Document NNqZd2zrQGJvnd5GG5agB3yDg

'an els ; -j Y Continued from Pag* 17 out destroying Tie panel. The preparation of the paper to receive this protective coat is very important as the application of coatings--whether lacquer, var nish, shpiiar or any other transparent coater--will riarkpn or discolor the design and often destroy the effect. However, with a proper size coating the orig inal color can be preserved. There are many sizes on the market that Haim to give absolute satisfaction but in the experience of the writer there Is no cure-all as yet. The way to find out if you have the proper size is to take a small-piece of paper, of same pattern that is used on the door panel, mount it on a board and make a test on this. When the size is dry and the protective coat has Illustration of the John C. Calhoun paper shown by M. H. Btrge & Sons Co. at the recent Wall Paper Institute Exposition, which created a great deal of favorable comment. been applied, the color of the paper should not mate rially change. If it does, use another size or size with two coats as the single one may not have been strong enough. In sizing paper only thin light coats should be used and two coats are always preferable to one as the least miss is magnified very much by the pro tective coat. Just to mention a size and not to offer a few simple but efficient suggestions would be leaving the reader In the dark. Knowledge of the ingredient of a com position and of the ultimate effect on certain colors is absolutely essential here. glue size that has so many other virtues is not the best for it has a tendency to darken the color of the paper. Gelatin which Is bought in any drug store l3 the blue package for 25 cents is made by some of the glue manufacturers, and is the best. (Not the gelatin that madam uses at home to make the good looking* desserts). However, this gelatin can be strengthened by the addition of a small quantity of alum. The alum should be boiled and put in the gelatin when both are hot. Two coats of this size are usually right and gen erally a fine coater for the ground, upon which to ap^ What Size Should Be Used The first size that a painter calls to his service is usually the original glue size. Well, this time the old ply the protective coat. Some times this method of using gelatin size n'y? fails and darkens the colors so that they do not retain the desired shade. We tnerefore must take a size of "THIS EUSTON WHITE LEAD CERTAINLY IS WHITER, GROUND FINER, TINTS CLEARER, AND MAKES MORE PAINT PER POUND OF LEAD!" Because Euston White Lead has remarkable oil-taking powers, it will produce at least io% morepaintper xoo-pounds! And the increased "oiliness" of the paint makes it easier to apply. It flows better... brushes with less effort. . . and covers more solidly because of its exceptional opacity. Paint mixed with EustonWhite Lead gives greater coverage ... lowers the cost per yard... and definitely increasesprofits! The intense whiteness and finer grind in Euston White Lead, excelling that of any other white lead, assures a better tinting base and clearer-toned colors. Euston White Lead is available in Heavy Paste, Soft Paste, and All-Purpose Soft Paste. Try a keg--watch it go farther and make more money for you! THE GlIDDEN COMPANY, National Headquarters, Cleveland, 0. PAINTS VARNISHES * LACQUERS ENAMELS