Document o9RYD0bLg0XdBnnXZ4R2RBJLD

f I i 1 I -rf"- ^V_ - *' -- .If .* I i i. i 5T pC> o~ " f^\ oo o !; < m : , " ~ ' - _'- *' '. -r ^ '-. 7- "*4 - r^3 -.. hf . S<- O ;~-s || - [-: r i i ; . . 'n - -- W.^ : A n cr-o 3 oco = a> ^ I tc.sssl 'IS-t-l 3 r+ ' =r ; t-- i I I I I ~1 cr-o a rr c o wo r* V < O ,_*< m !f3 ?? 2A.1--1* g 3 2 o^3 9 \C3rf --:x ShT: 33CO o o 0 01 CO NOTICE: If the film Image Is lose clear than thle notice, It Is due to tha 0 0 0 5 9quality of the document f i l m e dbeing ___________________________ ________________________________________________________ _ * n fc I ?* TINTING THE PAINT The quantities of colors-in-oil required to pro duce the various colors shown in this folder are given below. Colors-in-oil may be purchased, either in tubes or cans, at the.store where you buy the white-lead. As colors-in-oil of different brands vary in strength, the formulas are necessarily ap proximate. it is best, therefore, to add colors-in oil gradually in tinting paint, making frequent comparisons with the sample being . matched. White-lead added to tinted paint will lighten the color. More tinting material will deepen it. COLOR FORMULAS IBeutd on tinting 100 Ib-t. of Dutch Boy white-load. Reduet quantities of colare-in-oil proportionately for smaller amounts of while-lead.) 1--1 lb. french ochre. 5--< os. Ixmpblack; 8 os. medium chrome yellow; 6 os. medium chrome green. 7--l lb. Ismpbtsck; 1 lb. Chinese blue. 8--1 lb. UmpbUck; 1 lb. Chinese blue; 5 lbs. medium chrome green. 10--1 lb. medium chrome yellow; 2 lbs. french ochre. 1L--2 os. UmpbUck. 12--2 ox. UmpbUck; 2 os. Venetian red. 14--55 lbe. french ochre. 1 j --55 lbe. french ochre; 1 lb. UmpbUck; 2 lbs. Venetian red. 20--8 os. medium chrome yellow; 2 ox. medium chrome green; 1 ox. UmpbUck. 21--8 ox. UmpbUck. 22--2,4 lbs. medium chrome yellow. 23--234 lbs. medium chrome yellow; 12 ox. UmpbUck. 28--l ox. UmpbUck; 1 lb. french ochre; 5 ox. medium chrome yellow. 709--100 tbs. venetUn red; 40 lbs. indUn red: no whitehead. 55--4 os. medium chrome yellow. 33--4 os. Venetian red; 2 os. medium chrome yellow. 37--4 os. venetUn red; 2 os. medium chrome yellow; ] ox. lampblack. 38--8 os. medium chrome yellow. 39--8 ox. medium chrome yellow; 134 ox. medium chrome green. 40--' 8 os. medium chrome yellow; 134 os. medium chrome green; 1 os. UmpbUck. 42--l ox. Chinese blue; 4 ox. medium chrome green. 45--9 ox. french ochre; 2 os. UmpbUck; 1 ox. venetUn red. 45--6 lbe, french ochre. 43--6 lbs. french ochre; 1)4 os. UmpbUck; 3 ox. Venetian red. 52--34 ox. Chinese blue; 1 os. medium chrome green. 54--1 os. UmpbUck. ____________________ __________________ * V4 PAINTING INSIDE WOOD When interior wood is being painted for the first time, it should receive a pruning coat mixed \on the basis of 10 pounds white-leadf, 2J^ pints raw linseed oil*, 2H pints turpentine, J pint drier. Then finish with two coats of paint, using ' the formula specified for repainting inside plaster as the second coat and as a final coat one based on 20 pounds of white-leadf, 3 pints of flatting oil and 1 pint of pale varnish, (suitable for enamel). If. the wood has been painted before omit the pruning coat. PLASTIC PAINT Dutch Boy white-lead, combined with whiting and Dutch Boy flatting oil, makes an ideal plastic aint. This type of plastic paint produces a wall nish of modified texture (see color reproduction of sample in this folder) which is in keeping with the trend away from excessively .rough surfaces. It is made with materials that are stocked by every paint dealer and has the additional advan tages of being relatively low in cost as well as easy to apply? Moreover the finish, like all whitelead and flatting oil effects, is of high quality, can be washed readily and is extremely durable. White-lead and oil plastic paint is mixed ac cording to the following formula, only one coat being used: 100 pounds Dutch. Boy white-lead (heavy paste), 22 pounds dry whiting, 1gallons Dutch Boy flatting oil, 1 gill drier. First break up or thin the white-lead with 3 quarts or half tne flatting oil specified. Do the same with the whiting. .Then combine both mix tures and stir in the drier. The resulting paint, although heavy, will brush out with comparative ease after which it may be textured. The paint may be tinted prior, to its applica tion or have colors-in-oil worked into it while it is still wet on the wall. It sets up.ovemight. New plaster walls should be primed in the usual way before the coat of plastic paint is applied. * Sec note on previous psge. f See note on previous psge. t _______________________________________________ N L I 11Q294 I f 1 I