Document rK39k9X0R8DxrBR19OoyQYbq

National Lead Go. New Ued Lead Y this is meant trdlcnd anti linseed B oil, both of liiji(unify, itmtimfinto a |i;Wr tv hull si.it sr sedt ju.\t as it lute li ad-in-<m! dns, and wluc h t ,ii ri( s tin- ()ni< It Hut ir i<I * ni.n t. I'ut up m tliis p.isti hum. m conlenient cans and hi- , uu^lni bom tli<* excessively, i .tp?d iliyutit i,lly rial lead, this nmv i nil lead hi be useful to ihc pamlm miu.iit}' w ay s. Wherever uut.il trr*tuiu*s paiitati* red lead-in-nil thinned w db'o'ue:|ii|^y(,l nil makes the ideal paiu!t u hiL* die bu Is rhaf lr does not pei haul in tin* pail and tit ttn^e.i-n tnmisan yn ,* adiantniu *>. Dutch |!oy n d le.nl in-i-il jb.'jfrlN 4 most;. (I'ejjiii'ahk; piirnct (id all k intis n( lumber, paMiVtii.iily pi(i hy and slippy hard wood, such a* \ rib u- piniY*:>i*jfe^ii- simtriiy I''films* a $> nul,1 jbatid foundation is laid firif1 ir*mos . in \<i;iijiKu! L Idrly (!o sullen n|iiifr the beat of lilt sun and isnih ft'* ii.lv i t Vo the suifa * .\ linpicivi cause of Y | scaling siptl t*r;u*Lrftif of outer ufoidiSj.:. 'll be case wjitfr pdii< b ] )uU'b dbiy red lead-in-nil (tijlijy :jhh tinted . it easy to obtain favm t(r ilai k mini s with i(. Hy iut\(uir u uli i {.imp bl.uk, hi<ime yellow^ chrome "pfieeiLnri iptussiatii'il'dtty it ts possible (n liji't ;t wide \ a itiy uf lumens, reds aml nlnrs-. Lot* yK:unphry:u ouot nr [ten uf lampblack addeil to a bundled pounds of red lead uives if a h<du ruHrc enlur. iiitireiniinlf; the lampblack results In it $tuiCCMjiip uf i'b )ti bnnytis. \KeSulIs from other Cob nine picjoiiirms at''r cijCtaHy imevestiu^. Where Hi*ht rims are de- sireiljithc fimslmtt; *. n.tls dUaild be hfiteii; white lead. J.33-Z National Lead Go. 0007--SWP-040415 THE COLOR BLOCKS It will be seen that all the color.blocks are ' In groups. Each group is a perfect harmony. In any group on pages *, 5 and 6, any one of the colors may be taken for the body of the bouse and any other one for the trim. In most of foe groups the darkest of the three shades is suitable for sash or roof, and in some cases for blinds. Similarly, in the groups on pages 7 and 8, each <wo colors are in perfect harmony. With the lighter tint for a ceiling and the deeper lint for a side wall, there will be no clashing of colors whatever. With the 70 different colors shown on this tolder there could; of course, be made thou sands of good combinations. No one who se lects colors from this folder need feel limited by the 21 combinations shown. The two ad vantages of fJie groupings are (l) to show how the different colors go together, and (2) to show certarn combinations that arc unmis takably correct. Don't forget the white house. Where the atmosphere is reasonably free from dust and. from the smoke of railroads or factories, noth ing eliei is quite so attractive as white. It is particularly pleasing on a house- well set in foliage, and it gives even to a small house an appearance of increased size. White is also effective as a trim on yellow, drab or gray. 2 WHAT FAINT 7 The best known paint prescription is an, old one--simply pure white lead mixed with pure linseed oil and the necessary color. Nothing else has yet been found to equal it. Pure, white lead end linseed oil paint wears down slowly and smoothly, so that, when the time comes to paint again, no expensive prepara tion is necessary. * * * It is one ofi the greatest objections to the substitutes offered for pure white lead paint that they leave the surface -so rough and lumpy that it not only looks bad, but requires ' the me of the gasoline torch to smooth it down before repainting. This preparatory work not only is dangerous,, but it costs time and money which,jiof course, must be added to the original cost of those substitutes before their , cost is compared with that of pure white lead \ and oil. v. . - ^ Mixing--Faulty mixing, even with the best 1. r*\- : :---4 i- 0007-SWP-000123806 of materials; In lint likely to make durable paint. TheimporUnt lliiug It to give- tire lead and oil a chance l Incorporate themselves in that dose union whlchi they: always make if let sdoi\c, and which \n the secrc\ of the supe riority of white lend nitrt linseed oil paint over all others. The following directions give best rcs.ilts. The order l Important. (?) Break up the while lead with the paddle, ii intr* mil; '*iim git <ii' bring it to the * if i l*in ii' oil. (2) .*. j r* tlirt'ujr c ' rs (read carefully p:tr 'lnn.1 under Siculmg "Makug the rim-"!, f ill nliig mailer added after iuc p"\ !* !ni h',ci' l Inivcdislilcelyto hir.tk nr ui hi nt * Inch;: leave streaks w'irr lrn*-! rd i'M (3) l`t in trier spe '`fiieriiicallons/' p. 11, f r qii.tiiiil; (-It) Add -.iinlndrr of fit, stirring well (see calloi.s," p. II, for quantity of oil)i () Last of all, pill In turpentine. For out side work never use inure than one part turpentine: to five parts oil, Kememher that llmmcr* help only the flow of the paint!! never Hs quality. Always put in the thinner last. Making the Tint*--The formula'! fur making these tir'ls are priwUeal, but a. few cautions are important. (1) M i-c o ,te allowance for slight; varia11 i 3 in 'Ur strength and lone of:different m if ii!nrm Chromes and ;ochres - i o r< ably, 'i hesc formulas arc h i| t n |. h i T, Lewis 6c Bros. Co.'s 'ii m u id. a irtogiiircd high standard linn | It is not possible to obtain nr t J * highest grade you can erbr* i .i rf iii. utliiTi make and fniniliiirirc jr mi'l v 1th their Krciigih mid tone. U `ip erl.iri are nc\*r naiisfarUiry. (2) V/tiJi cut ; ' tr rotor and add It gradu- allv. int nil M nine, noting the effect as v i j. i When yarn, reach the; desired ` l-rie, *iin reginrdicss of what the forn uh >illi (i , (n) Iiiipp:i me rnd daik driers will; slightly alter shades. Make allowance for this. For New Work Outside--T'riming CoatKnots Sind sappy streaks should be shellacked with grain aUvibnl ahrllac, brushed out very thin. Then prime with flic following: mo Ihr, pure whilp. b*ud; ft to 7 gallons pure raw linseed oil; 1 gallon puie tmpcuttnc; V/* pints pure tut'pentiue drier. rl his makes 10 to II gallons of palitt. Where Utc lumber has many (Cunl-lmiml ini puga |) I 0007-SWP-040417 0007-SWP-000123807 *T T1 '**'Tl^fcMIh! WwnK!9(l Combinations For Exterior House Painting. Eightee wAB 0007-SWP-040418 0007-SWP-000123808 Ictmu, imc less oil mid more turpentine; too much oil on (lie knots cutides the later coats to draw b ih I cheek. Second Coat--ino Hu, pure white lead; VA to V/i gallons jime mw linseed oil; *4 gallon pure turpentine; 1 pint pure turpentine drier. This makei a>j to 7 yt uulimis of paint. Third Coal--1M lbs. nitre white lead; 3$4 to 4*/ gallon* pure raw Mnsccd oil; 1 pint pure turpentine; 1 pint pure turpentine drier. For Old Work Outside--First Coat--1W> lbs. pure white trail; 4 to a gnIUm* pure raw linseed oil; 1 gallmi pure turpentine; 1 pint pure turpentine drier. Second Coat--100 11* , pure white lead; 3yZ to A'/* gallon* pure raw liuiced oil; 1 pint pure turpentine; 1 pint pure turpentine drier. In winter end damp weather from V\ pint to *A pint additional Japan drier should he used. When tinting colors are used sufficient to alter tlio consistency of the paint, add enough oil and turpentine to equal one-half the weight of the tinting.'material. Three coals should always be applied lo a surface which Ima never before been painted. Two coats arc audii'lcnl for repainting old work. Two coals only are sometimes used on new work, for the sake of economy, but It is not true economy. A third coat would cost only one-third more and should make (he job* last twice as long. Lead and Oil--Tn these formulas It Is as sumed that only pure white lead and pure linseed oil will he lined. One way to insure purity Is tn get tintIt lead ami oil in our sealed packages, bearing the "Dutch Boy-Painter* trade-mark. Thinner* and Driers---Use only pure turpen tine as a tldiiucr. Do not use kerosene or even benzine; lliry iln not Improve, and they may Injure the paint. A pure turpentine japan drier is recommended, THE COLOR FORMULAS To 100 His. of iMir I>ut<*h Huy white Lead ground in oil add cyjpfa tn oti ox itlroctoU. 501--14 os. tamp hhudt 503-- 1 OS. lamp lilark 605--14 os. lamp black. 604-- 221 pounds French oMit-o 2 pounds lump hluik 1 pound Voneiimt ru<l 506-- 3 Uni. 4 os. Fmneh ochre S 02. lamp hlark 605-- 8 lbs, 4 0*. French ochre 5 ox. lamp (duck 507-- 1 ox. lamp black 3 o k . I'nisalnri Mile 1 lb. 1 ox. mudlum tiltramo green 508-- Va os. tamp Murk 14 o r . I'runsUm blue 509-- -*4 as. lump Pluck t/6 os. Prussian, blue 0007--SWP--040419 0007-SWP-000123809 610-- 4 at. lamp Mark 1Il >. 7 oz. YfitRilan red Gil" 2 mz. lump iiUrh 0 os. 'Vanailrm red Cl 2"-W or.. .Tnmiv Mark i os. Ycncitinrt rml 613-- 7 os, lump lilrrh 11 oz. medium chrome yolluw 614-- 3 tz. lamp li'nrk 6 oz.: medium. chrome yellow 616--12 os. *Trenc! ochre .i. Km*) b'ack 615--11 l-f* I whin i Ip >1 iilni'k Cl Ihir. }3h k II*I Tuscan rad 17-- 2 lbs. 10 os, Vonmllnfi rctl Bl&--Ji ,* > tMinireil GJ9--.12 ll>". Frtmch erlire IT i" uminihlfli'k 2 lira, C os. VenoUnra rn1 620- ' is t " rn.idi ucliro l>, - h rii| bliirk C21-- J *' : f lYrtii'li oohrn ' i . 1 iif* Shirk , iii . \ i nrDniii: red B22-- ' M i> t.larh ` r i llis. Ilfjlit femur 1 SUs. 4 ay. iims IIiim clinmu yellow 623-' - 1 urn r' i \ III 4* H Il I lit Alt 1 "It t ! mu t'liriMiio yellow D24-- / 'In J ll b 2i - IS. I* i > r i it < Ii in 'i iinic yrlloir CZ5^- ? 1 - 1 i bliirk !li'< '2 nr. \ it il tit c'Urtmtp greMi r n. i t" i'ii rlinmle yellow 620- 1 - inn ' 1 lbs. 40 u- irnill'im clirumi* yrilovr 627--* } 1 II i ir M IJ' l - IIt um dirurnt yollow 528--6 i i. : * Frem it ochre 1 r- l*. . 111 k , 33 ez I'enotk'n kf`1 629- i" i ~ '"irinli o'liro i- * 11> * 54 os. Vrnrt fu u red B30--1C * X* 1 l r *, it . * 1' O tiluotltnov ynit 631- 1 |T f !* ! till 'illir-k 4 Ii < i mi rlimnm xrrrn 4 Mu *i * i Mum yullow C.1Z-- 3 lu. 1 Hi JZ * 1 * 4.11 line yellow 533- * i p hlltrlr i u * III [|,ilie t lirotim yellow 634--G 1 i( T mi Ii oi'ltro i> r | 11 6ns- 2 |I.C l - Frcfirli orliro 635-- 7 *z. Frcrich iii'li 1 e F - u t urn. r rurmi yellow 637--101 l H ia i 1 oi'tirn 4, Ofc ..i |i ( k 138- 7 c f - 1 . I |||| an yellow IK I ]M3- 2 '1 a. 1 > I ii p ulnrU ii me 'i nit rlttrrhin irraon G llii ' inr U iiit chrome yellow 49-- t \* ' it It i hi n /MI*imlnitF feil 9 611--Indian rod only MS--3? at. French oCtire 1 os, lamp black S49--* n*. French ochre Vf os. lump black. 644-- 7 U. 8 os. French ochre . 1 os. lump black M6--- 1 1/6 o*. ktmpr black 2 ozrmetlhimchrome green 6 oz. medium chrome yellow MB-- 2/10 oz. lamp bls.ck K/Ui oz. Prussian blue i/10 oz. Icmuii chrome yellow 647-- 2: os, i lamp iblncTc 4 os. Venetian red 9 oz. medium chrome yellow MS-- 2 lb. 1 or. French ochre B uz*la.inpbl,ek MIC os. Yenetlasj red. 649-- 6 os. Flench nolire B os medium chrome yellow 669-- 3 lbs. 32 nr, French ochre. % oz. lamp black 6S1,-- RU oz. French ochre i'Vt ox. lamp black 662-- 1 os. medium, chrome yellow &r.O--U oz. lamp black 4 oz, medium chrome yellow 4Vi os. km.cn chrome yellow 654-- 4 os. lamp black 12V. os. medium chrome yellow 2 lbs. 1 os, medium chrome green (!{-- 1 n* Prntn blue Vfe a 1 ...... .tirwit yellow (Sir- 1 *>* I** ni H jjki 2 i'- ip *u ij- chrome yellow 1 'z I*i ufl . blue , i l'i. 3 o murium chrome; green 657--- r/lt m? ii*:i |i black 8 1 16 ** iud|ym chroma yellow l lu. Sj tHi Cm .lemon chrome yellow 669-- 2 lbs. 16 cz. French ochre 559-- 4/S0 ex,. Prussian, blue 660-- 4/1 o os. lamp black 2 oz. medium chrome yellow 691--U oz. lamp, Mack 12% os. medium t.hrumo yellow 14 or. medium cfcromo green 662--32 lb*. 7 .3/10 oz. French o^bre 1 lb. 1 ox. la.mp'black 91; lbs, i ijjoall'ilY^P'pa.n red Rflfl-- nt lamp' black ':'i,*m'i'0^i)|^Til3lan blue 2, chrome green 604--3V medium chroma yellow : ' ..azi; jj.Sjiii'filjih- oclire" ,rr|uej^lj^riij|ue s.. iT>eailb'etf|1!:4i^bma green PruKifammbiKie !^.:;loqljdil!:!!ljj!|^{C|Q|aa yellow, : B ochre 'ack red 679-- 61- 10 TO FIND HO Measure the total i with a tape Iine> carrj and angles; multiply t from the sill to the e of the gables by half t To get the area of po "mgs, multiply the len; the area of porcli colu the height. Figure ra if they were boarded ! painted both sides. T s hanging eaves and cc . running length by the must be iu feet. No al . and windows, since ; must be painted and ! qulred for the edges When the several aie: the -number of squar number of gallons fo 600 to find the numb ditional coat. These malely right fur av covering capacity of ] on the nature of the i the white lead, the fr .' the way it is brushed Materials to 100 s proximate): Pure v linseed oil. Y pint; It Complete spedfieat interior and exterior, als, will be scut on n For con%'enience ax the following; tables: A--FOR PAINTING Ingredient* Prl: White La^.........100CC Haw LInaded OIL S Turjicnflne .... 1 Turpentine Drier 1ft Paint It makes. 10 It will cover..-.5750 sc; B--FQR RE-F4 Ingredients White Lead................... Haw Linseed Oil Turpentine ............. Turpentine Drier...* Paint It makes........... It will cover,........... . C--FOK ONE GALLON F l?r! Incredlentsi rx WhlteLcadvu..., 10 , Haw Linseed Oil.. 5: Turpentine ...... 4/6 Turpentine Drier. W It will cover.,.,.575 - ' .v 0007-SWP-040420 0007-SWP-000123810 TO FIND HOW MUCH FAINT Measure the total distance around the house with a tape line, carrying it into all the corners and angles; multiply that distance by the height from the sill to the eaves. Multiply the width of the gables by half their perpendicular height. To get the area of porch floors and porch ceil ings, ihultipjy the length by the width. To get the area of porch columns, multiply the girth by the height. Figure railings and spindle work as if they were boarded up solid and had to be painted both sides. To get the area of the over hanging eaves and cornices, multiply the total running length by the width. All measurements must be in feet. ,No allowance is made for doors and windows^ since the casings and the sash must be painted and since some paint is re quired for the edges of the weather boards. When the several areas have been added, divide the-number of square feet by 575 to find the number of gallons for the priming coat, or by 600 to find the number of gallons for each ad ditional coat ` These results will be approxi mately right for average conditions, but the covering capacity of paint depends a great deal on the nature of the surface, ihe smoothness of the white lead, the formula it is mixed by and the way it is brushed out. Materials to 100 square feet, per coat (ap proximate): Pure white lead, 2 to 2% lbs.; linseed oil, pint; turpentine, pint. Complete specifications for all kinds of work, interior and exterior, including painting of met als, will be sent on request. For convenience and for ready reference use the following tables: A-FOR PAINTING NEW WORK, OUTSIDE Ingredients Priming coat WWW Lead,.... 100 iba. Raw Unseisd OU 6' gals. Second 1 Coat 100 Iba. 3 Vs gala. Third coat 100 lbs. 4 gals. Turpentine .... 1 gal. Turpantlne Drier 1% pis. Taint it maxes. 19 gala. %.WL % .' 1 pL l pt. 7 gals. It will cover. *5753 ;aq.: ft, 4000 sq.ft, 4200 eg. ft. B-FGR REPAINTING OUTSIDE Ingredient* First coat * White Lead..............................100 Jbs. Raw Linseed Oil ......... 4 gals. Turpentine . 1 gaL Turpentine; Drier............. -lpt. Paint; it make*..................... .. 8 gals. It will ....................................4800Sq.ft. Second coat 100 lbs. 4gals. 1 pt 1 pt. Tgals. 4200 aq, ft, C-FOR ONE GALLON PAINT, NEW WORK, OUTSIDE Priming Second Third Ingredients coat boat coat White Lead...... 10 lbs. 15 , lbs. 14)4 Hur. Raw Linseed f ptfi. 4 yts. 426 pto. Turpentln* ........... 4/5 pt. 3/10 pt. H pt Turpentine Drier. H PL 3/20 pt. it pt It will'cover;;...675 sq.ft. 600 sq.ft. BOO sq.ft 11 D-FOR ONE GALLON PAINT, OLD WORK, OUTSIDE InMrcdlcitts First coat White Load .......iS&lli* . ruat |4f lln. Flaw T4rweed Oil.4 ]i(n . 424 pt*. Turpentine ............ Turpentine Drier. ,, 1 pi. % il. It |il. % |t. It will cover........... soo m<(. ft . 000 *<|,ft ) E-FOR PAINTING NEW WORK, INSIDE Tngredloiktu I'rhuhtg cent coat Wliilo Loud............. 100 nH. RHl )l>. Tluw I.lriaeed Oil.., 0 Kill*. lli TuriKilitlno ........ Turpentine Drier... Paint It makes.... t gnl. "Iftl'liita 10 k h I. IUk k I*. 1 pint MI sal*. It will cover..,,,,. 5750 u. ft Sami mi, ft. i F--FOR FINISHING COATS, INSIDE Flat fitoRK KKK"hull Ingredients finish finish rtnlh While 1-oad,,..,, 100 lbs, J0I) ||i*. |ft( llm. Ituw lJnwQQd OIL 1 |t. 3 *Mh . 3 |t*. Turpentine ......... 1ft gule. t |H. t xl*. Tm-jicntliift Drier, V4 l>t 1 *t. li Id. P:ilit It makes... 4% Kale. 4VL fv% *l*. It Will cover.,,... 2860 U<|.fL. 31(10 sq.ft 30110 sq.ft. HELPFUL HINTS Cracking and staling result from undue hardness and rigidity in the paint film. Metal and wood expand pc contract sis temperature changes and the paint coat must cither be elastic enough to stretch ami lhrink ns the temperature changes, or else It has to break. Paint made only of pure while Irtitl and pure linseed oil is so elastic that It wifi not crack. Moderate chalking need cause..no alarm. It U the natural wearing down of the paint, ami it Is this characteristic of lead <md oil that provides a smooth, even surface for repainting. : If chalking becomes excessive as a rcMitf of using too little oil or oil of n pour qiinlliy, repaint, using plenty of oil ami Utllo nr no turpentine. To prevent the sagging or running of paint, brush It out thoroughly and secure quick dry-! 'lug by adding more drier ami murir turpentine. Running is less likely to occur on Out ordull than on a glossy surface. Light spots often appear In work where i lamp black Is one of the color ingredients. Since' spotting appears worst where the wood Is moatporous, a good preventive Is to filve the porous places a coat of linseed oil before applying the ' first coat of paint.. Where spoiling bus oc curred brush over the spots wills lmsertl oil before repainting. If there is blistering, due to sup In the wood or to damp foundations or to leaky ttuticrs or to; achrc priming or to having used fatty oil, first 15 find and remove tin burn off the blisten with a thin coat of p half linseed oil, hall To strain paint t! wire strainer before against lumpy color ness. Paint also spr Paint for roofs sh as for regular hou: mere stain. Touch up missed i begun to set, otherw Moisture in wood i Wood in new buildin soaked. Let it dry l. careful when repainii and examine the surl before painting. Do Do not be tempto use a substitute for f arguments are oftci linseed oil is high for linseed oil shouh misled. You risk the the cost of all youi other oil. lie sure to mix plci and trim. It is betu to run short, espcc tinted paint. The le: ing roof valleys or places. Often the bo thrown together for t mass to a neutral co For priming ycllov following formula: 40 lbs. Dutch . 00 ll>s. Dutch ] gals, raw lii 1J4 gals* turpen */i gal. turpent The excess of turp harden the gum in lead helps make a v< which to lay the bod 0007-SWP-040421 0007-SWP-000123811 ;h p a in t round the house 7 alt the corners : ce by the height ! rttiply the width sndicular height. -1 i and porch ceil- j e width. To get V. :iply the girth l>y * l spindle work as | t and had to be . area of the oyermltiply the total } til measurements ' s made for doors i gs and the sash ` jme paint is re- ; weather boards, een added, divide j r 575 to find the ming coat, or by tons for each adwill be approxw nditions, but the ettds a great deal he smoothness of is mixed by and 1 . . et, per coat (ap- -d, 2 to %% lbs.; % pint. all kinds of work, ? painting of mal ady reference use ORK. OUTSIDE Second Third coat coat 00 lbs. 100 lbs. 3S& gals. 4g<Oa. 14 g*i 2 pt. 1 Pt. - Ipt t% gals. 7 gals. 0 sq. ft.. 4Z00 eq. ft. OUTSIDE t coat I lbs. gala. gaL Pt gals. sq. ft. Second coat 100 lbs. 4 gala, ipt. lpt 7 gals. 4200 sq. ft. Vtr WORK, OUTSIDE Second Third coat coat 5 tha. 14% lbs. t pta. 4% pta. GO pt. %pt m pt. % pt 0 sq.ft 600 sq.ft. tU --FOR ONE GALLON PAINT, OLD WORK, OUTSIDE Ingredients First coat Second coat White Lead Raw Linseed Oil... Turpentine .............. Turpentine Drier... It win cover........ it hi 4 pta. 1 pt. K Pt 00 sq. ft . H% lbs. f# p(a. Ti l,L % pt. 00 >4. ft. ) E-FOR PAINTING NEW WORK, INSIDE Ingredients Priming coat White Lead.........100 Iba. Raw Linseed Oil... 0 gals. Turpentine............... l gal ' Second coat 100 lb*. VA. gale. ivCgnls. Turpentine Drier.1H pint* Paint it makes.... 10 gala. It will cover,...,,. 5160 sq. tt. l pint % 5300 }. It. F--FOR FINISHING COATS. INSIDE Flat Ingredients finish White Lead...... 100 Iba Raw Linseed Oil. 1 pt. Gloss Egffihall finish finish L00 lbs. 100 Iba. S' gals. I pta. Turpentine ........... 1% gals. 2 pta. t Kitts. Turpentine Drier. ^pt. 1 pt. Paint it makes... 4% gala. 6# gala. It will cover...........28SQ sq.ft. 3600 flq.ft.* 8000 sq.ft. HELPFUL HINTS Cracking and scaling result from undue hardness and rigidity in the paint film. Metal . and wood expand or contract as temperature changes and the paint coat must either be elastic enough to stretch and shrink as the temperature changes, or else it has to break. Paint made only of pure white lead and pure * linseed oil is so clastic that it will not crack. j Moderate chalking need cause no alarm. It' is the natural wearing down of the paint, and , it is this characteristic of lead: and Oil that * provides a smooth, even surface for repainting. ' If chalking becomes excessive as a result of using too little oil or oil of a poor quality, rcpaint, .using plenty of oil and little ; or no; turpentine. To prevent the sagging or running of paint, brush it out thoroughly and secure quick dry-; 'ing by adding more drier and more turpentine. Running is less likely to occur on a flat ordull; than on a glossy surface. Light spots often appear in work where, tamp black is one of the color ingredients. Since' spotting appears worst where the wood Is mostporous, a good preventive is to give the porous \ ptaces a coat of linseed oil before applying the first]-poat of paint. Where spotting has oc- \ . curr|ed brush over the spots with linseed oil before repainting. If] there is blistering, due to sap tn the wood \ "'or to damp foundations or to leaky gutters or to` ochre priming or to having used fatty oil, first, ta find and remove the came. Then scrape, or burn off the blistered paint ami prime anew with a thin rout uf pure while lend mixed with half linseed oil, hull turpentine. To (rain paint thiNimh vhccsc-cloth or i wire strainer before indnu, will be a safeguard against lumpy odors ami consequent stceaW ncsi. Faint also aprraiU further if strained, Taint for rmtfi ftlmnhl not be made heavy as for regular hmiiwwutk, but very thin--: mere slain. Touch tip inUiu-d places before the paint ha: begun lo set, ntlimvita the lapi will show. Moisture lit wood is the greatest foe to paint Wood in new buildings is utmost always water soaked, Let it dry before painting. Be equal); careful when repainting. Wait for dry wcathc and examine (he surface carefully for moistur* before painting. Do not paint just after a fros! Do not be temped by any consideration t< use a substitute for pure linseed oil. Plausiblargumeuta are often urged, especially whe: linseed oil is high in price, why substitute for tiiisccd ot! should' be uicJ. But do not h misled. You rink the inis of all your labor an. the coal of all your inulcrliils by using an; other oil. Be sure to mix plenty uf point, both for hod; and trim. It Is boiler to have some left that to run short, especially If you arc using i tinted paint. The left-over U useful for paint ing roof valleys or gutters and various odt places. Often the body jmd trim colors can lit thrown together fur aurh work, bringing llu mass to a neutral color by adding lar^p black For priming yclluw pine we recommend tlu following lorimila; 40 lbs, Dutch Boy red lead in oil. GO lbs. Dutch Boy white lead. tH gala, raw linseed oil. I# gats, turpentine. x/t gal. turpentine Japan drier. The excess of turpentine and drier seems tc harden the gum lu the wood, white the red lead helps make u very hard-drying film upon * which to Uy the body mid finishing coats. tl Fi$a 0007-SWP-040422 0007-SWP-000123812