Document mqaEe1E4K9B1o6d1OooLLXpbQ

r-,, i . e'i'"*--; *ly=rrillv;-- : THE HOUSE WE LIVE IN I tir o> Jis Decoration ^ Jls Protection \r i ! A faeries! Ghk he (He Property O*so Traiiojt a* s Gear Maimer the Three Eiiiwiih of Surface Snis| saj Decors<iK.-- fhc Cute* Scbcac* Tbe Faint ami (be Pstruer. } l NATIONAL LEAD COMPANY 1. P Lli n 0-^3 3 -- 1 o1 rn | !=r o 2. Hi ;5 -- * a^ ? W Q> ^ = =rl 3 ~ zr 3 fo o o ocn co wt a :.-M THE COLOR SCHEME t Selecting Exterior Colors HE wlocrian of a Ttobr sue-- kx ibe owior at tfar Imk ihoiM be an ipu. o k btrwvcn personal fT'iuinctKiltlkwyw mean at die particular bow al in foesrion. Tbc fact iLc s ccmw color or odMiin at coIan lod utacdic -- one bone does ooc irpe dot if wifl be pfeiriny a* a boat of an c o o t c It diftreat type in m axanjjr i'ifowbaoo.TbettK amt shape of a bn--r. is the colort of neighboring b--iimjp art import*** CacTor* co be oiubrei Tbia docs aot am tlur for art o-- bo--e there is oair o-- ideal color co-- bans rioa Aa a --tier at fact there are as-- alp --I alter-- unace--xt if eater tft-- condo-- with |tooJ owe and at the mmt tmm allow far she Budw-- classified ender three heads. od of which a juncroflwf betor in the select-- of a color treat* went These ate the sue of the h me. the typ* ^ bo--e amt the sctoo* or nm--leapt w bich points arc uUa op m the para* graphs due follow. KTUXNCm On --wl bonnes at m generaSp a psod plan to --e a fight cjlor. This dues nee necesaanly nbne. Tb-- it a wide range of light grays. g--. yellows and tans that are soiuMe krnaaoraradcr proper conditions and fro--which yon can select a desrinettve cobae aches-- Light colon aiU a --8 hot larger. On the other band, darh colon akta ho--ifyor -- aloraod there arc These is jcrwsMy an --A so be pained in nddnJ pride and aari farm-- throngh a odor BiJicri--i in accord--ce with the Halfdr, fuaihw--nl rales of color bar* ray aaag--t the hnph--d --hod of ~t Ur pa aad baft, le'i pa-- k thar wap" dr* theHigh* mrs c*on ofcvtfal g--powinn mi& fait -- in proportion wh-- aaeded # two* col-- body treat----. Gcc--o--Jty the archi--crwrmf ones wli we--. in which s-- a light color sh--ld he applied boa the body with a The full--h of dreoeao--ai aw tin wlw t-- hr dar body of a pfad -- the exterior of cbe h--ee --y la baa-- at thosU be --alowd (tea fight y .,-- c o" C IM3 S>L. A-- 2" *--h 5r?"S| r-fiM aS? S fI 2 5 -3 I <2 I oo ocn co L f rr^TA< E-:' 3 r . VA * 'i~4&/ .- }. thought of as tic proper color Cor Colo tint or shade of a pttfrMst, which k the nial booses, yet gnyt tod light green oa complementary color to orange formed by be employed to good ainmjge o r houses tbe red and the yellow. of thii type sod those closely resembling dbeColoaii]. OTHOt CONSDQATKMI Iliu mistaken notion that bungalows Two additional point, may well be kept look well only m dark colon. Most plots* in mind to choosing colon. Houses in Mg effect*, especially oa buneikm* built localities w Kc t c there is an oasasal amount portly of clapboards. nay be secured by of smoke or due in tbe air should be the osc of white tod light colon fetch u palmed with grayed or wnewtat darker htff, gray, light brows, etc. The root's of shades ro postpunc or avoid any objectson* Uijtilowt are nearly ihnn m strong, able discoloration. dark colon--vcnctiao ml toJ olive great Attention should also be given to the Cor iasunee. relative permanency nf the colon selected. tsumoH TO SUUOUSB&GS The attarsi surroundings of a boose Some desirable tinting colon particularly among the Maes and greens are prone to fide rather quickly in strong sunltght.Thc more conservative tints such as tight ivory necessarily influence (be choke of color. When a small boose is surrounded by freer. Cor insraocc, sc scab light colon to pro* ride a contra*; otherwise it will mx nuke any showiag ac alt. doc so the shadows tbrowo upon it. Eva a large home sor rowled by dense foliage wbh throws it into shadow looks better in such colon as or light gray are usually more permanent and at tbe same time pleasing and in good tuce. A skilled pointer is the best podge of colors that will stand long etpneoie wab out appreciable change in rone. FVKTHth cotoc s u g g e s t io n * want grays and uoa than a very dark A study of the various colored ilhtscra- colon. cions of ettcrion throughout this booklet An cacrftcnc general role to follow when will repay you with ideas as to color there is considerable foliage around (he treatment that can be adapted ro poor own boose is to choose a color that offers suf> house. We have attempted to show a won* Cocot contrast to offset (he effect of tbe her of tbe common arebrrectnnl erpes. shadows proem. Probably no one iHastrtttanwsH duplicate Neighboring booses shook! be kept in jroor bouse reactiv but. if the type is mod as well so deciding wpoa a color thert. k is fairly certain thoe yoor hooie achcmc. Unless homes one a conssdcrabl* will look aqoally well to a nmslsr color distance apart chair colon hove a scry schema if conditions are much the not derided inflames opoo eoch other. One We are also glad ro offer yon the services color treatment nay rum the good points of oerlfepMtflMnc of Gbmrion. Sampfy of die other. write ro ns for a Wank whfth pm sm 6tt A Loose sstoMod ktows two others oot with tbe necessary data ami return. should be in harmony with both of them. Color schemes will then be mode apte it Soppom them is t jdloo boose on one yonr particular erne. Tbare is-no com or aids and a red boms on tbe other. The obligation attached ro she not of thm honor in the middle aright Ik panned same $ V) v_. n ar^5 3 ~ 3T \ C o c 3 ~o ^ 2 os o ; *< > * pn i W %~ ~ - a Ka r ^ ~3 3-- * =y = 3 oo 0 01 <0 f f 12 i A v f* V' ' '* r 2. Selecting Interior Colors Interior decoration atkinui bringing pftah the same effect. It fa <dte* a fnai into pleasing hinuat the room and it* plan in kmg iumw naans. wbcit the content*. U'hile dn cri|t out of * kin ceiling k nnuuuifp hip*. ** bring the faction is nor at siwpfa ns the definition ceiling coho Jkmn in this manner two or k can be redneed to n Inr fundamental rules of color. olor is the P inywus* cool of the three fee* Khm the ceiling core. oskg a wide nn4ding to cover the line where the two tokos meet. A treatment of thk decorator. With k b s m are made to kind redsees the appearance id heigh* ipf*ar snuller or toper, warm or cold, and in edret brings the cods of the room bright or subdued. SiilfaJJp popjoyed, chase together. color convent a Misli space and four trails into a delight ro the cjx. With the great number ofcolors at cons* USING IXXAft ID OMTAOI. LIGHT nund it is <*WI to tnmJcr tint. Keto aking a selection far a given room, which tine or thua are mac appropriate far the pankular room being decorated, b to a living nxwa. a dining room, a sleeping room, a hall, or -kitchen* Each room serves a diferese pwrjmc and the OK to which a room ia pw Jetermines to considerable eitcnt the sriA colors chat are most suitable. Dark, dtprening nmm can he wonderfatty tasproved bp using light colors on the walk. Light grsp.' fvidf, cream or ivory art guud kir use m muon of thk chamferas well as in small moms. Yellow k a good light rrtkcrur ami in estremdf dark rooms, where anlhcul inomination has to or resorted to in the daytime, pdlow will be found t muse ecoacmical end Icornir: coke to me. a COCOA COUSCB SZSOFKX3M tight Colors on the watts make small Glaring anJ wuhaded rooms will be mark more restful and pleasing wkk walls of given. gray ur blue*gray, or color* an 109ms appear larger. The light and griped the grew* or Mac order. Of course. m the colors are rsrrUasc far me on the walls of very light tints, where a sobauntial mull room when k sa desired to make moist of white k present, this effect k kfppeorss motor aapeaasMr. iighrbtuc* noe so pronounced. The Mruojmr the mc - ad greens, or color* tseged with Uww . ml light of the loom, the deeper amp be pen, are pnrtkolaHjr good farehb p*> thepstawttsecrpkfii gufc became they are who* ia knows at In mtor words, they JOKE COtOftS CfOGQI vtsuMG of tdumi they aetmallg Inis nod ysllani nt warns ealars mf If the enJusg ofa iwt as high, the me ahw*t> thru colon, or theardemstina. o a color bm a ticxk Kfbwr ito dm inadnminstr a tofang of wumth ia pern watt color will bring atom* ippsmmly dnosdL Thk m trm in varying degrees of ad make k appear lower. Carrying the reding <0far dawn no tor mde wdfa as tom the Molding abobdps to ante tht MDdsficncsona of ted amd peJfaw cuuf mg fan ebe palest straw tfa down chmmgh era*grand brown, and hostfa m it L_____ !*! T'nwirm arnim rng h i HHHH.L, .R.-- i. *< . tm 2 7? 2. % H. O ex P O ft ^ 0 ~3 3 w =r -j. 3 0=r 5*.3 o o o Gl <0 -i3T *, -4 * ... JW.' TT"1'- V- -- --' *' -* - - * -~*etu > - --------------------------------- ^ . * 1- ` ?' V- *oc defeat* rmc to the dccpcrt.crtoHO* Ita aMbopj*/, K Mn* wnli Meal onrtVm ctpowft, Wi Cohot ir< pcif<r*M< <a Kin (he rfrtt of wa/wtli *nj tKcc lo the cooler dieuto t#*n color* c m ih< IU nulc pJM*<fr a*d ware cVcrfol home*. The Ft*ftr of coke* from urn* (Hravjt* >Mwjgwi, (fttfr bloc. M*t i<W tiolrt* Woe art coot bl< coo(i*> i*K < otiendoa cf ^rcn ki*| the co- k-N. TV nc ot rhoc colon, (* tV Hoc* oJ fiTtttH mikt a room apfef to 4 <vl rdtvtMfit For (htt icjioo tVp inr pertic*' tiHf nW r* root** with a w*^ t*po*or or in boom m hoi or want ciiaiict- Tbit fone* cion of color m *n i^portjpic coo* abkiatio* to the proper icWxrkM* of a color acVtoc. rMArcou* nTHl KCPK3IO iMcetxG rm c e x u s c coo* Cciimgt iVdJ fwt;i he of a S<jkef color thaa tbe walk crea m the cue of *cfp high own when a cowparatneff dork ceiling color ts tometi**c* *ed. It k a aw** take to ftuke ceiling* white, aa the* (be epc coats to aa abrape cop whet the tcittnj: fine ta (cached and the i aptcanon ti 4 There a* or* woW moo wbf Mtcrior woodwork ihovU ilwtjy he white or iiory. A* t tutur of bex choc a ripJI; po*M| ftafaty a* capk>p unpi'uiolf auewg color* w ibe treatae** of ik eras. Moif becocJoi rfcUi mf V pfaaia'd bp peMmg the woodwork defer too* of the code wall color. with i wniwy liar of s ramrauiog bme. Or. if the wall* arc fwrip dark, the trow awp V carried ox ia tk watt color inrtf fbrcuafk, pale/t o o *waili ire Idi^kfct widi darter fwa woodwobk *! (njd noJo nif f, while drf irorp tlli M ucrtrfiagfy ftcoacnre with (no of chft o h bb cedar and ft nhpog la* in nptWnn. itmpm mtm tmw psat j in .v b; , ~~4 id 1 CTO 3 <* C O =r & a 09 si 3 n Ol = ?} ?2! ,ss?* sf?f| 09 'I oo 0 01 CO MMWMBiHhi roan, dining toon. library and bill, far c*ij4<t rommwaks:* by wdc openinjp, there should he * fairly dose refariaa berwern the uncsi color schemes M as to tie them together. It not ncccv ur7 W oca dcurshle to roc the uw tue or shade on the wails of all the roc-os hoc ic s aftea a good fin to roc the umc ait* throatHoot. relying upon tints and hades of that color to prr.Twlc the profxr variation. U the opcosnp bcrwcai rooms ate bee single doors, greater freedom is permit* h Mc . bar it as always bc*t to avoid too im*ch cnoout 6na one room to another. It goes wafaa saying that the (Cbcmc of decoration, whether for a single toon ora soiecof room, shoold bannonuewith th'* rags, hangmpt. ere. Probably the sin* plot way to ante this is to take the pro* ratling color of the four coverings and use a rim of it on che walls. Where this is mk domed tone other Jurnionutrtg Color may be employed on the walls. 3. Distinctive Wall Finishes There as no cure versatile Jevurame holds as Wiliipnil place among painted medium than white-lcaJ paint. First, hr* wall finishes. came the painter misci and colon white* It may be rcslcmi in deep (ones, mb lead pause to orJLr, there is poetically as one rcsctsMng oU leather, or it may no limit to the mtoher cd shades and ukc the here the mure delicate blues, 1 tints that you can secure. Then, in ad* grew*, grata The deeper effects dition to color sclcctur*. there is a wide arc generally conissed to panels but the choice of wall effects or tmishes- For those lighter tiffany may be apj lied at an all* who prefer utter simplicity there is the over wall macmusc. as a cctl.'ag firtisJi. one"tone smooch finish. For tbusc who or in panels. warn something a bit more mnil there Another variuson of the tiffany is are figured effects-- the sponge nortlr. the sometimes sned to assist in overcoming an cistapled roll aad the varmiua stencil aahitecTaraJ enrolisiun. For example, in kj fmrshci -or the glare effects inch aa the a room y-ith * sno low ceiling the shade! ciffaof. And for those who lake roogh tiffany sue be employed, either, jn pends finish walk there is the plastic fsiib or as an tllwtr wall trrormeac, to in* 0 wash its natty contra ml its uiinite erase the ifpMje height of the roems. possibilities of onestuning color and pne* Aside hero chat very ssefut function, i however, the As Ini tiffany is one of che The incerior iUroerstiene as this hook* moat piesmof and i*Kcresting well fen* her show how tone at tbgsc rariosaeffects itbe*. Scsrtang heseboerd or waimnom can be aacd. and serve to fine an idea of mg in dccyv mb, carefully Mended tcan, how they niffunset che appursam. of a it tnodt toum) the ceiling line, grsdn % tones in which they are ttffuysA. ally thamMgron.until at the top there m sea-reefy more chan, the umkreaar color t s c t v f a mt ihowmg.k m that Mending and gradnd Tbetabny. originally fc. 1toped hy tbt shading due ocaec* the itlnioa of am* fanone Tifiiy Seniaoa at New York Cbf, cstamd height. The shaded tiffany cm [ I i I 1!n. ' m-- *--2. t o| ml ^ o___| 2- * ? -** SSJ3| g* 3 [ 2 * |Q* I1 "I o o 0 01 <0 ? g - | =- " ^ S- = CO o a> " ri I ! f 12 3 1 ;>T' #* n?` or two in xddinon to tbe nndcrcoat color will hr found suftcicnt. This m*i*h is suit able for osc cither is or as as ail- erver treatment. Hc sponge is usually tamped against ihc surface haphazardly ak so attempt *t a regular pattern, sh bough a regular partem is occasionally tool As a rule, however, the haphazard mottling will prove mote umiaam for the reason Hut a great dal cf tbe charm of the sponge mottle hri^h lies is ns irregularity. IVc to iu simplicity and the ease with The oFen achieved depends upon the cL^ace cf color for the striping or banding hne. A color very dote to that cf the waO coloras. for instance, a beff wall and light brown stripe will result in a subdued effect. On the other hand, an intensely cootraseiog color will add map and tciiltance. Sack a corabtnatioa would be a light ic IIo w wall with dark green banding. Colors for tbe striping should be chosen, therefore, with this factor in mind. SenpMg ma,~ be applied on any oac-toar ietcriur and rs [wrikutariy suitable for which it can be produced, the xpunge mot ;h as Lireben an-1 bedroom. tle fetish is one of the most practical figured rtfercs. Almost any room m the average home CM be decorated successfully m the sponge mottle finish. Ordinarily it is suitable for auch interiors as living roan, dining room, WNITELF-ID AND OH. pl as t ic r u n t There is being disputed today an incrciiiing mnteu in tbe possibilities of pitsne piiati for producing textural fe- entrance hall atsj bedn snmsxi TV nfvent of textural finishes, of course. does not signify the ibandoomenc Striping is a simple and inexpensive of other types of wall tmtmeur. The method of emphasising the simplicity JiytuftcJ one-tune wall which is always ml fceautr of a one-rone nwcrwr It con- ' guoj taare. aa welt as the other effects turn of nothing more than a narrow bind ncfliwnl, will comimic to occupy an ing line of a deeper solar than that applied an the tide wall. Hus banding iror is applied directly to the uJr wall and out lines ill m endow frames. Jar Arrases, and ocher interior trim. TV imp may range ihrrc'Uuartrrs of an mch to ore and inches in width, depending the lite of the room. In some cues a need, on* wide and the important place in Jccoracton. TV introducxswu of textural finishes, however, ian ncaa a ukk-owg of tbe scope of whwdtml paint asa decorsrive medium. A happen* not infrequently when new den taJLc hold, tbe brie attempts sc pimric pun work wcr.* ovtnioae. Usexs nf ic went to the extrome. Color tftm ich so in feet Hue they 'im" eftcti. Tesnues All handing lines ftnJM the wood vim and ceiling line, the dmancc away depending span the wufcfc of the tmpC. TV iml durance in a animal asm room a from three to fanr meVsdar a throepnntf inch udpe. A wwk i{t would V placed a |tu|unmnomly pacer disoner from the trim. wemestromety rough, the deep recesses in the ftnash amending an excellent lodging pbec for dire and dust. Aa wan wrritahlc a reaction am in and a must twumntc. more sanitary typed! textural finish is now becoming yepnW. Such a linaali b easily obtainable with a whaardmd and oil plastic pint When ini m pflprs " L... Z3 - 2T % _ O ZrvZ -- m O -u*< 3 <=1- ~ r-f g -3 3 r7 --3 my 9 3p ' SV^s w : i? FI:* A 12 I it nio S-4 l Jr;' r r* manfpitjttd, ihh plastic faint $'* a awxdiiud nr hm texture which is tpiu m l<-*pu*jt th the demand - fim* U* tetrwrtl fmtth m-dway Ur- tween the snwmth fainted wall ano very ((Tmm. White-lead and oil fditrk fiu i Miuatly is a piint--m* a finm - and From s dor.rive standpoint the wide assortment of textures chat arc available with white-lead and oJ pt*t;: paint are a revelation to those who jjJc things a little different yet in perfectly ood usee. No matter whether the texture selected ** simple or complex m us execution the effect is nev er extreme or rv 4 the dcsi/n to the room. Some of the many tex tures are il lustrated In different f#<v **" V ~$''-f-*'V1 "Y 4 color in ibis boofcfcr. ran*** --` " These effects cother (vhitwj) ** addc J, hat With fhia vl lumm. 7T* iW*** r** ./ *t*/*** *$*M vw, t*<"% -* w*w M tVMWO W *** t~*rj --J if*-;* ml ** 11 well aa many other* can be pro duced by any aiojtlr tirtp up-to-date W the wttriiinfi of white-lead and oil plaatk p*utr arc identical with those an a whue-kad ffat point. Tim is why a white-lead and ml plastic fush son wcO, dues nor chips# or btccroc brittle, and can hr washed joac at any white lead jMane withorn damafr to the paint film. painter with "tool*** that he uars every day. If the painter should be unfamiliar wdt the formula lor mixing white-lead and oil plastic paint or with the method ofpraJwring any of the (mans hr can obtain this informsriuu prowpaly from our Otpaitgmu of P-ronuaon, 1 u "1 < C a r =* ~ 13 i-c fa cO 3 3 ?5 ? f O O 0 01 (0 -=* f" ^ iCV'Ti ?,> -- t > r C'j . r. ~ i i THE PAINT l What Faint Is AlNTta a miitwt of PsoliJpartKlci called the pigment) and liquid (eallvJ the vthk k) which dries auiij when spread out lit thin layers jvo a twficr, protecting and dedicating the surface to which il eNng*. THI PICMKNr Since tirlf Culoniil limes, pore whiie-teiJ has Sk is k c 4 for |uimh)(. It was ;he lunibfti paint pigment h i thoae Jays ami is still (he standard today. PrWemaoni painters the cumin om mis these fwioc from pure whiwlcad. White-lead is hydnted haste csfhnMt of lead--a fine, while pigmest ohumed by chemical putnt frnnn mcullk tod. A* iaM in pa*s nm, k is in pc lava --that at, nni with a ptuaup d pate lincoi od. When mate HawJ od k added tn the peim, tojtcthir with warp.none mJ Jricr, ghm pMm* he MttiJc wori ta poJamL if tasting oil ta w mI iatu he pm srh4eed, tie punt far interior mm k made. White pnat mnlrs in either cam. this may be readily colored a Jewel hy In mt| mint so osier, hwM the painter aa ahfc wcontrol sc tteohm'j. He cut mix it thick or thtn and vary the proporriona of ingredients to meet *ny surface con dition. HeisaMetomxch txjfitj a wide range of de sirable colors. This is es pecially appreciated by home owners who are nor Utilised with * tint whkh is only affmainutcly what they have in mird. Finally, and very im portant, one is absolutely lure of the mmftiittm of the paint because he can see its component pint. Mfimcr A WHrCSAJEAO FAINT Pure whirc-icad ptiac ta mired for in ftnurlablc durability and unracdled pro* tective qualities. It jive* A .uoyh. highly srcathcr*matJor coating whkh rerams its good appearance over a long period. The fUra, furthermore, msuma ciastie. This is important. Vnok hr example, contracts and cspanda dan to atmospheric changes. A pause tilaMfcar is bard and u o * yielding, or becomes ao^canopy fottaw thta alternate shrinking and switching of the material to which it k applied. Con sequently k rspaiwoaeb and scrim eC A whsre-lead film* became of it* dss* taary. is nor tnhprct to oMkiaf sad soling. It soys onbrokcok trnonrh and even. When repaintinga ei '4 "1. er^> = 5* Z ! , c o o . 5* ir. -- -i I S ! o| ,-**<. <* m C*f*c. r+r ^a* l a cr - I o-3=| ? S' 3 I 3 " nI O oO Ul ID <{a*w"W3T-i?-;viiis!r ;jswaaasigfc 75' i 1 f i crx> 3 9co ~ p 1 (D ~ o o *< W m " S * - 9 gj r* =r - y C *+r ao- 2 r co = 3 . HI = ft ar 3 O O 0 01 <0 % -V\. : fKi~iraM*Jlx iH~riatriYiifJll*'i] ~y"*<r^1ir t 12 i . -1 '' }' i ? x. Some Facts on Painting Cost The pikeftr piSem of whirc-lodl pane slwjit cmnptivt fcvorjMy ->h the price f\rgalkmufixbcrpairt't.<i,c<.pc ifcuruf the very wdirmr tbs*. Lmfjl ^ **.*> H much marc asfswtam, however. that is resile *ild no Jirfttxncc whether tie whitc-kaJ fMMt lipim ki^b ur km nr Poe the rhrcc yean this, the total ex* (msiiture ihould one rscocd $S tf. The bbur of applying costs the same io either case, namely $3. This lores only l] cent* it j iUHc for pu*chawn* tbe.gilkm of psinc. The three-year paint at U-i\ oem looks rather high, doesn't it# If the fsiat that ts to he ;ump*rrd with "kl tnJ o*T" happens to he the bicker per gatkw. Ibest (be co,lisiei is tu^fc; for ihere is ao paint which bus loiter ibin pore whisedesd. If the other fwwt happens ra OM ksx, little cuwfk in arithmetic may help to pru\ hem uuic is wwU be to he tempted k it* pice. a umc JUITHMETK The i|R scale of pi inters vanes in dilcrmt Uaiiiio hut. let it ur tfcax it tiln 5S worth of bhr to appfv me pk tun of (wioi - q mW, tu\l or indi&ctcot. If a gmJ paint (o k which will bst ur W rears) eases $i (or pilot, that * iQ Mem $tt per pilot tfffmJ. .As ir will Inc kwr years, the twinnng pah U c o m fi n per SAVING ON THE NEXT MU. The lac; that white-kaJ passe srears down anifrrmly. leaving s perfect sur face for K(vir.tinj(. takes off s paid por tion at the vr p>iiui*4 W\ As stated tefore, oftentimo a painter ha w charge ihwt as much f<*r burning a-sd scraping oj the old tuljr patnr as fur applying the new paint. A preliminary Unsung off is af) that a poptlf white-leaded sur face needs when repainting umc comet. Of iff the poin<* to cumidcf when choos ing paint this one is perhaps the moac often overlooked by the property owner and is one w hkb cuses turn money. SNEAD fU.1 HCfciG How far a paint will "spread" indicates nothing dcss ie hides the serisce sc the Now isyyonr me ntt tanfetd so hoy so inferior pot became of its irasom price, fcenria*thneeren d it d*J oar ksr ao long k wool! he cheap If inch a pan* should m solas* only three years in stead of Soor, what shosJJ in pet haste hcea to sake it so "even break" with the better paint* 1*mU St.a$ per ysUon (that k, thrtc^omrha of $j) he ngbt* ,`t' it; hoc asme time. Wbicedcsd is a very opngwe pigmeot and as a prim pusoti great biding poorer. Under average oondhioos, gallon at pm* white-lead pome wait cow above fan npure feet of smCseih cm* oosc, and bide k ajtkfscsovily. la addition to mvmag neshijd; weH. poor wbke-lead c o s h works easily onder the hath, Ik has ah* qnalky f hrearning apparently Wore laid the tort it Ve hose tem chat, by wan the % pant, oar fatal on* for bock bhor and puK anil aaa owed. k-7| F* >" * ia brushed. In other words, at takes lew nmc to paint a given aarfaot with white* lead. Crest covering ywn and cup < h W;'**>un.*y>* ? -m^v iblirHw- m/0 "1 _o i CO -r i < ~ 2. c.2 * * S' j ? =1 g -3 1 3 r+ zr -- , 27o3 i h i i* V` cr h' r: ^ri - t h e pain t er - A GOOD punter shaaU hremfdbyed. M k * *B economy to let wall!led A XliKirit a jofc of painting yarn he* Owi iW c m iprciJ paint on m tone **t tf fashion. The pwtcr'i c t * in du*iouic the needs of the whet and his tnowled.ee of pne the njdhr proportions of leaf. oil. rarftntiac and drier to he the tie make hiat a pouf noenat tile good materials, a poof pun"r pars for hiaarff. The good painter * pnrriai to "lend and oil** and became of W UiwUfc anj rnmt.t he can hr hpcnltil npan ip apply it with dill and k u n c a r.usTQ hn*ws his husen is aim always pkaaed Ko aluNe materials arc specifically Btel ft jnns hhn a ddaiitc basis on k*h to estimate ml oaNo hjn n tanmh eoppktcd yah which will add m ha repnraiion. Norbiag is ao amir w tie honest, ccascknrioos paimer as m*t hint hid hioJlr. *'Bnt uicruh** ocas one thing to him aal an cn.isdf hfcctt thing to the nmcrtpolons mom. MU them bad on the suae materials h k-nf If yon bdierc that Dwteh Soj or Cae- wfutc-lead will jjirt jroe the hear wH make yonr ^nxshcations read chac war. k is the only fair tray bach o yon nl she painter. I way to chooae a pahoer is ao ini mm what clan of work he is doing --who arc his enstomert. If he works far paaiknia* peufk, if he c*n refer ro ueb* beany jobs he has oae. he bptohafctf compcMM and reUiMe. Do d o c capecv him. fanpir, m compete ha (vice wkb the fdbn who fru( np a fall It Iff pin me aaitiaght omot BOT Of extra err t w p.ena NTBC hnuay n one of thr things ehac anas maeraudit wirimnr. Wear from meschnr as canrinoalhf taking pfacr and if than is banficicnc painr rmcirrim. the heme snibsL Jess hmn moth depends span how fang the needed pabebg apnatVay inf mol spring nr lnr annrScr monch m a hig trpair biH in Ik sanl pniawr kaa nnrhing so hade ml m amaamsa tn work far property i who hmnw somecking shone she 4n h-- . "1 illzrj o ro c 9 '<2 => S = | 1 m 9 0| 2 If 52.- I Ck. -*-- o--r T9 5_ 9 g, "A *:n 2. I> =f S' 3 I ft Q i BSKOsa "-> i.i q 03 H t t \ t \ / L sw f * i ! \ f z j = -r* a _ j ~ S w C"> ^,vc *> m s.-- $ ~ 3-S S'0^=3 = <* =* 3 *+ =r -- 3" ST 3 3" oo 0 01 <0 ------ I S: ! L*j5~k. ; *!;' " i