. SOO to 550 square per gallon on smooth plaster, 2nd coat jew Work, Specification 20 %Coat--Apply Speed-Wall Interior Base-Coat, reduced je proportion of one quart of naphtha to the gallon. _!(bba*--'Speed-Wall Gloss as it comes in the container, few overnight to dry. Wcdat--(Same as 2nd Coat.) fjd Work, Flat Semi-Gloss or Gloss I?old surfaces shall be carefully cleaned free from grease, >ke and other foreign matter. jjgjj-face Preparation.--Large cracks shall be filled with `aster of Paris and then sized with either Speed-Wall sjnor Base-Coat or Shellac. Reification 21 __~Coat--Reduce Speed-Wall Interior Base-Coat 25% nth naphtha for a primer sealer coat. $njij Coat--Apply Speed-Wall, Flat Semi-Gloss or Gloss, lin the consistency found in the package. frd Coat--If a third coat is necessary this too shall be ied-Wall in the sheen selected, applied full body. >QLtN ENAMEL . (See Ripolin Section-- nficotion 14 'AS COVERED WALLS ... fw same specifications as for New Plaster J17- pVOOD PANEL WALLS . . . |ENDURANCE WOOD STAINS are penetrating stains ghfch- greatly enhance the natural beauty of all They require no wiping. Inrance Wood Stains cover approximately 1000 square tgper gallon, 1 coat. p'deification 22 ^.l)Coat--A full coat o Endurance Wood Stain of the [color selected. NOTE: On open-grained woods apply a wash coat of shellac after stain is dry. Fill with Glidden Paste Wood Filler reduced, as needed, with turpentine. Wipe, rub bing across grain, as filler sets. Sandpaper to a smooth surface. Succeeding Coats--Two or more coats of Wearette Var nish, of a consistency as supplied by Glidden, until desired finish is obtained. NOTE: Flat Finish . . . LIK-A-RUB dries with a rubbed or egg-shell effect without the expense of the very costly rubbing operation. Apply as a final finish coat after application of Wearette Varnish. Lik-A-Rub covers approximately 400 square feet per gallon, 2 coats. Metal Surfaces Metal surfaces require no priming. Use one or two coats of Speed-Wall in the desired sheen just as it comes from the can. FACTORY INTERIOR WALLS . . . SPRAY-DAY-LITE--An unusual mill white in either Semi-Gloss or Gloss which will cover any surface no matter how smoky or black, in one coat; be free from sags, runs, chipping or peeling of solid sur faces; wash like tile; give three to eight years service. Suitable for use on, wood, concrete or steel. Spray-Day-Lite is made in three forms: (1) Regular for all surfaces under ordinary, conditions; (2) Fume-proof for use where chemical or other fumes which tend to dis color the painted surfaces are present; (3) Fungi-proof for use where dampness or other conditions create mold, etc. ADDITIONAL INFORMATION ON REQUEST Specification 23 One Coat--Spray or brush will cover any surface and will give a high percentage of light reflection. NOTE: For dado trim Florenamel is ideal. It has ex cellent coverage and adhesion to the surface and will stand constant washing. One full brush coat is sufficient on a properly sized and sealed surface. INSULITE WHITE--a sanitary, water-proof, purewhite paint for industrial interiors. PLI-NAMEL . . . (See Specification SO) EpTS'" - INTERIOR FLOOR FINISHES [OPEN-GRAINED WOOD ... jP'ORETTE VARNISH is the highest grade of floor manufactured: heavy body; extreme full- high gloss; waterproof; scuffproof, and emely elastic. Formulated with latest types of resins. Varnish covers approximately 400 square feet Mzf&on, 2 coats. Work, Specification 24 selected"^ ^ coat of Endurance Wood Stain of color grained woods only) A brush coat of uentm*. /^durance Paste Wood Filler, thinned with turexrecc cnr n^P^tha to the proper consistency. Remove all geess filler by rubbing across the grain. 3rd Coat--Floorette Varnish reduced 107c with turpen tine. Succeeding Coats--To be Floorette Varnish, applying necessary number to get desired results. Allow 24 hours between each coat. Waxing--Apply a thin coat of Jap-A-Lac Wax with a soft cloth. Allow 20 minutes to dry and polish. Old Work The surface shall be cleaned free from dust, dirt, wax and all other foreign matter, as well as being perfectly dry. Portions of floor surfaces that have become worn, such as at door entrances, shall be carefully washed and bleached to remove stains. Surface Preparation--Make as many applications of di luted stain as may be necessary to match the color of the floor surface. Open grained woods shall be filled. All stained and filled spots shall receive an application of Glidden's Floorette reduced 10% with turpentine. 1940-SWE.ET-00450 INTERIOR FLOOR FINISHES (Coat'd) Specification 25 1st Coat--The entire floor surface shall receive one coat of Glidden's Floorette reduced 10% with turpentine. 2nd Coat--After the first coat has dried 24 hours apply one full flowing coat of Glidden Floorette without re duction. Portions of floor surface that have become worn shall r< ceive a coat of Florenamel in the color selected, which ha been reduced 10% with turpentine. Finishing Coat--The entire floor surface shall receive on coat of Florenamel applied in the consistency found i the can. RAPID-COTE is a quick-drying All-Purpose Varnish that can be substituted for Floorette in any of the floor finishing specifications. SOFT WOOD (Stain) .... (Same as Specification 24 omitting the 2nd Coat of Paste Wood Filler) NATURAL WOOD FINISH . . . Specification 26 1st Coat--Brush on full coat of Glidden Paste Wood Filler reduced as desired with turpentine or naphtha. (Omit Wood Filler coat on close-grained woods.) Allow to set 15 to 20 minutes and rub off excess Filler remain ing on surface, wiping across the grain. 2nd Coat--After Filler is dry, apply a coat of Floorette Varnish reduced 10% with turpentine. Succeeding Coats--Full coats of Floorette Varnish until desired effect is obtained. Allow 24 hours drying time between coats. PAINTED WOOD FLOORS , . . FLORENAMEL is a sanitary, extremely tough coat ing for interior floors; will withstand hard wear and repeated washings; made in a wide range of popular colors. Florenamel covers approximately 500 square feet per gallon, 1 coat. New Work/ Specification 27 1st Coat--Glidden Florenamel, of color selected by the architect, reduced with one pint of turpentine to the gallon. Allow overnight to dry. 2nd Coat--Glidden Florenamel as it comes in the con tainer. If additional coats are desirable, allow overnight to dry between coats. INTERIOR PAINTED FLOORS . . - Old Work Specification 28 The surface shall be cleaned free from dust, dirt, wax and all other foreign matter, as well as being perfectly dry. GYMNASIUM FLOORS . . . New Work, Specification 29 1st Coat--Apply Glidden Gym Floor Varnish liberally t impregnate entire surface. 2nd Coat--After first coat has dried for 24 hours apply ; second coat. Old Work Surface Preparation.--Clean floor of all stains, rubbe bums and foreign matter. --Apply one coat of Glidden Gym Floor Varnish. CONCRETE FLOORS . . . PLI-NAMEL has Pliolite as its basic ingredient. Ii is recognized as a long wearing finishing materia; for cement floors, for resistance to moisture, alkali and acid. It is very tough and will withstand hare wear. Before applying Pli-namel, floors should be etched wit! a 10% dilute muriatic acid. This should be removed frotr. the surface with water after 15 minutes. Specification 30 1st Coat--Pli-namel requires no primer. Brush on one coat of Pli-namel, reduced 25% with mineral spirits, into the surface and allow to dry from 24 to 48 hours. 2nd Coat--Brush on a coat of Pli-namel, as supplied by the manufacturer. NOTE: Two coats complete the average job; however, an additional coat, same as 2nd coat, may be added if required, after 24 hours of drying. ; FLORENAMEL OR CONCRETE FLOOR DRESSING may be used on concrete floors where cost is a vital factor. Use Speci fication No. 27. MASTICRETE is an excellent, economical product for patching or resurfacing floors, and is particu larly good for repairing concrete floors in factories^ warehouses and basements, and on sidewalks, load*? ing platforms, runways, etc. It can be applied in any thickness--works down to a feather edge--and will bond securely to any clean, firm surface. \ ADDITIONAL INFORMATION ON REQUEST | INTERIOR WOOD WOODWORK AND TRIM HARDWOOD (Stain) . . . WEARETTE VARNISH is a high grade varnish for the finest interior use. It is light in color, extremely elastic, and durable. Wearette Varnish covers approximately 400 square feet per gallon, 2 coats. New Work, Specification 31 1st Coat--One coat of Endurance Wood Stain, of color selected. TRIM FINISHES * 2nd Coat--After Stain is thoroughly dry, apply a coat of pure Shellac, that has been thinned 50% with alcohol. A 3rd Coat--(Open grained wood only) Brush a coat o| Glidden Endurance Paste Wood Filler thinned with tu pentine or naphtha to the proper consistency. Rub off excess Filler, wiping across the grain. Allow 18 to 24 hours for drying, and then sandpaper thoroughly to a smooth surface. Succeeding Coats--To be Wearette Varnish. Apply two or more coats to get desired results allowing 24 to 36 hours drying time between coats. NOTE: Wearette Varnish may be rubbed down to a duff finish after drying 72 hours. 10 1940-SWEET-00451 INTERIOR WOOD TRIM FINISHES (Cont'd) j j , Flat Finish . . . Lik-A-Rub dries with a rubbed e-shell effect without the expense of the very costly Wine operation. Apply as a final finish coat after apon 0 Wearette Varnish. Rub covers approximately 400 square feet per jyfr 2 coats. d e n s p a r is recommended for interior work Ssed to severe conditions, such as window sills, d furnishings of hotels, clubs, restaurants, wherever a long oil varnish which will not Isvhite from water is required. Specification 5--page 6. JQD-COTE VARNISH is a new synthetic, four jffvarnish that dries rapidly, staying wet just vqnough to permit free brushing, and that does Jshow brush marks or laps. It is absolutely Jr-proof, pale in color, elastic and very durable. Sas primarily developed for floors and is caple of resisting the wear and abuse to which floors ^subjected, consequently, it qualifies as a fine ?~h for any interior work where a quick-drying lish is required. id Work, Specification 32 "ter. thoroughly cleaning the surface and allowing it to ";jail chipped, scratched, stained or bare spots shall be .touched up with a stain matching the color of the original finish. After such patches have been dried they shall receive a coat of shellac. Finishing Coat--The entire surface shall receive two coats of Gliddenspar or Wearette, allowing 24 hours between coats for thorough drying. Flat Effects--If a flat or rubbed finish is desired, the first coat shall be Glidden's Wearette followed with a final or finishing coat of Lik-A-Rub. SOFT WOOD (Close-Grained) (STAIN) Specification 33 (Same as Specification 31 Omitting 3rd Coat of Paste Wood Filler) HARDWOOD (Open-Grained) Natural Wood . . . Specification 34 1st Coat--Brush on full coat of Glidden Paste Wood Filler reduced as needed with turpentine or naphtha. Remove all excess filler by rubbing across the grain. Allow over night to dry. 2nd Coat--Apply a wash coat of shellac. 3rd Coat--Sand with fine sandpaper and apply a full coat of Wearette Varnish reduced 10% with turpentine. Allow 24 to 36 hours for drying. Succeeding Coats--Full coats of Wearette Varnish until desired effect is obtained, allowing 24 to 36 hours between coats for proper drying. MISCELLANEOUS FINISHES >IATORS . . . ALLITE dries with a film that closely resembles JAP-A-LAC GOLD AND ALUMINUM give a metal lic finish and are suitable for use on hot surfaces. iinum metal. It is heat-resisting and specially Adaptable to radiators. Covers in one coat and idries to a smooth surface and will not collect dust dirt. SPEED-WALL FLAT is so formulated that it retains its color even after being subjected to a high tem perature for a long period of time. Speed-Wall Flat is made in 14 attractive colors. tOMATIZED PRIMER, as a radiator primer, has good adhesion for the metal and unusual rust-in- iting qualities. Specification 35 st Coat--Brush on a coat of Chromatized Primer in the consistency supplied by Glidden. Allow overnight to dry. ^ Coat--One coat of Metallite. SWIMMING POOLS . . . Past experiences in the finishing of swimming pools have demonstrated the necessity of treating each pool as an individual case. If the architect will supply all the facts that the painter has to consider, the Glidden Company Architectural Service will recommend a specifica tion that will cover the finishing of any type of swimming pool. sNOTE: Metallite is supplied in a compartment can and important that the powder be well dispersed in the Vehicle before application of the material. BARNS AND FARM BUILDINGS . . . (See Specification 1) ADDITIONAL ARCHITECTURAL FINISHES Ad-El-Ete Hygienic Kalsomine d-El-Ite Paint and Varnish Re mover rchitectural Enamels Table-Top Varnish pn and Roof Paint .filings-Chapin Dricoat -iUings-Chapin Driwall Piston Liquid White Lead endurance White---Semi-Paste Flat Brick Red Flatting Oil Jap-A-Lac Enamel Japan and Liquid Driers Liquid Roof Cement Metal Protective Paint Paste and Semi-Paste Paints Polishes and Waxes Post Ad Bulletin Colors Pure Colors in Oil Ren-O-Wax Reflect-O-Lite Washable Cold Water Paint Shellac Speedoleum Varnish Titan-O-Zinc Enamel Titan-O-Zinc White Paste Paint Water Tank Finishes Weathercote Emulsified Asphalt Zinc Dust Paint Zinc-O-Lith Enamel Zinc-O-Lith House Paint Zone Marking Paint--Romark FOR FURTHER INFORMATION WRITE THE GLIDDEN COMPANY, CLEVELAND, O. 11 1940-S WEET-00452 17 11 GLIDDEN QUALITY Since 1870, GLIDDEN Paints, Varnishes, Lacquers and Enamels have been known for their fine quality. NOW--that quality is doubly assured to paint buyers by the fact that all outstanding GLIDDEN Products carry the famous "TIME-TESTED" trademark, which is recog nized everywhere as absolute proof of dependable quality in Paints. DUTCH BOY "GOOD PAINT'S OTHER NAMES ``Good paints other name" is a statement often made in referring to white-lead. But it is-more than just a slogan. Actually it expresses the ex of thousands of architects, owners and painting contractors who have spec! applied Dutch Boy white-lead on many thousands of buildings ... who havel Dutch Boy withstand years of weather exposure ... who have seen Du|| beautify the finest interiors. Today, white-lead is accepted as the standard in quality paint. The specific^ Dutch Boy white-lead and Dutch Boy products is recognized as an assuralf quality paint job--one that protects both an owner's property and his po3f THE PAINTING SPECIFICATIONS The specifications for painting and finishing contained in this hooklet are dividect; parts: Section A and Section B. Section A contains those clauses which specify the materials to be used and outlf general manner in which the work shall be carried forward. Section B contains the directions for surface preparation and application of the paittf particular surfaces to be painted. In preparing specifications for the painting contractor, it will be necessary to inelu* those paragraphs that cover the exact work to be done. For the user's convenience! employed letters and numerals to designate the sections, their main divisions and"4 graphs of the latter. If desired, detail of work to be done as outlined in Section B is the only part whic. written out in full. The details of materials and workmanship may then be covered| following clause: All painting work under this contract, except as hereinafter specified, shall executed in strict conformity with the Painting Specifications covering the us< of Dutch Boy Products as issued by National Lead Company, which Specification are hereby declared and made part of this specification, with the same force: an effect as if written herein in full. INDEX General Requirements........................................... 3 Materials Specification______________ Painting New Exterior Wood 4. . .4 Painting Shingles 4.......................................................... ................................. Repainting Exterior Wood ... ......... 4 Repainting Shingles........ 4............................ ................................. Two-Coat Painting on New Wood ................. 5 Painting Brick........................................................................ Painting Stucco, Stone. Concrete .................... .5 ........................... 5 PaintingTnterior Plaster ..................... 6.......................... Painting Wood Floors 6....................................... ................................. Painting Concrete Floors -Ai................................. Painting Interior Wood '.-M................................ Painting Metal . ............................................. Painting Metal When Quick-Drying is Required ............. ................................ 1 White-Lead--the Modern Pigment Volume Mixing ..... ........................ .. ................... ................. How Should Paint Wear.............................. White-Lead for Interiors . ..................... -- Red Lead for Metal Dutch Boy Products . ...................................... ........................ - - i NATIONAL LEAD COMPANY 1H BROADWAY NEW7 YORK. X. Y. Branch addresses art> {jsfprf on baric rorpr. BOY PAINTING SPECIFICATIO 1940-SWEET-00455 12 19 A I X T I A G SPECIFICATIONS Covering the Use of dut ch Srv bo y p a in t pr o du c t s Notes Regarding Specifications If desired, the general requirements and workmanship, as set down in Section A, can be omitted in detail and covered by the following clause: All painting work under this contract, except as hereinafter specified, shall be executed in strict conformity with the Painting Specifications covering the use of Dutch Boy Products as issued by National Lead Company, which Specifications are hereby declared and made part of this specification, with the same force and effect as if written herein in full. SECTION A PART I GENERAL REQUIREMENTS GENKKAI. CONDITIONS I'-General Conditions of the American Institute of Architects. st.edition, shall form a part of these specifications, and all work subject to the provisions thereof, insofar as they apply to -under these specifications. rORK INCLUDED lie painting contractor shall supply all labor, materials, tools, and equipment necessary and shall perform all painting and tiing'work in connection with the building described as follows: |<Here describe generally the work which is to be painted.) .-.(Here also describe work which is to be primed under other locations but finished under these specifications.) Dr a w in g s Che painting contractor shall be furnished with all drawings, ^s'.and other information necessary for the painting of all classes prk which are to receive a painted finish. i the event of any doubt or question, respecting the drawings jpr.-'specifications, reference shall be made to the architect whose sipn thereon shall be final. SAMPLES ^Samples of all finishes shall be submitted to the architect for roval before applying, and finished work shall match same. jJhe painting contractor shall carefully inspect each surface beL^PPlying any finish and, if same is not in proper condition, he Tnotify the architect in writing. Otherwise the contractor will ||W responsible for any defects in the finish arising therefrom. 7. STORAGE The painting contractor shall store his materials in one place in the building, and such storage place shall be kept neat and clean and all damage thereto or to its surroundings shall be made good; care being taken in the storage of paints, oils, etc. to prevent all danger of fire. Oily rags shall be removed from the building every day upon the stopping of work. 8. CLEANING Upon completion of the building, the painting contractor shall re move all paint spots from all finished work, and shall leave the entire premises free from rubbish caused by his work; and shall remove his equipment from the premises. He shall present the work clean and free from blemish. (Washing glass is not intended to he included in this specification. If the architect wishes it to be included, he should specifically mention it.) 9. EXTRAS The painting contractor shall not be entitled to payment in excess of the amount agreed upon in his contract for any extra work over and above that specified herein, unless authorized in writing by the architect or his superintendent. 10. PROTECTION o f w o r k It shall be the painting contractor's responsibility to protect his work, and the work of all other contractors during the time his work is underway. He shall be responsible for any and all damage to the work or property of others caused by his employees or himself. fSPECTION "The architect, cr his duly authorized representative shall have ?th at all times to ttvery reasonable the stock of materials and shall facility for ascertaining that the be furnished workmanship |||i_accordance with the requirements and intent of these specifi- r Defective work shall be made good and unsuitable materials IS* Rejected. The architect reserves the right to replace both at ||pense of the painting contractor. ^ALTERATIONS a n d r e mo d e l in g work f^at is removed and reset or that is affected in any u alteratins and remodeling, shall be refinished to match snished surfaces adjacent thereto. 11. WORKMANSHIP (a) Before any painting is done, all surfaces shall be clean, smooth and free from dust, dirt," grease, mortar, rust and other foreign sub stances and all parts where paint remover has been used shall be washed off with turpentine or benzine. (b) All paint shall be evenly spread and thoroughly brushed out. (c) No coat of paint shall be applied on a wet or damp surface and in no case until preceding coat is dry and hard. (d) No painting shall be done on outside work in extremely cold, frosty, foggy or damp weather. Painting done in winter weather shall be done only when the temperature is above 50 F. and when all surfaces are dry. J't c h bo y p a in t in g s p e c if ic a t io n s 1940-SWEET-00456 19 SECTION A PART II MATERIALS 12. GENERAL All materials for painting shall be delivered at the building in un broken packages, bearing the manufacturer's brand and name, and shall be used without adulteration. The following materials are covered in these specifications: whitelead, colors in oil, linseed oil, Lead Mixing Oil, flatting oil, wall primer, turpentine, drier, varnish, shellac varnish, putty, and redlead. 13. MIXING All paint shall be mixed at the job in a manner to assure the proper incorporation of the ingredients and in conformity with formulas as given hereinafter. 14. MATERIALS (a) White-Lead--All white-lead shall be pure white-lead of Dutch Boy brand which conforms to the latest specifications of the American Society for Testing Materials. (b) Red-Lead--All red-lead shall be pure red-lead of Dutch Boy brand which conforms to the latest specifications of the American Society for Testing Materials. (c) Colors in Oil--All colors in oil shall be of Dutch Boy brand. (d) Linseed Oil--All linseed oil shall be pure linseed oil of Dutch Boy brand which conforms to the latest specifications of the American Society for Testing Materials. (e) Lead Mixing Oil--All lead mixing oil shall be Dutch Lead Mixing Oil. (/) Flatting Oil--All flatting oil shall be Dutch Boy flatting^ (g) Wall Primer--All wall primer shall be Dutch Boy wall print' (h) Turpentine--All turpentine shall be pure gum spirits of pentine or pure steam-distilled turpentine and shall conform to" latest specifications of the American Society for Testing Materi': (0 Drier--All drier used shall be pure drier of Dutch Boy brl which conforms to Type I of Federal Specifications for lir paint drier TT-D-651. (/) Varnish--All varnish shall be the best grade of floor vamis the product of an approved manufacturer and suitable for mi-rip with white-lead as specified. (A) Shellac Varnish--All shellac varnish shall be free from ros and composed of pure gum shellac cut in pure denatured alcot using four pounds of gum to the gallon. (I) Putty--Putty shall be composed of pure white-lead and whitin mixed with pure linseed oil to proper consistency, and shall confo to white-lead whiting putty. Class B, of the latest specifications5*the American Society for Testing Materials. For metal sashes, pigment may include 109c powdered litharge. SECTION R APPLICATION -4- 1. PAINTING EXTERIOR WOOD & SHINGLES New Surfaces Repainting ( ) (Here list and describe surfaces to be painted.) ( ) Door and window casings, mullions, etc. shall be sanded to remove loose edges left by sanding machine. All surfaces shall be free from slivers, splinters, etc. (c) After priming coat is dry, knots and sappy streaks shall receive one coat of shellac varnish brushed out thin and all cracks, nail holes, etc. shall be puttied with white-lead putty. (d) All painting work shall be allowed to dry from four to six days before the next coat is applied. (e) All surfaces, except shingles, shall be primed with Formula No. 1 and receive two additional coats, using Formulas No. 2 and No. 3, respectively. (/) Wood shingles shall be primed with Formula No. 4 and receive two additional coats, using Formula No. 5 for the second coat and Formula No. 6, gloss finish; or 7, flat finish, for the finishing coat. (g) Where colors other than white are to be used, the necessary tinting materials shall be added to the last two coats of paint. (Speci fications of colors and where they are to be used should be stated here.) (h) (Here list and describe surfaces to be painted.) (i) (If any portions of old paint must be removed and surface ' primed, here list and describe such surfaces and their treatmeiy (j) After the first coat has dried sufficiently, nailholes, cracks, et shall be puttied with white-lead putty. (k) All painting work shall be allowed to dry from four to six day before the next coat is applied. (l ) AH surfaces, except shingles, shall receive two coats of pain using Formulas No. 8 and No. 3, respectively. (m) Wood shingles that are to be repainted shall receive two coa; of paint, using Formula No. 9 for the first coat and Formula No.j gloss finish; or 7, flat finish for the finishing coat. (n) Where colors other than white are to be used, the necessa tinting materials shall be added to both coats of paint. (Specificalio of colors and where they are to be used should be stated here.! FORMULAS Materials Dutch Boy white lead ........... Dutch Boy linseed oil ........... Dutch Boy Lead Mixing Oil Pure turpentine ........................ Dutch Boy liquid drier ......... Gallons of paint produced ...... Sq. ft. covered per gal., 1 coat No. 1 Formula Formula Formula Formula Formula Formula Formula Formula'1- No. 2 No. 3 No. 4 No. 5 No. 6 No. 7 No. 8 No*'l 100 lbs. 4 gals. 2 gals. 1 pint 100 lbs. 100 lbs. IV2 gals. 3Yi gals. 1% gals. 1 pint 1 pint 100 lbs. 4 gals. 2 gals. 1 pint 100 lbs. 2 gals. 1 pint 100 lbs. 100 lbs. 3V4 gals. 3 to 4 gals. 1 pint 100 lbs. 2 gals. 2 o-als. 1 pint 100 lbsJ| 2M: galsf VA gals-! 1 pint-* 9% 6% 6% 9% 6% 6% 61410 7% 7% 7^t 600 700 700 200 400 600 600 700 500 . ' 1940-SWEET-00457 . HEAVY PASTE--Above formulas are based on the use of soft paste white lead. If heavy paste is used, add 1 quart of turpentine to all formulas except No. BOILED LINSEED OIL--If boiled linseed oil is used, omit drier called for in formulas. DUTCH BOY PAINTING SPECIFICATION Two-Coat Painting on New Exterior Wood* f (Here list and describe surfaces to be painted.) Door and window casings, mullions, etc. shall be sanded to re-e loose edges left by sanding machine. AH surfaces shall be free slivers, splinters, etc. [ Before priming coat is applied, knots and sappy streaks shall ive one coat of shellac varnish brushed out thin. pAfter priming coat is dry, all cracks, nail holes, etc. shall be fged with white-lead putty. jr All painting work shall be allowed to dry from four to six days fare the next coat is applied. rpAU surfaces shall receive two coats of paint, using Formulas ^10 and No. 11, respectively. Where colors other than white are to be used, the necessary *ling materials shall be added to the last coat of paint. (SpecificaSm of colors and where they are to be used should be stated here.) Materials Formula No. 10 Formula No. 11 Dutch Boy white-lead ...................................... Dutch Boy linseed oil ...................................... Dutch Boy liquid drier .................................. Dutch Boy raw umber .................................... Gallons of paint produced................................ Sq. ft. covered per gal., 1 coat..--.................. 100 lbs. l3/2 gals. % gal. % gal. 1 pint Vi pint 6Ys 600 100 lbs. 3% gals. 1 pint 6% 700 HEAVY PASTE--Above formulas are based on the use of soft paste whitelead. If heavy paste is used, add I quart of turpentine to all formulas. BOILED LINSEED OIL--If boiled linseed oil is used, omit drier called for in formulas. aThe best and strongly recommended practice is three coats of paint on new wood. However, for two coat work white-lead offers the best chance of avoiding future trouble and expense. 2. PAINTING BRICK, STUCCO, STONE & CONCRETE Brich ?(Here list and describe surfaces to be painted.) W)- Unpainted Brick--AH Types--shall be brushed vigorously Inth a wire brush to remove efflorescence or other foreign sub- nces. If any mortar has become loose or damaged, all such places " be pointed with mortar before paint is applied. After priming. ` defects in the surface should be corrected with putty. fH) Unpainted Brick--All Types--which has not been allowed "Bigge for a period of six months or longer, shall be treated with a Station made by dissolving two pounds of zinc sulphate in one Mlon of water. After the zinc sulphate solution has been applied, licient time shall be allowed for drying before priming. gji^ Unpainted Brick--Common Type--shall he primed with jqnnula No. 12, and shall receive two additional coats, using gxrmula No. 13 for the second coat and Formula No. (14, flat 'i; or 15, gloss finish) for the finishing coat. Unpainted Brick--Face or De-aired Type--shall be primed sifh Formula No. 16 and shall receive two additional coats, using formula No. 17 for the second coat and Formula No. (14, flat sh; or 15, gloss finish) for the finishing coat. 0. Previously Painted Brick--All Types--if previously painted ith properly designed oil paint shall be dry brushed before painting. |ljie old paint is blistered, cracking or scaling, the surfaces should jjpmished vigorously with a wire brush before painting. Any bare ofi; where previous paint has been completely removed shall reJgfe'-a priming coat, using Formula No. 18. surface shall then receive two coats of paint, using Formula gS?18 for the .first coat and Formula No. (14, flat finish; or 15, !>ss finish) for the finishing coat. Ample time shall be allowed Relapse between coats for drying and hardening, j&e old paint was a water paint, the entire surface shall be brushed gorously with a wire brush before painting. Je sujface shall then receive three coats of paint, using Formula V.18 for the priming coat, followed by Formula No. 19 for the *>nd coat and Formula No. (14, flat finish; or 15, gloss finish) ` the finishing coat. (g) (If brick is to be lined, it should be so specified here.) (h) Where colors other than white are-to be used, the necessary tinting materials shall be added to the last two coats of paint. (Colors and where they are to be used should be stated here.) Stucco. Stone and Concrete (i) (Here list and describe surfaces to be painted.) (j) Unpainted Stucco or Concrete--which has not been allowed to age for a period of six months or longer, shall be treated as specified in Section 3(c). (k) Unpainted Exterior Stucco, Stone or Concrete Surfaces --shall be primed with Formula No. 18 and shall receive two ad ditional coats, using Formula No. 19 for the second coat and Formula No. (14, flat finish; or 15, gloss finish) for the finishing coat. (l) Previously Painted Stucco, Concrete, or Stone Surfaces-- if previously painted with properly designed oil paint, shall be drybrushed before painting. If the old paint is blistered, cracking or scaling, the surfaces shall be brushed vigorously with a wire-brush before painting. Any bare spots, where previous paint has been com pletely removed shall receive a priming coat, using Formula No. 18. The surface shall then receive two coats of paint, using Formula No. 18 for the first coat and Formula No. (14, flat finish; or 15, gloss finish) for the finishing coat. If the old paint was a water paint, the entire surface shall be brushed vigorously with a wire brush before painting. The surface shall then, receive three coats of paint, using Formula No. 18 for the priming coat, followed by Formula INo. 19 for the second coat and Formula No. (14, flat finish; or 15, gloss finish) for the finishing coat. (m) Interior Brick, Stucco, Stone or Concrete Surfaces-- should be painted the same as interior plaster. See Page 6. (n) Where colors other than white are to be used, the necessary tinting materials shall be added to the last two coats of paint. (Colors and where they are to be used should be stated here.) jp; . J^CtCTlQls Formula Formula Formula Formula Formula Formula Formula , Formula No. 12 No. 13 No. 14 No. 15 No. 16 No. 17 No. 18 No. 19 .;-Dutch Bov white-lead ji/putch Boy linseed oil .. gjputch Boy Lead Mixing Oil H?ur turpentine HS^tch Boy liquid drier .......................... 100 lbs. 5 gals. %'gal'. 1 pint 100 lbs. 3 gals. 1A g&oiL* 1 pint 100 lbs. 4 gals. 100 lbs. Zbi gals. 1 pint 100 lbs. 4 gals. % gal. 1 pint 100 lbs. 2M> gals. 1 gal. 1 pint 100 lbs. 100 lbs. 2% gals. 2y> gals. 3 to 4 gals. pCai/OTij of paint produced................................ 9Vs 7% m 6% 8U ! 6% 8% ! 6Vi to m ft, covered per gal., 1 coat ... 1 200 400 400 500 300 400 400 400 ? --Above formulas are based on the use of soft paste white-lead. If heavy paste is used, add 1 quart of turpentine lo all formulas except Nos. s, ana 19- BOILED LINSEED OIL--If boiled linseed oil is used omit drier called for in formulas. S4Oa e 00 3 W w oo4a ot/cl t? C> U T C H BOY PAINTING SPECIFICATIONS 3. PAINTING INTERIOR PLASTER ( ) (Here list and describe surfaces to be painted.) ( ) Before any paint is applied, plaster surfaces, either new or old, shail be made clean and smooth. (c) All cracks and holes shall be filled with plaster of paris or approved patching plaster. Large cracks before filling shall be opened up in dovetail shape clear to the lath and soaked with water. The fill ing plaster shall be leveled -off even with the adjoining plaster sur faces, and when dry shall be sandpapered smooth. (<f) Walls that have been calcimined shall be washed until all cal cimine is removed before applying any paint. (e) Where new plaster to be painted is not properly aged, the sur faces shall be treated with a solution made by dissolving two pounds of zinc sulphate in one gallon of water. After the zinc sulphate solu tion has been applied, sufficient time shall be allowed for the plaster to dry before priming. (/) All plaster (also wall board or fabric coverings) not previously painted shall be primed with Dutch Boy Wall Primer (or) Formula No. 20 and shall receive two additional coats, using Formula No. 21 for the second coat and Formula No. 21, flat finish; 22 (or 23) special flat finish for stippling; or 24, semigloss finish) for the finishing coat. (Surfaces previously painted do not require the priming coat.) (g) (If a gloss finish is wanted on interior plaster, specify a prepared enamel for the third or finish coat.) (h) Where colors other than white are to be used, the necessary tinting materials shall be added to the last two coats of paint. (Specifications of colors and where they are to be used as well as any instructions as to special decorative finishes should be stated here.) FORMULAS Materials Formula No. 20* Dutch Boy white-lead .................................................. 100 lbs. **4 to 5 gals. Formula No. 21 100 lbs. * "3 to 4 gals. Formula No. 22 100 lbs. 2 gals. Formula No. 23 100 lbs. IVi gals. Formula No. 24 50 lbs. 1V> gals. 3 gals. % i Gallons of paint produced............................................................... Sq. ft. covered per gat., 1 coat..................................................... 7*4 to 8 Vi 800 614 to 714 800 5% 800 44 800 64 800 'Dutch Boy wall primer should always he specified instead of this formula when walls are extremely porous or in an otherwise poor condition. "The minimum amount of Lead Mixing Oil should be used when the maximum amount of hiding is wanted. 4. PAINTING FLOORS i Wood Floors Concrete Floors ( ) (Here list and describe surfaces to be painted.) ( ) All wood floors shall be cleaned and sandpapered smooth before painting. If the old paint on a previously painted floor is in bad condition, it should be removed by planing, scraping or by the use of a liquid paint remover. (c) All work shall be allowed to dry for at least four days before the next coat is applied. (d) All floors not previously painted, or from which the paint has been removed, shall be primed with Formula No. 25, and shall receive two additional coats, using Formulas No. 26 and 27 re spectively. (e) All floors previously painted shall be touched up on worn places using 'Formula No. 26, after which they shall receive two coats, using Formulas No. 26 and 27 respectively. (/) (Specifications of colors should be stated here. The necessary tinting materials should be added to the last two coats.) (g) Underside of all new porch floors and the tongued and grooved edges of the boards shall receive one coat, using Formula No. 28. (h) New concrete floors shall be aged at least six months before1? being painted. If necessary to paint before that time, they may be aged artificially by washing with a solution of two pounds of zinc sulphate to a gallon of water. (i) Previously painted concrete floors shall be wire-brushed to re move all loose paint. (j) All work shall be allowed to dry at least four days before the next coat is applied. (k) Unpainted concrete floors shall he primed with Formula No.. 29 and receive two additional coats, using Formula No. 30 for;: the second coat and a high grade floor enamel for the finishing; coat. (Previously painted floors do not require the priming coat.)! (1) The undercoat of paint shall be brought to an approximate: match with the desired finish coat color by the addition of the ne sary tinting materials. (Specifications of colors should be stated here.)? FORMULAS iIv|/ifut* tit&nvui mt/sf> Formula No. 25 Dutch Boy white-lead ...................................... .............................. Dutch Boy linseed oil ...................................................................... Dutch Rov Lead Mi-rfnt. Oil . ___ Pure, tnrrientine .... ........ Soar varnish** ......... Dutch Boy liquid drier ................................................................. 100 lbs. *3 gals. 2 gals. 1 pint Formula No. 26 100 lbs. Vi gal. 2^4 gals. Vi pint Formula Formula No. 27 ! No. 28 100 lbs. Vi gal. % gal. 1 gal. Vi pint 100 lbs. 3*4 gals. 1 pint Formula No. 29 Formula : No. 30 . 100 lbs. ioo ibs: : 2Vs gals. Va gal. 2Vs gals. ; 2*4 gals. V2 pint ; ; Gallons of paint produced................................ ....... ....................... . Sq. ft. covered per gal., 1 coat.................................................... . 8% 600 .6 ! 700 ; s% , 6% 700 j '600 8% 1 400 6 400 *If the floor is of hardwood, reduce the linseed oil to 2 Yi gallons. ' **If the floor is not exposed to the weather, use floor varnish instead of spar varnish. HEAVY PASTE--Above formulas are based on. the use of soft paste white-lead. If heavy paste is used add 1 quart of turpentine to all formulas except No. 29* BOILED LINSEED OIL--If boiled linseed oil is used, omit drier called for in formulas. DUTCH BOY PAINTING SPECIFICATION 17 19 5. PAINTING INTERIOR WOOD Sere list and describe surfaces to be painted.) few woodwork shall be cut smooth with sandpaper where refand dusted clean before priming. JH painted or varnished woodwork that shows bad cracking, ag or scaling shall be stripped by means of a good paint and rxemover, and then cleaned with benzine or turpentine. 'Wood&at is greasy or coated with wax should be scrubbed clean aentine or benzine before painting. [ nail holes, cracks, dents or other defects shall be filled with Had putty after the priming coat has dried. ' unpainted wood, or surfaces from which the paint has been 'completely, shall be primed with Formula No. 31 and receive two additional coats, using Formula No. 32 for the ff'Coat and Formula No. (32, flat finish; or 33, semi-gloss Itfor the finish coat. (Previously painted surfaces on which liFpaint is in good condition do not require the priming coat.) gloss finish is wanted on interior wood, specify a prepared i for the third or finishing coat.) (g) Where colors other than white are to be used, the necessary tinting materials shall be added to the last two coats of paint. (Specifications of colors and where they are to be used should be stated here.) FORMULAS Materials Formula Formula Formula No. 31 No. 32 No. 33 Dutch Boy white-lead ............... Dutch Boy Lead Mixing Oil - 100 lbs. 3 gals. 2 gals. 100 lbs. 3 to 4 gals. 50 lbs. 1M> gals. 1 pint 6a//ous of faint produced ........ Sq. ft. covered per pa!., 1 coat.. 8% 700 6% to 714 800 6% 800 "If boiled oil is used omit drier called for in formula. HEAVY PASTE--Above formulas are based on the use of soft paste whitelead. If heavy paste is used, add one quart of turpentine to Formula No. 31 only. 6. PAINTING METAL iere list and describe surfaces to be painted.) metal surfaces before priming shall be cleaned thoroughly gaieel scrapers, wire brushes or by means of sandblasting where Galvanized iron, or all metal surfaces where solder fluxes have flu'sed, shall be carefully washed with mineral spirits (benzine) ejany paint is applied. I metal work to be finished in black or a dark color shall limed with Formula No. 34 (or Dutch Boy Liquid Red' "fo. 1).' The second coat shall be Formula No. 35 (or 3oy Liquid Red-Lead No. 6). The third coat shall be jmla No. 36 (or Dutch Boy Red-Lead No. 5) or a paint ybolor desired. metal work to be finished in white or light colors shall be ged,;with Formula No. 34 (or Dutch Boy Liquid Red-Lead !)' and shall receive two additional coats using Formula No. id Formula No. 38 respectively. a) Where melal work is to he finished in a light color, the necessary tinting materials shall be added to Formulas No. 37 and 38. (Specifications of colors and where they are to be used should be stated here.J NOTE: The red-lead priming coats offered in these specifications are mixed on the basis of 33 pounds of dry red-lead to the gallon of linseed oil. Experience has shown that a primer of this composition gives maximum durability and service, particularly where exposure conditions are severe as in warm, moist climates or near the seacoast. If, however, exposure conditions are not so severe it is frequently possibe to use a lighter weight primer containing a lower percentage of pigment and secure perfectly satisfactory results. For this purpose, National Lead Company offers Pure Red-Lead Paint No. 25 and Pure Red-Lead No. 16. Both are 100% pure red-lead paints, the former mixed on the basis of 25 pounds of dry red-lead to one gallon of vehicle, the latter on the basis of 16 pounds of dry red-lead to one gallon of vehicle. FORMULAS Material* Formula No. 34 Formula No. 35 Formula No. 36 Formula No. 37 Formula No. 38 ft Boy red-lead ................. Boy white-lead ............. Boy linseed oil .............. Boy lampblack ............. Boy CP. Prussian blue ^ turpentine .................... Boy liquid drier ........... 100 lbs. 1% gals. 1V2 pints 12 pints 100 lbs. 1% gals. % pint IV> pints 1 .* pints 25 lbs. 2% gals'. 1% gals. 2 gal. 3 pints 3 pints 100 lbs. lVs gals. 1j gals. 1 pint 100 lbs. 3J4 gals. 1 pint of point produced ........ in pounds per gallon.... covered per gal., 1 coat. 4V< 4% 6 6% 6% 26.1 25.9 11.6 600 600 700 700 700 PASTE--Formulas No. 3" and 38 are based on the use of soft paste white-lead. If heavy paste is used, add 1 quart of turpentine to each formula. LINSEED OIL--If boiled linseed oil is used omit drier called for in formulas except for Formula No. 36 where it should be reduced to 2 pints. 1940-SWEET-00460 6-A. PAINTING METAL WHEN QUICK DRYING IS REQUIRED pis!? c,on^ions demand quick drying Dutch Boy Quick-Drying jprQ should be specified. Quick-Drying Red-Lead is a straight red-lead paint i^ohtstn j ` l poun*s t0 the gallon. Its quick drying properties ^atincr ,ugh the use of a synthetic resin vehicle. It dries for Sane* V *rom two 10 six hours. It is soecially adapted for use in ijpmt PtS' Water tanks and other equipment which cannot be , tiy kept out of service for an extended period. Dutch Boy Quick-Drying Red-Lead dries to a hard, firm, yet elastic film, uniform in thickness. It adheres tightly to metal, holds well the paint coats applied over it, and will stand severe rubbing. On exposure, it is resistant to the softening action of water. It may be used for all coats. For inspection purposes succeeding coats can be tinted to brown by the addition of from % to *4 pint of lampblack per gallon. If the proportion is increased beyond pint to a gallon, the lampblack should be ground in japan. T C H BOY PAINTING SPECIFICATIONS II 19 WHITE-LEAD -- THE MODERN PIGMENT A FEW years ago, studies were made of the paint specifi a block of pure magnesium oxide. Pure magnesium oxide is cations prepared by architects, engineers, maintenance the whitest substance known and has the highest light re men and other large buyers and users of paint. The resultfslective value. It will turn back in the neighborhood of 97 % indicated that "lead and oil" continued--as it had for many of white light. The whiteness of the lead is calculated by a years--to be the preferred material in the very large ma comparison of its light reflective property with that of the jority of cases. magnesium. Undoubtedly, part of the answer for this continuing Ten years ago, commercial white-lead examined in a preference can be summed up in one word--dependability. photometer usually reflected about 81 % of white light. Pure white-lead, thinned with linseed oil, has been used suc Today's white-lead will reflect approximately 90%. cessfully for so many years that its good performance-- when properly mixed and applied to a fit surface--is a Still another improvement, also of recent development, practical certainty. has been an increase in the hiding power of white-lead. The benefits of better hiding make themselves felt through more Dependability, however, is not the whole answer. Cer economical paint work and thus are of special interest and tainly some measure of this importance to the user. Im preference can be attributed to the manner in which white- IO YEARS AGO AND TODAY proved hiding power means that paint goes further. Fewer lead has remained in the forefront of modern paint CONVENIENCE gallons are required to cover ; a given area of surface. Better \ pigments -- to the improve hiding also means more solid-] ments in its paint-mixing and appearing paint jobs. paint-making qualities which accurately reflect proved tech A common laboratory nological developments and method of determining the which continue to keep "lead and oil" one of the most WHITENESS hiding power of white-lead isi to thin it to brushing consis easily spread, best hiding and tency with linseed oil and thus most economical paints spread the resulting paint on] from the application stand a smooth black surface. The' point. area that can be completely Approximately ten years HIDING hidden is an index to the hid ing power. ago, an improvement -- out- standing because it was so noticeable to the user -- was the introduction of Dutch Boy- 210 SQ.FT. Ten years ago, a gallon of pure white-lead paint, formu lated on an exterior gloss: soft paste white-lead. The new coat basis (approximately] paste made mixing a matter of minutes. Painters liked it BOD equal volumes of paste white lead and linseed oil), would because it saved them time have obscured about 170 sq. and money on a job. Those in ftfTER* ft. of black surface. Today charge of maintenance paint gallon of Dutch Boy pain ing soon found it stepped up formulated on the same basr the productive efficiency of will hide completely aboil the paint crew. Best of all, 210 sq. ft. of the same type o; the "change-over" to a softer paste form better suited to surface--a slightly more than 23 % increase. -j modern requirements involved no alteration in the quality P of the product. Greater whiteness and better hiding are what might hi called "visual" improvements in white-lead. Another recent In more recent times, another improvement of consider able importance has been an increase in the whiteness of Dutch Boy. To the unpracticed observer, of course, white is improvement which is in a somewhat different category is the increase in the so-called "bodying" or paint-thickenin; properties of Dutch Boy white lead. white and unless it were possible for him to compare the white-lead of ten years ago side by side with the white-lead of today, even a decided increase in intensity might escape him. To the technical paint man, however, the slightest change in color is quickly apparent and--if the change is in the right direction--a matter for rejoicing. He knows that a whiter white-lead will produce finer-looking white paint jobs and brighter, cleaner-looking jobs where the paint is tinted. This better body enables the user to add the amount o; linseed oil needed to do the right kind of job and still get full-bodied paint that flows nicely and brushes out smooth! without running or sagging. The finished job has tha solid look so characteristic of a properly-formulated an* properly-applied white-lead paint. Also, because of generally better brushing qualities, the painter can app! the paint faster. In these ways Dutch Boy white-lead has become the moj In the laboratory, the whiteness of a product such as ern white-lead, improved in convenience and improved ^ white-lead is measured in an apparatus called a photometer. quality while still retaining those characteristics that hsvj A small pile of the dry pigment is placed in position beside long made it the choice for durability and fine appearance 1940-SWEET-00461 DUTCH BOY PAINTING SPECIFICATION I MIXING WHITE-LEAD PAINT BY VOLUME 'OUTSIDE WOOD INCLUDING WOOD SHINGLES) r^COAT f in is h c o a t .Add A pint * each gallon of point, if row Is used. Boiled linseed oil requires no drier, finis}! ort shingles use Leod Mixing Oil instead | oil in this coot. No drier required. REPAINT WORK BRICK, STUCCO, CONCRETE AND STONE FIRST COAT FINISH COAT S' LlOUID V Tq /u imu OIL H OfejSSW 1/ LEAP / HIXIHG OIL NO DRIER REQUIRED *For gloss finish use linseed oil instead of Leod Mixing Oil in this coot. Use drier os per note opposite. INTEREOR PLASTER, WALLBOARD WOODWORK FIRST AND FINISH COATS (FLAT FINISH) NO DRIER REQUIRED NEW WORK USE PROPER PRIMING COAT BELOW FOLLOWED BY TWO COATS MIXED AS PER DIAGRAMS ABOVE SIDE WOOD G WOOD SHINGLES) WHITE LEAD forts UNSEED OIL TURPENTINE INT. WOOD 3 Ports WHITE LEAD 3 Ports UNSEED OIL 2 Porn TURPENTINE BRICK 3 Parts WHITE LEAD S Ports LINSEED OIL 1 Port TURPENTINE ~Add A pint drier to each gallon of point if row linseed oil is used. Boiled oil requires no drier. STUCCO, CONCRETE AND STONE INTERIOR PLASTER AND WALLBOARD 4 Ports WHITE LEAD 3 Parts LINSEED OIL 3 Ports LEAD MIXING OIL DUTCH BOY WALL PRIMER 3 Parts WHITE LEAD 4 Ports LEAD MIXING OIL NO DRIER REQUIRED HOW SHOULD PALM WEAR? "ince all paint must sooner or later lose its ability to -:otect the surface and improve appearance, it follows that :ost structures are periodically repainted. The intervals feen paintings depend on local conditions, the owner's de and pocketbook and, of course, the lasting quality of paint itself. f we assume that a frame house receives two coats of t at an average interval of five years, there will have (including the original three-coat job) twenty-one gts of paint- applied before the dwelling reaches its fifbirthday. And if ever)* one of these paint coats had t its original thickness, a mighty thick coating would ye been built up--a coating so heavy that the original -er would have a tough time hanging on to the wood. Pt? with white-lead paint no such heavy, thick, inelastic is progressively piled up. At the close of each average ye-year period, the film will have worn down sufficiently that each new two-coat job will not pile up a film that itually might fall of its own weight. ihe slow, even wearing-down that is characteristic of pure 'te-lead paint has other things to recommend it besides of keeping the film at a safe thickness over a long span gtepaintings. One advantage is a so-called self-cleaning dperty. As the surface of the film slowly chalks the dust jQ dirt is loosened too, so that wind and rain can effect its ^oval. Further, the chalking surface requires no expen se preparation before repainting--a quick dusting off is I that is needed. Moreover, this type of surface provides CLOSE-UP OF A PORCH COLUMN ON WHICH FIFTY-TWO COATS OF DUTCH BOY WHSTE-LEAD PAINT HAVE BEEN APPLIED OVER A PERIOD OF YEARS The smooth, gradual wearing away, characteristic of white-lead paint, has prevented the building up of an excessively thick and heavy paint coaling. excellent anchorage for the repaint coats--the pigment and vehicle in the fresh paint can get down into the old film. Still another virtue of a paint that wears down slowly as time goes on is that it prevents the building up of a thick coating that blunts and blurs the fine outlines and details of parts of a building. It is not at all uncommon to find stately old residences that have lost much of their original archi tectural charm simply because clean-cut details are smoth ered with piled-up paint films. WHITE-LEAD FOR INTERIORS Abovc: WHITE-LEAD PAINT HAS LONG BEEN USED TO PROTECT AND BEAUTIFY BUILDINGS LIKE THIS. The paint for interior walls.and woodwork should also be selected and specified with an eye to the future. In other words, today's paint should always make a safe foundation for succeeding coats no matter how many nor over how long a period they may be applied. There are many paint users who have discovered that the paint they selected in good faith today didn't show its true colors for several subsequent repaintings. With white lead there is no need to risk subsequent costly troubles. There are plenty of buildings whose interiors have been white-lead painted for twenty, thirty, forty and more years. White-lead's performance is a matter of recorded history and not one of hopeful prophesy. Of course, this is just one of the advantages o made with Dutch Boy white-lead and Lead M This paint brings to interiors that solid beauty o characteristic of white-lead jobs. With it, the p produce any tint or shade of color specified. He cr vide also the degree of flatness best for ideal lightin It's a durable paint, too. Where conditions dem high standard of cleanliness through frequent washin paint can "take it." It stands up under even careless'; bing and harsh soap powders. RED-LEAD FOR METAL SURFACES The specifying of paint as a building material must necessarily include the protection of metal surfaces from rust and deterioration. There are few structures today that do not have metal work that needs such protection. Dutch Boy red-lead Has become the standard of efficiency in measuring the life and effectiveness of metal protective paint. Not only does it stick so tight that it becomes almost a part of the surface it covers but, like white-lead, is a longlasting, economical paint... a "true member of the Dutch Boy line." It is always to the best interests of the architect or engi neer, the owner and the structure itself to specify Dutch Boy red-lead paint of the proper type and formulation to fit 10 the job. DUTCH BOY PAINTING d it c h b o y w h it e -l e a d Dutch Bov white-lead is sold in two forms, heavy paste and soft paste. Both are pure white-lead. Both sell for the same price. Heavy paste whitelead has been vised for many years. Soft paste, a more recent development, is a white-lead which can be thinned to paint more quickly and easily than heavy paste. Both forms of while-lead can be used for all jobs ...on interiors as well as exteriors... for flat or rwell as gloss fini.-hes... are sold in 100-3b. steel kegs find 12H-lh. steel pails. DUTCH BOY LINSEED OIL Dutch Boy linseed oil is clear, uniform and well settled. Since it is easy 10 adulterate linseed oil but. difficult to detect the adultera tion. the safest procedure in preparing specifi cations is to specify a brand of known purity and quality. Two types of strictly pure lin seed oil--raw and boiled--are marketed under the Dutch Boy trademark. Each can is sealed at the factory to assure that pure Dutch Boyoil reaches the job. Both types are sold in 1-sral. and 5-gal. cans. BOY d r ier A properly designed "drier exerts its drying ft: action in paint by speedjfe-ing up the oxidation of linseed oil. Not much is H needed in paint hut that "much" is important. . Dutch Boy liquid drier ,, was designed especially -Dutch Boy white-lead and if'paint. It i? strong and weilbOnly a small amount is Jpromote proper drying and ^produce better paint jobs. Ijn 4-pt.. 3-pt.. 1-qt. and 1-ga!. BOY PRIMER <Boy "Wall Primer seals all faces effectively and com- gThis includes plaster, wall tster board, and interior stucco ete walls. At the same time it "en the darkest surfaces with (at that makes an ideal fonnfpr a white-lead "fiat" or for ;of white-lead finish. Till not pel with succeeding coats be at*:. cause it penetrates sufficiently to give proper anchorage. Re quires no special thinners or special .colors. Sold in 1-qt. and 1-gal. cans and in 5-gal. kits. THE DUTCH BOY LINE A quality line of paint products is marketed under the Dutch' Boy trademark. It includes nearly alt the materials needed for painting any type of sur face, interior or exterior. To the architect this Dutch Boy line offers a definite check on the quality of every hrnshful of paint. Inferior materials--even those used as spar ingly as colors in oil or liquid drier---sometimes impair a paint's protective or decorative qualities to a degree out of all proportion to their volume percentage. The full Dutch Boy line simplifies the prepara tion of specifications--they can be made "Dutch Bov" throughout. Furthermore, the presence on the job of the brilliant orange and black conlainers facilitates inspection. DUTCH BOY COLORS IN OIL Dutch Boy Colors have both true tone and high strength. Both these qual ities are important in se curing sharp, clear tints that bring out the beauty of a colored paint job whether exterior or inte rior. In addition. Dutch Boy Colors are soft! They mix into paint, quickly and easily without lumps or streaking. There is a wide range of colors in the Dutch Bov line. No worry about inability to produce the color specified. Dutch Boy Colors come in friction-top 3 -gal.. 1-qt. and H'-pt. cans and in 2-uz. tube!-. DUTCH BOY LEAD MIXING OIL Dutch Boy Lead Mixing Oil is a companion vehicle to Dutch Boy lin seed oil. It mixes perfectly with whitelead for the sealing and decoration of plaster, wall board, concrete and stucco --whether on the interior or exterior. It dries to a soft flat finish. The surface is free from hrushmarks or shiners. It retains its good appear ance. despite frequent washing and everyday wear and tear. Dutch Boy Lead Mixing Oil is available in sealed 1-gal. and 5-gal. cans. DUTCH BOY RED-LEAD `pure red-lead excels other paint materials as a protection Ji so does Dutch Boy red-lead--that is, highly-oxidized iContaining more than 97% Pb304--excel other red-ieads ^-pwer true red-lead content. Paint, made from highly ^red-lead has better keeping qualities. It is easier to apply and has a greater spreading capacity. It produces a uniform film of greater density and thus is more durable and more resistant to destructive atmospheric influences. Dutch Boy Paste red-lead is red-lead ground in pure linseed oil. Sold in 100-lb. kegs, 50. 25 and 12M?*lb. steel pails. 194O-SWEET-O0464 DUTCH BOY LIQUID RED-LEAD Sold in four types as follows: No, 1 (Orange Red), No. 6 (Light Brown), No. 7 (Dark Brown), No. 5 (Black!. All are ready to-use red-lead paints unexcelled for all metal sur faces exposed to the weather. Sold in 20-gal. drums 5-gal. kits and 1-qt. and 1-gal. cans. DUTCH BOY QUICK-DRYING RED-LEAD This is a special type of red-lead paint designed for use when the available drying time is short. It dries for recoating in from 4 to 6 hours. It contains nothing but pure highlyoxidized red-lead ground in a synthetic resin vehicle. Sold in 20-gal. drums. 5-gal. kits and J-gal. cans. ^|Tc h bo y p a in t in g s p e c if ic a t io n s II 1940-SWEET-00465 Jl Guide ic PAINTING a nd FINISHING Th e Sh e r w in -Wil l /a ms Co . ^Cleveland * Oliio DEPARTMENT ^ARCHITECTURAL SERVICE THE SHERWIN-WILLIAMS CO. Makers of PIGMENTS PAINTS VARNISHES METAL PRIMERS LEAD PRODUCTS STAINS ENAMELS LACQUERS ETC. BOOK of specifications can ever hope to cover every eventuality, and accordingly ^ The Sherwin-Williams Co. believes that the greatest offering it has to give architects builders and contractors is service, tff We hope that any user of these pages who needs any further help, advice, or suggestion, will refer to the list of cities on the back cover of our Catalog, where Sherwin-Williams offices are maintained. A telephone call to any of these offices will bring an experienced representative to your office promptly. At its Cleveland headquarters, The Sherwin-Williams Co. maintains a complete decorative service for customers or clients who wish to make use of it. There Is no charge for the service, and The SherwinWilliams Decorative Studios are prepared to make special suggestions, and furnish proper specifications for any house, apartment, church, school, theatre, or public building. If any architect, builder, or contractor wishes to avail himself of this service, all he needs to do is to write The Sherwin-Williams Decorative Studios, Cleveland, Ohio, outline his ideas or his problems, and give as much information about the job at hand as is possible. Our experienced staff will promptly give him the help he needs, without obligation of any sort. iffYEARS AGO, WHEN SHERWIN-WILLIAMS WAS YOUNG, the founders of the company adopted general rule the policy best described by the phrase "A Finish for Every Surface," and all the developments H.:' ^the research and technical departments since that time have been guided and directed with that in mind. lip gjhe result of this policy is that the complete Sherwin-Williams line is a long one. H embraces not only those ^ypes of finishes generally accepted for architectural use, but a complete line of Industrial materials, each de igned and manufactured to do a particular job. There is a Sherwin-Williams product for every surface in house, actory, mill, office building, hospital, or any other type of structure. In addition Sherwin-Williams offers to e manufacturer special materials with which to finish the products of his factory. (J The development of an extensive variety of materials has resulted in a fund of knowledge and experience on the part of our echnical Research Department, as to what various types of finishes will do under varying conditions. Almost s, when presented with a particular problem, a regular item in the Sherwin-Williams line can be found ^satisfy all the given requirements. When a regular item is not available, the Technical Department is always Jppared to develop new materials to meet these specific conditions. 'HAT THE S-W NAME ON PAINT MEANS Briefly, the Sherwin-Williams name on a particular paint eans that all the Technical Advice, all the practical tests, all the perfection in manufacturing progress, avail- to the largest makers of paints and varnishes in the world, have been brought to bear upon the development the manufacture of the product in the can. In other words, that special paint, made for a particular use, for a particular type of surface, is the best material that it is humanly possible to make for that purpose. For when Mr. Henry Sherwin and Mr. Edward Williams founded the company years ago, they concluded ~L'^1e'r materials would be quality materials--and the best quality materials that they could make, regardless aihy other consideration. That original policy has been strictly adhered to by the management of the company since. In specifying Sherwin-Williams products the architect may know that he is giving his client the best can k obtained for the purpose. PAINTING STRUCTURAL STEEL VARNISH FINISHES (Continued) Paotieg Structural Steel and Ornamental Iron 7-as-. Drying--maximum exposure resistance D.~sr Drying--lower cost............................... antique finish................................... ..... Pg. Spec. 5I 5 1A 52 Finishing New Softwood Floors Stained and Varnished.................................... Finishing New Softwood Floors Painted Finish.............................................. Hurting Galvanised Iron 7isz Drying--maximum exposure resistance Drying--lower cost............................... PswiUg Hot Surfaces Flues, Pipes, etc. . i-ltemate (state difference) Panting Metal Roofs 7isz Drying--maximum resistance Slower Drying--costs less cost application .... 5 5 5 5 6 6 6 PAINTING EXTERIOR SURFACES Farting Exterior Wooden Surfaces F:t Maximum Service and Protection-- S T ? Underwater and S W P Finish . Tiere Archheer Leaves Mixing to Discretion :: Painting Contractor.............................. Where Straight Waite Lead Finish is Desired Farting Exterior Stucco Surfaces.................... 6 j 6 6 6 Farting Exterior Brick Walls "Were Flat Finish is Desired.......................... Where Closs Finish is Desired.................... Farting Exterior Shingle Walls.................... {6 j6 \ j7 Stssjag Shingle Wails and Roofs..................... Farting Porch Floors ......... Farting Canvas Decks.................................... riubiing Porch Ceilings i7 4 \ Fasii*g Exterior Wood or Metal Trim 3 3A 4 4A 5 5A 5B i6 6A 65 7 1 i j 1t ] i !i !: I 8A j \t ,, ` I 12 Finishing New Concrete Floors Painted Finish................................................... Finishing Schoolroom Gym Floors also Stores, Warehouses, etc. ............................................... Finishing Gymnasium Floors............................... Finishing Ballroom Floors ............................... Finishing Discolored Hard or Softwood Floors Stained and Varnished.................................... Interior Woodwork--Stained and Varnished Open Grain Woods.............................................. Close Grain Woods.................................... ..... . Interior Woodwork--Natural Finish Open Grain Woods.............................................. Close Grain Woods.............................................. Interior Woodwork--Stained and Waxed Open Grain Woods.................................... Close Grain Woods............................... . PAINTING AND ENAMELING INTERIOR WALLS AND WOODU Smooth, Sand Finish, Textured Plaster, Compo sition Board or Canvas Covered Walls Washable Flat Finish.................................... Washable Egg Shell Finish............................... Semi-Lustre Finish......................................... Interior Gloss Finish..................................... Interior Wails, Any Type Heavy Flat Wall Paint Finish.......................... Highest Quality Enamel Finish..................... Regular Enamel Finish.................................... Alternate--lower cost......................................... j. j |{ | j i i' | it II 12 12 12 XU 12 12 13 VARNISH FINISHES Exterior Woodwork--Stained and Varnished CDse Grain Woods......................... ..... . . 10 15 10 16 Interior Wood Trim Highest Quality Enamel Finish..................... Interior Woodwork Enamel Finish.................................................... Alternate--lower cost......................................... Painting Radiators.............................................. 13 <3 Esserior Woodwork--Natural Finish Com Grain Woods.......................... 7jr.se Grain Woods......................... 10 10 naiskimg Hardwood Floors--Stained and Varnished Cost Grain Woods.............................................. CCtse Grain Woods .............................................. 10 10 nneshing Hardwood Floors--Natural Finish Com Grain Woods.............................................. E:*e Grain Woods.............................................. 10 10 17 18 !9 20 21 22 INDUSTRIAL INTERIORS Save-Lite White Paint far Industrial Interiors Three Coat Work.............................................. Two Coat Work.................................................... Moisture Conditions............................................... Repainting Old Work.......................................... Fume Conditions.................................................... 13 14 14 14 14 14 4 1940-SWEET-00469 "l The following specifications are intended to cover the entire field of -finishing exterior floors, walls, and roofs, and interior floors, walls, and woodwork. For additional information, address THE SHERWIN-WILLIAMS CO., Department of Architectural Service, 101 Prospect Avenue, N.W., Cleveland, or any of the Branches listed on the back cover of this catalog. j nt j ng o f st r uc t ur al st eel /adequate protection of structural steel requires that the JFective coating shall be as completely impermeable as jssible, to exclude water, air, or fumes from contact with metal. priming coat must: Provide lasting adhesion or anchorage to the metal. Prevent corrosion by maintaining an inhibitive or chemically basic condition at the metal surface. Provide a hard, impervious film having sufficient elas ticity to accommodate itself to contraction and expan sion of the metal. lerwin-Williams Kromik Metal Primer is a strong drying weed Oil Primer, composed of Lead Chromate In comwiation with substantial amounts of Red Lead, White Lead, She Oxide, and Iron Oxide. Kromik Primer is noticeably Easier to apply than Red Lead, is not affected by sulphur ies, and shows remarkable durability where structural feel is permitted to stand long periods of time before be3 recoated. The function of the finishing coat or coats is to protect the priming coat, and the number of coats and nature of ma terial used will depend upon the conditions to which the surface is exposed. Sherwin-Williams Metalastic is a highly elastic Graphite type of paint which affords excellent protection under the most severe weather conditions. Its quality may be judged by the fact that it has been the standard Sherwin-Williams recommendation for field coats on structural steel for over thirty years. In the recently-developed Kem-Kromik and Kem-EIastic, Sherwin-Williams has retained the fine qualities associated for many years with regular Kromik and Metalastic, but in addition, by employing the latest developments in Syn thetic liquids, it has been possible to obtain faster drying and maximum resistance to weather and corrosive fumes. Extreme conditions of fumes and moisture require particular care in selecting the paint to be used. For this reason, where unusual conditions are anticipated, it is suggested that specific recommendations be obtained from the SherwinWilliams Department of Architectural Service. SPECIFICATIONS FOR PAINTING STRUCTURAL STEEL AND {RON a STRUCTURAL STEEL AND ORNAMENTAL IRON Exterior and Interior TFast-drying; maximum resistance to exposure.) SHOP OR PRIMING COAT--Kem Kromik Primer, applied ac cording to manufacturers' directions. IRST FIELD COAT--S-W Kem-EIastic, color selected, applied I. according to manufacturers' directions. -OND FIELD COAT--S-W Kem-EIastic, color selected, applied according to manufacturers' directions. ~ GALVANIZED IRON (Fast drying; maximum resistance to exposure.) SHOP OR PRIMING COAT--S-W Galvite Primer. FIRST FIELD COAT--S-W Kem-EIastic, color selected, applied according to manufacturers' directions. SECOND FIELD COAT--S-W Kem-EIastic, color selected, ap plied according to manufacturers' directions. M (Alternate to No. 3) GALVANIZED IRON (Alternate to No. I) 1A STRUCTURAL STEEL AND ORNAMENTAL IRON Exterior and Interior ^Slower-drying; less costly.) |jOP OR PRIMIN COAT--S-W Kromik Metal Primer, ap plied according to manufacturers' directions. t|ST FIELD COAT--S-W Metalastic color selected, applied acW- cording to manufacturers' directions. SECOND FIELD COAT--S-W Metalastic, color as selected, ap plied according to manufacturers' directions. 2 ORNAMENTAL IRON--VERDE ANTIQUE FINISH Exterior or Interior |HQP. OR PRIMING COAT--SAV Kromik Metal Primer, ap plied. according to manufacturers' directions. |RST f ie l d COAT--S W P Tobacco Brown 393. CO,ND f ie l d c o a t - -Brush stipple with S W P Trimbrite verdas Green. (Slower drying; less costly.) SHOP OR FIELD COAT--S-W Galvite Primer. FIRST FIELD COAT--S-W Metalastic, color selected, applied according to manufacturers' directions. SECOND FIELD COAT--S-W Metalastic, color selected, ap plied according to manufacturers' directions. 4 HOT SURFACES Stacks, Flues, Pipes, etc., Exterior and Interior FIRST COAT--S-W Salamander Black, applied full body. SECOND COAT--S-W Salamander Black, applied full body. 4A (Alternate to No. 4) HOT SURFACES Stacks, Flues, Pipes, etc., Exterior and Interior FIRST COAT--S-W High-Heat Smokestack Brilliant Light Gray. SECOND COAT--S-W High-Heat Smokestack Brilliant Light Gray. 1940-SWEET-00470 5 Ii 5 METAL ROOFS (Fast-drying--maximum resistance to exposure.) SHOP OR PRIMING COAT--S-W Kem Kromik Primer, applied according to manufacturers' directions. For galvanized surfaces, S-W Galvite Primer. FIRST FIELD COAT--S-W Kem-Elastic, color selected, applied according to manufacturers' directions. SECOND FIELD COAT--S-W Kem-Elastic in color selected, applied according to manufacturers' directions. w a (Alternate to No. 5) 5A METAL ROOFS (Slightly slower drying--less costly.) SHOP OR PRIMING COAT--S-W Kromik Primer, applied ac cording to manufacturers' directions. For galvanized surfaces, S-W Galvite Primer. FIRST FIELD COAT--S-W Metalastic, color selected, applied according to manufacturers' directions. SECOND FIELD COAT--S-W Metalastic in color selected, apJ plied according to manufacturers' directions. .]ji (Alternate to Nos. 5 and 5A) 58 METAL ROOFS (For reasons of strictest economy.) ^ 4 SHOP OR FIELD COAT--S-W Kromik Primer, applied accord ing to manufacturers' directions. For galvanized sur faces, S-W Galvite Primer. FIRST FIELD COAT--S-W R. & B. Utility Paint, color selected applied according to manufacturers' directions. ' SECOND FIELD COAT--S-W R. & B. Utility Paint, color selected, applied according to manufacturers' directions. PAINTING EXTERIOR SURFACES--WOOD, STUCCO, CONCRETE AND BRICK SWP House paint is a first quality prepared paint in which pure white lead carbonate is combined with two other Sherwin-Williams paint pigments: S-W OZLO (leaded zinc) and S-W TITANIUM-magnesium, in a practical formulation that has successfully withstood long exposure in all climates. SWP Undercoater contains the same tested pigments used in SWP. It is especially designed for the first coat on new wood, or normal repaint work and is particularly valu able for badly weathered exterior surfaces. SWP White and SWP Colors are made under the mosl careful supervision, from pigments, colors, oils, and drier! of our own manufacture In order to insure a performance that is uniform and dependable. | SWP Fume Resisting White should be specified where gases and sulphur fumes are prevalent. Because of the variety of conditions encountered, full thinning instructions are supplied on every package. The Architect need only specify "application according to manufacturer's instructions." SPECIFICATIONS FOR PAINTING EXTERIOR SURFACES 6 EXTERIOR WOODEN SURFACES (For maximum service and protection) FIRST COAT--S W P Undercoater 450 applied according to label directions. SECOND COAT--S W P Undercoater 450 applied according to label directions. THIRD COAT--S W P in color selected. NOTE: In the interest of economy the first coat may he omitted. Aa A (Alternate to No. 6) EXTERIOR WOODEN SURFACES (Where Architect desires to leave mixing of paint to discre tion of the Painting Contractor.) FIRST COAT--S-W Zilo, thinned according to label directions. SECOND COAT--S-W Zilo according to label directions. THIRD COAT--S-W Zilo according to label directions. NOTE: Sherwin-Williams Zilo is a fused combination of lead and zinc. 75% lead and 25% zinc, which adds to the whiteness, reduces chalk ing, and increases gloss. _ (Alternate to No. 6) 6i EXTERIOR WOODEN SURFACES (Where a straight White Lead Finish is desired.) FIRST COAT--S-W ODP White Lead, thinned according to label directions. SECOND COAT--S-W ODP White Lead thinned according to label directions. THIRD COAT--S-W ODP White Lead thinned according to label directions. of the surface during severe weather condi- tions. This same moisture frequently attacks s? the surface beneath the stucco, causing exten- \ sive and sometimes expensive repairs. The ' Architect is urged to recommend the finishing \ of stucco surfaces in such a way that they are i made "tight" to weather. A satisfactory ; trouble-free job is thus made possible. FIRST COAT--S-W Stucco & Concrete Paint in color selected thinned with S-W Stucco & Concrete Mixing Sealer according to label directions. SECOND COAT--S-W Stucco & Concrete Paint, color selected applied according to label directions. THIRD COAT--S-W Stucco & Concrete Paint, color selected applied according to label directions. '~4 8 EXTERIOR BRICK WALLS (Where Flat Finish is desired.) FIRST COAT--S-W Stucco & Concrete Paint, in coloi' selected thinned with S-W Stucco & Concrete Mixing Sealer ae cording to label directions. SECOND COAT--S-W Stucco & Concrete Paint, in cole selected, applied according to label directions. -k THIRD COAT--S-W Stucco & Concrete Paint, in color selected applied according to label directions. {Alternate to No. 8) 8A EXTERIOR BRICK WALLS 7 EXTERIOR STUCCO AND CONCRETE * SURFACES The inherent beauty of a stucco surface is frequently marred by stains caused by mois ture which gets into the more porous sections (Where Gloss Finish is desired.) FIRST COAT--S-W Stucco & Concrete Paint in color thinned with S-W Stucco & Concrete Mixing Sealer ac cording to label directions. SECOND COAT--S W P, in color selected, applied according to label directions. THIRD COAT--S W P, in color selected, applied according label directions. 6 1940-SWEET-00471 EXTERIOR SHINGLE WALLS JfcST COAT--S W P, in color selected, applied according to lllabel directions. oND COAT--S W P, applied according to label directions. MRD COAT--S W P, applied according to label directions. 12 CANVAS DECKS FIRST COAT'--S-W Porch & Deck Paint in color selected, applied according to label directions. SECOND COAT--S-W Porch & Deck Paint in color selected. THIRD COAT--S-W Porch & Deck Paint in color selected. SHINGLE WALLS AND ROOFS ir ST COAT--S-W Preservative Shingle Stain in color selected. JND COAT--S-W Preservative Shingle Stain in color ^selected. 1TP- "Where possible the first coat should be a "dip coat." Shingles should 2** be dipped in the stain for two-thirds of their length and thrown jn ]0ose piles to dry before being affixed to the structure. PORCH FLOORS COAT--S-W Porch & Deck Paint in color selected, lapplied according to label directions. 50ND COAT--S-W Porch & Deck Paint in color selected. JRD COAT--S-W Porch & Deck Paint in color selected. ]3 PORCH CEILINGS Natural Finish FI RST COAT -- S-W Rexpar Varnish, applied according to label directions. SECOND COAT--S-W Rexpar Varnish. THIRD COAT--S-W Rexpar Varnish. EXTERIOR WOOD OR METAL TRIM Enamel Finish FIRST COAT--S W P Flat White, applied according to label directions. SECOND COAT--S W P Flat White and S-W Old Dutch Enamel, equal parts. THIRD COAT--S-W Old Dutch Enamel, applied full body. NOTE: Last two goats may be tinted in accordance with Architects de sires with S-W First Quality Colors in Oil. iRNiSH FINISHES--FLOORS AND WOODWORK JThe majority of hard woods, with the exception of maple, ire'open-grain. They have fairly prominent open pores, ^'Tch follow the figures of the grain. A full, smooth varnish pish on such woods requires that these open pores be filled light (window-sills, show-windows, etc.) the use of a spar varnish is required. Sherwin-Williams Rexpar is strongly re sistant to the conditions enumerated. It is pale in color, and produces an excellent film. th a paste wood filler to secure a level surface for finish- wjl Many times, however, the Architect prefers the so blled open-pore finish, in which case the filler is omitted, JP a special finishing system employed. Inquire of the S-W |lpfesentative for details. Close-grain woods require no filler, and we advise against ...a'use of any so-called soft-wood filler or firsf-coater. iph order to differentiate readily between the open-grain and close-grain woods, a list of the better-known building pods is given, segregated as to type: /pen-groin woods: sh Chestnut Mahogany Rosewood |&Hernut Elm Oak Walnut fose-grain Woods: Floor Varnish The fundamental requirements for a floor varnish are fhat it must dry hard and tough without being brittle. It must be resistant to both hot and cold wafer as well as ordinary soap solutions, it must be rapid-drying. SherwinWilliams Mar-Nof Varnish fulfills these requirements. It pro duces a tough, tenacious film, pale in color, and dries to walk on over-night. Inferior Woodwork Varnish Two methods are offered for finishing interior wood trim: 1. Full varnish finish with S-W Mar-Not Fast-Dri Varnish in full gloss, giving a polished finish, or a dull-rubbed finish by rubbing the surface with powdered pumice stone and rub bing oil. fasswood Mrch* dar Cherry* Cypress Fir Gumwood Maple Pine Poplar Redwood Whitewood 5|*Wil! permit use of paste tiller where it is desired to emphasize j& the grain. handling of Woodwork Trim |AH finishing lumber should be delivered protected from weather, and stored on the premises in dry warm rooms ^ prevent the absorption of moisture with the resultant Highening of the wood which would require extra labor to jjcondition before finishing. *poration of Surfaces jgAll surfaces must be sanded smooth, rubbing with the l*,ni and never across it. Blemishes should be corrected Hid the surface, and the room cleaned of dust before pro dding with the application of any finishing coats. Each prnish coat should be sanded lightly before applying the ^fceeding coat, and the surface carefully wiped dean in very case. *Terior Spar Varnish For varnished surfaces exposed to weather, extremes of ^*t and cold, excessive moisture, or to strong direct sun- 2. Satin Varnish finish--a beautiful dull-rubbed finish produced by a finishing coat of S-W Mar-Not Satin Finish Varnish which dries to a dull finish without the labor or cost of hand-rubbing. NOTE: Even where a hand rubbed finish is specified, the use of Satin Finish Varnish is most desirable for mouldings, curved areas, etc., where hand-rubbing is not feasible. Mar-Not Satin Finish Varnish is a finishing varnish for both wood trim and floors. It produces a uniform satin, finish. Heavy Duty Wood Floors S-W Floor Seal is designed to toughen and harden wood floors where extra heavy duty makes a varnish surface im practical. Floor Seal penetrates into the wood, leaving very little surface film, dries over night, is not slippery, does not collect dust, does not darken the floor as do floor oils. Recommended for new floors, of either hard or soft woods. Gymnasium Floors S-W Gym Floor Finish is built specifically to withstand the wear and tear on gymnasium floors. Tough processed oils are reinforced with hard resins to give excellent pene tration as well as surface building. Gym Floor Finish is nonskidding and minimizes rubber tracking and skid burns. (For Specifications for Varn Uh Finishes, see page 10) 1940-SWEET-00472 si M?! r! ;< :er?a ,: -;;;rT ; .j: Vi SWP Sh er w in -Wil l iams PREPARED HOUSE PAINT Sh e r w in -Wil l ia ms TR1MBRITE COLORS PEARL GRAY--479 LIGHT LEAD--353 BLUE-369 SLATE-363 SILVER GRAY--357 CREAM GRAY-360 SPANISH ORANGE--9407 CREAM--462 CASTILIAN BLUE--19605 ANTIQUE BROWN--499 FRENCH CR. GREEN--362 APPLE GREEN--460 TOBACCO BROWN--393 WILLOW GREEN-461 ALSO UNDERCOATER NO. 450 RICH MAROON--382 OUTSIDE GLOSS WHITE NO. 471 RED-367 BLACK NO. 467 Sh er w in -Wil l ia ms WOODCRAFT STAINS (PENETRATING OIL TYPE) WALNUT--I46I4 DARK MAHOGANY--I46I3 ADAM BROWN--I46I0 MAYFAIR GREEN--I96S6 CREAM GRAYs Sh e r w in -Wil l ia ms OIL STi GOLDEN OAK--34 r 1940-SWEET-00473 Sh e r w in -Wil l ia ms FLAT - TONE A WASHABLE FLAT WALL FINISH Sh er w in -Wil l ia ms SEMI-LUSTRE A Washable Finish for Kitchens/ Bathrooms/ etc. 81.1% CREAM-15167 68.5% IVORY-16236 78.2% CANARY YELLOW-16289 75% IVORY WHITE-16287 78% NILE GREBN-16296 59% TAUPE--16293 55% BSyi-inw-lfi245 72.4% IVORY TAN-16227 60.8% CAEN STONE-16210 ?!.!% BUFF--16292 67% VOGUE BLUE--16297 44% UE-162S5 60.8% ORCHID-16344 68.2% BLOSSOM PINK-1625? 70% CREAM GRAY--16291 63%. CREAM--16276 PEACH--16295 70% MIST BLUE--16294 76% 50% RAY-16246 58.2% BUFF-15189 61.2% WARM BEIGE--16260 57.2% PALE GREEN--16290 58% SILVER GRAY--16275 46% AY--15195 44.4% PALE JADE--16257 .46.8% LIGHT GREEN-16256 56% FRENCH GREEN-16298 COCOA BEIGE--16299 ALSO WHITE Sh e r w in -Wil l ia ms in t e r io r g l o s s IVORY-26452 77% 1940-SWEET-00474 BUFF--264S4 69% ASH GRAY--26455 52% 36252 28% TERRA COTTA-16249 29.5% CACTUS GREEN-16248 34.9% PEACH--19623 72% NILE GREEN-19625 46% JONQUIL YELLOW--26451 76% LIGHT GREEN-26456 53% "16251 12-4% CINNAMON BROWN-16247 14% DELFT--16250 PERCENTAGES INDICATE LIGHT REFLECTION VALUES V...... BEIGE-26453 59% ORCHID-19624 68 SPECIFICATIONS FOR VARNISH FINISHES 15 STAINED AND VARNISHED Open-Grain Woods FIRST COAT--S-W Oil Stain in color selected. SECOND COAT--S-W Paste Wood Filler, color to correspond with stain, wiped across grain when partly dry. THIRD COAT--S-W Rexpar Varnish, applied according to label directions. FOURTH COAT--S-W Rexpar Varnish applied full body. NOTE: For dull finish, rub to & uniform satin finish with powdered pumice stone and rubbing: oil, after varnish has dried for 48 hours. SECOND COAT--S-W Mar-Not Varnish, applied according to' label directions. THIRD COAT--S-W Mar-Not Varnish applied full body. NATURAL FINISH Close-Grain Woods FIRST COAT--S-W Mar-Not Varnish, applied according to label directions. SECOND COAT--S-W Mar-Not Varnish applied full body. THIRD COAT--S-W Mar-Not Varnish applied full body. STAINED AND VARNISHED Close-Grain Woods FIRST COAT--S-W Oil Stain in color selected. SECOND COAT--S-W Rexpar Varnish, applied according to label directions. THIRD COAT--S-W Rexpar-Varnish applied full body. NOTE: For-dull finish, rub to a uniform satin finish with powdered pumice stone and oil, after the varnish has dried for 48 hours. 17 NATURAL FINISH Open-Groin Woods FIRST COAT -- S-W Transparent Paste Wood Filler, wiped across grain when partly dry. SECOND COAT--S-W Rexpar Varnish, applied according to label directions. THIRD COAT--S-W Rexpar Varnish applied full body. NOTE: For dull finish, rub to a uniform satin finish with powdered pumice stone and oil, after varnish has dried for 48 hours. 18 NATURAL FINISH Close-Grain Woods FIRST COAT--S-W Rexpar Varnish, applied according to label directions. SECOND COAT--S-W Rexpar Varnish applied full body. NOTE: For dull finish, rub to a uniform satin finish with powdered pumice stone and oil, after the varnish has dried for 48 hours. HARDWOOD FLOORS NEW SOFTWOOD FLOORS STAINED AND VARNISHED FIRST COAT--S-W Flo-lac in shade selected, applied according; to label directions. NOTE: If a deeper tone is desired, repeat this operation. SECOND COAT--S-W Mar-Not Varnish applied full body. THIRD COAT--S-W Mar-Not Varnish applied full body. PAINTING INTERIOR FLOORS * NEW SOFTWOOD FLOORS Fainted Finish FIRST COAT--S-W Floor Enamel in color selected, applied according to label directions. SECOND COAT--S-W Floor Enamel in color selected, applied full body. THIRD COAT--S-W Floor Enamel in color selected, appliedfull body. ^0 NEW CONCRETE FLOORS Painted Finish FIRST COAT--S-W Floor Enamel in color selected, applied according to label directions. SECOND COAT--S-W Floor Enamel in color selected, appliedfull body. THIRD. COAT--S-W Floor Enamel in color selected, applied full body. 19 STAINED AND VARNISHED Open-Grain Woods FIRST COAT--S-W Oil Stain in color selected. SECOND COAT--S-W Paste Wood Filler, color to correspond with stain, wiped across grain when partly dry. THIRD COAT--S-W Mar-Not Varnish, applied according to label directions. FOURTH COAT--S-W Mar-Not Varnish applied full body. NOTE: If the-color produced by the filler alone is satisfactory, the first coat in the above specification may be omitted. STAINED AND VARNISHED Close-Grain Woods FIRST COAT---S-W Oil Stain in color selected. SECOND COAT--S-W Mar-Not Varnish, applied according to label directions. THIRD COAT--S-W Mar-Not Varnish applied full body. 21 NATURAL FINISH Open-Grain Woods FIRST COAT--S-W Transparent Paste Wood Filler, wiped across grain when partly dry. WOOD FLOORS --HEAVY TRAFFIC SCHOOL-ROOM OR GYMNASIUM FLOORS (Stores, Warehouses, ete.) FIRST COAT--Apply S-W Floor-Seal, full body. NOTE: Occasionally a second coat may be required to insure service. [Alternative to No. 26) FINISHING GYMNASIUM FLOORS FIRST COAT--S-W Gym Floor Finish applied full body. SECOND COAT--S-W Gym Floor Finish applied full body. BALLROOM FLOORS FIRST COAT--S-W Floor-Seal applied full body. SECOND COAT--S-W Prepared Wax--rub to hard polished surface with weighted rubbing machine. t THIRD COAT--S-W Prepared Wax--rub to a hard polished surface with a weighted rubbing machine. NOTE: Before dancing, a small amount of S-W powdered wax may sprinkled on the surface if desired. 10 1940-SWEET-00475 REFINISHING WOOD FLOORS <? DISCOLORED HARD OR SOFT WOOD *9 FLOORS Stained and Varnished FIRST COAT--S-W Flo-lac Ground Color applied full body. 5ECOND COAT--Grain floor with S-W Graining Preparation. THIRD COAT--S-W Flo-lac in shade selected, applied full body. FOURTH COAT--S-W Mar-Not Varnish, applied full body. INTERIOR WOODWORK 29 STAINED AND VARNISHED -p Open-Grain Woods 'FIRST COAT--S-W Woodcraft Stain, in color selected. "SECOND COAT--S-W Paste Wood Filler in color to corre spond with stain, wiped across grain when partly dry. THIRD COAT--Thin coat of White shellac. - FOURTH COAT--S-W Mar-Not Varnish, applied full body. FIFTH COAT--S-W Mar-Not Varnish applied full body. NOTE: 1. For dull effect, rub to a uniform satin finish with powdered pumice stone and oil after varnish has dried 48 hours. 2. Or, for economy, substitute a coat of Mar-Not Satin-Finish Varnish for the Fifth Coat. 30 STAINED AND VARNISHED Close-Grain Woods 1RST COAT--S-W Woodcraft Stain in color selected. `ECOND COAT--Thin coat of White Shellac. IIRD COAT--S-W Mar-Not Varnish applied full body. 'URTH COAT--S-W Mar-Not Varnish applied full body. OTE; 1. For dull finish, rub to a uniform satin finish with powdered pumice stone and oil after varnish has dried for 48 hours. 2. Or, for economy, substitute a coat of Mar*Not Satin-Finish Varnish for the Fourth Coat. 3] NATURAL FINISH Open-Grain Woods FIRST COAT--S-W Transparent Paste Wood Filler, wiped across grain when partly dry. SECOND COAT--Thin coat White Shellac. THIRD COAT--S-W Mar-Not Varnish applied full body. FOURTH COAT--S-W Mar-Not Varnish applied full body, NOTE: 1. For dull finish, rub to a uniform satin finish with powdered pumice stone and oil after varnish has dried for 48 hours. 2. Or, for economy, substitute a coat of Mar-Not Satin-Finish Varnish for the Fourth Coat. 32 NATURAL FINISH Close-Grain Woods FI RST COAT--Thin coat White Shellac. SECOND COAT--S-W Mar-Not Varnish applied full body. THIRD COAT--S-W Mar-Not Varnish applied full body. NOTE: 1. For dull effect, rub to a uniform satin finish with powdered pumice stone and oil after varnish has dried for 48 hours. 2. Or. for economy, substitute a coat of Mar-Not Satin-Finish Varnish for the Third Coat. G4 STAINED AND WAXED Open-Grain Woods FIRST COAT--S-W Woodcraft Stain in color selected. SECOND COAT--S-W Paste Wood Filler in color to corre spond with stain, wiped across grain when partly dry. THIRD COAT--Thin coat White Shellac. FOURTH COAT--S-W Prepared Wax--wipe off surplus and polish. FIFTH COAT--S-W Prepared Wax--wipe off surplus and polish. STAINED AND WAXED <* i Close-Grain Woods FIRST COAT--S-W Woodcraft Stain in color selected. SECOND COAT--Thin coat White Shellac. THIRD COAT--S-W Prepared Wax--wipe off surplus and polish. FOURTH COAT--S-W Prepared Wax--wipe off surplus and polish. AINTING AND ENAMELING INTERIOR. WALLS AND rOODWORK ,The Sherwin-Williams Company has developed a com plete line of gloss, semi-gloss and flat interior finishes for palls of plaster, composition board, wood, metal, brick or ncrete. The following brief descriptions will assist the rchitect in writing his specifications. .Specifications are designed to cover the entire field of derior wall finishing insofar as the Architect's duties and sponsibilities are concerned. If special conditions occur, t covered in the following, write the Sherwin-Williams Apartment of Architectural Service. Flat Tone .'a flat-finish washable oil wall paint, furnished in a wide flection of shades, both pastel and deep colors, designed use on walls of plaster, composition, wood, metal, brick .^concrete, Complete color card sent on request. ?W Painter-Croft Wall Point No. 96 p heavy-bodied flat finish wall paint, for use over rough faces, or where a special textured effect is desired. Fur- ed 'n White only, but may be tinted with S-W First Uality Oil Colors to any desired shade. S-W Pointer Craft Maintenance Wali Paint No. 3 is a beautiful washable wall finish especially designed for maintenance work. Dries with an egg-shell finish, between that of S-W Flat-tone and S-W Semi-Lustre. Furnished in white only, but may be tinted to any desired shade with S-W First Quality Oil Colors. S-W Semi-Lustre is a washable oil wall finish, which dries with a soft mellow half-lustre as its name implies, it is recommended for those surfaces where frequent washings make a more durable finish than possible with a strictly flat-finish paint, but where a high-gloss enamel finish Is not desired. Furnished in a wide selection of shades. Complete color card sent on request. $-W Inferior Gloss is an enamel-like finish for inferior walls and woodwork. It is tough, durable and washable and has excellent hiding. Furnished in a wide selection of popular pastel colors. Complete color card sent upon request. 1940-SWEET-00476 II S-W Old Dutch Enamel is the finest quality full-oil enamel for interior and exterior finishing. Furnished in white only, gloss or dull, but may be tinted to any desired shade with S-W First Quality Oil Colors. S-W Kern-Name! Snow White is a synthetic resin enamel that produces a beautiful snow white finish desirable for interior surfaces only and is ex ceptionally tough and durable. Dries dust-free in two to three hours. Furnished in white only, gloss or dull, but may be tinted to any desired shade with S-W First Quality Oil Colors. S-W Enamelastic is a full-oil enamel which dries to a high-gloss finish, both dur able and washable, (t is designed for composition or plaster walls, and may be used on interior woodwork as well. Furn ished in white, but may be tinted to any desired shade with S-W First Qualify Oil Colors. S-W XXX Enamel Undercoater is an enamel undercoater with exceptional smoothness and hiding capacity, for use beneath an enamel finish. Its use seals the surface tight, preventing suction or spotting of the surface, and makes the ideal base for an enamel finish of any type. S-W Well Primer and Sealer is a penetrating wall sealer containing a percentage of pigment, which is effective in stopping suction on new and old wall surfaces except the more porous types of composition board. The pigment by adding to its covering capacity makes its use advisable where two-coat work is desired. 5-W Tri-Seal is a pigment penetrating wall sealer for use on exception ally porous composition boards such as Masonite, Celotex, etc. This material should not be used on brick, tile, or con crete, where S-W Wall Primer and Sealer Is recommended. A ;j 4 4 i 1 SPECIFICATIONS FOR PAINTING AND ENAMELING INTERIOR WALLS AND WOODWORK PAINTING WALLS ^e FLAT FINISH Smooth, Sand Finish, or Textured Plaster, Composition Board or Canvas Covered Walls FIRST COAT--S-W Wall Primer & Sealer applied full body. For Glazed effect: When last coat is dry, apply S-W Glazing Liquid tinted with S-W First Quality Oil j: Colors to color selected to a portion of wail. Then {. stipple with crumpled cloth, twisting cloth slightly | after it has been applied to wall surface. Complete 4 color card sent on request. ' JS NOTE: On porous composition board, use S-W Tri-Seal instead. SECOND COAT--S-W Flat-Tone in color selected, and S-W Wall Primer & Sealer, mixed in accordance with label directions. THIRD COAT--S-W Flat-Tone in color selected, applied full body. NOTE: In the interest of economy, the second coat may be omitted. If glazed effect is desired add one quart S-W Wall Primer and Sealer to gallon S-W Flat Tone on third coat. 38 GLOSS FINISH Smooth, Sand Finish, or Textured Piaster, Composition Board or Canvas Covered Walls FIRST COAT--S-W Wall Primer and Sealer. NOTE: On porous composition board, use S-W Tri-Seal instead. SECOND COAT--S-W Interior Gloss finish, color selected. I EGG-SHELL FINISH Smooth, Sand Finish, or Textured Plaster, Composition Board or Canvas Covered Walls FIRST COAT--S-W Wall Primer & Sealer, applied full body. NOTE: On porous composition board, use S-W Tri-Seal instead. SECOND COAT--S-W Painter Craft Maintenance Wall Paint No. 3 applied according to label directions. THIRD COAT--S-W Painter Craft Maintenance Wall Paint No. 3 applied according to label directions. NOTE: In the interest of economy, the third coat may be omitted. yj SEMI-LUSTRE FINISH Smooth, Sand Finish, or Textured Plaster, Composition Board or Canvas Covered Walls FIRST COAT--S-W Wall Primer & Sealer, applied full body. NOTE: On porous composition board, use S-W Tri-Seal instead. SECOND COAT--S-W Semi-Lustre in color selected, apply full body. THIRD COAT--S-W Semi-Lustre in color selected, apply full body. NOTE: In the interest of economy, the third coat may be omitted. If either a stippled effect, or a glazed finish is desired, same may be obtained in connection with Specifications numbers 36 and 38 in the following manner: For Sponge stippled effect: When last coat is dry, ap ply sponge stipple in color selected, using same material of different colors as used for last coat. Either two or three color effects may be obtained by simply repeating operation. 39 STIPPLE OR TEXTURE FINISH Interior Wadis, Any Type, Heavy Body Flat Wail Paint FIRST COAT--S-W Wall Primer & Sealer. NOTE: On porous- composition board, use S-W Tri-Seal instead. SECOND COAT--S-W Wall Paint No. 96, applied full body. NOTE: Due to heavy nature of this material, special textured effects.'S| are possible with whisk broom, sponge, cloth, etc., before this last 'vs coat has dried. Apply to Sherwin-Williams for directions for special J} effects. " ENAMELING WALLS Aft HIGHEST QUALITY ENAMEL FINISH w Any Type of Wall FIRST COAT--S-W Wall Primer & Sealer. NOTE: On porous composition board, use S-W Tri-Seal instead. SECOND COAT--S-W Kem-Namel Snow White mixed withj S-W XXX Undercoater according to label directions. THIRD COAT--S-W Kem-Namel Snow White, applied accord-^ ing to label directions. ENAMEL FINISH ~ 1 Fop Interior Walls --Any Type FIRST COAT--S-W Wall Primer & Sealer. NOTE: On porous composition board, use S-W Tri-Seal instead. SECOND COAT--S-W Painter Craft XXX Undercoater, mixed with S-W Enamelastic, according to label directions. ; THIRD COAT--S-W Enamelastic, applied according to label directions. NOTE: In the interest of economy, second coat may be omitted. 12 1940-SWEET-00477 (Alternate to No. 41) e n a me l f in is h For Inferior Walls Any Type rJRST COAT--S-W Wall Primer & Sealer. ?7g. Qr< porous composition board, use S-V' Tri-Soai instead. ECOND COAT--S-W Painter Craft One Coat Enamel No, 39 mixed with S-W Painter Craft Enamel Undercoater No. 45 according to label directions. 'HIRD COAT--S-W Painter Craft One Coat Enamel No. 39 applied according to label directions. OTE: In the interest of economy, second coat may be omitted. ENAMELING WOODWORK HIGHEST QUALITY ENAMEL FINISH For Inferior Wood Trim IRST COAT--S-W XXX Enamel Undercoater applied accord ing to label directions. ECOND COAT--S-W XXX Enamel Undercoater applied ac cording to label directions. "HIRD COAT--S-W Kem-Namel Snow White mixed with S-W XXX Enamel Undercoater applied according to label directions. FOURTH COAT--S-W Kem-Namel Snow White applied full body. ENAMEL FINISH For Interior Woodwork :FIRST COAT--S-W XXX Enamel Undercoater applied accord ing to label directions. SECOND COAT--S-W XXX Enamel Undercoater applied ac cording to label directions. THIRD COAT--S-W Enamelastie, mixed with S-W XXX Enamel Undercoater according to label directions. FOURTH COAT--S-W Enamelastie, applied according to label directions. jgiy k niA (Alternate to No. 43] e n a me l f in is h For Interior Woodwork FIRST COAT--S-W Painter Craft Enamel Undercoater No. 45, applied according to label directions. SECOND COAT--S-W Painter Craft One Coat Enamel No. 39, mixed with S-W Enamel Undercoater No. 45, according to label directions. THIRD COAT--S-W Painter Craft One Coat Enamel No. 39, applied according to label directions. PAINTING RAD|AT FLAT OR SEMI-GLOSS FINISH FIRST COAT--S-W Semi-Lustre in color selected. SECOND COAT--S-W Flat-Tone in color selected (for flat finish). S-W Semi-Lustre in color selected (for semi-gloss finish). NOTE: Bc-caust' of then U-ndiiicy ;o yGlnw un<k;' hern, whites should be avoided. Tests prove that radiators painted with bronze powder materials, radiate 259c less heat than those painted with materials contain ing: zinc o.\ide or lithopone. f > r =9* r- r* r- f:K t EirUU'&S i lvK< pfcCsr r pLaiTt CVs* CTADSC ** i-i s i /puts. ISAYE-LITE WHITE f AIK' JFOR INDUSTRIAL Save-Lite is the name which identifies a complete line of Interior White Finishes manufactured and offered by TSherwin-Williams for the betterment of industrial light ing. The value of a white finish for the interior of mills and .factories is well known. The gain in quality and volume of 'production, in accuracy, and in the health and improved ./morale of workmen due to proper lighting has been demon strated in numerous cases. the standpoint of light reflection and distribution, Save-Lite Eg-Shel offers some advantage by comparison with either the Fiat or the Gloss. The accompanying drawing illustrates the comparative distribution of light reflected at various Sherwin-Williams Save-Life is manufactured In three de crees of gloss--Flat, Eg-Shel and Full Gloss. It can be applied to any interior surface -- wood, metal, concrete, plaster or composition board. The materia] is formulated in p consistency suitable for application by either brush or spray. Sherwin-Williams Save-Lite has an unusually high light reflecting value. The light reflection factor for all SaveLite products has been determined by careful laboratory methods and varies from 85% to 87% of the actual light falling upon the surface. Save-Lite retains its superior light .reflection characteristics for a remarkably long period of ffme after application, its freedom from yellowing being one of its outstanding features. SELECTING THE DEGREE OF GLOSS There is no manufacturing reason for Sherwin-Williams ad vocating any one type of Mill White paint. Our sole interest is in supplying an interior finish which will be best adapted to the particular condition involved. Considered solely from Gl o s s a n d Eg g -Sh e-l l Wh it e s angles from a surface painted with Eg-Shel and Gloss white paints. The advantage of Eg-Shel in the region of diffuse reflection is apparent. Save-Lite Eg-Shel finish combines the strong light diffusing properties of a flat-white with the superior washability and service of a full gloss. However, for maximum washability and durability, under the most adverse conditions, Full Gloss Save-Lite is recommended. For ceiling surfaces over indirect lighting equipment, it is important to eliminate high lights, or glare. This is best ac complished by the use of a flat or egg-shell finish. Inas much as the efficiency of the indirect lighting unit is almost entirely dependent upon the light reflecting value of the ceiling, the increased light reflection obtained from SaveLite Eg-Shel is an added reason for its selection in this type of work. Occasionally an interior white having a porous film is re quired, in order that moisture present in damp walls and ceilings can come through without forcing the paint from the surface. Save-Lite Flat White is a material of this nature and finds important use in packing plants, tunnels and other damp surfaces. FUME RESISTING MATERIALS Sherwin-Williams Fume Resisting Save-Lite has been de veloped to meet special conditions existing in many types 'i of industries. Fume Resisting Save-Lite is manufactured in 1 Gloss, Semi-Gloss and Flat, and is extremely resistant to the ordinary types and concentration of industrial fumes such as Sulphur, Chlorine, etc. Fume resisting finishes are 3 required under the conditions prevailing in rubber plants, f tobacco factories, portions of textile mills, and In the food ; ? industries. One of the latest developments of Sherwin-Williams Re- search Laboratories has been the application of synthetic | chemistry in the production of Fume Resisting Interior White finishes. Sherwin-Williams Save-Lite Fume Resisting "1 Gloss and Super Fume Resisting Gloss are two remarkable 1 products, without counterpart, in this field at the present % time. 'll The selection of a suitable Fume Resisting Mill White in volves technical considerations, which make it advisable for the architect to obtain suggestions from the paint manu facturer. The Sherwin-Williams Company is glad to cooper ate in matters of this kind without obligation in any way. SPECIFICATIONS FOR SAVE4.ITS INTERIOR WHITE FAINT MOISTURE CONDITIONS Save-Lite Flat dries to a porous film and will permit the passage of a certain amount of dampness without lifting the film. It may be applied in one or two coats on concrete or brick walls which are too damp for usual painting proced ure, or which later may be subject to moisture from the back of the wall such as basements and tunnels. No undercoater or sealer of any kind should be used and both coats of Save-Lite Flat should be reduced from 15 to 25% with Sherwin-Williams No. 74 Reducer. Roof plank which contains an excessive amount of moisture may be given two coats of Save-Lite Flat, although the nor mal amount of residual moisture in roof plank will come through Save-Lite Undercoater and Save-Lite Eg-Shel with out damaging the work. HO THREE-COAT WORK For the best possible results on new work, three coats arejf recommended. Surfaces should be dry and clean. 1. Save-Lite Primer and Sealer 2. Save-Lite Undercoater 3. Save-Lite Flat, Eg-Shel or Gloss 45A TWO-COAT WORK It is recognized that in much industrial construction, twoj| coat work is used in the interest of economy. Save-Lite ma*| ferials due to their unusual quality are particularly wellj adapted to this type of work. REPAINTING OLD WORK Best results on previously painted surfaces are obtained with two coats, using Save-Lite Undercoater followed with either Save-Lite Eg-She! or Save-Lite Gloss. Where the old paint remains reasonably well sealed, one spray coat of either Save-Lite Flat, Eg-Shel, or Gloss will give good results, depending upon the color and condition of the walls over which they are applied. If the old paint is ex tremely porous, a coat of Save-Lite Primer and Sealer should be used followed with Save-Lite Eg-Shel or Gloss. FUME CONDITIONS Save-Lite Fume Resisting Flat, Semi-Gloss or Full Gloss, also Save-Lite Kem-Fume-Resisting Gloss, should be applied over Save-Lite Undercoater and Save-Lite Primer and Sealer in two or three coat work in the same manner as specified above for regular Save-Lite finishes. In all cases involving fume resisting materials, a special investigation by a technical representative of the paint manufacturer is suggested to the end that the materials selected will meet all of the conditions involved. 14 On new work and non-porous reasonably dry brick and conj Crete masonry, Save-Lite Undercoater should be used as| the first coat. The superior hiding power of Save-Lite Ur|| dercoater and Save-Lite Eg-She! will materially assist fn| overcoming the tendency of knots to show through on woo< ' ceilings. For exceptionally absorbent surfaces such as Celotex^ Mai? sonite and other insulating wall boards, the first coat shouk be S-W Tri-Seal. When the job requires painting on new plaster, concrete* or brick work without sufficient time for thorough drying lime burning becomes an important problem. It is tmpo* sible to eliminate completely the hazards of painting unde^ such circumstances. If the wall is not too damp, Save-Lit* Primer and Sealer used as the initial coat will reduce th| danger of lime burning. A neutralizing wash coat of Zin< Sulphate solution prior to painting will also be helpful. For the final coat, Save-Lite Flat, Eg-Shel, or Gloss ma| be used. 1940-SWEET-00479 T K E E E IE /, : K E I, V\ 1 n E V E E.E E E IE C I E N r iKIEH THE SHERWIN-WILLIAMS CO. Makers of PIGMENTS PAINTS VARNISHES METAL PRIMERS LEAD PRODUCTS STAINS ENAMELS LACQUERS ETC. 1940-SWEET-00480 15 ALBANY, N. Y. ALTOONA, PA. AMARILLO, TEX. APPLETON. WIS. ASHEVILLE, N. C. ASHTABULA, OHIO ATLANTA, GA. AUGUSTA, GA. AUSTIN, TEX. BALTIMORE, MD. BANGOR. ME. BATON ROUGE, LA. BEAUMONT, TEX. BINGHAMTON, N. Y. BIRMINGHAM, ALA. BLOOMINGTON, ILL. BOSTON, MASS. BOUND BROOK. N. J. BRIDGEPORT, CONN. BROOKLYN, N. Y. BROWNSVILLE, TEX. BUFFALO, N. Y. CANTON, OHIO CEDAR RAPIDS, IOWA CHARLESTON. S. C. CHARLESTON. W. VA. CHARLOTTE, N. C. CHATTANOOGA, TENN. CHICAGO, ILL. CINCINNATI, OHIO CLEVELAND, OHIO COPFEYVIL1E, XAN. COLORADO SPRINGS, COLO. COLUMBIA, S. C. COLUMBUS, GA. COLUMBUS. OHIO CORPUS CHRISTI, TEX. DALLAS, TEX. DAVENPORT, IOWA DECATUR, ALA. DECATUR, GA. DECATUR, ILL. DENVER, COLO. DES MOINES. IOWA DETROIT, MICH. ELMIRA, N. Y. EL PASO, TEX. ENDICOTT, N. Y. EVANSVILLE, IND. FORT WORTH. TEX. FRANKFORT. KY. GALVESTON. TEX. GLENDALE, CAL. GREENVILLE, TEX. HARTFORD, CONN. HAVANA, CUBA HENDERSON, KY. HOLLYWOOD, CAL. HOUSTON, TEX. HUNTINGTON, W. VA. HUTCHINSON, KAN. INDIANAPOLIS, IND. JACKSON, MISS. JACKSONVILLE, FLA. JOHNSON CITY, N. Y. JOPLIN, MO. KANSAS CITY, KAN. KANSAS CITY, MO. KNOXVILLE, TENN. LANCASTER. OHIO LANCASTER. PA. LEXINGTON. KY. LINCOLN, NEB. LITTLE ROCK, ARK. LONGVIEW, TEX. LOS ANGELES, CAL. LOUISVILLE. KY. MANSFIELD. OHIO MARIETTA, OHIO MEMPHIS, TENN. MEXICO CITY, MEX. MIAMI. FLA. MIAMI BEACH, FLA. MILWAUKEE. WIS. MINNEAPOLIS, MINN, MOBILE, ALA. MOLINE, ILL. MONROE, ALA. MONTGOMERY, ALA. MONTREAL, QUE., CANADA NASHVILLE, TENN. NEWARK, N. J. NEW HAVEN, CONN. NEW ORLEANS, LA. NEW YORK, N. Y. NIAGARA FALLS, N. Y. NORFOLK, VA. OAK CLIFF, TEX. OAKLAND, CAL. OKLAHOMA CITY, OKLA. OMAHA, NEB. ORLANDO, FLA. PADUCAH. KY. PARIS, TEX. PASADENA, CAL. PENSACOLA. FLA. PEORIA, ILL. PHILADELPHIA, PA. PHOENIX, ARIZ. PITTSBURGH, PA. PORT ARTHUR. TEX, PORTLAND, ME. PORTLAND, ORE. PROVIDENCE, R. I. QUINCY, ILL. RICHMOND, VA. ROCHESTER, N. Y. ROCKFORD, ILL. ST. PAUL, MINN. SALT LAKE CITY, UTAH SAN ANTONIO, TEX. SAN FRANCISCO, CAL. SANTA MONICA, CAL. SCHENECTADY, N. Y. SCRANTON, PA. SEATTLE, WASH. SHERMAN, TEX. SIOUX CITY. IOWA SPARTANBURG, S. C. SPOKANE. WASH. SPRINGFIELD, ILL. SPRINGFIELD, MASS. ST. LOUIS, MO. ST. PAUL, MINN. SYRACUSE. N. Y. TAMPA. FLA. TEXARKANA, TEX. TOPEKA, KAN. TORONTO, ONT., CANADA TRENTON, N. J. TULSA. OKLA. TYLER, TEX. UNIONTOWN, PA. WACO, TEX. WARREN. OHIO WASHINGTON, D. C. WHEELING, W. VA. WICHITA FALLS, TEX. WILKES-BARRE, PA. WINNIPEG. MAN.. CANADA WINSTON-SALEM. N. C. WORCESTER, MASS. YONKERS, N. Y. YOUNGSTOWN, OHIO