Document e707n4Epe1qkLZb2XoxnVK0YE

N16875 0007-SWP-00010364 Top Row Left--Body: SWT White; Shutters; SWP Willow Green; Roof: Shingle Stain Silver Gray. Top Row Center--Walls and Ceiling; Semi-Lustre Ivory White; Woodwork and Cabinets; Enameloid Old Ivory. Top Row Right--body:Stucco and Concrete White; Trim: SWP White; Roof: Shingle Stain SiiverGray. Center Row Left--Ceiling; Flat-Tone White; Walls; Flat-Tone Ivory; Trim: Enameloid White. OnfrrRtwCetzfi'r--CeilingiFlat-TooeWartn Beige* Walls: Flat-Tone Blossom Pir.fc and Silver Gray (.equal pacts). Center Row Right--Ceiling: Hat-Tone White; Walls: Flai-Toiu; Canary Yellow. Bottom Raw Left-- Body: SWT White; Roof: Shingle Stain Thatch Browa. Bottom Row Center--Ceiling; Hat-Tone White; Walls; Flat-Touc Cactus Green and White (equal parts); Woodwork; Enameloid White. Bottom Row Right--Upper Body and Trim: $WP Ivory; Lower Body: SWP Warm Drab; Roof; Shingle Stain Medium Green, Sash: SWP Black. COLOR SPECIFICATIONS INSIDE FRONT COVER Top Row Left--Ceiling: Flat-Tone Ivory: Walls; Flat-Tone Silver Gray; Trim: Enameloid Ivory. Top Row Center--Body: SWP White; Shutters; SWP Willow Green; Roof: Shingle Stain Silver Gray. ' Top Roic Right--Wills: Flac-Tonet)elftBlue;Trim: Enameloid White. Center Row Left--Upper Body and Lower Shutters; SWP Rich M&roua; Lower Body: Stucco and Con crete W'bue;I)j>perShutter$andTi:ini:SWP White. Center Row Center-- Ceiling: Flat-Tone Ivory; Walls: Flat-Tone Warm Beige; Woodwork: Enameloid Ivory, Center Row Right--Body; SWP Silver Gray: Trim: SWP White. Bottom Row Left--Walls and Ceiling: Flit-Tone Ivory; Trim: Enameloid Ivory. Bottom Row Center--Body: Shingle Stain Thatch Brown; Roof: Shingle Stain Nut Brown. Bottom Riu* Right--Walls and Ceiling: Interior Gloss Jonquil Yellow; Woodwork: Enameloid Ivory. r.xtcrior Top of Page I (opposite)--Body: SWP Light Lead; Trim: SWP Gloss White. CupyrsiM 19411, Tie Shorwin. Vil'ni 0007-SWP-00010364 I LET COLOR WORK WONDERS IN YOUR HOME Of all the materials of decoration--mass, texture, line, color, probably the most potent of all is color. Color, animate, pliable, can do things for your home ... it can make a room appear larger or smaller, cooler or warmer. It cun lower ceil ings or push them way up, make a wall seem to recede or advance. It can establish the mood of a room. Color can make a north room gay, flood it with sunshine, it can make a big bare room into a snug little haven. It can make a room restful, studious, shy, frivolous, glamorous-- breath-taking. Now all this is not done like pulling rabbits out of hats. Color is not some vague, indefinable something--it has real qualities ithiri mn which are meas urable and un derstandable. We probably all remember from school that the base or primary colors are Red, Yellow and Blue. Mixing these pure Reds, Blues and Yellows gives us colors which we might say are just as powerful or pure but of different hues--Orange, Green, Violet. These strong, un adulterated colors are rarely used for backgrounds in decoration; like dynamite, a little goes a long W'ay, so wc "handle with care" and with respect relegate them to use as accents in a room--a col orful Mexican vase, a bright flower print, a modern drapery fabric. Used as backgrounds, the primary colors must have some of the power or intensity taken from them. You can have your blue wall, but for that large expanse of living room, choose blue which has been light ened, deepened or toned to show off your furnishings most effectively. Flat-Tone Delft toned blue, Burgundy, a shade 0007-SWP-00010364^ of red, Cinnamon Brown, really a very deep orange. There is a new icind of beautyaboutthese rich,deep colors. Theysupplytheperfecr back ground for contrasting light mod em furniture and the new light dra pery fabrics. They can be used effec tively with darker pieces too, as illustrated on. page 9. When you use them, play up to their rich beauty by contrasting light and medium toned materials and pieces against them. The eye seeks relief in a room, it picks out light against dark, dark against Bght . . to he interesting, every interior must have a sensible balance of these two values. You may get the same results, in versely, by featuring darker and me dium toned furnishings against very light walls. The light tints or pastels are primary colors reduced to a very Cactus Green, Coral Rose, Thistle. Even the lighter tints are very often grayed to soften them. Flat-Tone Light Green and Warm Beige arc good examples. A grayed color is The bread Colonial Yellow expanse ofthis house A effectively hrokeu uirh SH"P VCi/loiv Green window trim, much easier to use because being less positive, it can be used on larger areas and more colors can be used with it. A bright Coral chair against a gray-green wall is charming -- against a brilliant emerald green wall, it can be the decorative equiva lent of a cancelled check. In. everything that possesses an appeal to the human sense, we feel this balance of relative values, of contrasting qualities . . sunshine tant facts about color which are easily grasped and just as easy to use. There are certain colors which, from associationofideas, or because we feel so, when we see them, are thought of as `'warm" colors. These, the sunshine and fire colors--yellow, orange, red, red violet, in all their pastel tints and deepest shades are called warm, advancing colors. In a room their effect is cheerful, gay, warmth-giving and sometimes space reducing. Bright Hat-Tone Canary Yellow' will spill sunshine all over that bleak north room. Vibrant, glowing Hat-Tone Terra Cotta will have a tendency to dose in that rather large library, making it more cncy and intimate. The "cool" colors, green, blue, blue-green, gray, in all their different: V'ftiw? t! cheerfulhrcalfart north with ,f stencil border rc/icatin^ the sicneii color an the fuce of the arch. lighrtinf. Flat-Tone Cream is a tint of yellow, Light Blue--as the name implies--a tint of blue, Blossom Pink a tint of red, and so on--all the deeper colors have their counterparrs in pastel tints. We are all pretty good friends with these pastels;. We find them ready to bring lightu>that dark hallway--wc like their delicate touch in the bedroom or nursery-- we have very consistently used them on ceilings. Light, plain walls of course hare a tendency to make a room seem larger than it really is-- dark walls close a room in and make it appear smaller. Then, a third way to use a color as a background is by choosing a ``grayed'' version of it. A grayed color is a softened color--flat-done StylishSH Phiack shutters. I stencil in y-lf;' Tfitttbr/te Verehu Grew on the upper panel tends a bright note of color. and shadow, bitter and sweet, har mony and discord. The balance and contrast of colors -- the knowing why "this'* goes well with, "that" is too technical and involved to discuss in detail here, but there are impor Vlat-Tone Tieift Bine on three walls tied into the Silver Gray fireplace uallbyrepeatin;: thebluehi she niche. shades and tints create an atmos phere of coolness, rest, and repose in a room. They have a tendency to recede on a wall making the room appear larger. Blue is colder than green., more formal, and in a blue- walled room, wc need plenty ofwarm color in the furnishings to establish the right temperature. Warm colors should never he given full rein in a room--they need a balance of cool color to keep a room from closing in on itself. In your Coral Rose living room, offer relief with blue-green furniture, white, gray, deep blue accents. This does not mean that you cannot re peat more of the warm basic color in the room -- you should -- Lighter or darker than the walls -- but just (Continual on .?.>) (Above) Paint goes far deeper than fuse good decoration, it seals the pores of the surface on which it is used against the ravages of dampness, snow and ice, the cracking glare of Summer sun. Here irisused with excellent effect. with the body of the house in SWP White, shutters SWP Black and thefront door inS-W TrimbriteCastilian Blue. (Below) On this home, new life is attractively combined with the dignity of architectural line ihrn the use of $\X'P Colonial Yellow. The SWP White trim, and vSWP French Crown Green shutters arc in excellent contrast to the Colonial Yellow and further enhance the architectural Hues. Roof stained with S-W Shingle Stain Silver Gray. 3 p 0007-SWP-000103646 (Above) Colonial architecture finds permanent, pro tective beauty on a home of generous proportions situated well back on a large lot. The body is SWP Pear? Gray, with shutters in SWT Moss Green, and 5AV Preservative Shingle Stain Silver Gray for the roof. Horizontal lines in SWP White on the cornice add width, (Right) A cozy white brick house makes sure of remaining cool throughout hot summers by using heat-repelling White S-W Stucco and Con Crete Paint for the body. SWP Moss Green on the shutters carries out the cool theme. An appearance of added height 5s achieved in the shingled roof stained with SWP Preservative Shingle Stain Silver Gray. Here is invigorating freshness. f 0007-SWP-000103647 (Above) A home of modest size gains gay, colorful charm from the careful selection of color. The scheme of the body in SWP White and the roof in SAV Preservative Shingle Stain Indian Ked is tied together by repeating the red (SWPKcd) on the shutters. Interest is given ro the chimney by paintingitwithS-W Stucco and Concrete Paint White, trimmed with Tau. (below) A color treatment which Is a bit different but in very good taste fur a home of this type of colonial archi tecture. The upper body of stucco is featured by painting it SAV Stucco and Concrete Paint White tn contrast to the bluish green shutters (mixture of SWP French Crow Green 1 part and SWP Slate 3 parts) and the Gray (SW Light Lead) lower body. ?a 5 0007-SWP-000103648 LIVING ROOMS m (Above) Warmth and light are curried thru the archway of this attractive living room to the hall by the use of S-W Flat-Tone Canary Yellow on walls and ceiling. A quiet restful effect is produced by doing the wood trim in Enameloid Old Ivory in soft contrast to the Yellow walls, thereby avoiding over-emphasis of the arch and door openings. Floors are finished with S-W Mar-not Varnish. (Right) Style and charm is introduced to this attrac tive studio living room with a scheme of Red, Blue and Yellow. The ceiling in Flat-Tone Light Blue dropped down on the sunshiny Flat-Tone Canary Yellow walls lias the effect of increasing the appar ent height and spaciousness of the room. The rich red couch strikes a note of gaiety and additional color accent. 6 0007-SWP-000103649 (Top Right)The fireplace wall is the attention center of this modern living room. S-W Har-Tone Delft Blue walls are contrasted with gleaming White I'nameJoid Trim and Flat-Tone White ceding. Rug is Burgundy. (Below) Painting the ceding, walls and woodwork rlie same color (mixture of equal parts of S-W HatTone Coral Rose and Canary Yellow) increases the apparent sfee of this room and concedes the center of interest to the furnishings. (Right Below) Fireplace wall is Inamcloid Milan Green. The re maining three walls in S-W Fuit-Yone Canary Yellow' take their cue from the furniture coverings. Ceiling is S-W Hat-Tone Pale Jade and Cream Grriy equal parts. I ft**--- p I" f 0007-SWP-000103650 (Top Right) Colorful but restful is the effect painted into this living room with S-W Flat-Tone Delft Blue and White mixed equal parts. The White coiling and Fnainehhd White woodwork is in pleasing contrast with the dark walls. (Below) Not expensive furnishings but judicious use of color "makes" this studio living room. The rough plastered walls are painted with a mixture of equal pares of S-W Flat-Tone Light Green and Canary Yellow. 0007-SWP-000103651 (Top Right) The ceiling anti walls in this colorful 1 ving room are painted alike with a mixture of etpial parts of Flat-Tone Hose 'J an and Canary Yellow. Tnamcloid Old Ivory on the woodwork keeps the scheme ``in. style." (Below) A vibrant hluc living room. Here we have interesting contrast of values in the walls painted Hat-Tone Light Blue and J-nameloid Whde wood work with the dark warmer blue of the floor cover ing. The ceiling in Hat-Tone White completes the blend from dark tc.> light value. (l$clc>w) Here S-W Hut-Tone Cinnamon Brown walls and wood trim bring intimate, friendly warmth to this room, urn] offer a dis tinctive Contrast to the light and medium-toned furnishings. The ceiling is S-W Flat-Tone Ivory. 0007-SWP-000103652 (Above) A delightful and refreshing color treatment for the rather small dining room is this scheme with three walls in a mixture of one part S-W Hat-Tone Delft, four parts $-W Hat-Tone Pale Jade. The ceiling color, 5AV Hat-Tone White, is brought down on the end wall for individuality and to bring added length to the room, hnamelohl White on all wood trim. (Below) Prom the Modern Home of Pcdac in Rockefeller Center, comes this room of exceptional individuality. To give the room length, the wall opposite the entrance is in S-W FlatTone Blossom Pink, other three walls in S-W Flat-Tone Thistle, The carpet is a delightful tone which deftly com bines the room colors. All of these shades, including the rug color, typify the newesc decorative trend. i 10 0007-SWP-000103653 (Above Right) This spacious dining room used S-W F'JatTocie Pale Jade for ceiling, walls and woodwork. Window valances are ribbed moire, picking up a color from the furniture. A good treatment for a room on the sunny side of the house. (left Above) Softly contrasting colors in this dining room convey the impression of gracious living. S-W Flat-Tone Ivory on walls and ceiling is an effective contrast to the warm Coral Rose of the adjoining room. Enameloid Old Ivory wood trim. (Lower Left) S-W Flat-Tone Light Green walls are just the proper background for modern dining furniture shown here. The high appearing ceiling is in S-W Flat-Tone Ivory; the floor is brown linoleum striped in a lighter shade. 11 0007-SWP-000103654 COLOR STYLING The illustrations below suggest how color styling can be applied to the exterior of a home. These are authentic color cc pa styles--practical, usable color ideas that are adaptable to most any type of architecture. Color can m i change the atmosphere of an entire house. Paint the shutters in bright, new style S-W Trimbrite st; $ 1 Both SWP Stiver Gray: Shutters equal parts SH P Warm Oral* ana Red; Trim SWP Glujs White; Roof S-W Preservative Shingle Stain Thatch Brown. xS'WTrienhrite * W White; Roof Thatch Brown. Body SWP Gloss White; Shutters S-W Trintbrite Verdas Green Light; Trim SWP Gloss White; Roof S-W Preservative Shingle Stain Stiver Gray. Body SWP Canary Yellow; Shutters S-W Trintbrite Orange 2 parisr SWP Red 1 part; Trim SWP Gloss White; Roof S-W Preservative Shingle Stain Medium Green. Body SWP lice L>rab; Hoof' f . 'P Warm Body SWPLipht Lead; Shutters SWP White trimmed in S-W Trimortte Castilian Blue; Trim SWP White; Roof 4Parts Castilian Blue and 1 part SWP Black. Boo Car Boa Car. sw. 1 i 0007-SWP-000103655 colors and use the same color for accents on small areas such as the window ledge, the door, or a part of the cornice trim. Paneled treatments, two toned effects, and stencil designs on shutters can modernize and lend new life and style to your home. Follow these examples; you'll be right in style when you color style your home. Body SWP Cream Gray; Similars S*W Trimbrit Cardinal Red; Trim SWP Cream; Roof S-W Shingl Slam Thatch Brown. Body SWP Warm Drah; Shutters 5"-IP' Trimbrite Castilian Blue trimmed with SWP Black; Trim SWP Ivory; Roof S-W Preservative Shingle Stain Thatch Broun. Body S~W Stucco and Concrete Paint Coral Tint; Trim SWP Ivory; Shutters {two tones) SWP Willow Green and SWP Moss Green; Roof S-W Shingle Stain Dark Green. Body SWP Light Lead; Shutters SWP Ivory trimmed with SWP Slate 2 parts, SWP Trench Crown Green 1 part; Trim SW'P Ivory, Roof S-W Shingle Stain Sienna Rrotvn. Bodyand ' / ' V < \P and S-W * i . . *. ji,` i tilian Bit . v * . ,, 0007-SWP-000103656 BEDROOMS (Above) The furniture may he old, but these walls are color styled to make ic an integral part of an altogether charming scheme. S-W Flat-Tone Thistle walls; window alcove, S-W Flat-Tone Canary Yellow' and Light Green (equal parts); ceiling, S-W Flat-Tone Ivory. (Left) S-W Hat-Tone Cinnamon Brown walls form the correct back ground for the light furniture in this bedroom, with S-W' Enamcloid White W'ood trim offering additional contrast- (Below) Restful blue walls (S-W Flat-Tone Delft Blue mixed with equal parts of White) with stencil in pink to add a note of interest between the dark w all color and the Fiat-Tone Warm Beige ceiling. 14 0007-SWP-000103657 (Below) Again wc draw upon the Modern Home of Pedac for a room ultra smart, ultra modern. As a proper background for the light toned furniture, the walls are painted S-W Flat-Tone Eight Blue, the ceiling a neutral Flat-Tone Cream Gray. At the unusually large windows heavy, blue draperies are hung against Venetian blinds. (Above) A bedroom chat is saved from appearing too heavily masculine by the use of glowing, warm color on the walls. S-W Flat-Tone Warm Beige walls topped by a white ceiling bring animation, but also dignity. (Below) The elegance of Directoire furniture finds a suitably romantic background in a room with walls and ceiling S-W Flat-Tone Blossom Pink, wood trim Enameloid Mustard. Notice how the trim color is carried above the door. 15 0007-SWP-000103658 I ! (Above) Here indeed is a spacious, light and airy workshop to prepare the tasty viands that grace a lovely table. Large working areas and built-in cabinets facilitate every preparation. The easy to dean walls in S-W Serai-Lustre White, and SemiLustre Cream Gray ceiling, plus the blue linoleum floor covering, contribute to the "lifV'ofthiskitchen. (Right) This cool, fresh appearing kitchen is ex tremely "homey," a grand place to prepare a meal or a midnight snack. Notice the pert black and red decalcomanias on the white table. Walls and ceiling are S-W Semi-Lustre Nile Green mixed with equal parts of White. Woodwork is in glistening S-W Enameloid Old Ivory. Floor is linoleum in a black marble pattern. '$ # 0007-SWP-000103659 (Top Right) Walls, ceiling and woodwork are S-W Semi-Lustre Ivory White. The counter top is red linoleum with a stripe of S-W L'nameloid Flame Red Just above the cabinets. The linoleum floor repeats the theme of Ivory and Red. (Below) S-W Semi-Lustre Ivory White on the walls and ceiling gives this room a spic and span appear ance. S-W Enameloid White for the woodwork; blue linoleum for the floor. (Below) Walls in S-W Semi-Lustre Canary Yellow, a cheery color in a paint that cooking grease can not penetrate or make perma nently dull. Woodwork and furniture in S-W Enameloid White and Blue with marbleized linoleum floor. 17 m 0007-SWP-000103660 BATHROOMS and PLAYROOMS (Above) Walls ar<l ceiling S-W Semi-Lustre Mist Blue with the woodwork in $-\V Old Ivory L'nnmcloid. Gay yellow accessories offer pleasing contrast. (Above Right} A good color scheme for a bathroom that is inclined to be chilly. S-W Interior Gloss Peach on walls and ceiling, Lnamcloid Old Ivory woodwork. (Below Right) Here a rather cool upper wall and ceiling color, S-W Semi-Lustre Nile Green, is a pleasant contrast to the warm color of the tile and fixtures. Woodwork--S-W Interior Gloss jonquil Yellow. 0007-SWP-000103661 ('Above Right) In this bathroom, the contrast of Semi-Lustre Pale l Green w .ills above apricot tile brings out the hesr qualities of both * colors. Scnii-l.uMre Ivors While ceiling, I'munctoid OKI Ivory I vvoovl trim provide areas neutral color, (l.eft Above) Ilori/oii:il bands of three shades of S-W lhit-Tnne Debt blue color se> le this modern room. I pper bands lightened by adding White. Ceiling S-W Hat-Tone Ivors lorgood light rellccrion. (Lett Belovs) \\ bar bo> could fail to get a thrill from this room panelled in knotry pine, fmivhcd with SAV Woodcraft brain anti Mar-mu Satin Kinisli Varnish, Ceiling SAX I'lat-Tone Delft Blue. S-W' Mar-nnt Class Varnish on the floor. 0007-SWP-000103662 HOMES (Above) The attractive color treatment makes this house appear larger than it really is, and enhances all the best points of style and design. Shutters in S-W Trimbrite Verdas Green Light arc in lively contrast to the body painted with S-W Stucco and Concrete Paint White, Wood portions painted with SWP Gloss White. The shingled roof is beautified and protected with S-W Shingle Stain Medium Green. (Below) From New England comes the style for this lovely home. The body is painted SWP Canary Yellow, shutters in SWP Willow Green, with harmonizing roof in S-W Shingle Stain Thatch Brown. Yellow is an ideal color for a home surrounded by abundant foliage. ) 20 0007-SWP-000103663 (Below) While rugged, gray stone walls might have a (Above) Modern is as modern does--particularly with tendency to appear coldly uninviting, they can be paint. SWP White emphasizes the easy, rambling gra tempered through the judicious use of color on body ciousness of this home and gives one the feeling of cool and shutters. Here SWP Ivory body, and shutters in an rest. Gay S-W Trimbrite Fiesta Yellow on the full-length equal part mixture of SWP Warm. Drab and Red bring shutters brings permanent sunshine to play on walls 1 the scheme warmth and color interest* The contrasting well surrounded by shade. The roof is S-W Shingle S-W Shingle Stain Bright Green roof is a gay note. Stain Sienna Brown. s* i 21 ------------------------------------ ------ " 0007-SWP-000103664 ; i kr r ' . F (Above) The intimate, compact size of this smaller home takes advantage of limited ground space in design . . . and gains individuality from brilliant S-W Trimbrite Cardinal Red shutters against a fresh appearing SWP White body. No further contrast is desired, so the shingle roof is kept neutral with S-W Shingle Stain Silver Gray. The correct use of paint really "made" this house. (Below) A lovely suburban home of gently sloping lines which bespeaks quiet charm and dignity within. Sur rounded by ample ground space and verdant foliage, the house stands out in a fresh coat of SWP White accented with SWP Willow Green shutters, and complementary Thatch Brown roof of S-W Shingle Stain. The colors of nature combined in delightfully good taste. 1 22 * 0007-SWP-000103665 ;) i '3 (.Continuedfrom Page 2' remember that every well balanced room is also a good balance of warm and cool -- one dominant oyer the other. Conversely, in the breakfast room where you are using cool FlatTone Light Blue on the walls, use a deeper blue on the floor--and then cheer up this coolness with a smile of warm Coral -- sheer curtains at the window -- Enameloid on the benches and table. A warm color appears warmer, more intense, when a cool one is placed against it--conversely cool Flat-Tone Pale Jade appears "greener" and cooler with Burgitndy furniture in the room. So, with a few exotic exceptions, every room color scheme is composed basically of two contrasting nr closely allied colors --but your two major colors should never be balanced equally. Just as surely as an acid neutralizes a base, and today these bring added beauty in Enameloid Turquoise, Peach or Eggplant. We come to the matter of colored ceilings. If you have a cozy little 5-Trimhrite Castilian Blue en hances the architectural design of this doorway. White mouldings accent the panels, place with baronial hall ceilings, bring them down by painting them a positive color like Flat-Tone Coral Rose, Terra Cotta, Delft Blue, or Lighter shades of these colors. Very light tints Flat-Tone Ivory, Cream and Caen Stone push a low ceiling up, and have a tendency to make it seem higher than it really is. A ceil ing the same color as the walls, if stripes on a wall, let's say. Thistle and Blossom Pink in three-inch stripes on the end walls, with FlatTone Thistle side walls, and a Blos som Pink ceiling, will create the impression of height and dignity. Horizontal banding, striping, or dados in a room create a feeling of lowness and composure. Alternate bands of Flat-Tone Cream Cray and Canary Yellow with a mixture of Coral Rose and Canary Yellow on the ceiling can transform the i ncorrigi bly barn-like room into a charming, normal member of the household. Shake the superstition that all four walls must be painted alike. Those two end walls of your ten by twenty living room that seem anxiously about to leave the family scene any day can be beautifully coaxed into the room by painting them a darker Contrasting color. Flat-Tone Terra A blue ceiliu& dropped down on ike uctih, stenciled earth white stars. The drop is edged with a modern swag stencil, two equally balanced colors will neutralize each other and take the verve from a scheme. If you are using Yellow and Blue together--Flat-Tone Canary Yellow walls, Light Blue ceiling, play up to the Blue more strongly with Blue carpet and draperies. With Blue out in front, the Yellow takes on added charm by contrast. The third color for your room may He picked up from your printed drapery fabric, and this -- be it Salmon, Plum or Cedar--all warm colors, please note --you will use on a small chair or in decorative objects--the garnish on the salad. It's no news that one or two pieces of painted furniture in a room are a smart and welcome relief from large areas of stained wood, S-W r.namefnid Sunny Yellow con* trustedwith S- IP' Enameloid /Mince Green makes this closet a pleasure to have, the walls are light, creates a further illusion of spaciousness. Now f6r "line" in your decorative scheme--vertical lines carry the eye up, they have a sense of uplift, or aspiration--so by this token, vertical Light walls of Flat-Tcne ivory Tan in contrast to dark stained wainscot, flame Red on the chest highlights the scheme. Cotta end walls for instance, advance into a room and seem to push out on the more neutral Silver Gray side walls giving the room more normal proportions. To bringout the beauty of the fireplace wall, paint i t a differ ent color from the other three. In a Rose Tan room,forin stance, a Cream Gray fireplace wall sets offthis archi tectural feature distinctively, and can be tied in with the rest of the room by using woodwork the same color. So why not give chose rooms of yours a color hath! It's simple ifyou follow the recipes given. Then add the salt of your own good taste and the colors you like to make them your schemes ... be your own Home Decorator. 23 m 0007-SWP-000103666 ENAMELOID --hides the nicks on "Knick-Knacks"... gives beauty to "working" pieces 1. Handy step stool--quick drying S*W Enameioid Hanie Red. 2. Rejuvenated dresser chest -- S*W Enameioid White with S-W Enameioid Blue drawer puffc. 3. Cabinets and door in S-W Enameioid Old Ivory . . . grease, smoke and odor repellent. 4. Gay occasional chair in S-W Enamcloid Cream striped in S-W Enameioid Medium Brown. 5. Tug boat and barge ready fox business ina new coat of S-WFlnme Red Enameioid. Sunny Yellow. Black, Blue, Killarney Green and Orange are used on the Quoits. 6. An old tray repainted with S-W Enameioid Suony* Yellow islikea new tray. 7. S-W Enameioid Orange goes more than halfway in sprucing up garden tools. Sprinkler cans painted with S-W Enameloid Killarney Green and Orange. 8. Killarney Green Garden Tools take their color from nature. The tips are Old Ivory. f.i. h i ^ *< **.' rtw-v-/ 0007-SWP-000103667 COLOR SPECIFICATIONS INSIDE BACK COVER Top Row Left--Body; Stucco and Concrete White; Shutters: SWP TTimbrice Verdas Green; Roof: Shin*Le Stain Medium Green. Top Row Center--Ceiling: Semi-Lustre White; Walls: Semi-Lustre Ivory White; Trim: Enameloid Old Ivory. Top Row Right--Body: SWP White; Shutters: SWP Black; Roof; Shingle Stain Silver Gray. Center Row Left--Ceiling: Flat-Tone Ivory; Walls: Flat-ToneSilverGray; Trim: Enameloid Old Ivory. Center Row Center--Body: SWP White; Shutters: SWP Moss Green. Center Row Right--Walls and Ceiling: Flat-Tone Cream. Gray; Trim; Eoameloid Old Ivory and Pearl Gray (equal parts). Bottom Row Left--Body: SWP White; Trim and Shatters: SWP Tritnbrite Cardinal Red; Roof: Shingle Stain Silver Gray, Bottom Row Center--Ceiling and Walls: Fiat-Tone Ivory; Trim: Eoameloid Old Ivory and White (equal parts). Bottom Row Right--Body: SWP White; Shatters; SWP Red. COLOR SPECIFICATIONS BACK COVER Top Row Left---Ceiling: Flac-Tone Warm Beige; Walls: Flat-Tone Cream. Top Row Center--Ceiling: Flat-Tone White; Walls: Flat-Tone Delft Blue; Trim: Enameloid White. Top Row Right--Ceiling and Trim: SWP Canary Yellow; Walls: Stucco & Concrete White. Bottom Row "Left--Body: SWP White; Shutters: SWP Willow Green; Roof: Preservative Shingle Stain Silver Gray. Bottom Rov Center--Ceiling and Walls: Flat-Tone Light Green and Canary Yellow (equal parts); Window Sash: Eoameloid Sunny Yellow; Trim: Enameloid White. Bottom Row Right--Walls and Ceiling: Semi-Lustre Canary Yellow; Chairs: Enameloid Flame Red; Top of Table: Enameloid Sunny Yellow. Homes of every sire, shape and description are enhanced in value and beauty through the attrac tive use of protecting paint The wide variety of homes pictured here axe lifted far above the usual through color styling. Drab rooms become sunny or cool havens of hospitality, as you prefer. "Big as a bam" rooms become coiy and intimate .. . tiny, stilling rooms become suimj' and gracious, through paint color. Paint is magic, and the trick is easy When you use Slierwin-WiUiams, 0007-SWP-000103668 0007-SWP-000103669 0007-SWP-000103670