Document N5weoDmYVL2rkjaoXQv8moqQ

}, v-v \ ''Si' *s ittmm&iuMiiiiiM * V, CATALOGUE A lystertf of Building Materials, Supplies and Equipment. * Twenty-second Annual Edition Compiled*. E< Jt limed Annually. by Diytraw op. FW. paa* dpkfmu t w W ; Boston, Mass., Paris: Square Building Cleveland, Ohio, Hanna Building Philadelphia, Pa./207 North. Broad Street <&icag&,,aiit4 Madison-La Saftb>Bt]idiE Pittsburgh, Pa., Bessemer Building ' Angeles, Califs 309California Bnifdihg Atlanta, Ga,,.WHt Building "t r ' :. " ) Copyright, l92fc by P.W^ Dodg^ Corpoira^ion -4,. ,>>-. ^vaw''' $* >" Vtf gw~ B1617 CARTER WHITE LEAD CO. 12042 South Peoria Street ` CHICAGO, ALBANY, N. Y. BOSTON, MASS. BUFFALO, N. Y. CINCINNATI, OHIO CLEVELAND, OHIO DALLAS, TEX. DETROIT. MICH. GRAND* RAPIDS, MICH. JACKSONVILLE, FLA. Dis t r ib u t in g p o in t s KANSAS CITY, MO. ' MEMPHIS, TKNN. MILWAUKEE, WIS. MINNEAPOLIS, MINN. NASHVILLE. TENN. NFfW YORK, N. Y. OKLAHOMA CITY, OKLAi OMAHA, NEB. PHILADELPHIA, PA. RICHMOND, VA. ST* LOUIS, MO. ST. PAUL, MINN. SAN FRANCISCO, CAL SAVANNAH, GA. . Product* . Manufacturers of St r ic t l y Pu r e Wj iit e Le a d and. Red Le a d . Also manufacturers of Litharge. pure, wcll-scltled United .oil, pure turpentine and drier, mixed to proper consistency and colored to suit. ' * - All new lumber requires 3 coats to produce a durable job. " >. White Lead for Interior Woodwork- Carter White Lead' ,. Surface to be put in proper condition - for paint'; all dust, dirt, loose paint,, etc, removed; all Carter White Lead "Is a high grade and standard" product, noted for its ex treme whiteness, fineness, superior body, uniformity and great durability, because it knots .and sappy places to be varnished with pure grain-alcohol shellac varnish. '. Priming Coat--To be'a thin coat of Carter White Lead (Coach and Car preferred), pure linseed oil, turpentine and white turpentine japan is perfectly corroded by. the only'modern and scientific process in the white lead industry. Architects should not fail to specify TRADE-MARK drier, thoroughly mixed and properly applied. Putty.all nailholes, cracks and other defects with linseed oil; putty,'composed of equal parts < of Carter White Lead in-oil and whiting, after - priming coat is thoroughly dry. "Carter" when white paint or soft, clear tints are desired. Carter Coach and Car Lead Carter Coach and Car X-ead is a particularly high Secondhand Third ' Coats--Vaint to be Carter White Lead'(Coach and Car preferred), thinned with, either Flatting Oil. pure turpentine or ptire linseed oil and pure turpentine white drier, to product eggshell, Hat or a full gloss finish, and colored as desired. Architect to specify the`finish desired. grade product, especially ground in bleached oil with reference to interior and surfacing work. It is extremely white and fine. It flats and dries welL Equally good for exterior work., ' . * "" , Flat Finish for Plaster Wall* Carle'/- White Lead. Flatting Oil and oil colors are used for the -finest* decorating on canvas, plaster or< compo walls. While the first cost of- such decorating Red Lead , Carter Dry Red Lead contains no adulterants and conforms to government specifications. may exceed other methods a little, the ultimate cost is less. . . . , Carter White Lead thinned with Flatting Oil and tinted with oil colors produces clear and delicate tints Distribution which arc truly washable. - Decorating of this character is good for long ser Carter White Lead is widely distributed through vice; in fact', until a change in color is wanted. These jobbers, and is retailed by local dealers in every locality. walls uiny be washed as often as need be to keep them It is thus easily obtainable.anywhereMn.the country, fresh and dean. Architects may specify "Carter" to be used on a building anywhere and the contractor can secure it. Important to Architects Prices Prices are governed by the fluctuations of .the metal market. .. i . . Carter Lead is sold for about the same price as other standard brands. ,, White Lead Specifications1 We recommend letting the painting contract sep arately from the general contract, and that estimates be asked only from competent and reliable contracting painters. ,- In order'to insure the carrying out of the specifi-* cations we have' stamped the name "Carter" on the side of every keg. When the head is removed, the superintendent can still identify the package. White Lead f,or Exterior--Surface to be thoroughly dry before any paint is applied. Apply, no paint when rain'or snow is falling. AH knots and sappy places to -be varnished .with best grain-alcohol shellac. . Priming Coat--To be a( thin coat of .Carter .White Lead, linseed oil and turpentine, properly brhshed into .the surface. On yellow pine, spruce, hemlock and all sappy woods, a mix ture of red lead-and white lead is necessary to secure the best anchorage and insure a tenacious foundation for succeeding coats. ... All nailholes, Joints, and other defects in surface to be puttied thoroughly after priming coat is dry, with a pure linseed oil .putty made by thickening Carter White Lead in .oil with bolted whiting -to* putty, consistency. -. . Second and Third Coats--'To be Carter White Lead, Guarantee Carter White Lead is sold under the following guar antee, which is printed on the head of every package: This package contains 8% linseed oil, 92% car bonate of lead. The Car t er Wh it e Lead Co.'-will pay $100.00 if adulterant is found in this package. , . Useful Information Architects are invited to put their paint problems up*to our Paint Information Bureau. Its services- are . given without charge. Color mixing guide sent on request. Sw z e t 's Ca t a l o g u e 1927-28-SWEET-00036 11 B1630 vrr>n>*''Svi >-`r` ' '-,,C.Ij J-a'A-' . HOLLAND RIPOLIN ENAMEL PRODUCTS THE.RIPOLIN COMPANY FRANCE* ENGLANDj UNITED' STATES' CANADA ` THE GLIDDEN/COMPANY NATIONAL HEADQUARTERS CLEVELAND, OHIO * ' ?. Associated with Th e Gl id d k n Co mpan y and its fourteen affiliated companies to whom manufacturing and distribution rights in North America have been granted .< Th e He a t h &'Mh .l ig a n Mw . Co ., Chicago, III. Ad a ms a n o Ki.t i.n o Co ,, Chicago, fill. L'a mp u k m. Pa in t K Va r n is h Co . St. Louis, Mo. Ca mi'h k l l Pa in t & Va r n is h Co ., Dallas, Tex. Th f . A. Wil h e l m Co ., Reading, Pa. T. L. Bl o o d Sr Co- St. Paul, Minn. Ame r ic a n PAin t ,-Wo r k s , New Orleans, La. Tw in Cit y Va r n is h Co ., St. Paul, Minn. Th e Fo r es t Cit y Pa in t & Va r n is h Co ., Cleveland, Ohio Nu b ia n Pa in t & Va r n is h Co ., Chicago, III. Th e Gl id p k n Co mp a n y o k Ma s s a c h u s et t s , Boston, Mass. Th e Gi.ip p e n Co mp a n y o p Te x a s , Dallas, Tex. Th e Gu p d e n Co mp a n y o k Ca l if o r n ia , San Francisco, Cal. Th e Gu p d e n Co mp a n y , Limit e d , Toronto, Ont., Canada Product Production ; Rip o l i.n* En a me l s ,/including: Gloss, Semi-gloss (Eggshell), Flat White and Decorative Tints including ivory, cream, pearl gray, light gray, sea green, light blue and pink; other tints are ob tainable by addition of pure colors ground TRADE-MARK Ripolin is made in-America by Euro pean experts and American workmen who .have been taught the European methods. It is made under the direct supervision of * "Ripolin, Limited." * - " . in japan, or will be. manufactured for .quantity orders. Specification Data and Distribution An o t h e r Rip o l in Ma r k o k In t e r n a t io n a l Fa me Trade-marks This design is the identi fication mark for genuine Ripolin Enamel. All Europe knows this famous trade mark. The secret process of making Ripolin was discov-. ered in Holland thirty'years ago. Since that time Ripolin has been used throughout the civilized world. Ripolin specifications for every conceivable pur pose have been compiled in a convenient form for archi tects' handy reference. Copies will be gladly sent on re quest. Following ' are specifications of most gencral use: Th e Fa mo u s . Rip o l in '-'.Be n d in g Tin Te s t Description of Ripolin Enamel Ripolin is the.original Holland enamel, now made in Holland, France, United States and Canada. It was developed by a Dutch painter and chemist named Reip, more than 30 years ago, and since then has met with success in every civilized country. 'It is'made by a secret process. It. is for both exterior and interior, uses and is little affected by salt water and atmospheric changes.. It is easy-flowing, dries without brush marks and forms a tough, lasting film. Specifications for special conditions supplied upon request. Specification No. 1 Specification for All Fine Grained Interior New Wood work---(Including all-fine grained wood^ white pine, white- wood, bass woo<L etc.) *- Coat No. I--A priming coat of Ripolin Enamel Uqtlercoat- ing, thinned with 1 qt. of raw linseed ml and Vi pt. of pure turpentine to the gallon. ' ' ^ Coat No.12--Full coat of Ripolin Enamel Undercoating. Coat No. 3--Full coat of Ripolin Enamel Uridercoating. Coal No. 4--Ripolin Enamel Undercoating re-enforced with 1 qt. Gloss Ripolin added to the gallon .to stop suc tion. Coat No. --A good flowing coat;of Scope of Use and Cost Ripolin. It is allowable to tbiqT this coat with Vi pt. of pure turpentine to the For architectural, general, commer gallon. cial, marine, railway and manufacturing purposes, where a- permanentmigh grade, clastic enamel paint is required. Ripolin is used largely throughout the United'States in private residences, hospitals, hotels, etc. ; Coal No. d-*A good flowing coat of Ripolin-as it comes from, the can. Do not thin finishing coat of Ripolin. Notes: If expense is of prime impor tance, either coat No. 3 or Coat'No.' 5 (only 'one) may be omitted. - Economical Care must be taken to sandpaper lightly each coat so that there will be absolutely Ripolin has much greater covering no brush marks on the surface to which capacity than other enamels. Because the Ripolin is to be applied. Ripolin in of this fact and its wonderful opacity, itself will show no brush marks,1, but-will; and also owing to its easy and ev.en'flow under the brush, it is economical. RiroLiN Co n t a in e r s --Ev er y Pa c k a g e Se a l e d magnify brush marks left in'the^tirtder-;.. coats. Sw e e t 's Ca t a l o g u e 1927-28-SWEET-00037 Conlimicd; i*if xSpcificfttt< No. 2 Specification- for Interior New Woodwork--(Cedar, cypress, hemlock, yellow and Georgia pine, and other heavygrainedr sappy woodsy also birch and maple.) Coat No. /--A priming .coat of Ripolin Enamel Undercoat- tug thinned with 1%. pt.'raw linseed.oil and IVj pt. pure turpen tine to the gallon. r. , `: . _ . Notes: After applying coat No. I all woodwork should be thoroughly'rubbed down with fine sandpaper oy steel wool. Give the whole surface a light coa^ of thin white shellac which has been strained through cheesecloth. For coats Nos. 2, 3, 4, 5 and 6`proceed as in Specifica tion No. 1. , -. Specification No. Specification for New or Unpainted Plaster .Walls-- Coat No. /--A sizing coat made of 3 parts of alkali proof wall-size and 1 part of Ripolin^Ename! Undercoating. Coal No. 2--A full coat of 3 parts of Ripolin Enamel Undercoating, and 1 part of dlkali proof wall size. For coats Nos. 3, 4, 5 and 6 pro'ceed-as in Specification No. 1. ' The- above* method in bathroom? > more economical thin tile and .its resemblance to tile is most striking. Specification rfo. 8 Specification, for Concrete or Portland Cement-- Owing to the excess of free alkali and occasionally certain chemical conditions created - by the process of manufacture of portland cement or concrete under vari ous formulas, difficulty has been experienced in obtaining paints to adhere firmly to these surfaces.. The concrete or cement piust be thoroughly dry. All new concrete should be washed with a 30% zinc sulphate solution. Coat No. /--Stucolor cement coating which may he thinned with about a quart of turpentine to the gallon. Coat No. 2--The same approved cement coating. Coat No. 3--A good full coat of Ripolin of; the luster desired as taken frotnhhc can. Notes: On a very rough laid cement an extra*coat may be required to thoroughly cover the color of the surface, this 'being .Ripolin Enamel Undcrcoating. For much exposed surfaces it is well to add one more coat of Ripolin as it comes from the can. In. case two coats of enamel seem necessary it is well to make the first coat Semigloss-faipolin, the finish coat to be of the.duster desired. Specification No. 4 ' ' Specification-for Imitation Tile on Keene's Cement, .King's Windsor or Adamant Plaster-- Any of the above plasters are especially good for this purpose. The plaster should be troweled as smoothly as possible, and while wet scored to the depth of % to t V in. -as^ desired. .The most popular and satisfactory size tile for this purpose lias been the.6-in. square or the oblong tile, about the shape and size of building brick. These effects are sometimes attempted with plaster of paris, but we would advise against this as unsatisfactory, owing to the extreme brittleness of plaster of .parts and its tendency to crack easily. } Notes: First wash the walls with weak vinegar or zinc sulphate to neutralize all free alkali present. Thoroughly dry before painting. `. * Coat No. !--A coat of Ripolin Enamel Undercoating, thinned with 1 qt. linseed oil and 1 pt. turpentine to the gallon. Coal-No. 2--One coat of Flat Ripolin to be applied as it comes from the can. Cool No. 3--One coat of Gloss Ripolin which may be thinned with 1 qt. of turpentine to the gallon. Coal No. 4--A good flowing coat of Gl&ss Ripolin as it comes from the can. The joints should be lined up with Flat Ripolin to give a cement effect, Specification No. 6 ..Specification for Galvanized Iron Interior or Exterior-- Priming coats'of lead should never De used on gal vanized iron under Ripolin. Wash-surface with 10% solution of acetic acid; all trace of acid should be removed before painting. .Coat No l--Add 1 qt-. of turpentine to a gallon of Gloss Ripolin. Apply a thin coat well brushed out. Allow this to dry at ^east 24 hours. Coat No. 2--Semi-gloss Ripolin as it comes from the can. Coat No. 3--A full coat of Ripolin of the' luster desired' as it comes out of the can. For all exterior work the final coat should always be Gloss tRipolin as it-is more weather resistant- than the lesser degrees of gloss. 1 Specification No.7 ..... Specification for Exterior or Interior Iron Work- See that the surface of the iron is thoroughly clean and free from rust, grease and dirt. \ Coal No. /--Gloss Ripolin thinned with 3 pt. of turpen tine to the gallon. This is used in this way to bond per fectly to the metal. Coal No. 2--Semi-gloss Ripolin as it comes from the can. Coat No. 3--Good full coat of Ripolin ot the luster de sired as taken1 from the can. Din in g Root* Fin is h e d in Rip o u n Ty p ic a l Rip o l in . Pa c k a g e t *1 A Rt p o l w Fin is h e d Giv in g Ro o m . Paint Materials for the Protection atid>Decoration pf Wood, Plaster, Masonry ' and Metal NEW' YQ-RK, N, Y., Ill Broadway BOSTON, MASS., 800 Albany Street .. BUFFALO, N. Y., H6 Oak Street . CHICAGO, ILL.. 900 West 18th Street . PHILADELPHIA, PA., Jo h n T. Lew is & Br o s . Co., 437Chest nut Street CINCINNATI, 0_HIO, 659 Freeman Avenue CLEVELAND. OHIO, 830 West Superior Avenue ST.-LOUIS, MO.. 722 Chestnut Street SAN: FRANCISCO, CAL., 485 CalifornuTStrej:t PITTSBURGH, PA.,. Na t io n a l Lead & On. Co., 316 Fourtiv Avenue Product* flatting oil is sold in 1 and 5-gal. caps, sealed at Wh it e Le a d (Dry and in Oil); Red Lead ,- the spout. (Dry' in Oil, Liquid)Lin s eed Oil (Raw, and-Boiled)Fl a t t in g Oil . Red Lead for Metal White .Lead for General Painting Pure white lead, properly thinned to suit* the special conditions tinder which \he paint is Gloss paint made of pure white lead: and to be used, gives the best protectfon\or wood pure linseed oil has long been the standard and other building`materials except metal. protective and decdrative coating for exterior When it comes to the painting of metal, white* ' >od, brick, stone,-concrete , and stucco.- It lead (though good for'the.purpo.se) must yield forms *a tough, tenacious film that does not first place to pure red lead. v crack arid scale but wears down smooth and The chief requirements of a- protective even, leaving the surface ready for repainting without expensive preparation. Being mixed TRADE-MARK c-qating for metal are that.it should have the ability to stick firmly to 'metal and that it to order, lead-and-oil paint can be adapted to should keep moisture, which combined with meet all surface and weather conditions. It can also lie air forms rust,'from getting through.' The paint must varied in color from pure white to every desirable shade .also be able to resist the destructive action of atmos and tint by the addition of the proper' tinting materials. pheric gases,' acid from the surface oil, and salt spray Our Dutch Boy white lead is the highest grade white near the seacoast. lead that can be made'. It is^pure, 'finely ground, smooth* Paint made of pure red lead- meets these require ^excellent in spreading anja.hiding properties--a perfect ments. 'It is insoluble in water, unaffectedly ordinary paint material. Sold it? 12*4, 25, 50'and 100-lb. steel atmospheric gases, adheres closely U) met and is a kegs. Our well-knovim trade-mark, the Dutch Boy true rust preventive. A great advance in tne quality of Painter, is on every package and guarantees the purity red lead was made when Dutch Boy red lead-in-oil was of the contents. perfected.' It is a more highly oxidized product than . Dutch Boy uinseed oil is pure, clear, carefully fil- old style dry red lead and is sold trt paste form, ready to tered and well settled. Sold in 1`and(5-gal, sealed cans use after the addition of more jttire linseed oil. Being , bearing the Dutch Boy Painter trade-mark as a guaran more highly oxidized, Dutch Boy red lead in oil is finer tee of purity. We also sell pure linseed oil in half bar and covers better. Being in paste form, it is more con rels and barrels.' a venient, to handle. , Dutch Boy red lead-in-oil is sold in 12V-;, 25. 50 Flat Finishes for Interiors and 100-lb. steel kegs under the JOutch Boy Painter Most inside painting nowadays is done in dull or trade-mark. . ' so-called flat effects. Up to a fe& years ago, these fiat We also make.dry red lead of the highest grade as effects were always obtained with white lead by thinning .well as red lead in liquid form. The liquid product is it with turpentine.. At that time, special flatting oils for known as Dutch' Boy liquid red lead aud'is ready fof use with white lead were developed. These flatting oils use. It comes in natural red lead <olor, -light and dark ^are -largely superseding turpentine. The handsome, brjown, light and dark green, and black. Sold in 1-gal.: washable, soft tone finish which they give is resulting cans and 2V^-gal. kegs. in a marked increase in the popularity of the painted 4 . wall. General Painting Specification* One of the most successful flatting oils on the market Following are general specifications for' the paint today is our own Dutch Boy. flatting oil. It flats white ing of interior and exterior surfaces: lead better than turpentine does, yet binds the pigment Preparation of Surface--(1) Woodwork--All particles together with the tenacity of pure linseed oil, woodwork should be thoroughly dry and seasoned before insuring a paint film which will not chip off. Dutch any paint is applied. New woodwork shall be smoothed .Boy flatting oil is designed especially for use with Dutch off with sandpaper where required and dusted clean lie- Bo# white lead. Used with our white legd, it produces fore priming. From old woodwork which has been a'soft, glossless finish that has a depth of tone and a painted before, all loose paint, scales, dirt and dust shall richness which most flat paints lack. be removed. Where old painted work shows cracks or Aside from the remarkable beauty of a Dutch Boy scales^ use a paint burner or liquid paint remover to white lead and* Dutch Boy flatting ojl finish, the paint take off^the old paint. Wash off. with benzine or tur ^ merits consideration from the standpoint of cleanliness pentine all parts where liquid paint remover has been and service. The hard, tttelike film it forms stands fre used. Where no scales or cracks appear, sandpaper the quent washing with warm water, mild soap and a 50ft surface gently with No. Vs or No. I sandpaper and ciotfr or a sponge and thus can be kept absolutely clean follow' with a good dusting. and sanitary. The durability of the paint is not affected Before priming new .woodwork, all knots and sappy in any way and there is no unsightly streaking as often streaks shall receive 1 coat of pure denatured alcohol occurs when a less stable paint is washed. Dutch Boy .shellac, brushed out thin. After the .priming coat of' Sw e e t 's Ca t a l o g u e 1927-28-SWEET-00039 Continued on nejrt pap* TW '' B1646 tT National Lead Company paint, as hereinafter specified, is thoroughly dry, putty Formulas--The following, formulas take no ac- . up all knotholes; dents, cracks, and other defects in the. 'Count of tinting materials. surface with a pure linseedr^il putty composed of equal See Paragraph No. 7 when adding colors to thfe parts pf white lead and whiting. If desired, 1 part formulas. powdered litharge to 5 parts each of white lead and (10) New Woodwork Outside^-Three coats of whiting may he added, except on light tinted work. paint, mixed "as follows, shall be'applied to new un (2) Plaster--Before applying aay paint to plaster, painted woodwork outside: , either new or old, see that it is clean and smooth. Go over the surface very lightly with fine sandpaper or a wide putty knife*rcrnoviiig all grit dnd any loose plaster or paint..' Fill all cracks with plaster of pan's. In the case of large cracks, open them'up -Wear, down to the lath", soaking the edges with water, and then fill the open ings with plaster-of Paris. Level off'smooth and even with adjoining plaster surfaces-., When the plaster of pafis has dried thoroughly, sandpaper down to a smooth, even surface. Where new plaster is to he painted before it is thoroughly dried out, it shall t>e treated with 20% snlutiop of zinc sulphate -in water before printing. (3) B-rick and Stone--Xew brickwork shall not he primed until dry. At least 2 or 3 days of dry weather should precede painting. 1 f any mortar has become loose or washed out, repoint all such damaged places with mor tar or portland cement before applying paint. After priming, correct small defects in the surface'with putty. (4) Stucco and. Concrete-2-Stucco or concrete should he allowed"to stand and dry a tear before paint is applied. If painted within less than a year, it'shall be aged artificially by washing with 20 parts zinc sul phate to 80 parts water or with carbonic acid water. {5) Metal Work--Aron, steel and other metal work shall tie'cleaned thoroughly of all lyose paint, dirt, oil, grease. rtistAscale and other foreign matter before paint, is applied. This cleaning should he done with scrapers ;uwt wive brushes. .Where soldering fluids have Iveen used, the surface shall he scrubbed carefully- with snndsoap and water and dried thoroughly before paint is applied. The Paint and Its Application--(6) Designa tion of Paint to be Us,ed--All woodwork, plaster, .brick, stone, concrete and stucec^whieh arc to be painted, (a) Priming coat (b) Second coat Dutch Boy white lead 100 1b. 100 1b. Pure raw linseed oil 4 gal. , 1% gal. Ptire turpentine 2 gal. iy% gal., Pure drier 1 pt. 1 pt. * . (c) Third coat Dutch Boy white lead 100 lb. Pure raw linseed oil 3Vfc to 4 gal. Pure turpentine 1 pt. Pure drier 1 pt. Note: The painter may exercise Tits discretion in using a larger or smaller quantity of oil according to whether the wood is joil absorbing, as white pine, poplar and basswood; of less permeable/ as yellow pine; cypress, spruce and hemlock. The painter may, in rare cases, find it advisable 10 increase the quantity of turpentine, as in southern exposure to prevent flustering. Where this is done, a corresponding decrease should- be made in the specified amount of linseed oil. If the wood is very resinous, such as cypvss, prepare it for priming by brushing on a mixture of 1 pt. linseed otf; I pt. turpentine and 1 pt. drier. (11) Old Woodwork Outside--Two coats of paint as-follows shall be applied in repainting old -ivood- \york outside: M' \ (a) First coat (b) Second coat Dutcp Boy white lead 100 lb. 100 lb.* - Bure raw linseed oil 2 gal. to 4 gal. Pure turpentine 2 gal. 1 pt. Pure drier - 1 pt I pt. (12) New Woodwork Inside--T^ree-1 coats of paint, mixed as follows, shall be applied to new tmpainted woodwork inside: (a) Priming coat Dutch Boy- white lead 100 lb. Dutch Boy flatting oil 0 gal. Pure raw linseed oil 3 gal. .Pure drier 1 pt. (b) Second coat 100 lb. 2 to 3 gal. --None None shall be painted . with Xa t j o n v u . Lk a d Co mp a n y 's (d) Third coat Dutch Bov white lead. Dutch Boy flatting oil, pure lin (c) ThirdVoat (Eggshell gloss seed oil. pure turpentine and pure turjwntine drier mixed (.Flat finish) finish) according- to the formulas hereinafter designated foe Dqtch Boy jvhite lead / 100 lb. 100 lb. each kind of work. All metal shall he painted with Dutch Boy flatting oil 2 to 3 gal. 1 y2 to 2 gal. Xa t io n a l - Lk a i> Co mp a n y 's Dutch Boy red lead-in-oil, Pale varnisn (suit Dutch Bov liquid r'etb lead, or pure.dry red lead and able for, enamel) None % gal- pure linseed oil mixed according to formulas hereafter given for each specific purpose.. A'olci As on outsidec wood; the painter may exercise liU discretion in the use of (the ihinucrs prescrriibbee,d--thus on w_h_i_t_e rj>_in__e,, poplar _a_n_d. basswood, which more readily absorb oil; increase the.quantity of linseed (7) Tinting Materials--In producing tintr ltd / <**l for the priming "coat. On yellow pine, cypress, spruce and hemlock, .. T use less linseed pit and more flatting oil. shades, John T4 Lewis X' Bros, Company colors-in-oil * (13) Old Woodwork Inside--Two. coats of paint or those of equally high grade shall he used. If colors- shall be used in repainting woodwork inside. For a in-oiK are vised in quantities large enough to-afifteecctt tthhee flat finish, mix the'paint for the first and second'toats consistency of the paint, the quantities of thmnvTS according to formula B in paragraph 12. For an egg? named in the formulas .shall he inereased in amouinntt equal -shell gloss'finish, mix the paint for the first coat accord to. one-half the weight o*f the tinting'material. ing to formula B in paragraph 12 and according to (8) Applying the Paint--Xo exterior painting formula D for the finishing coat. shall be done when rain or snow is falling, during- fow (14) Plaster Walls--Three coats of paint shall or until after dew or moisture which may he on the he applied to piaster which has never before been, surface has completely disappeared. Painting done in painted. The priming coat shall be mixed as follows: winter .weather shall -onlv he done when the tempera ture is above 50- I\ and when all surfaces are dry. All exterior work shall, lie allowed to dry from 2 to 4 days before the n*ext coat is applied and at least 24 hours shall In- allowed betwtvn coats on interior work. Priming coat Dutch Boy white lead Bure kettled-boiled linseed oil Pure turpentine 100 lb. 7 gal. l gal. (9) Finishing Metal to Suit Color Scheme-- AVte: If boiled linseed oil can not be obtained, 7 gal. raw linseed oil with 3 pt. drier may be used instead, and will in most cases give Where the color of red lend paint specifier! for metal work docs not conform to color scheme, white lead-and- satisfactory results. (toiled oil is much superior, however,' and will obviate trouble when conditions are difficult. It seals pores it the plaster and prevents suction. Contrary to the belief of many, boiled-oil can be had. oil paint tinted as desired shall be applied over the red Mix the paint for the second coat according to lead paint. formula B in paragraph 12 and according to ..formula C fiwKKT'S (."a TAI.OGUK 1927-28-SWEET-00040 Continued on f Ji\ al. of an- oat sral. ;oat iOSS gal. ret ion r awl Ainlsoecckd. paint 'ur a "tosOi conlng to shall been, ws: / linseed ises give man>pilaswteilrl l,c bad- ling to mula C ext pM* for the finishing coat if a flat finish is desired. If an (c) Third Coat (dark brown) eggshell finish is wanted, mix the paint for the finishing Dutch Boy- re^4e$d-in-oil 100 lb. coat according to formula D. Pure linseed oil , 3% gal. r In repainting plaster walls, follow the practice rec- Lampblack-in-oil * ' 6 lb. omntended for new plaster, except that the priming coat ' or may be omitted. Pure dry red lead 100 lb. (IS) Brick and 'Stucco--Three coats of paint, Pure linseed oil A% gal. mixed as follows shall be applied to brick or stucco which Lampblack-in-oil 6*/a lb. has never before been painted: x (a) Priming coat (b) S'econd coat ' Dutch Boy white lead 100 lb* 100 lb. , Note: If jreniunc boiler) linnet?*) nil is available, use one-third boiler) and two-thirds ra-v oil. If raw oil only in user), add Ms Jit. drier to every gallon of paint.. One-half pint of turpentine may lie a'UTctl to each 2 gal. of paint whenever it is rleemeil advisable to make the paint produced by any formula-work more easily. Pure linseed oil I *ure turpentine 7 gal. boiled or 7 gal., raw and 1 \<2 pt. drier 1 gab 4 gal. (% boiled, % raw) or 4 gal. raw and 1 pt. drier . 1 gat If liquid red lead is to be used,Specify Dutch Ptoy liquid red lead No. 1 (natural red lead color) for first coat, Dutch Boy liquid red lead No. 6 (light brown) for second coat and Dutch Boy Liquid red lead No. 7 (dark brown) for third coat. (c) Third coat Dutch Boywhite lead 100 lb. Ture linseed oil 3^ gal. (% boiled. 2/;} raw) or'3^4 gal. raw and 1 pt. drier Pure turpentine 1 pt. * 1 Two coats of paint shall be applied in re^^nting brick and stucco. For the first coat, mix the paint ac cording to formula B in paragraph 15 and for the finish ing coat according to formula C. . (16) Concrete and Stone--Three coats of paint, mixed as follows, shall be applied to concrete and stone which have never before been painted: . ,, (a) Priming coat (b) Second coat Dutch-Boy white lead 100 lb. 100 lb. Pure linseed oil 5 gal. boiled 3 gal. (\U . or 5 gal. raw and boiled; raw) 1 pt. drier or 3 gal. raw and 1 pt. drier . Where a dark color other than brown is desired for (be finishing coat, one of the following formulas shall be used according to the color desired: Light green iJutctr-Boy red lead-in-oil. 100 Ih. Pure linseed oil 7 Vs gal. Medium chrome (.'yellow 31 lb. Prussian blue 24 lb. Dark green 100 lb. 10L. gal. 15 !b. lb. Dutch Boy red lcad-in-oil Pure linseed oil Pure turpentine Prussian Blue Lampblack Black 100 lb. 15 gal. 1 gal. 16 lb. 52 lb. If liquid red lead is to be used, specify Dutch Boy liquid red lead according to the finishing color desired, that is: No. 8--light green;- No. 9--dark green or No. 5--black. . / Pure turpentine 1 cal. Vs gal. (c) Third coat Dutch Boy white lead 100 lb. Pure linseed oil 3*4 gal. (Vs boiledr4a raw) or 31/) gal. raw and 1 pt. drier Pure turpentine 1 pt. In repainting concrete and stone, apply 2 coats. Mix the paint for the first coat according to formula B in Printed Specifications Furnished To any architect who desires, we will supply printed specifications containing full and complete directions for the proper use of white lead in the painting of wood work, plaster, brick, stone, concrete and stucco, and of red lead in the painting of metal. Write for "Standard Specification for the use of White Lead" or "Standard Specification for use of Red Lead." paragraph 16 and according to formula C for the second coat. Excellent fiat and senp-l1at finishes on brick, stone, concrete and stucco can be secured by applying over the second coat 1 or 2 coats of paint made with.Dutch Boy white lead and Dutch Boy flatting oil. For flat Milwau kee finish, the proportion should be 2 to 3 .gal. of flat ting oil to 100 lb. of white lead. For eggshell gloss finish, use iy2 to 2 gal. of flatting oil and %. gal, of spar var nish to 100 lb. of white lead. For brick red finish on outside brick, thin the color with Dutch Boy flatting oil. (17) Metal Work, Exterior and Interior--Three coats of paint, mixed as follows shall be applied to exterior and interior metal work; Publications . 4 A practical hook, of unusual value to those interested in tlie subject of painting, is our "Cyclopedia of Paint Information." This book gives formulas and directions for exterior and interior painting of all kinds. We also publish a bopklet "The Protection of Structural Metal" which discusses the causes of cor rosion and remedies for it, besides giving formulas and going into detail on the subject of painting metallic sur faces. Another of our publications is "Painting--Protec tive and Decorative." It tells what paint is, what pstint does and what paint costs and gives color scheme sug f (a) First coat (b) Second coat gestions for the decoration of the interiors and exteriors Dutch Boy red light brown of homes. lead-in-oil 100 lb. 100 lb. We also have booklets which deal specifically with- 1 'ure linseed oil 1 .ampblack-fn-oil 2V. gal. None . 2rlk gal. 12 oz. the decoration-of hotels, hospitals and public buildings. These booklets describe the various finishes and effects or obtainable with white lead paint such as two-tone figured, Pure dry red lead 100 lb. 100 lb. glazed,-tiffany, stenciled, striped, etc. / i 'ure linseed oil 3% gal. 3% gal. Any or all .of these booklets will be sent on request Lampblack-in-oil None 13 oz. Write our nearest branch office. Sw e e t 's Ca t a l o g u e 1927-28-SWEET-t ihjJjH.. THE SHERWIN-WILLIAMS CO. Paints, Varnishes, Enamels;; Stains and Lacquers EXECUTIVE OFFICES 60] Canal Road ... - CLEVELAND, OHIO . . > . .. FACTORIES ltt UNITED STATES, CANADA, ENGLAND AND AUSTRALIA' a g e n c ie s t h r o u g h o u t t h e w o r l d ' ALBANY, N. Y: ATLANTA, GA. BALTIMORE, Ml). . BANGOR, .ME. BINGHAMTON. X. Y. BIRMINGHAM, .U.A. BOSTON, MASS. BUFFALO, X..Y, CHATTANOOGA. TENN. Ch ic a g o . U.r.. CINCINNATI.. OHIO HRANCn OFFICES AND WAREHOUSES CLEVELAND. OHIO . c o i.i.'m hus. omo DAI.I.AS, TEX. JOHNSON CITY. N. Y. KANSAS CITY, .MO' KNOXVir.EE. TKNN. , NEW YORK. N. Y. OAKLAND, CAL. OKLAHOMA CtT'Y. OKI.A, DENVER. COI.O. LITTLE ROCK, a r k : OMAHA, NEIL DKS MOINES, IOWA DETROIT, MICH. El. PASO, TEX. LONDON, HNG. LOS ANGELES, CAL. MINNEAPOLIS, MINNA PASADENA, CAL. PHILADELPHIA,. PA. PORTLAND, ORE. FORT WORTH. TRX. MONTREAL, QUE.. RICHMOND, VA. ijIOU.STOV, TEX. NASHVILLE, TENN. ROCHESTER, N. Y. TXDIAXADOI.IS, I.<D. NEWARK. N. J. SAGINAW, MICH. JACKSONVILLE. V\:\, NEW ORLEANS, LA. i$.\N ANTONIO. TEX; WASHINGTON. D. C. "W ICHITA FALLS, TEX. SAN FRANCISCO. CAL. Sa v a n n a h , g a . SCHENECTADY. N. Y. SEATTLE. WASH, SPOKANE; WASH. ' ST. LOUIS', MO. TORONTO,|0$T. TULSA, QKLA'. UTICAl N. Y. VANCOUVER, B. C. WACO, TEX. *., V ' Products ' The more, important advantages inay lie Manufacturers, of a complete line of Pa in t s , summed up.as follows: Va r n is h e s , . La c q u e r s ,. St a in s , Fil l e r s , Durability-- JvNAMKLS, Un DEKCOATERS, CONCRETE FINISHES. Jn successfully meeting the extreme condi Also, Waxes, Dampproofing, Plaster Bond, tions imposed upon them- in their `use by the Wood Preservatives and Concrete Hardener. automotive industry, Opex Lacquers have ostab-; Standard of Quality Sr TRADE-M.M lishcd a name synonymous with durability. It has been fomid that Opex lasts three to Tu f , Sh e r w in -Wil l ia ms Co. is the largest four times the length of .the oil' type finishes. manufacturer ,pf paints, varnishe's/ stains and It will be many years before we will know the enamels in the world. , Starting from tire small original length of service they are .capable of giving in interior store, the business lias grown to its present position of work. dominance in 60 years. . -Strict adherence to the original principle of "Quality First" laid down'by Henry A. Sherwin has made this progress possible. Leading architects in this country and the United Kingdom specify .Sherwin-Williams'Architectural Fin ishes because they have complete confidence-in both Speed of Drying-- ' In the strife against time which: the building con tractor and architect are continually waging, they have found Opex Lacquers to be one, of their most valuable allies. Twenty* to thirty days are saved in . finishingbuildings of even medium size where Opex is used. the integrity of tlfe company and the quality of the The added income of'the building, obtained from its products they offer. productive use for the. period1 of time saved, assures a Department of Architectural Service handsome dividend from any added material cost of Opex Lacquer. This .service is maintained for architects and en gineers and is'held in high esteem % members of the profession. ' The service is rendered without cost or obligation no matter whether the requirements are for a panel, an experiment'or a series of investigations. Permanence of Color-- Opex, which contains no oxidizable qil, tendency to yellow with age, will pre?Frverits original clearness of tone. This is of particulaXimportance 'in white and light shades which are the usual architectural Complete Specification Book The new edition of the Sherwin-Williams Book of {WePv`aeuei`nr ,btcienolghimevpa,euilnte.iddti . and engineers ,,tVwo' aAiat,brhnyocisoufthihpteiynchg1mw5aoirlST,,gsl tpe.be,ceco,uigfmpLicJloapandl,tie,ilotvrenesqsnVb,eu,on,,eio.stsciktt.t,onooafw"r;ict,shreit,kaeidcn'yt.ds.i colors. .a Ease in Cleaning-- Opex Lacquers produce a surface which is so hard wca, ona mdsh;pSeomdu. noodo,f~stfh. .utshO~e,,adpt*, ed,bxiyrtaj.l.acsanoni.tnwoori.tst.hJps_mte,anunecdht,.rsa,bttehe^etbteusrt.trtiohsnavgnercoqyleilea.atn^y.sinpilge'y finished. Opex Lacquers for Architectural Use Comparable in importance to the introduction of steel in -building construction is the'use of Opex Lac quers in interior decoration. The wooden beam was less durable .and took longer to erect'than the steel beam. Similar advantages of Opex Lacquers have been the means of their adoption and specification by many of the leading architects. Repairing-- When alterations or some local damage makes re- pairing necessary, Opex can be made like: new again in a very few minutes and because the new coat softens the old finish and knits closely with it, the patching is- practically (not noticeable. . Non-poisonous-- . v Opex Lacquers are not injurious to, the health of. Sw e e t 's Ca t a l o g u e 1927-28-SWEET-00042 Conttnved;-ottextgJ>age- The Sh^win-Willmms Go. B1659 V , ,, Af the men.applying them, As tliey contain neither benzol complete and embraces every type of`finish considered nor lead, these forms of poisoning are avoided. standard and includes the'following!*' ' Specifications for Interior Trim-- Red Lead Paints,SAV Liquid Rtd l.tad Any surface to he coated with ,lac<]uer materials must be perfectly clean, free from mst, dirt; grease, and oil. This is a more important factor when using lacquers than" when the oil type finishes are used.; (A) Meta! (Enamel Finish)--First coat shall he Opex ' .Metal Primer, .reduced' approximately 30% with Opex No. 10 Thimu-c. This shall txj followed by 2 coats at least of Opex, i.acquer Enamel in the desired.shade, reduced about 30% with Opex Thinner No. 10.' The enamels should be-sanded with No. 00 sandpaper between coats, after allowing 2 hours or more for (Irving. * (B) JNew, Wood (Enamel Finish)--After ascertaining that the surface is perfectly dry, it shall be sanded down to a good, clean surface, after which the first coat, consisting of a SAV Suspended,Red Lead Composite Paints........ S-W Kromik Metal Primer Carbon Paints:' `; Combination .Carbon Paints S-W Metalastic Charcoal Carbon Paints... S-W CarUm Paint Red Dia mond Brand Ciraphite Carbon Paints... S-W Non-Corrodible Graphite Paint Special Acid Fume Resist* ' ';' ; ing Paint......-..-../. S-W Non-Corrodible Acid Re^ sisiing Paint Pitch Paint............ ........... S-W Kbonol Aluminum' paints furnished in both ready mixed and rendy- to-mix types. .\ ' mixture of I part of Opex White Wood Killer and 1 part of Th e Siie r w in Wii.i.ia ms Co . is not committed to Opex Clear Hinder, reduced 60% with Opex No. 10 Thinner, sbalKbe applied. This shall be lightly sanded with No. 00 sand paper and followed,with 2 coats of Opex Lacquer Enamels. The. enamels shall be sanded with No. 00 sandpaper between the exploiting of any one type of finish, and our recom mendation for a standard system for; the proper paint ing of structural stde! and metal exposed to the.weather emits, allowing 2 hours, or more,-drying time, is based upon adequate knowledge of what i^ required Close Grained Wood (Stain Finish)--The surface shall he. sponged with clear, cold water and sanded with No. 0 sand --knowledge acquired from years of experience. ' paper. One coat of 'Sherwin-Williams Acid Stain, shade selected.. shall he applied,, and after 6 hours drying time shill Sherwin-WIUUun* Standard Specification for the be sanded, but'lightly in order not to break through the slain. All nailhbtcs, cuts, cracks, and other dcfccj^vfltfiall be treatedso a* to render them minoticeablc by fillirig-wnh* putty. Two or 3 coats ftf Opex Wood Finishing Lacquer Clear shall be applied. For a dull or rubbed eficct substitute Opex Velvet Painting of Metal Surface* Preparation--Before applying the priming^ coat or shop coat, all mill scale and rust shall' be completely removed from the surface of the metal. , Finishing Lacquer Clear in'the last coat. Priming Coat (or Shop Coat)--Sherwin-Williams Kromik Open Grained Wood (Stain'Finish)--The specifications Metal Primer (made on a lead chromate bast) applied in the for open -grained, wood are the same as close grained wood, .consistency supplied-by the manufacturer. , with the exception that after the application of the stain 1 coat Second Cost (or First Field Coat)--Sherwin-Williams of Shcnvin-YVilliams Paste Wood Filler shall be applied, and, Mctalnstic Brown (facilitates inspection.) in the consistency before the filler has hardened, wiped across the grain of the supplied hy the manufacturer. .. * '. wood with burlap or excelsior. The filler shall he allowed Third Coat--Sherwin-Williams Metalastic Black (facili IS hours to drv. * tates inspection) applied in the consistency supplied by the Floors (Close Grained.)--The.wood "shall be sanded to manufacturer. a very, smooth surface before the application of Sherwin-Wil liams Oil Stain, shade selected. A minimum of 3 coats of Opox_ Wood Finishing Lacquer, shall be applied. Staining Exterior Wood Surfaces and Shingles Caution: If the surface has been poorly scraped or is composed of miniature.-"hills" and "valleys" rather than an absolutely, smooth surface, the film on the "hills*' will soon Sherwin-Williams Preservative Shingle Stains re tain the rough, woody texture for. which shingles are break do>vn.. No matter how well sanded, unless at least 3 coats . specified. They allow the figure of the grain to show are applied there will not be sufficient lacquer on the floor to -through as desired for timbered construction.' leave a durable surface.- `( Floors (Open Grained)---The specifications for open grained floors arc the same-, as close grainVj floors, Uwth the The. coloring pigments used in these stain}; are strong, pure and as fast to light as is possible to obtain. exception that after the application ,of the'stain, 1 coat of Specifications-- Sherwin-Williams^Paste Wood Filler/shall be applied, and be fore the filler has hardened, wiped across, the grain qi the wood with burlap or excelsior. The filler shall be allowed 48 hours to.dry. For exterior wood specify 2 brush coats. For shingles specify 1 dip coat before the shingles arc laid and 1 brush coal after the shingles are laid. / Niite: When staining cypress wood, wipi off, before staining, with . Walls (Plaster)--The walls and ceiling shall be inspected ,. Jf,0* Itenzol if available to remove the surfaceyrtf of the wood and assist, before starting to make sure the surfaces a^e'thoroughly dry the stain in penetrating. X. . and in proper condition for finishing. First coat shall consist of Opex Clear Binder, .-tinted with,,up to 2S%, Opex Lacquer ' Painting Exterior Wood Surfaces Kiiamcl (where covering on the first coat is necessary). Apply "2 coats. <^^pexl Lacquer . Enamel.0 SWP , (Sherwin-Williams Paint--Prepared) i? tyatlseaper--Every one who has had experience with wall recommended as the standard specification for al! out paper will appreciate the. advantages Of-employing a waterproof wall -paper that .can be easily and quickly Cleaned. .This result may pte^obtained by applying 1 coat of Opex Finishing Lacquer No. 60, "reduced 1-to-l with Opex I)Io. 10 Thinner. Litho side painting work o.f the best quality. SWP. is a bab an.ced paint. The ingredients are strictly pure carbonate of lead, sulphate of lead, zinc oxide, magnesium silicate graphed papers`or those colored with alcohol soluble analine and aged linseed oil with necessary tinting colors dyes should not be. coated with lacquer as the colors will be rriised. On account of the variable character of dyes used in wall paper, the lacquer should be. tested out on a corner of each pattern on which lacquer is applied to make sure the dye and drier. k'v . By the term "balanced paint" wej&ean that sulphate of lead and zinc oxide are containedSS^the proportions docs not bleed. If the paper has just been hung, make sure best suited to control the objectionable chalking of that the paste is dry or the lacquer-will raise it. If the wall * paper is to be subjected to repeated washings, apply 2 coats for a fuller.finish. This may be sprayed or brushed. Special Specifications-- ; We shall gladly prepare special specifications at any time* A request addressed to us at 601 Canal Road, Cleveland, Ohio, will have our immediate attention.' straight white lead paint. Magnesium silicate is present in the exact amount required to further' improve the gloss, working qualities and to prevent the pigment settling outhard. We claim, and our factory records of the behavior of SWP over the years past show, that SWP is a more durable, better looking, longer lived house paint than Painting: Iron an<f Steel Surfaces any other on the market. SWP is made in a complete line of colors. Color Sherwin-Williams line of metal protective paints is card will be gladly sent-upon request. Sw e e t 's Ca t a l o g u e . 1927-28-SWEET-00043 Continued on next, page B1660 The Sherwjn-Wnimnis Co. ications---. Important; Before, painting the contractor shall make cer- Preparation--AH wood'shall be thoroughly dry and all : knots'-;md .pitchy places, in the wood shall-he given a coat of pure orange shellac before any paint is applied. 'First or Priming Coat--SWF3 (Sherwin-Williams Paint Prepared) in colors selected by architect. Thin with 1 gal. of pure raw linseed oil, and 1 tit. of'nitre turpentine to each gallon ofswp. . tain'through careful inspection that the walls are dry, and free from dirt.. Sweep clean of all sand and dust.** Any sails-or -efflorescence on the, surface tt/be finished shall,he carefully scraped off and the, surface'washed wilh a soluiion of'zinc sulphate (3 lb..to the gallon of water). Let dry .thoroughly before painting, . . ' J; First' Coaf~SIierwin-Wiiliams Concrete Wall Finish ., Note: For hard or resinous woods, such as pine or cypress, thin villi' 2,qt. of pure turpentine, and. 1 (it. of raw linseed oil to each gallon of SWP. Second Coat--SWP. thinned with I pt.'of pure turpentine to each gallon oftagint. Note: Tor hard or resinous woods, add 1 qt. of turpentine to .each galloli of SWT; ` ; * thinned with . l qt. pure turpentine to the gallon of paint. Let ' dry 48 hours. . Second Coat--Rherwin-WiHiams Concrete Wall'.Finish thinned with 1 pt. to 1 qt. pure raw linseed oil to the gallon. Note: Because of the fine grinding, Concrete Wall Finish may he applied by spraying as.well as by handbrushing. \ Color card oiv request.. Third Coat--SWP, thinned with 1 pt. of linseed oil in the gallpn of paint: - , . Priming oi Metal--All galvanized iron work to.be painted will) SWP shall, be primed will) Sherwin-Williams Galvanized Iron Primer instead of First-coal specified above. Washable Flat-Tone Wall Finish (Color Card on Request) Flat-Tone 1$. Sherwin-Williams flat wall paint. It Porch Floors and Decks--Three coats of Sherwin-Wil liams Porch and Deck Paint, in the color selected by the archi tect.' shall he applied to porches and decks. is. a quality product, made for the finest type of work. Flat-Tone is economical to use because of its solid cover ing, dense hiding and good, spreading properties. . s-w ODP -White Lead Sherwin-Williams ODP .(Old Dutch Process). White Lend cnrrics^ur guarantee of purity which corre sponds to the "Sterling" mark on silver.' ODP is famous for its extreme whiteness and the softness of the paste in the package. FlatrTonc is intended to lie used on all types .of interior walls. "Antique" plaster, sand finish plaster, sized burlap and decorator's canvas are especially de sirable bases because of their texture. When applied according to specifications Flat-Tone is entirely wash able, with soap, and water on all these surfaces. The `normal porosity of wall surfaces is controlled through the mixing (of Flat-Tone Mixing Size in the "Zilo"--(Zi-nc L-ead Oil) first coat of paint thereby saving one operation.. Burn - T.ffis is Sherwin-Williams, reconnfiendation-.for a' ing and "hot spots" are controlled by the application of pasle pigment to yield a heller paint .than straight white an additional coat of Flat-Tone Mixing 9ize, .clear. lead paint. - Flat-Tone handles perfectly ' for all the various Zilo carries the following guarantee: techniques such as simple brushing, brush stippling, "This package is guaranteed to contain nothing sponge stippling ('Multi-Color), tiffany. (Flat-Tone other than pure White. I .cad, pure Zinc Oxide ancl. Re Clnze). scrumble effects, etc.. fined J.iriseed Oil." Specifications-- The proportions are: The contractor shall see that the walls arc thoroughly dry White lead................................................ 75% White zinc......................... 25% Where a greater proportion of lead is desired anda smaller proportion of. zinc, add Sherwin-Williams and clean before painting. First Coat--Sherwin-Williams Flat-Tone, in the color selected by the architect, mixed in equal parts, with Flat-Tone Mixing Size. Second Coat--Sherwin-Williams Flat-Tone in the selected ODP White Lend in the desired amount. Zilo possesses .the following points of superiority over straight white lead paint: (1) No objectionable chalking. (2) Pure white, docs not "grnv" with/veatherinyv color applied wilhoilt reduction except with tiirpentin'e as may fie found advisable for satisfactory brushufg. Third Coat--Same as second coat. Advisable when apply ing white or light tints. Frequently possible to omit with the darker shades. 1 - .Note: Contractor shall notify the architect at once if, after Makes .cleaner tints. (3) Tighter film,-better gloss, more/clurahle. (4-) Absol utc Tin i form ity, impossible to' obtain in the first coat of Flat-Touc is applied, -the walls show undue porosity or if there is evidence of burning or hot spots. -v hand mixing of lead and zinc. Original Flat-Tone' Multi-Color Sponge Effects for Walls b ' . Painting Exterior Concrete Walls Sherwin-Williams Concrete Wall Finish is a weather-resisting oil paint that dries to a dull velvet texture. It retains the texture of the-stucco where a gloss finish would be objectionable. .Furnished in white and in a line of useful, characteristic stucco colors. The use of Sherwin-Williams Concrete Wall Fin ish accomplishes three'things:. (1) Control of color and freedom f.rom blotchy, uneven appearance. (.2) Reduction to the minimum of streaking with dirt ancl weather. `(3) Waterproofs the' wall preventing the appear- ante of hairline cracks and finking off caused by pene tration of moisture and frost. Specifications-- AU exterior'concrete r>r stucco walls shall receive 2 coats 'of Sherwin-Williams Concrete Wall -Finish in the color selected by the-architect. Multi-Color Sponge Stipple Effects are applied over a foundation color of Flat-Tone--2 coats--applied as directed in the specification for I^Iat-'Tone first and second coat^ , This effective, an'd most original technique in wall dc^prating, was introduced by Th e Sh e r w in -Wil l ia ms Co. about eight years ago. It is freely used by the best decorators for textured wall effects in every type of building,. /' 'fhe colors are-4pecified for each effect'and a port folio, pocket size, containing a representative selection of samples painted and stippled in Flat-Tone, will be fur nished the architect of contractor without cost.v: The Shef&vjn-AVilliams Decorative Studios- are. equipped to develop any color scheme (he architect may : require. The complete schedule for all colors required/ on the job is typewritten and furnished along with the sketches worked up. Extra copies of the illustrated', direction sheets will be provided the architect as required.1 Sw e e t 's Ca t a l o g u e 1927-28-SWEET-00044 FIkt*Tone Sy*t;;Effwb^l^imy;Wdrk)-iut;^'v''`:X::-'''-:/;:'-wbich'-TOhtinU!es;'t6\!66W:w<?11 under service. Mar-Not is ' . , The production of these most beiutifu! decorative v * very ..satisfactory, drying varnish and carr be walkpd effects^ was brought toj a;; practical working basis', by. on the following day where necessary. Th e' Sh e r w in -Wil l ia ms Co.'over*15-yyears ago!;* This was made possible :by the perfecting of Sherwin- Specification^-- . 'Pr.eparat/ori-^The floors shall be sanded to a- pcrfectly Williams Glazing Ltquidl: This btending liquid is.unique ?TM>C>th surface and thoroughlv cleaned of. all dust, stams. etc., and is nQt duplicated^in the entire field,'It is tinted with ^ ,m'"s oil colors andrused^ for.anfiqufeing woodwork, furniture First Co'at--(For open grain xvoods only). Sherwin-Wil and plaster walls and; for; the production of the elegant liams'. Paste Filler, Transparent- (or color desired). . Before translucent wall effects commonly called tiffany work. . filler has set, Wipe off clean across'grain with burlap or excelsior. Flat-Tone Glaring. Liquid is a translucent fluid of a milky consistency. It dries to a soft eggsl/ell sheen Second Coat--(On dose groin woods this itnil`be FirstCoat.) Sherwin-Williams Mar-Not Floor Varnish thinned with pure turpentine, in proportion of 1 pt, to 1. gal. of'varnish. which does not require "flatting" with'starch or butter . When dry, sand lightly with No. 00 sandpaper. milk, thus effecting a saving of one operation as well as - , Third- and Fourth Coats--Sherwin-Williams Mar-Not eliminating an unsanitary.practice. Flat-Tone Glaze System Effects are produced over . Floor, Varnish as it comes- from the package, sanding, third coat, when dry, with No. 00 sandpaper. a ground color of Sherwin-Williams Flat-Tone. FlatTone ^Glazing. Liquid is . tinted with Flat-Tone Glaze Colors, m Oil, as specified for th,e effect selected. The tinted liquid is then brushed on to the Flat-Tone ground color and is stippled with a crumpled cloth, a brush, a rolled newspaper or in a number of other different ways, to produce the kind of print or texture desired. Effects .produced with Flat-Tone Glazing Liquid over Flat-Tone or over enamel are entirely washable and have the advantage of not showing spil at all readily. Th e . Sh e r w in -Wil l ia ms Co. will furnish complete working, specifications and directions along with painted Painting of Cement Floor* ' Concretecement floors are subject to. dusting under tfavcl, and uffiere loaded trucks are driven over the sur face, cracks and ruts frequently develop. Sherwin-Williams Concrete Floor Paint dries hard to a tough, wear resisting surface. It is mar\e in 8 colors, arid color folders will be sent on request. Specification-- ' ' * Contractor sKall make sure that all cement floors to be painted arc thoroughly dry and frec.from dust, dirt and grease before beginning work. Two (or 3) coats of Shcrwin Wtl- fiams Concrete Floor Faint, in color selected, shall be applied. samples in pocket portfolio for the architect and con tractor, without charge, upon request. The first'coat shall be thinned in the proportion of 1 -pt. of pure turpentine to. the gallon of paint. The second coat shall lie appjjed in the consistency supplied' in the original coii- White-Paint for Factoiy and Garage Wall* tainprf .' Note:. Concrete floors laid on the ground without ade It is now a recognized fact that a high gloss white, interior wall paint_does not produce as light an interior as does an eggshell finish paint. A high gloss surface quate drainage are dangerous to paint because dampness and alkali cause the paint to conic off. * Such floors and.also floors which get such severe traffic as to make painting impractical require special treating with reflects beams of light unbroken resulting in. harsh high lights arid equally, intense shadows. A beam of light 'striking an eggshell gloss is immediately broken up and the light is diffused, and a greater amount of working light is delivered to the machine ortplane of operation than with the gloss finish. ^ Sherwin-Williams Save-Lite Interior Eg-Shel White is our standard specification for interior mills, garages and all workrooms where careful discrimination in work is required. Specification-- >u Preparation--Before beginning the painting of the walls and- ceilings, the contractor shall make sure through careful inspection that all surfaces to be painted are in proper, condi S-W Concrete and Cement Hardener. This is a liquid chemical hardener which enters into the cement, bringing it to a-flint like hardhess when dry. It prevents wear and dusting. Wood Floor Hardener I' There Is such aching as a wood floor being sub jected to so much wear that it is not practical to finish it. with paint, varnish, or any surface finish. School room, office, corridor and gymnasium floors are ex amples. ' .. Hot linseed oil and paraffin oils have been largely, resorted to in the past. These have-not been satisfac tory because of their being dustcatchers' and because they , made the floor slippery. Scrubbing and cleanirig tion for finishing. soon removes such finishes, also. - . First and SeconiQd Cuvoaits----Sopruay Astpppplniccaatiiwon-----TLw\yoo coatg \_ Sherwin-Williams 'Floor-Seal is a varnish wood of Sherwin-Williams. Sav be applied to. all interior girders above 5 ft.-.from the falo- o^ ' hardener. It penetrates into the surface hardening it -Boo-.tth. c--oa*ts. shall be thi--nnejd from within. Very little-surface film* is deposited and with Sherwin-Williams Reducer No. 74 in the proportion of this wears off leaving.a tight wood surface, waterproof, 1 qt. to the gallon. durable and non-slippery. It is endorsed by accident . Note: .In all but exceptional cases 1 spray coat will cover satisfactorily. - Brush .Application--Apply 2 coats of Sherwin-Williams insurance companies. Specification-- Savc-Litc Eg-Shel Interior White thinning with 1 pt. to 1 qt. , All wood floors to be treated with 'preservative shall be. Sherwin-Williams Reducer No. 74. smooth,, clean and free from grease, stains, etc. One applica Dado--A dado 5 (t in height shall be painted with 2 coats of Sherwin-Williams Dado Enarrtel in color selected. A tion of Sherwin-Williams Floor-Seal shall lie matte -in the consistency supplied by the manufacturer. If two coats are em stripe 3 in. wide^separating the dado from the wall finish shall he painted with SKerwin-WiUiams Dado Enamel in color ployed, allow ample time.(at least 48 hours) for first coat to dry. r selected. ' Staining and Varnishing Interior Trim Vamishirg of Interior Floor* Scar-Not is Sherwin-Williams varnish for interior .Mar-Not is Sherwin-Williams standard; floor var woodwork trinv It is a full-bodied varnish which makes nish.. It possesses the maximum toughness (and resis it-possible to .build up a beautiful .finish with tfie least tance to wear and abrasion. It is not affected by hot number of coats. Scar-Not is pale in color, dries dust- or cold water,' and when, scratched, with not/chip off or free in 4 hours and after 2 or 3 days can be rubbed to powder, white. Mar-Not has a beautiful, rich luster a- polish with pumicestone and oil. Sw e e t 's Ca t a l o g u e 50 *-v vi>.\V 1927-28-SWEET-00045 Continued on next page v-y'" Th6 Sherwin-Willianis .C.o.. ._____________:________ -__________ :____________-- 1 B1663 . 'W'' : -ARCHITECTS'. GUIDE " -^V, : FOR . PAIRING,-VARNISHING, STAINING AND'ENAMELING *" 1 * "" -- i i i." .M --I. --in --"I i--i i --. i--' iNFDRTASTi BACH OF THE PR.ODUCTSiSPECJPlED BELOW BEAKS OUR NAME AND TRAD.K-MAKK .I..- SURFACE TO PAINT Use product mimed ' below VTO E1NAMKL TO STAIN TO VAUNISI I > Ute product named - " Use product named . below , ' ; below Use product named.' - . below imiCK WALLS <t> .. CONCRETE WALLS.. dEMENT FLOORS... S-W Concrete, Wall Finish S-W' Concrete Wall Finish S-W Concrete Floor Faint S-\W Old Dutch sF.n.umel, Gloss . S-W, Old . Dutch Enamel, ' Glosa\ S-W Concrete Floor Paint \ \ To Harden-- S-W Concrete and Ce ment Hardener * EXTERIOR WOOD 's u r f a c e s .............. EXTERIOR METAL SURFACES* . .. FACTORY WALLS (Interior) ................ ........... FLOORS (Interior Wood) GALVANIZED IRON SURFACES ........ S W P (Sherwirr-Williams Prepared Paint) ^ S-W Old, Dutch Ena th elj - S-W. Preservative Shingle Stain S-W , Rexpar Varnish Gloas S-W-/\ctd or ()iltSiain Kromik Metal Primer Metalastic (for finishing coals) S-W Save-Ute Eg-Shel White S-W Fume Resisting . Whit? S-W Inside Flpor Paint (the enamel-like finish) S.-W Old l)'u tell' .Enamel, Gloss S -W Old ' D f < Av Enamel or /:<;eloid ,S`-JP Inside Floor Paint (the iiamel-like tiniali) : S,W ' Oil Stain or Floorlac Vanrish , ' Stain * - * " . Mar-Not Floor Varnish S-W Galvanized Iron S-W Galvanized 'Iron " Primer (finish with any paint) . Primer end Old S-W Oil Stain Dutch Enamel S-W Itexflar Varnish INTERIOR WALLS AND CEILINGS. . . INTERIOR WOOD TRIM ...................... Flat-Tone Wall Finish S-W Old. Dutch S-W Semi-Gloss, Wall: . Enamel or Fnutu- Finish* eloid SWF (Styerwin-Willium.. PTcpnreU l'aint) S-W Old Dutch Enamel or Etiameloid , ... - S-W Acid, Stain S-W Handcraft Stain S-W Oil Stain PORCH FLOORS AND S-W Porch and Deck S-JV Porch and' Deck, DECKS................. Pahtt Enamel `* S-W Scar-Not,Vurnish Velvet Finish Var nish (for imitation rulihed effect) 1 . RADIATORS AND . PIPES................ .. ROOFS--Metal ............. t . ROOFS--Wood Shingle. .. STACKS AND HOT SURFACES ............ S-JF' Flat-Tone Wall. Finish or- S-W' GolA Paint SrW AltUninum Paint S W P or Metalastic (Tl . galvanized, prime witli SAV . Galvanized Iron Primer) For White--S-W Snow White Enamel For colors--Enamcloid f SWP S-W Salamander Smoke-Stack Black s ' S-W tP r c s e r v a t i ve Shingle Stain * ' U1 *' ./ S-W Kromik Metal STRUCTURAL STEEL Primer Metalastic (for finishing coats) ' ...sXv-'V s TO DAMPPROOF FOUNDATIONS ... i S-W Antydamp TO DAMPPROOF INTERIOR ^VALLS S-W Plaster Bond ABOVE GRADE,... WOOD PRESERVATIVE 4 J. ** - ... :; , S-W Carbplic-ol Copyright, 1927, by The Sherwin-WilliamfCo. Sw k e t 's .Ca t a l o c u i 1927-28-SWEET-00047