Document omoQ40MN4r2qaLGGzLKGkYYe3

SWEETEST V CATA LOGUE IV4 A Completely Indexed Catalogue Filing System ---------- of Building Materials, Supplies and Equipment ft Twenty-first Annual Edition J . Section .3i Compiled, Edited and Published Annually by. , WEET'S CATALOGUE SERVICE Dn o r o m o p P. V. Do d o s Ou q u iio m 119 West 40th Street, New York, N. Y. * w. Park Square Building CtartUad, OUt> I2M4I Ballding Philadelphia, Pa., 207 North Broad Street ' Chicago, lit, 131 North Franklin Street Pittsburgh, Pa^. Bessemer Btdlding Loa Angeles, Calif, 309 California Bonding Atlanta, Ga, Witt Building 4 Copyright, 19% by P. W. Dodge Corporation mwrat: m vxmo nmt-or same* *r .-k consrOHHin aunRiia ran, 1926-27-SWEET-00024 V B1480 CARTER WHITE LEAD CO. /. 1-2042 South Peoria Street' 1 . CHICAGO, IIX. ` ;* AL!WN\\ N. Y,, , - N. .CLKVKLANn, OHIO DISTRIBUTING POINTS . JACKSONVILLE, *LA. MINNEAPOLIS, MINN. OMAHA, NEfl, nosTO.svMASvS. 'Da l l a s , t f .x , KANSAS CITY, MO. NASHVILLE, TJ'NN. ' PHILADELPHIA,TA.. h u k f a f.o. n . Y.' hj-rrimrr. Mien; MEMPHIS, Tl'NN, NEW YORK, N. Y. . RICHMOND, ]VA, CINCINNATI, OHIO (Ht.VNn JIAHPS. MICH. . ST/ r.VVi,, MINN. MILWAUKEE, WIS. ' OKLAHOMA CITY..OKLA. ST., LOUIS, MO. ' ; SAN FRANCISCO, CAL. SAVANNAH. GA, . y Products pure, well-settled linseed oil, pure turpenliqeand Manufacturers of St r ic t l y Pu r it drier, mixed to proper consistency and uolored to suit: . . / j ..... WniTi: .Le a p and Le a p . All new lumber requires 3 coats'fo produce . Also iVinmi'incturers of Litharge. a durable job. White Lead for Interior Woodwork-- Carter White Leqd Surfaaoto be put in proper condition for paint; all jKml, dirt, loose patrib etc, removed; all Carter White Lead is a high grade and standard product, noted for its *eX- 'treme whi.tepcss, fineness, superior 'body,.', and > sappy .places to be varnished' with piW%rairi-alcoiul. shellac varnish.; . . . Priming Coat--To be a thitf coat of. Carter White. Lead /,Coach and Car preferred),, pure - uniformity pn<I great durability, because it. linseed oil, turpentine and white turpentine japan is-perfectly corroded by the only njodern .and .scientific process .in the' wl^ite lead industry.' drier,Mhopoughly mixgd and properly applied.- . * Putty all'nailholes; crocks ani. other defects ' with linseed oiT putty, compo$e'i;of equal parts of Carter Lead and whiting, after priming coat ` . Architects should not fail to specify.,' ``Carter" when' white'pgint or soft, clear Witts are desired. TRAnF.-MAtlK ts thoroughly dry. * ; _ - Second and Third Cjats--Paint to- be Carter-White Lead (Coach and Car preferred), thinned with either Flatting Oil. pure turpentine or pure linserd oil and pure turpentine white drier, to produce egpshcll, flat or a full gloss Carter Coach and Car. Lead, , finish, and colored as desired. Architect to specify the finish Carter Coach and Car Lead is a particularly high desired. , .V. grade product, especially ground iti*-bleached oil with Flat Finish for Plaster Wall* reference to interior and surfacing world It is .extremely white,and fine. exterior u^ork.. It Gats and dries well. Equally good for . garter White, bead, Flatting Oil and oil colors are used for the finest decorating on canvas, 'plaster or compo walls. While the first cost of such decorating . Red Lead . Carter Dry Red Lead contains no adulterants and conforms to government specifications. may exceed other methods a little, the ultitnate cost is less. White Lead thinned with .Flatting Oil and tinted with oil colors 'producesdeaf'and delicate tints which Distribution are truly i washable. "" * Decorating o? this character is good, for long ser . . Carter White, Lead'is widely distributed through vice; in fact,'until a change in color is wanted; These jobbers, and is Retailed bv local dealers in every locality. walls may be 4wafched as often as need be to keep, them It is thus-easily obtainable anywhere in the country: fresh and clean. ' , Architects.-may specify "Carter" to be/used on a building anywhere and the contractor can secure it Important to Architects - Prices We recommend letting the painting contract sep arately from the general contradi, and that estimates, be Prices are governed by the fluctuations o^f the metal asked only from competent and reliable . contracting .marker. Carter Lead is sold for "about The same price .as other standard brands. ,,' - White Lead Specifications painters. . In order to insure the..carrying outof-the -specifi- - cations we have stamped the name "Carter" on the side of. every keg. .When the, head is removed, 'the., superintendent can still identify the package. . White `Lead for Exterior--Before any paint is applied, woodwork to be thoroughly dry. Apply no paint when raining or snowing. . All knots and sappy places to be varnished with, best grain-alcohol shellac. ., . Priming Coat--To be a thin coat of Carter White Lead, linseed oil and turpentine, properly brushed into the pores. Guarantee , A ' Jpr . Carter White Lead is sold under the following guar antee, which fs print^l-on every package: , This package contains 8fo linseed oil, 92% car- On yellow pine,`spruce, hemlock and all sappy woods, a mix fonate of lead. The Ca r t e r Wh it e Le a d Co. will pay ' ture of r'fti lead and white lead is necessary to secure the best anchorage and insure a tenacious foundation for succeeding $100:0$ if adulterant is found in this package. -coats, -i.'. - - . All nailholcs, joints and other defects in surface to be ^Useful Information putt/eci tnorougniy alter priming coat is dry, with a oil putty made by thickening Carter White Lead KpWuirtXeh 'ubtneosletSeedn _ __ _whiting to putty consistency. ; Second and Third Coats--To be Carter" White Leid, U. P.`AArrooccuuhhrriitlePcatsintarItnfionrvmiteadtiotno put their Bureau. paint problems Its services'are given withhout chafge. ' Sw e et 's Ca t a-iSk u e 1926-27-SWEET-00025 &i 1 VB1492v tm . ;" RIPOLIN ENAMEL PRODUCTS m 'i : ;: HOLLAND . THE RIPQLIN C30MPANY / ' /1 FRANCE ENGLAND UNITED STATES ` CANADA' THE GUDDEN COMPANY ; v '. NATIONAL HEADQUARTERS ` ^ . CLEVELAND,'OHIO >- Associated with Th e Gl iij pen Co mpan y and Its fourteen affiliated companies to whom manufacturing and distribution rights* ' in North. America have been granted Th e He a t h Sc Mil l ig a n Mpg . Co ., Chicago, HI. Ad a ms a n d Kl t in g Co ., Chicago, ill. ., Ca MI'BELl Pa in t & VAr n is h Co ., "St. Louis, Mo. Ca mp be l l Pa in t & Va r n is h Co ., Dallas, Tex. Th e A. Wil h e l m Co.,'Reading. Pa. , T. L. Bl o o d & Co.. St. Paul, Minn.' Ame r ic an Pa in t Wo r k s , New. Orleans, La. Tw in Cit y Va r n is h Co ., St. Paul, Minn. \ , Tint. Fo r es t Cit y Pa in t & IVa r n is h Co .,' Cleveland. Ohfofv) .Nu bia n Pa in t & Va r n is h ;'Co., Chicago, lit. ' Th e Gu d d e n Co m^n y 'o k .Ma s s ac h u s et t s , Boston, MaSsi*/ ^ Th e Gu d d en Co mp a n y o p Te x as , Dallas, Tex.' . , ` A Th e Gu d d en Co mp an y o f .-Ca l if o r n ia ,-,San Francisco, CaL ` Th e Gu d d e n Co mp a n y , Limit ed , Toronto, Ont.,. Canada- - Product Rip o u n 'En a me l s , including: . j GIo s s ; Semi-gloss (Eggshell), Flat White and Decorative Tints including ivory/cream, pearl gray, light gray, sea green, light blue and pink; other tints are ob tainable by .addition of pure colors ground, RI BO LI N TRADE-MARK i. ,->? Production ' - ." 9' ' .Ripolin is made.m America by Euro pean experts and American workmen who- have been taught the European methods. It is made under the direct supervision of "Ripolin, Limited." - " v . .V in japan, or 'will be manufactured for quantity .orders. Specification'Data and Distribution _ Trade-marks Ripolin specifications *fv Iil> / This design is the identi- for every conceivable. *pur-^;; .fication mark for gdtiuhie Ripolin Enamel. All Europe, ` knows,, this famous trade, mark. The secret process, of ' making Ripolin'was discov- , pose, have^been compiled in^ a convenient fofm for arefri-- f tects' handy reference. Copies / will bfe gladly sent cm re quest. . eredjn Holland thirty years Following . are speci ago. Since that-time Ripolin fications o most* general . An o t h er :Rip o l in 'Ma r k o p has bfcen used throughout the use: In t e r n a t io n a l Fa me civilized world. j: : ^ v .H ^ Th e Fa mo u s Rip o l in Be n d in g Tin Te s t - i"# Specification No. 1 Description of Ripolin Enamel ' Specification for All Fine Grained Interior New Wood *. Ripolin is the original Holland enamel, now made in work--(Including all fine grained woods, white pine, white- Holland,'Ffance* United States and Canada. It was developed by a.Diitc^painter and chemist named Reip, more than 30 years ago, and since then has met with , success ini every, civilized country. It is made by a secret process. . It fs'for both exterior and interior uses and is little affected* by salt, watqr and atmospheric changes. If is . easy^flolving, dries without brush marks and forms h, tough, lasting film. ^Specifications, for; special conditions supplied upon request. wood^ t#s wocxkf'etc.)t i - Coal M>. 7-~A priming coat of Ripolin Enamel. Undercoat* ing, thmn&d with 1 qt. of ratf linseed oil and, % pt, -of pare turpentine;ta the gallon,. , Coat No. 2--Full coat of .Ripolin Enamel Undercoating. - Coal No. J--Full coat of Ripolin Enamel Undercoating.; ' Coal Afoi 'dirrRipolin- Enamel Undercoatihg re-enforced, with I qt, Glos^V^ipolin added to the gallon . to stop sue- tioiL ' ' ' ' Coat No. S--A good flowing coat of, Scope of Use and Cost Ripolin. It is- allowable to thin / this * coat with % pt. of.'jmre turpentine to the/ * . - For architectural, general, commer gallon. .. cial, rttarine, railway and /manufacturing .Cool No. <5--A good, flowing coat of Soses, where a permanent high grade, ic,enameljxiint is required. Ripolin is used largely throughout the-United States in private residences, hospitals, hotels/ etc.. . T'-p-T'-r-^r .-Ripolin as it comes from the can. Do hot. thin finishing coat of RipolitL.V-X' i---"- Notes':' If expense is pf prime:impbr--, wance, -either coat . No. 3 or. Coat No/5; (only one) may be omitted, j Economical . .. . Ripolin has much greater covering* si^; * . Tiu-i / One must be taken to sandpaper lightly each coat so that there will-be' absoluteIyv/; no brush marks on the surface towhick capacity than other enamels. Because the Ripolin is to be applied. Ripolin in, . of this, fact and its wonderful opacity, ' itself will show no brush marks, but ;will*' hr ' and also owing to its easy and even flow Rj p o l in Co n t a in e r s --Ev e r y magnify brush marks- left in the nnde^ >; under the, brush, it is economical. Pa c k a g e Se al e d coats. ^ Sw e et s . (IIa t a l o g Os 1926-27-SWEET-00026 vV: ','%#--,??-- impaiiy / : ."V . ;.'^-.BIW- Specification No.2 !Specification for Interior New Woodwork--(Cedar, cypress, hemlock, yellow.and Georgia pine, and other heavy grained, sappy woods; also. birch and .maple.) . . - Coat No. /--A pruning coat Ripolin Ename^JJndercoat ing thinned with-H4 pt. raw linseed oil andlft pt. pure turpen tine to the gallon. Notes: After applying coat.No. 1 all woodwork should be thoroughly rushed down with fine sandpaper or steel wool. Give, the whole surface a light coat- of thin white shellac which has been strained through cheesecloth. ' For coats Nos. 2, 3, 4, S and 6 proceed as in Specifica tion No. 1. Specification No. 3 Specification for New or Unpainted Plaster Walls-- Coat No. /--A sizing coat made of,3 parts.of alkali proof wall size and 1 part of Ripolin Enamel Undercoating. Coat No. 2--A full coat of 3 parts.of Ripolin Enamel Undercoa^ng and 1 part of . alkali proof wall size. For coats Nos. 3, 4, 5 and 6 proceed as In Specification No. 1. * ' Specification No. 4 Specification for Imitation Tile on Keene's Cement, King's Windsor or Adamant Plaster-- . Any of the above. plasters are especially good for this purpose. The plaster should be troweled as smoothly as possible, and while wet. scored to the depth of % to yV in. as desired. The most popular and satisfactory size tile for this purpose has been tlie 6-in. square or the oblong tile, about the shape and size of building brick. These effects are sometimes attempted with plaster of paris, but we would advise against this as unsatisfactory, owing to the extreme brittleness'of plaster of p'aris and its tendency to crack easily. Notes: First wash the walh with weak vinegar or zinc sulphate to neutralize all free alkali present. Thoroughly dry before-painting. Coot No. /--A^bat of Ripolin Enamel Undercoating, thinned with 1 qt linseed'oil and 1 pt. turpentine to,the gallon. Coat No.. 2--One coat of Flat Ripolin to he applied as it comes from''the can. Coal No. 3--One coat of Gloss Ripolin which may be thinned with 1 qt. of turpentine to the gallon.., :._. Coal No. 4--A good flowing coat of Gloss Ripolin as it comes from, the can. The joints should be lined up with Flat Ripolin to give a cement effect. The' above - method. In bathrooms Is ' more economical than tHC and Its' resemblance to tile is most striking. < Specification No. S \ '* '^ Specification for Concrete or Portland Cement-- Owing to the excess of free alkali and occasionally certain chemical conditions created by the process of manufacture of portland cement of concrete under vari- ` ous formulas, difficulty has been experienced m'oBtaining faints to adhere firmly to these surfaces. The concrete or cement must be thoroughtyvdfy. All new concrete should be washed with a 30%./inc'sul^hiitfe solution. > Coat No. (--Stucolor, cemept obtst(ng.4udh may be thirfhed with about a quart of turpentihe! to 4^e'gallon. Coat No. 2--The same approved cement coating. Coat No. 3-^A good full coat of Ripolin of the luster desired as taken from the can.^ Notes: On a very rough laid cement an extra coat,may be . required to thoroughly'cover the color of the' surface; this being Ripolin'Enamel Undercoating.. For much exposed surfaces it is well to add one more coat of Ripolin as it comes from- the can. Jo.case 'two.coats of enamel seem necessary it is well to make the first coa.t Semi- < gloss Ripolin, the finish coat to be of the luster desired. ' 1 . ,. . ' Specification N,o. 6 V4; Specification for Galvanized Iron Interior or Exterior^-- ? Priming coats of lead should never be used on gal- - vantzed, iron under Ripolin. ;, ' '. v Wash surface with 10% solution of acetic acid; all trace ` . of aqidishould be removed before painting .-- C,/7i No. /--Add-1 qt. of turpentine'to a gallon of Gloss...... 1 Ripolim 'Apply a thin^oat wril brhshed out. Allow this to ,/T dry at least 24 hours. . . ,. . . . '.v L Cool No. 2--Semi-gloss Ripolin as it comes Irbm the can. Coot No. 5--A full Coat of Ripolin of the luster desired as it comes out of the can. For all-exterior work the final coat should always *bc Gloss Ripolin as it is. more weather resistant than the* lesser degrees of gloss. Specification No. 7 Specification for Exterior or .-Interior Iron Work- See that the surface of the iron is thoroughly clean.and free from rust,grease and dirt. - `* Coat No. /--Gloss Ripolin thinned with' 3 pt. of turpen- tine to the gallon. This is used in.this way to bond per fectly to the metal. ' Coat'No. 2--Semi-gloss Ripolin as it comes from the can. Coat No. ,3--Good full coat of Ripolin of the luster de sired as taken from the can. ' B15Q4 r' NATIONAL LEAD COMPANY v - \ Paint Materials for the Protection and Decoration of Wood, Plaster, Maspnry and Metal . NEW YORK. N\ Y., T U-Hruadway BOSTON. MASS.. 131 Stale Street BUFFALO. *\\ Y.. Ilo Oak Street CHICAGO. ILL., IKK) West 18th Street PHILADELPHIA. PA.. Jons- T. Lew is & Bh o s. Co., 437 Chest nut Street CINCINNATI, OHIO, 659 Freeman Avenue CLEVELAND. OHIO, 820 West Superior Avenue ST. LOUIS, MO., 722 Chestnut Street SAN FRANCISCO, CAL., 485 Califogpia Street PITTSBURGH, PA., Na t io n a l Lead & Oil "Co ., 316 Fourth Avenue Products flatting oil is sold in 1 and 5-gal. cans, sealed at . ''Wh it e *Le a d ( Dry and tn Oil); Red Lead the spout. (Dry, in Oil, Liquid); Lin s e e d On. (Raw and Uuiled); Fl a t t in g Oil . Red Lead for Metal Pure whjte lead, properly thinned to suit White Lead for General Painting - the^ special conditions under which the paint is - Gloss paint made of pure white lead and *'to be used, gives the best protection for wood pure linseed oil has long been the standard . .and other building materials ^-except metal: protective and . decorative coating for wood, When it comes lo the painting of metal, white plaster, brick, stone^concrcte and stucco. It lead (though good'for the purpose) must yield forms a tough, tenac'foti!' film that does not first place to pure red lead. crack and scale but .wears -down smooth and The chief requirements of a protective even, leaving the surface ready for repainting without expensive preparation, teeing mixed coating for metal are that it should have the ' t r a d e -ma r k . ability to stick firmly to metal and that it to order,--lead-and-oil paint can .he adapted to should keep moisture, which combined with' meet all surface and weather conditions. It can also be .air forms rust, from getting through. The paint must varied in color from pure while to every desirable shade also be able to resist the destructive action of atmos vand tint by the addition of the proper tinting materials. pheric gases, acid from the surface oil, and salt spray ' < >ur Dutch Bov white lead is the highest grade white near the seacoast. ' ' lead- that cad ]*e made. It is pure, finely ground, smooth, Paint made of pure red lead meets these require excellent in spreading and hiding properties--a perfect ments.- It is insoluble in water, unaffected by ordinary paint material. Sold in 12*/*, 25, 50 ^nd* 100-lb. steel atmospheric gases, adheres closely to metal, and.i$`a kegs. Our ` well-known trade-mark, the Dutch Boy true rust-preventive. A great advance in the quality of Painter, ts on every package and guarantees the purity red lead was made when Dutch Boy red lead-in-oil.was of the content^. perfected. It is a more highly oxidized product than Dutch Jifry linseed oil is pure, clear, carefully fil old style dry red lead'andfts Sold in paste form, ready to tered and settled. Sold in 1 and 5-gal. sealed cans use after the addition of more pure linseed oil. Being bearing title Dutch Boy Painter trade-mark as a guaran more highly oxidized, Dutch ffBoy red lead in oil is finer tee of purity. We.also sjll-pure linseed oil in half bar * % 9 'rels and barrels. -' and covers better. Being in paste form, it is more con venient to handle. Dutch Boy red lead-in-oil is sold in 12%, 25, 50 Flat Finishes for Interiors y and 100-lb. .steel kegs under the Dutch Boy Painter Most inside painting nowadays is done'in'dull or trade-mark. j so-called fiat effects. Up fo a few years ago. these flat We also make dry red lead of the highest grade as effects were always obtained with'white lead by thinning well as red lead in liquid form. The liquid product is- it /nth turpentine. At that time, special-flatting oils for known as Dutch Boy liquid red lead arid is ready for use with white lead were developed. These flatting oils' use. It comes in ^natural red lead color, light and dark are largely superseding turpentine. The handsome, brown, light.-and dark green; and black, jold in I-gal. washable, soft tone finish which they give is resulting- cans and, 2%-gal. kegs. in a marked increase in the popularity of the painted wall. General Painting Specifications One of the most successful flatting oils on the market Following are general specification's for the paint--, today is our own Dutch Boy flatting oil. It flats white tng of interior and exterior surfacest <' lead better than turpentine "does, yet binds the pigment . Preparation of Surface--(l) Woodwork--AIL particles together with the tenacity of pure linseed oil. woodwork should be thoroughly dry afid seasoned before insuring* a paint film which will not chip off. Dutch any paint is applied. New woodwork shall he smoothed Boy flatting oil is designed especially for use with Dutch off with sandpaper where required and dusted clean be Bov white lead. Used with our white lead, it produces fore priming. From old woodwork which has been', a soft, glossless finish that has a depth of tone and a painted before, all loose paint, scales, dirt and dust shall richness which most flat paints lack. be removed. Where old painted work shows cracks or Aside from the remarkable beauty of a. Dutch Boy scales, use a paint burner or liquid paint remover to white lead and Dutch Boy flatting oil finish, the paint take off the old painf. Wash off with benzine or tur- TTu-rits consideration from the standpoint of cleanliness - pentine-aU parts where liquid paint .remover has been and service. The hard, tilelike film it forms stands fre- used. Where ho scales or cracks appear, sandpaper the cjuent washing with warm water, mild-soap a!nd a soft surface gently with, No. % or No.' I sandpaper and' doth or a sponge and thus can be kept absolutely clean follfew with a good dusting.- ' ;ind sanitary. The durability of the paint is nqt* affected Before priming hew; woodwork, all knots and sappy in any wav and there is no unsightly streakfijf^as often streaks sfi&ll receive 1 coat of pure denatured alcohol occurs when a less stable paint is washed. Dutch Boy shellac, brushed out thin. After the priming coat of .Sw e e t 's Ca t a l o c u k 1926-27-SWEET-00028 next 40* " r, Masonry Avenue Street )iL.Co.t 316 Fourth II. cans, sealed at y thinned to suit /hich the paint is tection for wood s except metal*. ? of metal, white pose) must yield of a protective should have the ' stal and that it. combined with The paint must tction of atmos, and salt spray | these require:|ed by ordinaQ' metal, and is a n the quality of 1 lead-in-oil was :d product than i form, ready to >eed oil. Being id in oil is finer it is more con- n t2y2, 25. 50 h Boy Painter . ighest grade as ^uid product is-, id is ready lor light and dark Sold in 1-gal. I ' | Mo t the paint- oodwork--Alt" . easoned before II be smoothed isted clean be nch has been, and dust shall ows cracks or it remover to enzine or tur ner has been sandpaper the andpaper and' ots and sappy ttured alcohol ming coat of i text pagt V" 'y paint, as hereinafter specified, is thoroughly dry, putty Formulas^--The following formulas take no ac up all knotholes, dents, cracks, and other defects in the count of tinting materials. surface with a pure linseed oil putty composed of equal ' See Paragraph No-7 when adding- ciplors to the parts of white lead and whiting. If desired,.! part * formulas. '. - powdered litharge to 5' parts each of .white lead aed (10) New .Woodwork Outside--Three coats of whiting may be added, except on light tinted wrirk. paint, mixed &s follows, shall be. applied tonew un- (2) Plaster--Before applying any.paint to poster, paiitted woodwork outside: .* , cither new or old, see that it is smooth? Go (a),Priming coat (b) Second coat over the surface very lightly with fine sandpaper or ,a D^tch Boy white lpacf 100 1b. ' ' lOQlb. wide putty knife removing all grit and any loose plaster ` Pure' raw linseed oil ' . or paint. Fill all cracks with* plaster of paris. In'the , Pure turpentine 4 gaL 2 .gal. 1% gal. IV2 gal. * case of large cracks, open them up clear down to the Pure drier 1 pt. 1 pt. lath, soaking the edges with water, and then fill the open ings with plaster of paris. Level off smooth and even with adjoining plaster surfaces. When the plaster* of ' paris has dried thoroughly, sandpaper-down to a smooth, even surface. Where new plaster is fo. be painted before it is thoroughly dried out, it shall be, treated with 20% . solution of zinc sulphate in water before priming. fc) Third coat Dutch Boy white lead 100 lb. , Pure raw-linseed oil 3^ to 4 gal. Pure turpentine 1 pt. Pure drier ? - * Pt. Note: The painter may exercise his disetetipa to ttstaz a, larger of s__m_a__ller Quantity of oil according to whether the wood is oil absorbing, as > (3) Brick and Stoned-New brickwork shall not white pine, poplar and basswood; tfr less permeable. M yellow, pine, cypress, spruce and hemlock. The painter may. in rare caiea, find* it be primed until dry* At least 2 or 3` days of dry weather advisable to increase the: .quantity of turpentine, .as in southern exposure , . should-precede painting. If any mortar has become loose to prevent blistering. ' Where tbhis is done, a corresponding decrease should be made in the specified am...o. unt o..f....l.i.n..s...e..e..d.....o..i.l......I..f.....t.h..e.....w...o...o.d.. is * or washed out, repoint all such damaged places with mor very .resinous, such as c ress,^prepare `it f'oe gri.min.g .by.br.ushing on ;a mixturree of 1 pt. linseed oil, 1 pt turpentine and i pC drier. ' . tar or portland cement before applying paint. After (Ilf-Old Woodwork Outside---Two epats of' priming, correct small defects in the si^lEfce with putty. paint as follows shall.be applied in repainting old wood (4) Stucco and Concrete--Sfuccfr' Or concrete work outside: .^ should be allowed to stand and dry a yer before paint (a) First coat (b) Second coat is applied. If painted- within less than a year> it shall Dutch Boy white lead 100 lb. 100 lb.- be aged artificially by washing with 20. parts zinc sul Pure raw linseed oil 2 gal. . 3y2 to ^ gal. phate to 80 parts water or with carbonic ackLwater. Pure turpentine ? -- (5) Metal Work---Iron, steel and other metal work Ppre. drier ' 2 gal. 1 pt. ^ 1 pt.~* : * 1 `pt. shall, be cleaned thoroughly of-all loose paint, dirt, oil, grease, rust, scale and other foreign matter before paint is applied. Tins cleaning should be. done with sctapers and wire brushes. Where soldering fluids have been u.sed, .(12) New Woodwork /aside--Three coats of mixed as follows, shall be applied to new unpjamted woodwork inside: the surface shall be scrubbed carefully with sandsoap and' (a) Priming coat (b)' Second coat water and dried thoroughly before paint is applied- # ^ Dutch Boy white lead :100 lb. 100 1b. * The Paint and-Its Application--(6) Designa Dutch'Boy flatting oil 3 gal. ' 2 to 3 gal,. . tion oi Paint to be Used--AH woodwork, plaster, Pure raw linseed oil 3 gal. ' * Noqp* brick, stone, concrete and stucco which are to be painted, Pure drier 1 pt.; None shall be painted, with Na t io n a l Le a d Co mp a n y 's (d) Third coat . Dutch Boy white lead, Dutch Boy flatting oil, pure, lin- . (c) Third coat (Eggshell glossal seed oil, pure turpentine and pure turpentine drier mixed (Flat finish) finish) accbfding to the formulas hereinafter designated for Dutch Boy white lead 100 lb. 100 lb. each kind of work. All -metal shall be painted with Dutch Boy flatting oil *-2 to 3 gal. 1%-jo 2 gal. Na t io n a l Lead Co mp a n y 's Dutch Boy red kad-itegil, Pale1- varnish (suit Dutch Boy liquid red lead, or pure dry red lead and able for enamel) . Nhe* pure linseed oil mixed according to formulas hereafter Jtts discretion given for each specific purpose. ** ' . ,____ _ __________ ____ ________ _ poblar and basswood, which more readily absorb oil, increase the quantity of'linseed (7) Tinting Materials--In producing tints and oil for the priming coat. On yellow-pine; cypress, sptucesttnd hemlock, use less linseed ,WTand more flatting oiL shades, John T. Lewis & Bros. Company colors-in-oil. (13) Old Woodwork Inside--Two coats of painty or those of equally high grade shall be used. If colors- shsili be used in. 'repalfiting woodwork inside. For a ' 'In-oil are used in quantities large plough to affect the flat-finish, mix tHe'paint for the. first and second coats consistency of the paint, .(he quantities, of- thinners^ according, to formuja B in paragraph 12. 'For an egg named in the formulas shall be increased in amount equaC shell gloss fihish.'tmx the paint for .the first coat accord to one-fia3f the weight of the tinting material. ing to formula B in paragraph 12 and according to (8) Applying the Paint--No exterior painting formula D-for the finishing coat. ' ,, shaP be done when raiffor snow is falling, during fog,' (14) Piaster Walls--Three coat| of paint shall or until .after dew or moistufe. which ,may be on the be applied to. plaster which has. never before been surface has completely disappeared. .Jfajhting done in painted. The priming coat shall be mixed as follows: winter weather shall only be done when the tempera ture is.alwve 50 F. and when.all surfdces.are dry. All, Priming coat * exterior work shall be allowed to dry from 2 to 4 days before the next coat is applied and at least 24 hours shall Dutch Boy white lead 100 lb. Pure kettled-bqjled linseed oil.- 7 gal. be -allowed between' cohts. on interior work. Pure turpentine 1 gal. (9) Finishing'MetaJ to.. Suit Color Scheme-- Nett: If boiled linseed oil c4d not be obtained, 7 gab raw linseed oil with 3-pi: drier may be used igatead, and will'in most eases give Where the color of red lead paint specified for metal work does not conform to color scheme^ white lead-and- satisfactory .results. Boiled oil is much . superior, however, and will obviate trouble when conditions are difficult It'seals pores in the plaster and prevents suction. -Contrary to the belief of many, boiled oil can be had. ' oil paint tintecTasdesired shall be,applied over the.red the paint for the second ;toat according to lead paifit^ * formula B in paragraph 12' and according to formula <2 Sw e e t 's Ca t a l o g u e 1926-27-SWEET-00029 Continutd on next fag* "^ B1506 National Read Company for the finishing, coat If a flat finish is desired. If an eggshell finish is wanted, mix the paint for the finishing coat according to formula D. In repainting plaster walls, follow th' practice rec ommended for new pla.er. except that the priming coat may be omitted. (IS) Brick and Stucco-^Three. coats of paint, mixed as follows shall be applied to brick or stucco which has never before been painted: (a) Priming coat Dutch Boy white lead 100 lb. Pure linseed oil 7 gal. boiled or 7 gal. raw and U/> pt. drier Pure turpentine 1 gal. (b) Second coat .100' lb. 4.gal. (% boiled, % raw) or 4 gal. raw and 1 pt. drier 1 gal- '(c) Third coat Dutch Boy white lead 100 lb. Pure linseed oil 31/2 gal- (V3 boiled4 % raw) * or 31/2 gal. .raw and 1 pt. drier Pure turpentine 1 pt. * Two coats of paint shall be applied^ in repainting brick and stucco. For the first coat, mix the paint ac cording to formula B in paragraph 15 and for the finish ing coat according to formula C. (16) Concrete and .Stone--Three coats of paint, mixed as follows, shall be applied to concrete and stone which have never before been painted: (a) Priming coat (b) Second coat Dutch Boy white lead 100 lb. 100 lb. Pure linseed oil gal. boiled /3 gal. (% gal. raw andr boiled, % raw) pt. drier or 3 gal. raw and 1 pt. drier' Pure turpentine l gal. Yz gal. (0 Third coat Dutch. Boy white lead 100 lb. Pure linseed oil 31/2 gal. (V3 boiled, % raw) or Sl/2 gal. raw and 1 pt. drier Pure turpentine 1 pt. ~ In repainting concrete and stone, apply 2 coats. Mix the paint for the first coat according to .formula B in paragraph 16 and according to formula C for the second coat. Excellent flat and semi-flat finishes on brick, stone, concrete and stucco can be secured by applying over the second coat 1 or 2 coats of pain! made with Dutch Boy white lead and Dutch Boy flatting oil. For flat Milwau kee finish, the proportion should be 2 to 3 gal. of flat ting oil to 100 lb. of white lead. For eggshell gloss'finish, use J y2 to 2 gal.- of flatting oil and % gal. of spar var nish to 100 lb. of white lead. For brick red finish on outside brick, thin the color with Dutch Boy flatting oil. (17) Metal W6rk, Exterior and Interior-^'Three coats of paint, mixed as follows, shall be applied to exterior and interior metal work: Dutch Boy red lead-in-oil Pure linseed oil Lampblack-in-oil (a) First^coat 100 lb. 2Vz gal. None (b) Second coat light brown 100 lb. 2% gal. 12 oz/ Pure dry red lead Pure linseed oil Lampblack-in-ryi 100 lb. 3% gal. None 100 lb. 3% gal. 13 oz. ' ., t* ^ {c^Third'coat (dark brown) Dutch. Boy red lead-in-ofl ,, 100 Ijb. ` Pure linseed oil 3% g*l. Lampblack-in-od 6 1b. or Pure dry red lead iQO lb. Pure linsped oil ` .4% g&L . Lainpblack-m-oil 61/2 lb. y Note: If gemune boiled 1insee oil is avdhable,. tsse .one-tblrd belled and two-thirds raw oil. If raw oil only is used, add fa-pi. drier taevenr' gallon of paint One-half pint of turpentine nay lie added to each 2 giEi of paint whenever it is deemed advisable to make, the paint produced- by any formula work more easily.' v * If liquid red lead is to be used, specify Dutch Boy liquid red lead No^/l (natural red lead color) for first coat, Dutch Boy Hquid red lead.No. 6- (light brown) for second coat and J/tatch Boy Liquid red lead No. 7 (Dark ' ip' Brown) for third coat. * Where a dark color other than brown is desired.forl ; the finishing coat, one of the following formulas shall be used according to the color desired: ' - " Dutch Boy r^. lead-in-oil Pure linseed oil Medium chtome yellow Prussian blue Light green 100 lb. 7V2 31 lb. 24 lb. Dark green .* : 100 lb. ; Wz gal. 15 lb. ' ; f>2 lb. ; Dutch Boy red lead-in-oil Pure linseed oil Pure turpentine Prussiaii Blue Lampblack Black 100 lb. 15 gal. 1 gafi 16 lb. 52 lb. If liquid red lead irto be used, specify Dutch Boy liquid red lead according to the finishing color desired, that is: No. 8--light green; No.. 9--dark green oj No. 5--black. ' Printed Specifications. Furnished * !,s To any architect who desires, we will supply printed '*< specifications containing full and complete directions for - the proper use.of`white lead in the painting of wood- i: work, plaster, brick, stone, concrete and stucco; and of * red lead in the painting of- metal. Write for "Standard Specification for the use of ' White Lead'' or "Standard Specification for use of Red Lead." _.A- Publications - A practical handbook, of- unusual value to those interested In the subject of painting, is our "Hand/*7 Book on. Painting.". This book gives formulas and di rections for exteyior and interior painting of all kinds. We also publish a booklet "The Protection of / Structural Metal" which/discusses the causes of cor- < rosion apd remedies for it, besides giving formulas and going into detail on .the subject of painting,metallic sur-' : faces. . j Another of our publications is "Painting--Protect tive and Decorative." If tdls what paint is, what paint does and what' paint costs and gives color Scheme sug gestions for the decoration of the interiors and exteriors; of homes. N We also have booklets which deal specifically the decoration of hotels, hospitals and public bpildh These booklets .describe the various finishes and obtainable with White lead paint such ps two-tone figured, . glazted, tiffany* stenciled Griped, etc. , Any or.all of these^booklets will be sent on request. * Write our nearest branch office. Sw eet 's Cat al o g u e 1926-27-SW I mi-'M j l ' Paints, Varnishes; Enamels, Stains and Lacquers' . 4 v EXECUTIVE OFFICES 1 601 Canal Road, CLEVELAND, OHIO ^ FACTORIES, JN "UNITED ' STATES, CANADA, ENGLAND AND AUSTRALIA . ' , * , ) AGENCIES. THROUGHOUT THU WORU).-- ' i; - '1 ALBANY. N. Y. 4 ' ATLANTA. QA. BALTIMORE; MO. BANCOR, ME. BINGHAMTON. N. Y. BIRMINGHAM, ALA. BQSTON, MASS/' BUFFALO, N; Y.`,, . CHATTANOOCA. TENN. CHICAGO. ILL. CINCINNATI, OHIO BRANCH OFFICES AND WAREHOUSES CLEVELAND, OHIO JOHNSON C1TY. N. Y. NEW YORK, N. Y. XOLUMI1US, OHIO KANSAS.CITY. MO. OAKLAND, CAL. DALLAS, TEX. KNOXVILLE. TENN. . OKLAHOMA CITY. OfCLA. DENVER. COLO. LITTLE ROCK, ARK' OMAHA, NEB, DES MOINES, IOWA LONDON, ENG. 1 PASADENA, CAL. DETROIT,. MICH. LOS ANGELES, CAL. . PHILADELPHIA, -PA. EL PASO, TEX. MINNEAPOLIS. MINN. PORTLANb, ORE. FORT WORTH, TEX. MONTREAL, QUE. RICHMOND, VA. f HOUSTON, TEX. NASHVILLE, TENN.* ROCHESTER, N. Y. INDIANAPOLIS, IND. NEWARK, N. J. SAGINAW, MICH. JACKSONVILLE, FLA. NEW ORLEANS, LA. SAN ANTONIO. TEX. WASHINGTON. D. C. WICHITA FALLS, TEX. SAN FRANCISCO,. CAL .. SAVANNAH. GA. SCHENECTADY, N. Y. .! SEATTLE, WASH. SPOKANE, WASH. ST. LOUIS, MO. ,- TORONTO, ONT.'' V?, TULSA, OKLA. UTICA. N. Y. VANCOUVER, B. C. ' > ' WACO, TEX. Stic Mi: o . Product* V>* ' .Manufacturers of a' complete . line of type of finish, the nitrocellulose lacquer. ; We have had lacquers for a good- many years. 'btlt Pa in t s , Va r n is h e s , St a in s , Fil l e r s , En a m the develpment. of solvents which'would ckrry e l s , En a me l Fin is h e s / Un d e r c o a t f .e s , Co n c r e t e . . s. c?} enough-coating .material to yield a practicable , architectural finish is an accomplishment of Also,' Waxes,. Dampproofing, Plaster very- recent date. Bond, Wood Preservatives and Concrete Sherwin-Williams Opex . enables . the Hardener. ' ' *. -* '. Safeguarding of Quality i Y TRADE-MARK architect to specify a material whichwill speed up the completion of the building 'tre- - mendously because.Opex Lacquers are dry for recoating Th e Sh e r w in -Wil l ia ms Co. is the largest man in less than an- hour, and consequently, if. absolutely ufacturer' of- paints, varnishes, stains, and enamels necessary, it'is possible to completely finish a room in! in the world. The business has grown -frohi a small less than a day. storeroom to its'present proportions in 60 years.' The Opex Lacquers are unaffected by heat, cold, steam,, one thing which has made this success possible, was water and ajkah, and are not easily scratched or marred. -the strict adherence to the'Company's policy of ``.Quality They stand up amazingly well under the usual, strong, First.". . ' .! solutions, such as janitors are in the habit of using for , The majority of the. leading architects in, the United washing. States and the United Kingdom are specifying Sherwin- Opex Lacquers are made both in colors and clear Williams' Architectural- Finishes, because they ha`ye the varnish-like finish. utmost belief in their quality-. \,, Opex dries with a most agreeable semi-gloss finish/'; It rubs very, satisfactorily and with a minimum amoilnt Department of Architectural-Service of labor to either a high polish or a dull satin rubbed The Department-of Architectural Service is always finish. . 1? ready, to assist in any way with painting and finishing1 problems. It is an organized service of. the highestX Specifications vary,: depending upon the type of' building and quality of finish required.. We shall gladly :- Yi- type'Vhose method of cooperation with architects and ' prepare such specifications at any time. A. request architectural engineers, it is said by many meinbers of addressed, to us at. 601 Canal Road, Gevelarid, Ohio,: the profession, is of the-greatest value. Will have our immediate attention. , t Complete Specification Book , The Sherwin-Williams new Hook of Painting and Varnishing .Specifications is now ready. Jt is believed to be the most complete book of its kind which has ever been compiled. A copy of this book will be sent to archi tects or engineers without charge. Opex Lacquers .. The' demand for architectural finishes has been progressively for materials requiring less and less time for application. -The cost of idle buildings waiting for" paints,,varnishes and enamels to dry is admittedly great. The problem has been solved only through the development and'improvement .of an entirely different Painting Iron and Steel Surfaces \ The Sherwin-Williams line of Metal Protective Finishes comprises the following: .Red I^Ta'd Paints............... S-W Liquid Red Lead- - * -. S-W Suspended Red Lead Cqmposite Paints.............. . S-W Kromik Metal Primer Carbon Paints: Combination Carbon Paints S-W Metalastic Charcoal Carbon.Paints.,.. S-W Carbon.Paint Red Dia- mond Brand Graphite Carbon Paints... S-W Non-Corrodib!e Graphite - Paint Special Acid Fume Flesist- mg'Paint............. S-W Non-Cdrrodible Add Re-* y _ . sisting PamtBlack - Pitch Paint..S-WEbono!-; rv. i?<fr Sw e e t 's Ca t a l o g u e 1926-27-SWEET-00031 tontinued^n. ntxh  f- ' . First Shcrwm*\Villiam# :Flat'Tortc,.' in Ihc 'color the light is diffused; anda greater amount of working selected by the architect, mixed in equal pans with IHat-Tonc Mixing Sirc.i . Second Coaf~-Shcrwin*WiliUma' Plat-Tone in the.selected light- ts delivered to themachine or plane of operation Than with the gloss finish.. color applied wttbolit reduction except with turpentine as tray Sherwin-Williams Savc-Lite Interior Eg-Shrl White Ixwfound udvlsahle. for satisfactory brushing. . V,-. , - is our standard specification for interior mills, garages Third Coat-Same as second coat. Advisable when apply ing white or light- tints. Frequently possible to omit with the darker shades. and all workrooms where careful discrimination in work is required.:, Not*! Contractor abalt notify the architect at once If. after tha fttat Specification-rPrparat/on--Before beginning the paint* coat of Flat-Tone U applied, .the walla abow undue porodiy or. if there ing of the walls and ^ceilings, the contractor shall make sure - la evidence of burning or hot apoia. ^ through careful inspection that all surfaces to be painted are in proper condition for. finishing. OrtgusI Flat-Tone Multi-Color Sponge Effects. for First end Second Ceata-^SWAY Appl ic at io n . Tw o coats Walls . of Sherwin-Williams Save-Ute Interior Eg-Shtl White shall Multi-Color Sponge Stipple Effects are applied over -.be applied to all interior .walls, columns, ceilings,' beams and igirdert above 5 ft. from the floor. Both coats snail be thinned a foundation color of Flat-Tone---2 coats--applied as with Shcrwin-Williams Reducer No. 74 in the proportion of directed in. the specification for Flat-Tone 1st and 2nd coats, ' .one ot to the gallon. . . iNete: In all but exceptional cai< one tpray coat will cover aatia* factorily. This'effective, and most original technique in wall Bh u s iI Appl ic at io n ---Apply two coats of Sherwin-Williams decorating, was introduced by TiiE'SnERwm-WrjxiAMs Co. about six years ago. It is freely used by the best Save-Ute Eg-Shcl Interior White thinning with one pt to .one at. Sherwin-Williams Reducer No. 74. _ Dodo--A dado 5 ft. in height shall be painted with two decorators for textured wall effects in ev^ry type of coats of Sherwin-Williams Dado Enamel in color selected. .A building. '' ' `stripe 3 in. wide separating the dado from the wall finish shall The colors are specified for each effect and a port folio, pocket size{ containing a representative selection of be painted with Sherwin-Williams I>ado Enamel in color selected. * sample.*,, painted and stippled in Flat-Tone, will be fur nished the architect or contractor .without cost. The Sherwin-Williams Decorative Studios are equipped to develop any color scheme the architect may require. The complete schedule, for all colors required on fire job, is typewritten and furnished along with the sketches worked up. Extra copies of the illustrated direction sheets will be provided the architect as required. 4 , Varnishing of Interior Floors Mar-Not is Sherwin-Williams standard floor, var nish. It possesses the maximum toughness and resis tance to wear and abrasion. It is not affected by hot or cold water, and when scratched, will not chip off or powder white. Mar-Not has a beautiful, rich luster which Continues to look well under service. Mar-Not is a very satisfactory drying varnish, and can lie walked Flat-Tone System Effects (Tiffany Work) The production of these most beautiful decorative effects was brought to a practfca! working basis, by Th e Su er 'w in -Wil u a ms Co. over 15 years ago. This was made possible by the perfecting of SherwinWilliams Giazing'Liquid. This blending liquid is unique and is not duplicated in the entire field. It is tinted with oil colors and used for antiqueing woodwork, furniture and plaster walls and for the production of the elegant translucent wall effects commonly called tiffany work* Flat-Tone Glazing Liquid is a translucent fluid of a milky consistency. It dries to a soft eg-shel sheen ' on the following aay where necessary^ Specification--Preparation--The floors shall Ik ? sanded to a perfectly smooth surface and- thoroughly cleaned of all dust, stains, etc., before any finish is .applied. No finish shall lie applied unless the floors are absolutely dry.. First Coat--(For open grain woods only). Sherwin-Wil liams Paste Filler, Transparent (or color desired). Before filtcrhas set, wipe off clean o c t o s s grain with burlap or excelsior. Second Coat--(On close grain woods this will he First Coat.) Sherwin-Williams Mar-Not Floor Varnish thinned with pure turpentine in proportion of 1 pt. to 1 gal., of .varnish. When dry, sand lightly with No. 00`sandpaper. Third and Fourth Coats--Sherwin-Williams Mar-Not Floor Varnish as it-comes from the package, sanding third coat, when dry, with No. 00 sandpaper. which does not require "flatting" with starch or butter milk, thus effecting a saving of one operation as well as Painting of Cement Floor* eliminating an unsanitary practice. - . Concrete cement floors are subject to dusting under Flat-Tone Glaze System Effects are produced over travel, and where loaded trucks are driven over the sur a ground color of Sherwin-Williams Flat-Tone. Flat- face, cracks and ruts, frequently.develop.. Tone Glazing Liquid is tinted with Flat-Tone Glaze Shehvin-Willtams Concrcte Floor 'Paint dries hard Colors in Oil, as specified, for the effect selected. The to a tough, wear resisting surface. If is made in 8 colors, tinted liquid is then brushed .onto the Flat-Tone ground, color and is stippled with a crumpled doth, a brush, a rolled newspaper or in a number of othdr different ways, to produce the kind of print or texture desired. Effects produced wjth Flaf-Tone Glazing Liquid . over Flat-Tone or over enamel are entirely washable and have the advantage of-not showing soil at all readily. Th e Sh e r w in -Wil l ia ms *Co . will furnish complete working specifications and directions along with painted samples in pocket portfolio for the architect and con and color, folders will be sent on request. Specification---Contractor.shall make sure that all cement floors to be panned are thoroughly dry and free from dust, dirt and grvase/oefore beginning work._ Two (or 3) coats of Sherwin-Wrttfams Concrete Floor Paint, in color selected, shall be-applied. The first coat shall be thinned in the proportion of l pt. of pure turpentine to the gallbrj of paint. The ssecond coat shall be applied in the consistency supplied in the orig- inal container. ffou: When concrete floors <fo nM have to be painted, they can be treatleeddwith Sherwin-Wlglama Concrete and Cement Hardener, which' leavecsi them In the original color and hardened against "duMing" and disintegration. tractor, without charge, upon request. A Wood Floor PrtservatiyO White Paint for Factory and Garage Walla There is such a thing, as a wood floor being sub It is now a recognized fact that a high gloss white, jected to so much wear that it is not practical to finish it interior wall paint does not produce as. light'an interior with paint or varnish or any surface finish. Schoolroom,- ,as does, an eg-sheLfinish paint; A high gloss surface office and corridor floors are examples of this type of reflects beams of light unbroken resulting in harsh high surface, ' ;^ lights and equally intense..sha^qws._ .A team. of Tight Hoi Linseed Oil, Turpentine and Paraffine Oil have striking an. eg-shel gloss is immediateiy~^rbken up and beert largely resorted vto in the past, but have not been i' 3w bt &;(Sat al o g u s iMmr' '' 1926-27-SWEET-00032 Continued on nertpdge B1S22 The -'S^er^^n^lWililtt^S't-'iSWSS y. y'.;; y yv.vy / .\ y y at all satisfactory leaving a dust catching film which is ' Spclficatlon--Pr/jHin* Coat--Shcririrt-WilUgnii Flat'-lUte objectionable and unsanitary. Repeated scrubbing soon removes these floor oils entirely from the surface, s`o that Enamef undercoater thinned as follows: One-full pint: purrlfisr linseed oil, one half pint pur^plriis of turpentine to the gallonf- Second and.Ti/rdCoats--Flat-Rite ihall be^apprietLjin,' reTimshing again becomes necessary, . Ihe consistcncy supplied by the manufacturer, allowing sufficient'' . Sherwin-Williams Floor-Seal ts a varnish'ordinarily jime for thorough drying between coats. The first andsecond used for wood floors. It penetrates into the wood itself, hardening the surface from within. The first coat of coats shall be sanded-to a smoothsurface wllh No. O sand p>aappecrr;Mtfhe third or last undercoat,shall be sanded smooth with No. 000 sandpaper. - Floor-Seal practically disappears into -the wood itself. Fourth Coat--Sherwln-Williami Old Dutch Enamel, Gloss;- The second coat completes the sealing of the wood and , mi^ed equal parts with Plat-Rite Undercoatcr. deposits a very slight varnish film on the surface. 'This, of course, wears off-under traffic, but leaves the Floor- Fifth Coat--Sherwin-Williams Old Dutch Enamel, applied, in color selected, as it comes in package.,. ,, For Dull Finish--When aufikicntlybard, the last'coat Seal in prime condition within the .wood to keep the. shall be rubbed to a dull finish with powdered pumicestone surface water-tighfand preventThe-penetration of dirt and water. and grease. A Floor-Seal floor washes up vfrry readily. Specification--AU, wood floors to !>e.treated VfUh preserva tive snail be smooth, clean and free from..fixease, (stains,-etc. Two applications of Sherwin-Williams Floor-Seal shall be made in the consistency supplied by the manufacturer. Allow sufficient time for`drying between coats. (On maple floors apply I coat only, unless it is evident that 1 coat has not thoroughly sealed the-surface.). Staining and Vamuhing Interior Trim Scar-Not is Sherwin-Williams varnish,for interior woodwork trim. It is a full-bodied varnish which makes it possible to build'up a beautiful'finish with the least number of coats. Scar-Not is pale in color',, dries dust- * free in four hours and after two or three days can be rubbed' to a polish with pumice stone and oil. Scar-Not Varnish dries very hard to resist abrasion. It is highly water resisting and will not soften to print under ordinary heat of warm dishes. Scar-Not does not powder white when scratched. . ' Specification--Preparation--AU wood shall be dry. clean ' and smooih before any finishing materials .are applied. All nail-holes, cuts, cracks and other .defects shall be treated so as to render them unnoticeablc. First Coat--Sherwin-Williams- Handcraft Stain in shade selected by architect. r. Second Coat--Sherwin-Williams Pasti Filler in color selected by architect. Wipe off across grain with burlap or excelsior, before filler has set, to remove excess filler. Allow .24 hours for drying. Not*:. The use of filter should only be-specified for open grain woods. Where close grain woods are to be finished, specify what Is the third coat in this specification,'as the second coat. Third Coat--A thin coat of Sherwin-Williams Marvelao or pure shellac Fourth and Fifth Cdats--Sherwin-Williams Scar-Not Varnish. Sufficient tipie for thorough drying shall be allowed between coats. The third and fourth coats shall be lightly sanded before applying Subsequent coats. (For rubbed finish, the last coat, when sufficiently hard, shall be rubbed with powdered pumicestonc and oil or water to a full finish). Note: Where rubbed effect is desired without the tabor of hand rubbing, Sherwin-Williams Velvet Finish Varnish should Be substituted for the fifth coat. ^ Enamel Finish pn Interior W{ilb . - , Specification---Before any paint is applied to the walls, . the. contractor, shall make certain that the walls' are perfectly. dry and free from dust and dirt - FVrat Coat--Sherwin-Williams Flai-Rite. Enamel Under- X coater mixed in equal parts with Sherwin-Williams Flat-Tone ? Mixing SiJk ' jSectmd Coat--Shall consist of Sherwin-Williams Flat-Rite > Enamel Undercoater mixed with Sherwifi-Williams Flat-Tone . Mixing Size, in proportion of 1 qt. of undercoater to 1 gal. of . mixing size. ! Third Coat--Shall consist of Flat-Rite Enamel Under coater in consistency supplied by manufacturer., Fourth Coat--Shall consist of Sherwin-Williams Q!d * Dutch Enamel and Flat-Rite Undercoater, mixed equal parts. When diw sand lightly. ^ y, Fifth Coat--Shall consisl of Sherwin-Williams OldDutch Enamel in consistency supplied by manufacturer. Alternative Specification--The contractors shall make sure, before applying any paint to walls or ceilings, that same ^ are perfectly dry and. free from dust and dirt. First Coat--Consisting of Sherwin-Williams Flat-Tone " and Flat-Tone Mixing Size, mixed equal parts, shall be applied. Second Coat--Shall consist of Sherwin-Williams Flat-, ' Tone and Sherwin-Williams Enameloid in color. selected ,by y, architect. ". . Third Coat--Shall consist of :Sherwin-Williams Enameloid in consistency supplied by the manufacturer. Painting of Radiators Tests made by the American Society of Heating and Ventilating Engineers, and also by the Paint Manu- ; .facturers Association of the United States, indicate that y paints made from bronze powders retard the radiation eff heat approximately 25%, while paints and enamels made fTbm zinc oxide or lithopone do not appreciably affect radiation. This paint tends to bake to a hard film oh radiator surfaces, and tests made by the Paint Manufacturers " , Association of the United States upon radiators in their , laboratories indicate that such-a, finish, has a life of as . high as nine to ten years without showing defects. ' ' Enamel Finish for Interior Trim Old Dutch .Enamel is Sherwin-Williams' very finest' enamel lprodtfct and is-recommended unreservedly .lot* the highest type of, work. It possesses a fineness of texture and depth of tone that is unsurpassed in. any enamel, either imported or domestic. Old Dutch Enamel is classified as a full oil enamel. The durability of Old DiUch Enamel is attested to by the fact that 'Sherwin-Williams recommends its use for enamel work exposed to the weather, and has been for years furnishing Old Dutch Enamel to a number of the leading railroads of th^country for the finishing of coaches. Old Dutch Enamel is made in. white, ivory and french'gray, and is furnished in both gloss and dull finishes. Notei flW Hutch F.namci <5ul! S not recommended for exterior tme. Old Dutch Enamel is intended to be tinted for special colors required by the architect usinn Sherwin-Williams First Qualily Oil Colors. In tinting, the oil color should be broken down with a small amount of the enamel before adding to the enamel to be tinted. For best results it is recommended that the enamel undercoatcr be tinted -to match the enamel. Regardless of whfit types of paint are used in paint- irig radiators, there is hound to* be a slight change of color. < White Damar enamels will yellow slightly, while flat finishes, like Flat-Tpne and colored enamels, will . likewise change color slightly. Th e Sh e r w in Wil l ia ms Co . will be glad to send, on request, a copy of Professional Bulletin No. 4, which / discusses; at some length the painting of radiators and - the relation of paint colors to heat radiation. ': / Specification--Before applying paint, clean, off dust,'dirt and rust from radiators by wire brushing., Also remove any -' . grease which may be present. Radiators must not be painted /" while they are hot Allow paint to dry thoroughly before*turn- ; ing on heat. < Where a white finish 5s desired on radiators specify "two coats of Sherwin-Williams Flat-Tone White and one coat of Sherwin-Williams Snow White Enamel. y For a colored enamel finish on radiators, specify two coats of Sherwin-Williams Flat-Tone and one -coat, of Sherwm-' .- Williams Enameloid in the color selected. For a flat finish on radiators, specify two coats of Sherwin- Williams Flat-Tone in the color selected. CA7ALOOUR `.V- 1926-27-SWEET-00033 . . > f,i u Continued dn 'nexFpoofy ti- *>- .-V.A-`/;i>,*^;>s*n < <* l m#,` ' J I ,-Vf,\S-,^w*' y -I' ARCHITECTS' GUIDE - FOR PAINTING/; VARNISHING, STAINING AND ENAMELING SB /tfFOJtTMtfr: SXCH * Th 4 WODUCT* IPBCIFIRD BELOW BKAXtOU* Na WS AND TRADEMARK SURFACE BRICK WALLS (ext) .. CONCRETE WALLS.. TO PAINT/; ! Uto product named btloto . S-W. Concrete 'Welt ' Finish S-W Concrete Watt Finish TO ENAMEL 'Use product named below . TO STAIN TO VARNISH the.product named Use product named __ _bel_ow __ botow Old . Dutch Bnnmel, Gloat "' " bU Dutch Enamel, Gloat.. -' CEMENT FLOORS.... S-W Concrete Floor V FMni S'W Concrete Fiber Print k ' EXTERIOR WOOD j SURFACES ............. EXTERIOR METAL /.- SURFACES....... . FACTORY WALLS (Interior) ...... " FLOORS (Interior Wood) SWP (Sherwin.WillUmi Old Dutch Enamel, Prepared Paint) . Gloat Kromlk Structural Steel Primer \ Metalastic (tor finishing coats) S'W Eg-Shel Mill White. , S-W Fume' Resisting White Old Dutch Enamel, Glow Old Dutch Enamel or Bnameloid S'W Inside Plant Print 'S'W Inside Floor Faint (the enamel-like finish) (the enaaei.Uhe finish) S-W Preservative ShlngleStrin Reaper Varnish S'W Acid or Oil Stain ' Oil Stain, or Pleorlac Mar-Not Floor Var Varnish Sirin nish GALVANIZED IRON SURFACES ............. S'W Galvanised Inti S-W Galvanised Iron Primer (faith with, . Primer nd Old any paint) ` Dutch Enamel INTERIOR WALLS AND CEILINGS. . . V Flat-Tone Wedi Finish S'W. Semi-Gloss Wall Finish Old Dutch Enamel or Bnameloid INTERIOR WOOD ^ TRIM . ................... S W P. (Sfccrwin-Williams Prepared Paint) Old Dutch Enamel or Bnameloid PORCH FLOORS AND DECKS............... . RADIATORS AND PIPES................... . ROOFS--Metal ............... S'W. Porch and Deck Print S'W Flat'Tone Wall Finish or S-W Gold Print S'W. Alnminnm Print SWP or 'Metriasllc (if galvanized, prime with S-W Galvanised Iron Primer) . < For White--S'W Snow White Enamel For colors--Bnameloid ROOFS--Wood Shingte... SWP 'STACKS AND HOT . Salamander Smoke- SURFACES_______ Stack Black *. , S'W Acid Sirin S'W Handcraft Stain S'W Oil Sirin ' S-W Preservative Shingle Stain / t Scar-Net Varnish Velvet finish Var nish (for imitation rubbed effect)' / , kromlk Structural Steel STRUCTURAL STEEL Primer Afetalostie (for finishing coats) TO DAMPPROOF FOUNDATIONS ... S-W Antydamp r TO DAMPPROOF INTERIOR WALLS S-W Piaster Bond ABOVE GRADE.; .v WOOD'PRESERVA- - S-W Carbolic-el Copyright, M3, by The Sherwtn-tViUUms Co. 1926-27-SWEET-00034