Document N2NQoyjbg99MkNddbB4Yo8RZ8

SWEETS CATALOG [FILE I A File of Manufacturers' Cata logs designed for the use of Architects, Engineers, Con tractors and others whose practice it is to select, specify or purchase building materials, equipment and aHied services. SWEET'S CATALOG SERVICE DIVISION OF F. W. DODGE CORPORATION us Ve s t f o r t ie t h s t r e e t , n e w y o r k *****f f* >K* ',,>.4^**# (**#* + w* * *9* F.W.fcOfrGt c*r**oc (04>0:urc^ 1938-SWEET-00318 N17621 I4I` W C *0-1 Sectrio-n M Number; Catalog Number 5* - SEC T'l O N - \. CATALOGS 1 to 47 MANUFACTURERS THIS INDEX INCLUDES ONLY MANUFACTURERS WHOSE CATALOGS ARE FILED IN THIS SECTION i . Aluminum io. of America.........\ ,'................................... 17/1 American \Crayon Co....,.........\....................... ....... .17/35 Arnesto Paint Co.,. Inc................... ;,........................... 17/2 Artstone Rocor Corp....................... \.............. ................... 17/3 Berry Brothers, Inc..:..................'. i....................... 17/4 8oston Varnish Co... ......................\........... ............ ^... 17/5 Bruce. E. L. Co................................\,y ..'................ ...17/36 Cornish Paint & Sales Corp.......... .................................... 17/7 Devoe Cr Reynolds Co., Inc................... \........................ .... 17/10 Dixon, Joseph, Crucible Co................... ....................... 17/8 *Dolge, C. B., Co.....'............................ \r............... ,..`.17/37 du Pont de Nemours, E. 1., & Co.,^ne;.. :........................ 17/9 Eagle-Picher Sales Co.................................... 17/11 Finnell System, Inc........................................ 17/38 Glidden Co.......................................................................... 17/12 Hastings & Co......................................................................17/1 -4 Hillyard Sales Co........................... ....................... \............17/40 Hockaday, Inc.............. .,..................................................... 17/13 i Huntington Laboratories, Inc...................................... . .17/39 Johnson, S. C., & Son, Inc.......... ........................................ 17/41 Keystone Varnish Co........ ................................................... 17/15 King, E. & F., r Co., Inc.......... ...........................................P7/1 6 Midland'Chemical Laboratories;-;, Inc............. 17/42 Minwax Co., Inc.......................................... ...................... 17/43 Monroe, Lederer & Taussig, Inc;................... '...................17/17 Muralo Co., Inc........................... 17/18 Murphy Varnish Co.................. ;..................... ...................17/19 .National Chemical & Mfg. Co................................ .. .17/21 ^ National Lead Co..;. ..!........... 1. /................... ....... .17/20 O'Brien Varnish Co..................... .17/22 Passonno-Hutcheon Co.. ................... .17/23 Pierce, F. O., Co... >.............. 17/25 Pittsburgh Plate Glass Co.. ........... .................. 17/24 Pratt & Lambert-Inc................................... 17/26 Purma Co........................................ , .......................... 17/44 Reardon Co...................................................................... 17/28 Reynolds Metals Co;, Inc.......... ............................................17/27 Sherwin-Williams Co...........................................................17/29 Sonnebom, L, Sons, Inc........................ 17/45 Standard Varnish Works........................................ .17/30 Tennant, G. H., Co................................................. 17/46 Truscon Laboratories............................................................. 17/31 U. S, Gutta Percha Paint Co................................................17/32 United States Gypsum Co......................................................17/33 Vitra Seal Co., Inc.............................................................. *.17/47 Wilbur & Williams Co....................... 17/34 PRODUCTS THIS INDEX INCLUDES ADDITIONAL INFORMATION WHICH 1$ FILED IN OTHER SECTIONS Products described or illustrated in manufacturers' catalogs, are indexed by section and catalog numbers. All names are listed alphabetically under each produet heading. IABSORBERS BRIDGE CEMENT--Cont. Water--Floor Protection Paint Finnell System, Inc................... .17/38 ACID Proofing See Paint--Acid, Alkali or Oil Re sistant See Paint--Acid, Alkali or Oil Re sistant; Paint--Metal Protective; Preservatives--Metal * CAEN STONE Reproduction See Paint--45rlck, Cement, Concrete, Stucco, Stone Preservative Finish ing Coats; Paint--Portland Cement Portland---Liquid1 See Paint--Portland Cement ACOUSTICAL See Paint--Texturing CLEANERS, POLISHERS AND PRE Material Surfacing See Paint--Acoustical--Material Sur facing ALUMINUM Paste and Powder CALCIMINE Paint See Paint--Water CEMENT SERVATIVES Tile, Marble, Linoleum, Brick, . Wood, etc. Briteway ....................................17/37 Bruce. E. L., Co............ 11/74; 17/36 Reynolds Metals Co., Inc...........17/27 ALUMINIZING See Paint--Aluminizing or Bronzing 1LUE Lead Floor Coatings See Paint--Brick, Cemtnt, Concrete, Stucco; Stone--Preservative Finish ing Coats Floor Curing and Protection See Flooring--Cement and Terrazzo-- Century .................................... 17/38 Cleansoleum............................... 17/42 Dofco..........................................17/37 Dolcovar..................................... 17/37 Dolge, C. B., Co.......................... 17/37 Finnell System, Inc......................17/38 Flnola ........................................17/38 See Lead--Blue--Sublimed Curing and Protection (Continued on Next Page) [1] 1938-SWEET-00320 -f 17- ' v*v(c!r,i d is t r ibu t ed BY: t h e EAGLE-PICHER *SALES COMPANY , General Offices: Temple Bar Building, Cincinnati, Ohio (for list of Branch Offices, see back cover) Selecting the proper Paint Cost/ exposure, required durability, frequency of cleaning and of repaint ing ail.'these factors inHwenee the selection, of the proper paint. :'The.principalproblem in selecting paints Is the adiustmepr between inir tial cost and desired dura bility. When properly. 'applied, pure 'lead-in-oil paints are as-Vlurahle as any combination of pig-, nienrs, and far more du rable than' most. f.ead-in-o*!. paints can usually In/ {prepared on- the job tor less cost than many paints of not even approximately eq.ua!"" qualities. The materials eoxrless. and mining and tinting take little more time than stirring anti ^ retiming ready-mixed paints. #I'he labor cost tor a paint job is usually run or three times the cost of the materials. Thus, if repainting will be required within one or two years, the use of'a minimum-cost'shorr-lived paint may be justified. But if repainting will he done only when the life of the original paint is over, the hit'll c'xr of labor makes it considerably more economical to use the mosv durable paint there is, even though usdnirial cost may he a little higher than a short-lived cheaper paint. !r is important to remember that the service of any paint de pends upon the skill ot the painter. Reputable manufacturers can only guarantee the composition of the paint's they sell. TIk -v cannot guarantee results. 1938-SWEET-00322 HOW TO USE THIS GUIDE Reliable data on the selection of durable paints for every major, type of painting job are given on the following pages. For mulas are tabulated for various lead-in-oil paints according to the type and condition of the surface to he painted. Complete specifications can be written for any job by adapting these data to conditions pre vailing on the project. When master painters are employed, these formulas mjiy serve as a guide to materials and pro portions. When less skilled workmen are ^nployed, they may he made mandatory. TABLE OF CONTENTS Page (ieneral Facts.............................` 3-5 Formulas for F.xterinr Woodwork . (> Formulas for Interior Woodwork* . . 7 Formulas lor Plaster am! W.'allboard S Formulas for Masonry and Stucco . . 9 bortrmlas for Iron and Steel................ 10 Troulde-Shontmg-Defective Paint . . 11 All Et Ipop, Istan fin luliit Feder Eagle White Lead Proves Superior Durability in Dramatic Test . . . I'.:cjlc White Lead is'packaged in two forms-- r. .r:y Posh' ant! slll-Purposc Soft Paste'. Roth pure white lead carbonate ground in pure -luwed oil. All-Purpose Soft Paste contains, a small arii<.uipr'<>f pure turpentine added at the facrorv in an e\rra grinding process. This makes 'Jit-Purpose easier to mix on the job. This is die midWestcrn o>rnimintry where tin- ;>;iinf tist ua> made. One hundred J.iul TwciiH'-imir h<>rin > were divided into tJjr* <_ pumps and';\ didVtvm kind *<t paint used mi i ;uh i/tnup. Th. rviic'ri .nits wav carefully checked. (All work was ilniic hy t he same p.e.im vs.) 17 , t( Eagle; pure White Lead in Oil for all types of Painting I'Hie first recorded use of white lead as a paint pigmeht jdates'hack to the Romans almost 2000 years airo. 1 ts |l>opularity has grown ever since, until it h:\sljeeomethe [standard of comparison for desirable paint pigments. [Searches to find cheaper substitutes for white lead [have procluced many other paint pigments, but unIbiasvd authorities still agree-that white lead remains [the most universally reliable painting material. /ins in National Survey The' aceepT.ince' of pure `hitc lead as a paint pigment was recently emphasi/etl In a national survey conducted by the T.umber 'vodnets - better Faint Campaign. The replies from Ijuvhiu-ets showed that 68% of thenyspeeify pure., whim lead. F.ighty-Hve per cent of painting and hyovating contractors stared their -preference for pure white lead for their own homes. Federal Projects On all Federal projects the TJ. S. bowntiviem requires 100% white lead-in-oil, or a mmumim of 70% white lead in prepared white paint Ictrnl a minimum of 60%, white lead in tinted paint. Ill 'Hie one perfect paint job in the whole community! F.agle White Lead was tlic only paint o'er used on this house. Note the. smooth, even sur.tace--no sign of failure alter several" years of weathering. 3'This home is typical of rite group painted with paint containing no white lead. Photograph taken after IX months' exposure. Note discoloration. 6' Two eloseimsoflKUlH'.V in llu-kaule White 1 .rnd.gfoup a ft er the sa me' weather exposure as homes above, I'aint film still in coml condition. No crocking or sealing. Perfect surface for' rl>' painting. . i..r This pliotograph slmwtf' 4 the results (if IX months' wear on paint with only white lead. All houses in tins group showed similar signs of failure. 5 .Same house as left, sis months later. Note limy rapidly thcdisintegratiouoftlic paint film progresses once it has begun to fail. 1938-SWEET-00323 17 II North Dakota Paint Fence Confirms Economy of Pure WHITE LEAD North Dakota's Agricultural College has-been rest ing paints for over ;;o years 'o protect the citizens of the state against paint frauds and to inform the public how to judge the durability of different kinds of paint. In one outstanding test, 120 typical ex terior, paints, applied to fences built of four kinds of wood, were exposed to five years' weathering-- and. service compared. The results are conclusive. Th'e>1 showed that the higher the white lead content, the greatcr-t-fie dura-' biliry of.the paint. Pure white lead had a better record by far than paints with other pigments added. 'Hie greater the percentage of other pig /' ments, the poorer the rating was of the paint! The .results of this test are summarized in the accompanying table. Performance Report'on 120 Typical Paints after 5 years' exposure | PpIeGLntM*cEDeNnTtS iett 20 3 40 50 60 70 80 90 100 0 Good U / Wii Uft 15 Fair // U 0 mu / 16 Poor . /m/// mm mu mm m u uu. / mm Bad till /// // UU u / t M / \d "Total 4 3 2 ,13 32 IO 12 28 4 12 m EXPLANATION. 'I'he test was undertaken to determine the quality of the various paints being shipped into North Dakota.' Note that as the lead content is1 increased, the durability rating of the paints improved.' ' CONCLUSION. "The higher the lead content, the greater the durability of the paint." -. v-.. .r' ..TV ' - !<' A "Chemically Active" Pigment Paint pigments are divided into two classes--active and inactive. An active pigment reacts with oil in the vehicle anil becomes a chemical as well as physical part of the paint. Pigment and oil are firmly bound together. An inactive pigment does not unite with thooil, butismerelv suspended in it. * d' B White lead .is an active pigment. The-e two photomiernuraphs illus trate chemical action that takes place when it is mixed with linscrd oil. "A" .shows how piunyiw particles look hefore oil is added. \`K" shows* how lead panicles "blossom" out in iin-.-ed oil. Note that no sharp Ijnes divide pictnent and vehicle. As a group, inactive pigments are gen erally -used as fillers and extenders. They have comparatively little hiding power ami are used to give bulk or body in the paint mixture ani^j to lower tile cost. l-in-0il No Cracking * No Scaling Kagte White Lead unites chemi cally with linseed oil and forms a soft elastic paint film. It never hardens or becomes brittle. When the surface to which it has been applied expands and contracts with temperature changes, this elastic film expands and contracts with it. When the paint film is brittle, con traction and expansion are defi nitely limited. Hence a brittle film usually cracks and scales. 1938-SWEET-00324 Perfect Repainting Surface Good paint wears by slow, even chalking. An Kagle White Lead film wears in this way--not by cracking and scaling... .It leaves aperfeet surface for repainting--no burning or scraping is necessary to prepare the surface. Flows Freely... Good Coverage Surface for surface, pure white lead : .paint will hold its own in coverage with most paints--ami excel manyof them. `Furthermore, it brushes easier--enabling a .painter to paint , more surface each hour he works. An Kagle -White Lead paint film - goes on evenly and smoothly. There arc no "ridges" and "thin spots." ' ** Great Hiding Power Pigment particles in an Eagle White Lead paint form a solid mass of pigment that completely covers the surface. Its "refractive index" is high--giving tt great opacity. Does Not Retain Rust Stains Kagle White Lead is a chemically , active pigment. When mixed with linseed oil the resulting compounds are not soluble in water. Hence .ferrous metal stains do nor pene trate the surface. Such stains as may dry on the-surface arc easily removed bywashing. .Other paints do not have this quality. ' Note (a.hovc) the ugly stains that are caused when rust penetrates a paint film. Easily Tinted Painters can easily tint Kagle White Lead to any desired color (except extremely dark shades). Kxact val ues are obtained bv adding colors in oil. Color pigments are rightly belli which minimizes fading. Easy to Mix on the Job . Oil is added to Kagle White Lead at the factory so that it is in an . . easy-mixing consistency ydien the painter receives it. He merely has to. thin it into paint of the type best suited to meet surface condi.. tions--a matter of only a few min. utes for loo lbs., which when nyxed (according to finish coat formula produces more than six gallons of paint. 1938-SWEET-00325 . t-s /FORMULAS FOR EXTERIOR WOODWORK I; .' ! Specification Data: Painring should lie done in'tlry weather am! when the temperature is;above 40 I*'. Painting done at lower 'temperatures, espefiallywhen nights are likely to bring Irosr ami moisture.with 'Sudden drops in temperature, will not be as satisfactory as painrmgMoiieundei'ideaU-ondirions. Mat ring, loss of gloss, spotting ami premature chalking may result. ^Moisture in wood.will be-drawn out by the. sun and, form blisters under a paint Him which will eventually result in peeling. Green lum ber sin add be primed as spon as possible and allowed to stand several days before application of succeeding coats. Defer all painting two to.three days after a driving rain. In new and re-painting work; fill nail holes, cracks and1 crevices with putty after priming or first coat has dried, to.form it smooth surface and to prevent water from entering behtrukthe paint. Three coats of paint on new work and two coatsOn repainting work are uenerallv sufficient. c.a>- NEW WORK REPAINTING . COAT I'atMist; PREPARATION 4 Dust, and scrape off lime, dirt and adherent matter . J PAINT FORMULA r FORMULA NO. 1 100 Ih. All-Purpose White Lead 1 gat. Raw Linseed Oil ,, Iff gaf. Kaglc Matting Oil or Pure Turpentine l pr. Rest Japan Drier APPLICATION Brush in carefullyami lay off in an even film nsrhisis foundation ofsall subsequent paint ing. Its impor tance cannot be over-emphasized , FORMULA NO. 2 Sih 'o s iV * , Applty 3-7 days after priming 100 lb..All-Purpose White I.cad Brush In carefully coat. Coar knots and sapwood gal. Raw Linseed Oil to an even film with shellac before applying l/d gal. F.nglc Matring Oil or Pure Turpentine of a nif 0 r m . 1 pr. Rest Japan Drier thickness Tiiir p iSemi-uhi" tini-h; Apply 3-7 days after secotj.il coat 4 . TlUKU Apply 3-7 days after second coat (Mat finish 1 ; l P, 1U1 N O . It in good conditionT^ust oH*only. (Not required Loose scaly paint scraped off. unless hare ' 1 fin had condition burn off all wood is ex- :. paint and treat as new wood posed; | Ft tor [ Apply 3-7 days after spot primi ini! if' required ' FORMULA NO. 3 UK) Ih. All-Purpose White Lead 3 gal. Raw linseed Oil 1 pt. Best Japan Drier . , FORMULA NO. 4 100 lb. All-Purpose White Lead gal. Kagle Flatting Oil or Pure Turpentine Same as for new wood if required i FORMULA NO..5 100 Ih. All-Purpose White I,cad 2?4 gal. Raw Linseed Oil 1 J..j gal. Kaglc Mat ring Oil or Pure Turpentine 1 pr. Best Japan Drier -Brush in carefully to an even film of uniform thickness Brush in carefully to an even film of uniform thickness Same as for new wood if required Brush in cjitefully to smooth film ofevenrhickness 1 Si.nisi,' ' Apply '3-7 days after first coaf (Semi-gloss finish; i FORMULA NO. 3 100 Ih. All-Purpose White Lead 3 gal. Raw-Linsml Oil 1 pt. Best Japan Drier Brush in carefully tosmoothfilmof even thickness Si:< oso (Flat finish < Apply 3.7 days after first coat FORMULA NO. 4 .100 |h. All-Purpose White Lead 2}4 gal. Fagle Matring Oil or Pure Turpentine Brush in carefully tosmoothfilmof even thickness Notes: F.ai)e FlaTiing Oil is, recommended in pivf>T,cnee to turpentine t,>r its smoother brushing anil greater wearing qualities anil because if will produce a better and more lasting finish., fl' thinner brushing is desired, do nor add more linseed oil to these formulas, bur reduce then* to the itWired consistency with Kaglc 1*1 ;itfintr Oil or turpentine. When Kaglc Heavy Pa.yc White I.ead is used, add t [tint more turpentine or flatting oil to formula' No. 3, tine quart more to all other formulas. NEW !EP At te$: Pa fr its smt> "duces a pey is dc 1938-SWEET-00326 - * 17 FORMULA* FOR INTERIOR WOODWORK Specification DWo: The roorn temperature should not be less than 70 1\ Paints should be kept at this'temperature before being used. White lead, however, brushes easier than varnishes and-enamels and may,''therefore, be applied at lower temperatures. All dust fjjhd dirt should be swept from the room before any paint is applied. . , * Three coats, are usually sufficient in new work, and two .coats in repainting. , i In certain cases where a specially.durable job is required, additional coats may be added, each coat being extremely thin. It is advisable ^'.specifications to.require adherence to formulas only when work is ndl in the haqds of qualified contractors or decorators. The following formulas will-produce paint that will give satisfactory service in a majority of cases. NtW WORK EPAINTING. ...COAT* . " ( PREPARATION PAINT FORMULA- APPLICATION* Pr imin g Sf .c o n p / .Clean, sandpaper, dust off. and sweep room ! Putty holes, cracks, etc. Sand paper lightly and sweep room V Th ir d (Semi-gloss finish) Sandpaper lightly and sweep room Th ir d (Flat finish) Sandpaper lightly and sweep room Pr imin g . (Notrcquir- cd unless hare wood is ___ exposed) Wash with paint cleaner to cut gloss. Rinse with clear water. Remove cracked., or scaling paint. Putty nails, cracks, etc. Sandpaper if needed Fir s t Apply after spot priming is-dry * Se c o n d Sandpaper slightly and sweep ' (Semi-gloss. - room finish) ! Se c o n d (Flat finish) Sandpaper slightly and sweep room - FORMULA NO. f> \ !<X) lb. All-Purpose White Lead \ 3 gal. Raw Linseed Oil ~H gal. Eagle Flatting Oil or Pure Turpentine 1 pf. Rest Japan Drier V Al t e r n a t e: Formula No, 14 ISee'pr\'/i 4 FORM-Ul-A NO. 7 100 lb. AU-Purjwse White Ix.-;td \ \ 1? 2 gal. Raw Linseed Oil \ IJ 4 gal. Eagle Flatting Oil or Pure Turpentine I pr. Best Japan Drier Al t e r n a t e,: Formula No. 15 {See p, 9) \ FORMULA NO. 8 \ 100 lb. All-Purpose White Lead 3-3)4 gal. Haw Linseed Oil \ 1 pt. Best Japan Drier *, ) At/ncRNATEtTorntula No. 1 f> (See p. 9) FORMULA NO. 4 \ 100 lb. All-Purpose White Lead ' 2)4 gal. Eagle Flatting Oil or Pure Turpentine (If .Turpentine is used add l pt. Palo or White Enamel Varnish) ; Al t e r n a t e: Formula No. 15 (See p. 9) \ Treat as new wood it required | , Brush in thorough-'' lv and lay vntf smoothly with, the grain Apply freely and brush our well with the.grain Brush our care fully, laying off in an even film without brush marks Brush out careful ly, laying off in an even film .without brush marks Same as for new wood if required ; -i FORMULA NO. 9 ! 100 lb. Alt-Purpose White Lead 1 gat. Ra>v Linseed Oil 2}4 gal. Eagle Flatting Oil or Pure Turpentine 1 pt. Best Japan Drier , Al t e r n a t e : Formula No. 15 (See p. 9) Brush out carefully to .a smooth t:. FORMULA MO. X 100 lb. All-Purpose White J-cad .1-3)4 gal. Raw Linseed Oil I pt. Best Japan Drier Al t e r n a t e: Formula No. 1o (See p. 9) Briishourcarefully, laying off in an even film with out brush marks FORMULA NO. 4 1 Of) lb. All-Purpose White Lead 2)4 gal. Eagle Flatting Oil or Pure Turpentine (If 'i'urpentinc is used add I pt. Palo or . White Enamel Varnish) Al t e r n a t e: Formula-No . 15 (See p. 9) Brush out careful ly, laying off in an even -film without brush m arks 1m; Eagle Flatting Oil is recommended in preference to turpentine r its smoother brushing and greater wearing qualities, and because it pmtccs a better and more lasting finish. If thinner brushing consistcy.ts desired, thin down with small amounts of Eagle .Flatting Oil or pure turpentine. '-Do not add linseed oil. When Eagle Heavy.Paste White Lead is used, add one pint more turpentine or flatting oil to formula No. 8, one quart more to all others. 1938-SWEET-00327 17. M . - - FORMULAS FOR PLASTER AND WALLBOARD Specification Data: When (mantels anti varnishes are used, therein-, perariire.shoiild not be less than 70 R In cold weather, paints should be kept at. this temperature over night before being used. AVhirc lead, because of its superior brushing finalities, mav he applied 'at lower temperatures. ' All dust ami dirt should be wiped from the surface ami swept from the room before paint is applied. Formulas given below are.recommended for average.conditions.,' They mav he modified bv an experienced painting contractor to'meet special conditions^ ` / ' \. When joints between wallboards are to be hidden under paint, they must he rilled with putty ami sanded down if necessary. (Putty made from white lead is ideal for this purposc.) COAT ! PREPARATION V PAINT FORMULA . . 1. ; j APPLICATION NEW PLASTER OR WAIL BOARD REPAINTING PuiMtXf; i Parch cracks in'plaster. Conceal joints in wallboards if re* . quired. Wipe surface clean, (rhie'siv.e required on soft wall; s hoards,-when sealer or lead re ducing oifis nor in primcr.Allow master to dry for ft months FORMULA'NO. 10 KX) |b. All-Purpose White Lead ; ` 3 gal. Boiled-Linseed OH 1M gal. Kngle Flatting Oil or Pure Turpentine 2 gal. Moor Varnish Ai.TKRyATK: Formula No. 14 (See p. 9). Sbc o ,m> .] ^,, FORMULA NO. 11 ' f No preparation required. Allow . 100 lb. All-Purpose White Lend 1 i-3 days for drying of priming 1 Y\ g>d. F.agle Flatting Oil or Pure Turpentine i coar : % gal. Idoor Varnish Yi pt. Best Japan Drier Ai.t k r n a t e: Formula No. 15 (Sec p. 9) Th ir d Co a t . (Scjni-gloss finish J . No preparation required. Allow 2-3 days for drying of second : coat. . FORMULA NO. 12 100 lb. All-Purpose White Lead .. % gal. Kagle Flatting Oil or Puri: Turpentine Ibt gith Floor Varnish Yi pt. Best Japan Drier Ai.t k r n a t : Formula N,o. lfi (Sec p. 9) THIRD' (Flat finish) No preparation required. Allow 2-3 days for tirying of second coat FORMULA NO. 13 100 lb. All-Purpose White I-ead l?rv gal. Ragle Flatting Oil or Pure Turpentine 1 pt. Floor Varnish ./ Yi pt. Best Japan Drier { Ai.TF.RXATf.: Formula No. 15 (Sec p. 9) -i' Pk IMJm; Old paint or enamel: Wash with (Not required sal soda solurion to remove unless bare grease anti cut gloss; Rinse surface is ex with clear water. Patch cracks posed) arid coat with shellac. Scrape oft' cracked or scaly paint Calcimine: Remove calcimine with warm water Treat as new plaster or wallbonrd if required . 'f y' Fir s t No special, preparation. Allow 2-3 tlavs for drying of priming coar if required FORMULANO.il 100 lb. All-PurposcWhite Lead l Y gal. Ragle Flatting Oil or Pure Turpentine 'K gal. Floor Varnish Yi pr. Best Japan Drier A!.t k r v at r : Formula No. 1 $ (See p. 9) Sk c o n u (Semi-gloss finish 1 Allow 2-3 days for dryingof first Same as the third semi-gloss coat for new work coat Sk c :o n i> 'Allow 2-3 days'for drying rtf first Same as the third flat coar fiir new work (Fbir finish) coat > Brush with sjiort semi-circular criss-cross strokes, ` allowing paint to flow andoblitcrate brush marks Brush with short `semi-circular criss-cross strokes, allow! ngpaintto flow and obliter ate brush marks Brush with short semi-circular crisscross strokes, allowingpnintto flow and obliter ate brush marks Brush with short . semi-circular - criss-crossstrokes, ailowingpaintto. flow and obliter ate brush marks Same as priming coat on new work if required Brush with short semi-circular criss-cross strokes, allowipgpaintto flow and obliter ate brysh marks Same as the third . semi-gloss coat for new work Same as'the third flat coat for new j work. Notes:. Wjjcn -painting over old varnish fir enamel, a little floor ^varnish or`enamcl'should he added to first coat. F.aglc Flatting Oilis recommended, in preference to,turpentine for its smoother brushing anti greater wearing qualities. If produces a better and more lasting finish. When Ragle Heavy Paste White l.end is used, add one quart more flatting oil or turpentine to all formulas except alternates. Ir e INIW KPtl 1938-SWEET-00328 1 [HP 17 FORMULAS FOR MASONRY AND STUCCO Specification Data: Surface must He thoroughly, (fry and chemically stable. -Moisture should not reacluhesurface under the paint through faulty flashings, condensation or improper'tlrnimige. (If unsatisfac tory conditions cannot be correcretl; use special cement paints.) Surface shpulthhe tesheil for free lime and other salts which are harm ful to oil. The following solution is a simple test for free lime: Mis i dram phenolphtlmlein, and 4 0/.. grain alcohol in 1 qt of water. Dip a glass.rod .into this solution and' touch, tin* surface in several places. Free lime will, cause a bright'red. spot to appeitr. To correcra.n alkaline condition, apply a solution.of 4 ibs. zinc sul phate to 1 gal.-'of water. Use large brush-ami rub In well. When dry, brush off surface before painting. ; Painting should be done oply in.clry weather anti when the tempera ture is not under 40 F.V.Allow ample time for thorough drying. x:H\ COAT ' . ^PREPARATION :. i PAINT FORMULA . . APPLICATION NEW WORK Pr imin g ". Allow to age for at least (> months. Test for frc lime and use neu tralizing solution if.needed. Brush clean before painting. Surface must he dry - FORMULA' NO. 14 1<X> lb. Heavy Paste or All-Purpose^ White Lead - ' .*" 4-5 gal. .Ksfgle Lead Reducing Oi* 1H Brushinthoroughly and lay otfin a smooth even . coat Ir e p a in t in g iLTERNATE ORMULAS [NEW WORK AND REFAINTING; SECOND AN!) Th ir d . (Flat, finisfi) Allow .1-7,days for drying, `'post ' clean before painting ' V Th ir d Allow 3-7.days for drying..Dust (Gloss- finish) dean before painting FORMULA NO. 15 100 !b. Hciivv Paste or All-Purpose* White LcJM 3-4 gal. Eagle Lead Reducing Oil - FORMULA NO. 16 1001b. All-Purpose White Lead"^ 3 gal. Raw Linseed Oil ->. I pt. Liquid Drier Brush to a smooth even coat Brush to a smooth even coat Pr imin c (Not required if patnt is smooth ami even) Dust clean\yi)etore painting. Paint in bad condition must be removed and those areas treated as new work The formulas and application used for repainting are identical with rhosfc used for new work, omitting^the priming coat when not required " / FORMULA ls'O. 14-A , PklMINfi Allow 3-7 days for drying. Dust clean .before painting 100 )b. All-Purpose White Lead 3 gal. Boiled Linseed Oil 2 gal. Spar Varnish V/\ gal. Pure Turpentine Briith to a smooth .even coat Se c o n d Allow .1-7 days for drying. ,Dusr clean, before painting FORMULA NO. 15-A 100 lb. All-Purpose White Lead 2 gal. Raw Linseed Oil IK gab Pure Turpentine 1 pt. Liquid Drier Brush to a smooch t-ven coat Th ir d (.Flat finish) Allow 3-7 days for drying. Dust clean before painting . FORMULA NO. 15-B 100 lb. All-Purpose White Lead 3 <i t. Spar Varnish IK gal. Pure Turpentine x/i pt. Liquid-Drier . i Brush to a smooth even coat lOte: Use smaller quantity of Eagle Lead Reducing Oil when greatest opacity 5s desired. If Eagle Heavy Paste White Lead is.used, add one quart more turpentine or flatting oil to formulas 16, 14-A, 15-A. 1938-SWEE T-00329 FORMULAS FOR IRON AND STEEL Specification Data: Painting slmuM be done only indry we;uht*r'when rlic u-mperatutv is nor under qo i\, particularly if nights are likely to bring f'rnsr and moisture. Lai mine on'exposed iron and steel should preferahly he brushed to assure intimate contact of rhe paint with ail parts'of the metal work. Sublimed Blue Lead may' be used for both priming ami finish coats. Knelt coat may be tinted characteristically to permit pmper'super\ ision. . Red Read is often' used as a second coat, as well as-for priming. The second coat may be tinted by adding carbon black, If light colors are desired with Sublimed Blue I.ead or.Red I.ead, sec ond.'atid subsequent coats may be White Lead-in-Oil, plain or tinted. NEW WORK REPAINTING CO^T PRRPARATION PAINT FORMULA APPLICATION PlUMINU <)1< SlKlI' SlX'OMJ MR Fir s t Fik i.ij l* " Remove rust, mill scale ami dirt to' bright metal. Clean o'ff grease and nil with .benv.ine , FORMULA NO. |7 CUsing Ragle Sublimed Blue I.ead) 100 lb. Stddimed Blue Lead-in-oil 2~-i gal. Haw Linseed Oil \}A p). IVicTurpentine or- Paint' an<i Varnish Manufacturers'48 to 50 Naphtha 1 qr. Kosin-frec Drier <1 1 ' FORMULA* NO. f# * ` * Rising Ragle Red bead) UK) lb. Ragle Red Lead-in-oil 21 <> gal. Raw Linseed Oil ' . . 11 * pt. Pure Turpentine or Paint and Varnish Manufacturers' 48" to 50" Naphtha 11 <> ,pt. Rosin-free Drier Dust off carefully FORMULA NO. 17* ' A'sing Ragle .Sublimed Blue I.ead) x See above * RORMUI.A NO. 2 " <Using F.agle White Lead) 100 lb. All-Purpose White Lead l?4 gal. Raw,Linseed Oil IKi' gal. Kagk; Fitting Oil or Pure Turpentine 1 pr. Bes.r Japan J)rier Brush on .hard,, carefully and thoroughly, us ing round brush' to get into all corners and around rivets Where two coats of Blue latad are to be applied, about a quart more thinner may be used ad vantageously to give flatter finish Brush on hard, carefully and thoroughly, using round brush to get into all corners and around rivets Tniftn (ik .Si;e,u\n Fik j .o Dysr off carefully Th ir d o k Sf-CdMI FlKI.IJ fSemi-gloss finish) Dust off carefully * FORMULA NO. 17 (Using F.agle Sublimcd.Bluc Lead) See alvove .. ' FORMULA NO. 3 100 lb. AH-Purjw.se White I .cad .1 gal. Raw Linseed Oil 1 ] pt. Best Japan Drier Hrushjtn carefully and evenly Brush on carefully and evenly TlIlKl) Siao\ti Imc .i.u Yl-'l:tt finisli) Dust off carefully , FORMULA NO. 4 fUsing F.agle White Lead) 100 lb. All-Purpose White I .cad 21.! gal. Ragle Flatting Oil or Pure Turpentine . Brush on carefully ' and evenly . FORMULA NO. 17 PltlUINO ..Remove, any loose paint, scale, (Using Ragle Sublimed Blue Lead) (Nor required rust anil dirt to bright metal. 100 H>. Sublimed Blue Lead-in-oil unless bare metal is ^x- ,a 2'-';! gal. Raw I.insecd Oil. l.|'a pt. Pure Turpentine or Paint and Varnish j>< >sed) Manufacturers' 48" to 50 Nnjdnha -i '.4 f|t. Rosin-frce.Drier < '/ ' ^ FORMULA NO. 18 * (Using F.agle Red Lead) S.v above Brush on hard, 1 carefully nn.J thoroughly, us- 1 ing round brush 1 to get into all corners and [ around rivets 5 t FlK'T AND.SrniMi Brush off dust ' and dirt, and The formulas and ajqdication used for repainting arc identical with j perape off Ijtose paint . rhe first field coat ami the finish coat on new work | 1938-SWEET-00330 shot Renn paint f TROUlBlE-SHOOTING DEFECTIVE PAINT Defective perfonhattee of a paint film is shown'. I% 5 by cra^ingj^eelingv premature excessive , chalking^ etc, Sudv defects unfortunately do not appear until some time after the pahu has been applied. ' Failure of paintffilm is traceable to three causes, ` one,or all of which may Ijfe operative in any instance: improper paint'or paint.fQrmulatibn; improper, workmanship--faulty surface-prep aration, faulty application, or disregard. of weather conditions; faulty construction or faulty building materials. ' 4 ; .& \4 MIMJEW STAINS Caused when an *air-borne fungus ^ attaches irself to wet paint, in shaded areas and feeds on . oil in the paint him, Mildesv stains must he removed be fore rcpainting'hy a wash of T lb. tri-sodium phosphate or sodium carbonard to i gal. of water. Addition of 67..-mercuric chloride per gal lon of paint, or the use of less oil.and more.turpentine, is desirable in sections, of .the country where mildew is common: ' .'V j - ; The appearance, cause and remedy for the. more common types of paint'film failures are given on this page. AlUGATORING CCaused by application of. relatively hard*' fast-drying surface coat over undercoats which are soft or slow^drying. 1m- proper oil, too.much oil or insufficient drying time may . * be the cause; .F.ach coat should he formulated to he successively softer than the priming coaf. Alligator cracks usually do not penetrate the entire paint coat. When 'not severe, the 'cracl&d layer can be .wire-brushed off before -painting. Other wise the entire paint coat must, be removed. ' WRINKLING Ulually caused . by..one of thri; tilings: fi) sudden drops lin tempera-- . ture; (2) application 'of`too thick a paint;$3). using an excess of drier. I To remedy, sand the surfac e. and use a properly, formulated paiivr applied in the correct vva^-. - . i:. , BLISTERING AND REELING This failure is caused by, moisture under the unbroken paint tilm,,.First evitjenceMs ' a blister which Iater$brqaks and causes peeling wf the paint film over affected area. All blistered paint must,be scraped off, the source of moisture found and cor rected, and the surface thor oughly dried he&re repaint ing. .'.* 50 " CRACKING AND SCALING , This common defect-results . from the use of a hard drv- -" -. ing.inelasti-'c paint which .','1 - ...^-r,T ,, does-not contract ahd. 'ex pand with the undersurface. Satisfactory painting of such a surface impossible only after old paint is removed, usually by.' burning. . . ^ Remedied by ,using properly formulated lead-in-oil paint, (Do not confuse with peeling.) > . SPOT FADING F.videnced by/ color changes anil loss of gloss in irregular parches. Caused by spots in the sur face which absorb oil from the paint unevenly. It ap pears only when insufficient paint has be'en used. Appli cation of ///)vr coats of prop er! v; formulated paint will .avoid it. ' ' . NOTE: More information on Trouble-Shooting of Defec tive Paint is given in the Kagle-Picher Painting Manual. See page 5. I %~ I,.? IV if 17 12 (DEN COMPANY ma n u f a c t u b b r I Ij f J i/i IflTO ar c h it ec t u r al f in is h e s P A J N T S VARN Factories' from Coast fo: `Cpfist le THE COMPANY . . . Since 1870 the name Glidden has been syn onymous with fine paint, varm^, and lacquer products. The scientific training and practical experience.of many men,plus every mechanical improvement that ^modern engineering has developed, make every Glidden product representative of the most advanced achieve-. ment irri.paint manufacturing.. A; corps of: vchemist^ ;;^n:d \ trait tonstamlyi'atr-^otjk llevi^ai arid!* , - :' '. ' 1 ' ?' :. Sr" checking' productionerfaelcltinagla/r^ignH$twheijplirfotedutcpls-yin. saunred fi unifornaity of standards arid results. ThegGJidden f; laboratories arp large and fully equipped (With ell . the scientific instflil^ietits for formulating paints to;. V the standards of. Time-Tested Laboratories. ;j ! GU* ARANTEE , . ..* The name Glidden . on the. label is a guarantee of quality. Years of manufacturing ex perience and the use of the highest grade raw materials insure satisfactory products. When the architect specifies Glidden Paints, Varnishes'!1* Lac quers or Enamels he knows that he is insuring satisfac tion to his client. GLIDDEN P'AINTS ARE USED ON FAMOUS BsUIW>ING'S A'*N D STRUCTURES THROUGHOUT AMERIC MANUFACTURING; .. Back of Giidde$f roducts are reat resources of... ..K an orgamzatia'iM$.4vt.| with nearly ggvjanpfe^f' .. years of manu^.ti"^|i ' turmg "|experiei^||||| -Immense bdyi > power artd^ , scale productiengl ' with modern .rij chinny enable Glidden Com^sa^M to ma*ket (, that represea# : maximum in qua -f 4 , 'J' ity at a muutnarii?|g ARCHITEC TURAL SERVICE Local Representative for Glidden . Paints cos* '** -m ` SERVICE , ,:'f I^PARTMENT .Glidden factories;. . . . The Glidden Com4p. any maintains an Architectural Service De and warehouses located strategically throughout the United States partment, where paint problems of the architect arc and Canada. Delivery to any point on the Ameriqati :;|Il handled by the Glidden Architectural Consultant, continent means no more than a' short, economic who has direct access to a modern finishing room ^haul, saving both time and expense. Because of a where materials may be tested for practicality and tremendous paint sales, these factories, and ware| 1 quality. The Architectural Consultant welcomes, at houses maintain large complete stocks at'all.time any time, an opportunity to co-operate with the Gliddetl gives the architect' the>service he demahc architect. 1938-SWEET-00334 * <}? RECOMMENDED GENERAL INSTRUCTIONS Suggestions to aid the architect in 'preparJpgtgCornpIete painting. ' ' specifications. If written into the specfficqtfoiisi -tlr^^i^l' helpy to insure that the painting work is done correctly. 1. GENERAL PAINTING CLAUSE ... Be it under stood that the Instructions to Bidders, and the Gen eral Conditions applying on the General Contract apply also on the painting contract. 2. WORK TO. BE DONE . . . The work required under a painting contract includes the furnishing of all materials, labor and equipment of every nature which may be required for the proper painting and finishing of the building, all as hereinafter specified, shown on the plans, or implied in either plans; .or specifications j that the work be complete in every respect unless definitely excepted by the architect. 3. WORE NOT INCLUDED IN THE PAINTING CON TRACT. N. B. . At this point it is well to make a bill of exceptions showing exactly the surfaces which do not come under the painting contract; for example, the back of interior wood trim, which has been shop primed by others. 4. PREPARATORY WORE . All surfaces to be painted shall be in proper condition before the work is begun; tfy&t is, the surface shall be perfectly dry, clean and smooth. In case any work is defective, or unsuitable for finishing, the painting contractor shall notify the architect of the fact in writing. If the architect is hot so notified, the painting contrac tor will be held solely responsible, for the finished condition of the work. 5. SAMPLES. N. B.. In case it will be necessary for the proper completion of the work to match cer tain samples, the architect should at this point fill in his requirements as to samples which will serve as standards to be matched in finish, color, etc. Or 6. WOREMANSHIP ... All work under this con tract shall be executed only by concerns of.standing approved by the architect. All work shall be made perfect in material, workmanship and finish. All work shall be don'e by skilled mechanics. No work shall be done under conditions of weather, or tem perature, unsuited to good work. 7. MATERIALS . . . All materials coming under the painting contract shall be delivered to the building in unbroken packages, bearing the Glidd'en name and label. Such materiai^should be used without any adulteration, and only with such thinning as called for in the manufacturer's directions. In case of sealed packages; the seal should not be broken until the contents are to'be used. Materials requiring mix ing shall be mixed on the premises. All materials must at all times be subject to the inspection and approval of the architect. . J 8. PROTECTION AGAINST DAMAGE ... The painting contractor shall be responsible for the con dition of the building in his charge. Due care shall be t^cen while painting is in process to protect all portions of the building and also all materials be longing to, or installed by, other contractors. 9. PATCHING . * . Carefully patch and finish all work injured, or marred from whatsoever cause, to the satisfaction of the architect. Upon completion 1 the entire job should be ^n perfect condition and free from defacements of any nature. 10. FIRE PREVENTION . Keep all oily rags or waste in covered metal receptacles. 11. CLEANING ... At the completion of work, re move all surplus materials, staging, rubbish, etc.; clean off all paint, varnish, stains, etc., from floors, glass, walls, hardware, etc., and leave the premises in perfect condition, acceptable to the^architect. SUMMARY . . . No paint, varnish, or other finish should ever be applied to a surface containing mois ture or bearing scale, rust, dirt, grease-r-or to any surface not clean and ready to paint. Any possible alkalinity in plaster, cement, or con crete surfaces must be neutralized. Neutralize the alkali by giving the wall a wash coat with a solution of two to three pounds of zinc sul phate to a gallon of water. All nail holes, cracks, etc., must be properly filled with linseed oil putty. 1938-SWEET-00335 'fr* 12 :A PJDEX TO SPECIFICATIONS in hilt riural Spanit ation* Action EXTERIOR FINISHES Sp WOOD SIDING ` Base-Coat \, Endurance House Paint ).............. Old Work......................................... 2 Ripolin Enatrtel.............. -------- 13 Titan-O-Ziftc ----- Easton WhiteXead .... ............................ . Page No q 5 .7 5 WOOD SHINGLE SIDING AND BOOFS Endurance Shingle Stain....................... 4 ................. 5 Old Work ............................................... 4 S COMPOSITION ROO^S Endurance Roof Coating .................. . ................... 5 EXTERIOR WOOD SURFACES CVARNISHED) Glidden Oil Stains......... ....... ,.r----- 5 Gliddenspar ....... ......... ........................5 5 ...........6 PORCHES v, WOOD FLOORS ^ Porch and Deck Paint,.......................... 6 WOOD CEILINGS Gliddenspar ............................. 6 5 CONCRETE, STUCCO AND BRICK Liquid Cement Coating.......................... 7 6 Old Work .............................................. 7A................ 6 STRUCTURAL STEEL AND METAL ORNAMENTS Liquid* Red Lead 1 g Nev-A-Rust . )................................ ................ Graphite Liquid Paint....... 9 :...... 6 Aluminum Paint Metallite......... ............. .................. 6 GALVANIZED IRON ;. Glidtite. Iron Primer................................10 6 SMOKE.STACKS. PIPES AND OTHER HOT SURFACES, Smoke Stack Black..........................11 ...............: 7 METAL ROOFS Tinner's Red .........................................12 ................ 7 Nev-A-Rust ...................................... 8............. 6 GUTTERS, 1AINS AND FLASHINGS' Tii fir's Red........................... T RIPOLIN EH^MEL NEW EXTERIOR WORE Base-Coat Exterior Ripolin First Coater Exterior Ripolin Enamel J .13 NEW INTERIOR SOFT WOOD Ripolin Enamel Undercoater } Ripolin Enamel ) 1/t * * * NEW INTERIOR SAPPY WOODS Ripolin Enamel Undercoater I 15 Ripolin Enamel \.......................... . tt 9 NEW INTERIOR OPEN-GRAINED WOOD Glidden Paste Wood Filler 1 Ripolin Enamel Undercoater !.......... 16....................8 Ripolin Enamel j INTERIOR WALL FINISHES .Spec. JNo. PLASTER WALLS (ROU.GH AND. SMOOTHj^AND WALE ` FLAT WALL FINISHES.* ` ^ * Speed-Wall^Elat ........... 17 .... Reflect-O-Li^Ca^einPaftit. . .. IS ,, SEMI-GLOSS-wkLI; FINISHES SpefsdrWall Sfrm-Gloss.!____________l$,,......... . /GLOsi WAl|J'^CNlSHE'f' Ripofiif.'Ehamr" ..'1--.. $..i .......... 5.14 ...l, 'Canvas Covered Walls;-V.>..................... . ,t;. f WOOD' PANEL WALck * -' Endurance Wood Stains \ Wearette V&ri;Sh y.............. *.i*,?......... Lik-A'-RuBf.li,^............ ................22 .;. FACTORY INTERibR WAILS . Spray-Day-Lite K............................. `.23 ....... Dado (Florenamel) ...............................23 . .-4>; Insulite White................................................. .4.. Pli-nainel .......................................... ..30'....... INTERIOR FLOOR FINISHES OPEN-GRAINED WOOD Endurance .Wood Stains ) 6 Floorette Varnish Jap-A-Lac Wax............... Old Work .24 24 25 Rapid*Gote Varnish.............. ..................... SOFT WOOD (Stain)' ' * * .. A? 9' ...'I 9 - .. -iio -i$U| Endurance-Wood Stains 1, Floorette J.................... v OPEN-GRAINED (Natural Wood) GUddetV-.Paste Wood Filler............... 26 Flooretjfe Varnish .......... 26 p a in t e d Wo o d f l o o r s Florenamel ) , . New Work J............./..................27 ...10 ,'r -Iter INTERIOR-PAINTED f l o o r s Old Work...............................................28 GYMNASIUM, FLOORS New Work .<................................ T.. CONCRETE Pli-namel................ ........................... .... Florenamel Concrete Floor- Dressing ..27 - Msasticrete ....................................... - . 10<J INTERIOR WOOD TRIM FINISHES OPEN-GRAINED WOOD (Stain) 1 .....-.4Endurance Wo$d Stains \ Wearette Varnish ) * ......... ..31 Lik-A-Rub Varnish ........................... . -............ ia:% Rapid-Cote Varnish ............. ............. Old Work ........................................... SOFT WOOD'(Stain) ^ . Endurance Wood Stains ) Wearette Varnish j................ ..:....... .IT4- OPEN-GRAINED WOOD Paste Wood Filler V Wearette Varnish J *..................... 34 MISCELLANEOUS FINISHES RADIATORS Chromatized Primer Metallite . J................... Jap-A-Lac Gold and Aluminum.. , Speed-Wall Flat.............. ;.......... SWIMMING POOLS .................... BARNS AND FARM BtJILDINGS ... ....... ADDITIONAL ARCHITECTURAL FINISHES 1938-SWEET-00336 - * J% EXTERIOR FINISHES WOOD SIDING . . . mp o Eb t e n a me i. . Itipnlin Soilmu--Spin- r GLIDDEN^pNDURANCE PAINT -(^yuroJ) < /nation JJ) : pearly perfect. a paint as it is possible to manufac- : HUSTON WHITE LEAD is i lead of i rusi il vil itc wre. It ready mixed, ready to use House Paint, ness. It produces1' a, smooth and enampidike -film. which combines ihe 3oog wearing qualities of lead with the ifilfn hirtlefung qualities of zinc. i stoti White l ee* s j 1re cu-bonatc of 'cad mtdc bv i tertt patented piece1* that contiols its wl ttc. .Glidden 'Endurance Paint (Prepaijgj) works gasily, covers weflj resists wear: and weather, has extreme - durability, leaves a good uniform surface for re- .m.s rd fineness v Inch m turn ^ovc-ns its unusual spreading capacity and ability toproduee thore paint per hundred pounds. Furmshed. in -three forfhs l'painting and costs, less than other house paints* ' wheri measured bjryears of sendee. heavy ifeastei tsott i|a^e^ ana ^n-Purpose. (Specif ficatiqqs-furnishedSn: ^qufcst;^. Glidden Endurance Paifct covers approximately 400 to 4$5 square, tee&per gallon, 2 coats. ' &ND ROOFS Base-Coat--New wood should be: primed with Glidden Base-Coat. The usq of this specially prepared first coater eliminates blistering and peeling, and insures longer wear ing`and better finished results on any kind of wood, par- ticula'rly'the porous, resinotis and sappy types. ^ Base-Coat covers approximately 300 square feet per gal- "':' lotii-'2 coats. New Work, Specification 1 1st* Coat--Glidden Base-Coat applied as it comes in the container. (Under no condition should this material be re duced.) Allow 72 hours to dry. - NOTE: After the priming coat has dried thoroughly, putty all nail holes, cracks, etc. with a first quality linseed oil putty. ' ' 2nd Coat--Brush on coat of Glidden Endurance Paint (Prepared) thinned with a pint of. turpentine to each gal lon. Allow this boat to dry 72 hours or more. 3rd Coat--A well brushed out coat- of Glidden Endurance Paint (Prepared) as it comp in the container. ENDURANCE SHINGLE STAINS sire high-grade creosote stains used tq prevent- warping, curling, splitting and general 'decay of- 'iSie wood as well as supply permanent and decorative color. *- Brushing: -- Endurance Shingle Stains cover approxi mately 150 square feet per gallon, 1st chats 100 square feet per gallon, 2nd coat. Dipping!--Two-thirds dip on 1000 shingles will require approximately i gaJ/ons of Stain. ' * New Work) Specification 4 1st Coat--Dm two-thirds of the length of the shingle into Endurance Shingle Stain of consistency supplied by Glid- den. Stack loosely to allow proper penetration and drying. 2nd Coat--After. shingles are laid*apply one full brushing coat of Endurance Shingle Stain as it comes in the con tainer. Old Work Old Work i The surface to be repainted shall be dusted free from all foreign matter, loose paint removed by wire brushing and scraping, and rust removed from all eaves, downspouts, or ' flashings. Loose boards or siding shall be renailed and repairs made to siding over drip caps and window and door-headers. The open spaces around door casings, win dows and corner boards shall be puttied. On old work Endurance Shingle Btains can be applied by either brushing or spraying althougfilthe brushing applica tion is recommended, particular care shall. exercised to see that all portions, particularly the edges of the shingles, are well coated. . : * :n Two coats are recommended and in Suckfinstances the first coat shall be reduced :2S%' with raw liiiseed oil. COMPOSITION ROOFS . Specification 2 1st Coat--Apply Base-Coat over the entire surface, work ing it well into all spots that have become bare. (Alter nate:--If Base-Coat is not available reduce Glidden En durance Paint (Prepared) with one quart of linseed oil and one pint of turpentine to each gallon, for application to the south and west sides of the house and'with one quart of turpentine, and onepxnt of linseed oil for the east and north sides.) '% ; 2nd Coat--This final finishing coat shall be Glidden En durance Paint (Prepared) as it comes in the container. . TITAN-O-ZINC is made with titanated pigments which give ' great hiding quality and a brilliant whiteness. It is' offered as an alternate to Glidden Endurance Paint (Prepared) for those who prefer a paint with Titanium base instead of Lead. It is recommended in smoky, districts where fumes aie prevalent. It- is regularly supplied only in white but may be colored as desired by adding Glidden Pure Colorsin OiL Titan-Q-Zinc covers approximately 400 to 425 square feet per gallon, 2 coats. Specification 3 Same as Specification 1 substituting Glidden Tjtan-O-Zinc in place of Glidden Endurance Paint (Prepared) in second and third coats. ' ENDURANCE ROOF COATING is a pure asphalt suitable for reconditioning and 'waterproofing all types of composition Jroofs) Insures protection against water, weather, alkali, common acids, gases, fumes, etc. Applied with regular roof brushes. EXTERIOR WOOD SURFACES (Varnished) Including Porch Ceilings, Doors, Trim, Etc. GLIDDEN OIL STAINS are permanent, non-fading pigmented stains that require but little wiping and are recommended for all exterior work. Glidden Oil Stains cover approximately 80,0 square feet per gallon, 1 coat. GLIDDENSPAR is recommended as the finest varnish available today for either interior or exterior use. It. is made from bakelite and synthetic type resins which are the latest developments in varnish re search and manufacture. Ml 1938-SWEET-00337 s&i&m f ' EXTEgidR FINISHES (Cont'd) Giddenspar is phie in. color, will not tuliai White from water-, and is impervious to alcohol. Specification 5 ` ,; 1 1st Coat--After sanding wood to a smooth surface u i .on a coat of Giidden Oif Stain. Wipe off excess stain with ;a soft doth. Allow 24. hours to dry. 2nd: Coat--(Open grained woi>d only) Sand andiffll with. Giidden Paste 'Wood- Filler reduced^as rteedid With tur pentine or naphtha. Wipe before Filter bCcomeS hard, rub bing across grain and hard enofffh to force th^Filler into the pores and remove excess. . * *. 3rd 'Coat--.Brush on one coat of Gliddenspar Vaimsh in the consistency as supplied by the manufacturer arid allow to dry- *., %g 4th Coat--(Same as 3rd Coat.) % NOTE: Don't use Shellac anywhere in a schedule em bracing Synthetic Varnishes. WOOD PORCH FLOORS . . . PORCH AND DECK PAINT is a wear-resisting, pro tective and decorative tqating lor exterior porch floors. Porch and Deck Paint covers 600 to 700 square feet per gallon, 1 coat. ' Specification 6 1st Coat--One brush coat of-Giidden Porch and Deck. Paint thinned with one quart of pure linseed oil and one pint of pure turpentine to the gallon. 2nd Coat--After 72 hours, apply a full flowing coat of Giidden Porch and Deck Paint thinned with one pint of pure turpentine to the gallon. 3rd Coat--Allow 48 hours for drying and apply a full coat of Giidden Porch and Deck Paint as it comes in the con tainer. ^ CONCRETE, STUCCO and BRICK . . . LIQUID CEMENT COATING is. for damp-prooflng and rendering uniform exterior surfaces of concrete, stucco, etc. It is composed of carefully selected pig ments and specially prepared oils which produce an extremely durable and water-resisting semi-gloss finish. H|, . Liquid Cement Coating covers 300 to 500 square feet per gallon depending on the porosity and texture of the sur face. New Work, Specification 7 1st Coat--To each'gallon of Giidden Liquid Cement Coat ing add one pint of Giidden Liquid Cement Mixing Liquid and brush well into the surface. Allow 36 to 48 hours to dry. 2nd Coat---Brush on a coat of Liquid Cement Coating as it comes in the container. Allow 72 hours for drying. 3rd Coat--One additional coat brushed on evenly (as sup plied by the manufacturer.) OLD WORK ' Remove all loose paint from old surfaces. Touch up bare spots with Glidden's Liquid Cement Coating that has tf&?n thinned 257c with Liquid Cement Mixing Liquid. Specification 7A 1st Coat--Apply one coat of Liquid Cement Coating, of color selected, to the entire surface after having reduced it in the ratio of three to one with Liquid Cement Mixing Liquid. 2nd Coat--The second coat shall be Liquid Cement Coat ing applied full body and brushed well on to and into the surface. STRUCTURAL STEEL AND METAL ORNA MENTS ... LIQUID RED LEAD is recommended wherever a shop apply/is extremely?*and iS preventative, j , * \ i NEV A RUST etiiViul e> tui' icquirc.m(.nt ol a I grade metal protective paint It*is tile result of years | of research and observation of fhe product actual'" P use. t v Nev-A'Rust covers 600 to 700 square feet,per gallon,*! coat. &. The combination of these two materials/if applied ^.here after specified will adequately protect all the coateCmetal of any structure from the destructive elements. NOTE It is impossible to overestimate the hied of an absolutely clean'arid rust-free sfeel v^hiph iSttife-he. obtained by thorough"sand blasting or.#ire|hrushii. . j Specification 8 * Shop Coat--A priming coat of Gliddeh Liquid',1Redhead iM as it cOmes'in the container to be'applied at thearmu. rl 1st Field Coat--A' brush coat of Giidden Ney-A-Rust, * black or red. as it comes in the container. " ,, 2nd Field' Coat--(Sathe as 1st Field,Coat.) c :. NOTE: By alternating the colors of the material used'jh ! the Field Coats, the architect secures a, color contrast be tween the coats which insures thorough workmanship on inspection. / . GRAPHITE LIQUID PAINT, is recommended for use on any metal surface. It; is offered as an alternate to Nev-A-Rust for those -who prefer a graphite baSe paint for this use. Its heat resisting qualities.mpke it especially good for painting chimneys; boilers, etc. Specification 9 * s ' Same as Specification 8 substituting Giidden Gra^t^^, Liquid Paint for Giidden Nev-A-Rusti . .j> METALLITE (^%|ninum Paint) is a pnbdpct dfjfcn- usual covering and hiding' ability excilUent idf^ exterior surfaces both hot .and cold.-Tt may l^e. iiT as p priming coat toibe covered'withGiiddeheln- 1 durance Paint .(Prepared) or other exterior pain or ~ * it may be Used as ^ finish coat over Giidden Nev-A- Rust or Base Goa!t where an Aluminum finish is desired. .* GALVANIZED The galvanizing IRON process .lea. v esSpoenctihficea^stiuofnfa]cf- m S4i the iron, a film to which mostpgnt-Vwll riot- adhlrei:! It is therefore, necessary to prepare -galvatiized.lfd^ in a special way, no matter what the final coats-Trti^^ be. ';p| The most satisfactory method of preparing the iron.-^ is to apply a brush coat'of the' following solution^;! dissolve 1 ounce each of Chloride of Copper, .>$$ * Ammoniac and Nitrate of Copper in gallons# \ water in 'an earthenware vessel. When dissolved,; add 1 ounce of Hydrochloric Acid. Allow 24 hours to dry and then use a stiff brush to remove the povf* ,i der which has formed. ,i> ; Best results are obtained by immediately followii^ /ft] with one coat of Glidtite Galvanized Iron Prime)?; v Follow with, Giidden Endurance Paint (Pre- pared) NevA-Rust or other exterior paint. ; ,' 1938-SWEET-00338 v mm wm EXTERIOR FINISHES ( M maneht in- cdlor\^^Vahyo^ujky ^atetpfoof/- It* is-' SvA & , PflPES and OTHER HOT SMOI^i|TACK BLACK is sb formulated that it will qUicfe-drying" and elastic^; Withstands rigid metal binding tests. >' ' ' s Civets approximately 700 sqtiate feet per gallop, I coat. bake *9 the.lrietal, practically becoming part of it -aid forming an excellent protective lam?* Ip<<ifie<ifinii 12 Specification ll' One Coat--'Remove' all rust, scale, grease, dirt, etc./frofrfl the surface. A.pply'one coat of Tinner's Red as it copies in One C'oai4'Remolve all grease spots and foreign matter atop container. ^ *l"\ f flrlvomiil thh**e* sOuUrifa**cVey a0*n*du bIUrUu9sMh oVMn,ioVnliWe hmev AaTvJy cWowaAt dVi>#,' GVlliiUdUden*l v1 Smoke Stick Black of a consistency as supplied by .Jhe---- manufacturer. . `A-BlfST . . * (See Specification 8) METAL ROOFS . . . "A TINNER'S IfiSD fs^ popular sheet metal paint, per- G__U_T_____,,____ 'and ((SSee Specijicplioti . r} RIPOLIN ARCHITECTURAL ENAMELS ,, For Fine Exterior dnd interi'or Enamel Finish j; RIPOLIN is internationally known as a fine, durable enamel. The secret process by which it is 'manufac tured, together with the aging of the essential oils, . makes BLT Ripe^in Epathel a super-product. It actually iriipnoves with age; there are numerous public building/ and fine homes in the United States where 15 years of continuous service have not dimmed the lustre and beauty of. Ripolin. The ever increasing demand for a. quicker-drying product resulted in Q.D.^'Ripolin which was de-' vfeloped after years of careful research. Q.D. Ripolin dries in a much shorter-length df^time than BLT Ripolin but still .retains all of its outstanding qualities. - Q.D: Ripolin is manufactured in 18 washable, mod ern colors, carefully selected by authorities on archi- ture, and color, harmony. This enamel smoothes away to a glossy, tile-like finish, free from brifeh marks and will give lasting- beauty to all sur faces wheti a high grade enamel finish is desired. Ripolin ijp furnished in High Gloss, 'Semi-Gloss (Egg-shell} and Dead Flat White. Any finish-.-de- sirbd between the High Gloss and Dead Flat can be obtained by intermixing in varying proportions. To obtain any of the lighter shades, White Ripolin may be tinted by the use of pure cblor ground in Japan, thinning down -the color wittr a small quantity of turpentine and adding slowly to the enamel until the desired color is. obtained. The addition Of a large amount of coloring matter to obtain any of the darker shades is not recommended. We will supply darker shades on order. Where Ripojin is to be used in colors, Ripolin Un dercoat tinted the same shade as the finishing boat should be used. Ripolin of itself will show a perfectly smooth, even surface without brush-marks, blit will not cover irregularities in' the under-coating. For this reason^ great care? should be exercised^to keep the workir plots, brushes and surface to be worked on free froifi dust, grit, or other foreign matter. For extremely fijhe work, where there are two coats , of enamel to bje applied, the first coat of enamel should be rubbed With pumice rather than with sandpaper or steel Wool. . 16 not thin the finishing coat of Ripolin. JEW EXTERIOR WORK ; . . xterior finishes <& Ripolin-enameled homes are ext 'emely durable with permanency of lustre* and dspth of. beauty. A Ripolin surface because of its e lamel-like finish does not hold the soot and.-grime- I: cleans easily atid always, maintains extreme whiteness-. tipolin First Coat covers approximately 300 square feet * Pir gallon,. 2 coats. Ekterior Ripolin covers approxi mately 360 square feet, 2 coats. Specification 13^- fit Coat--A priming coat of Glidden Base-Coat applied without reduction as it comes frofti the container: Allow 71 hours: for drying., d Coat--A. -full coat ; of Exterior Ripolin First Coat. ^ Allow 7/2 to 96 hours for*dryirig. Jrjrf Colt--Exterior Ripplin First Coat reinforced'* with 1 qiiart Exterior Glo^s Ripolin'tb the gallon.^^low 96 hours for drying. .* 4th Coat--A good-ftiil coat of Exterior Gloss Ripolin as it ' comes i from the container. . ^ NOTE: Third coat maW be eliminated where cost is a vital factor. INTERIOR SOFT WOOD Specification 14 ' lslCoat--A priming 'C<J^t of Ripolin Enamel Undercoat, thihiied with 1 quart of raw linseed oil and x/z pint of pure turjpentine to the gallon. Allow 48 to 72 hours toc-,drying. 2nd Coat--Full coat of Ripolin Enamel Undercoat. Allow overnight to dry. 3rd Coat--Full coat of Ripolin Enamel Undercoat. Sand paper this coat to a smooth surface. 4tA Coat--Ripolin Enamel Undercoat reinforced with Yz gallon Gloss Ripolin added to the gallon. Sandpaper lightly after drying. \ 5th Coat--A good flowing coat of Ripolin Enamel. This coat may be thinned with Y% pint of pure turpentine to the gallon. Allow 96 hours for drying; rub smooth with pumice and water. 1938-SWEET-00339 I m M'l: Y*' fe' 12 y RIPOLIN ARCHITECTURAL ENAMELS (Cont'd), 6th Coat--A good flowing coat of Ripolin Enamel as it comes in the container. DO NOT THIN FINISHING COAT OF RIPOLIN. NOTE: If expense is of prime importance, 2nd or 5th coats may be omitted, or, if desired, both. NEW INTERIOR SAPPY WOODS . . . Specification 15 1st Coat--A priming coat of Ripolin Enamel Undercoat, thinned with lf/2 pints of raw linseed oil and V/2 pints pure turpentine to the gallon. Allov/ 48 io ri hours for proper drying. NOTE: After applying first coat, all woodwork should be thoroughly rubbed down with fine sandpaper or steel wool. Give the whole surface a wash coat of thin white dhellac which has been strained through cheese-cloth. Follow Specification 14 from this point NEW INTERIOR OPEN-GRAINED WOODS Specification 16 1st Coat--A coat of Glidden Paste Wood Filler should be rubbed well into the surface. After this isodry and hard sandpaper the work thoroughly. `/ 2nd Coat---A priming coat of Ripolin Enamel Undercoat, thinned with 1 pint of raw linseed oil and 1 pint of pur" spirits of turpentine to the gallon; sandpaper to a smooth surface after thorough drying. Follow Specification 14 from this point. INTERIOR WALL FINISHES PLASTER WALLS (ROUGH and SMOOTH) and WALL BOARD . . . General Instructions All wall surfaces shduld be carefully checked for "hot" spots caused by excessive lime in the body coat. A litmus paper or phenolphthalein applied to those spots that indicate an alkaline condition should be used to prove whether such a condition exists. All plaster on which "hot" spots appear should be washed previous to the painting with a neutralizing solution made of at least 3 pounds of zinc sulphate dissolved in a gallon of water. Allow ` this application to dry thoroughly and brush all' zinc crystals from the surface. New walls should be carefully pointed up before priming, cracks should be widened to.at least y and filled flush to the surface with a mixture made j of 14 part of plaster of Paris to*$4 parts of whiting by weight. This is mixed to an easy working con sistency by the addition of a good grade of varnish. Quick setting of the mixture indicates too much plaster of Paris and the addition of more whiting and varnish will ease working conditions/ FLAT WALL FINISHES . . . SPEED-WALL FLAT is manufactured in 14 modern pastel shades. It dries to a soft finish with a slight sheen that indicates its washability. Speed-Wall Flat covers approximately 400 square feet per gallon on smooth plaster, 1st coat. 450 to 600 square feet per gallon on smooth plaster, 2nd coat. New Work. Specification 17 1st Coat--Speed-Wall Mixing Size to which has been added an equal amount of Speed-Wall Flat in the color selected for finishing coats. Allow overnight to dry. 2nd Coat--Speed-Wall Flat as it comes in the container. Allow overnight to dry. 3rd Coat---(Same as 2nd Coat.) CASEIN PAINT ... REFLECT-O-LITE is a paint furnished in semi-paste form that differs from other types of water paints in that casein is used in making the vehicle and has the faculty of producing, unusual adhesion. Its pig ment is lithopone commonly used in practically all types of wall finishes. ReBect-O-Lite covers solidly with one coat and has no lingering or strong penetrating odors. The instances where size-is necessary are few. ReBect-O-Lite is quick drying. It is economicaPbecause rt can be thinned with water but in this respect it is different from Kalsomine because it is washable. New Work. Speci/tcafion 18 Surface- Preparation--Only in those instances where there are indications of uneven suction or porosity of the sur face is a primer necessary. When priming is recom mended use Speed-Wall Interior Base-Coat. After primer has dried apply one coat of Reflect-O-Lite after- reducing each gallon of this material with one-half gallon of water. 2nd Coat--In extreme cases a second coat may be advis able. Old Work - Surface Preparation--The surface to* be painted shall be cleaned free from dirt and greabe while loose paint, Kal somine, and other foreign matter shall be entirely removed. Fill all cracks, nail holes and damaged spots with Patch ing Plaster. Prime all patches. Add one part of water ta~two parts of Refiect-O-Lite .slowly and stir continually until evenly mixed. Apply by brushing, flowing out evenly to avoid brush marks. SEMI-GLOSS. WALL FINISHES ... SPEED-WALL SEMI-GLOSS is a quick-drying, lowlustre finish, highly recommended for use in hos pitals, hotels, public* buildings, schools, apartment houses, offices and homes. It can be washed re peatedly and easily without harming the finish. Speed-Wall Semi-Gloss covers approximately 400 square feet per gallon on smooth plaster, 1st coat. 500 to 525 square feet per gallon on smooth plaster. 2nd coat. New Work. Specification ^9 1st Coat--Apply Speed-Wall Interior Base-Coat reduced in the proportion of one quart of naphtha to the gallon. Four hours drying time is sufficient with good drying conditions. 2nd Coat--Speed-Wall Semi-Gloss as it comes in the con tainer. Allow overnight to dry. 3rd Coat--(Same as 2nd Coat.) GLOSS WALL FINISHES^. . . SPEED-WALL GLOSS is a high .grade wall finish with, easy working properties and is very well 1938-SWEET-00340 INTERIOR WALL FINISJ YCont'd) adapted to kitchen and bathroom walls and other surfaces that must be washed or cleaned frequently. Speed-Wall Gloss covers approximately 400 square feet per gallon on smooth plaster, 1st coat. S00 to SSO square feet per gallon on smooth plaster, 2nd coat. New Work, Specification 20 1st Coat--Apply Speed-Wall Interior Base-Coat, reduced in the proportion of one quart of naphtha to the gallon. 2nd Coat--Speed-Wall Gloss as it comes in the container. Allow overnight to dry. 3rd Coat--(Same as 2nd Coat.) NOTE: On open-grained woods apply a wash coat of shellac after stain is dry. Fill with Glidden Paste Wood Filler reduced, as needfed, with turpentine. Wipe, rub bing across grain, as filler sets. Sandpaper to a smooth surface. Succeeding Coats--Two or more coats of Wearette Var nish, of a consistency as supplied by Glidden, until desired finish is obtained. NOTE: Flat Finish . . . LIK-A-RUB dries with au-ubbed or egg-shell effect without the expense of the very costly rubbing operation. Apply as a final finish coat after application of Wearette Varnish. Lik-A-Rub covers approximately 400 square feet per gallon, 2 coats. Old Work, Flat Semi-Gloss or Gloss All old surfaces shall be carefully cleaned free from grease, smoke and other foreign matter. Surface Preparation.--Large cracks shall be filled with plaster of Paris an.I then sized with'either Speed-Wall Interior Base-Coat or Shellac.* Specification 21 1st Coat--Reduce Speed-Wall Interior Base-Coat 25% with naphtha for a primer sealer coat. ' 2nd Coat--Apply Speed-Wall. Flat J^emi-Gloss or Gltfps, in the consistency found in the package. ^ 3rd Coat--If a third coat is necessary this too shall be Speed-Wall in the sheen selected, applied full body. RIPOLIN ENAMEL Specification 14 (See Ripolin Section 's CANVAS COVERED WALLS ... * Follow same specifications as for New Plaster No. 17. WOOD PANEL WALLS ... ENDURANCE ^VOOD STAINS are penetrating stains which greatly enhance the natural beauty of all woods. They require no wiping. Endurance Wood Stains cover approximately 1000 square feet per gallon, 1 coat. Specification 22 1st Coat--A full coat of Endurance Wood Stain of the color selected. Metal Surfaces Metal surfaces require no priming. <tTvTonfe^r two coats of Speed-Wall in the desired sheen just as it tomes from the can. FACTORY INTERIOR WALLS . . . SPRAY-DAY-LITE--An unusual mill white which will cover any surface no matter hpw smoky, or black, in one coat; be^free from sags, runs, chip ping or peeling of stmd surfaces; wash like tile; give three to eight years service. Suitable for use on wood, concrete or steel, Spfay-Day-Lite is made in three forms: (1.) Regular for all surfaces under ordinary, conditions; (2) Fume-proof for use where chemical or other fumes which tend to dis color the painted surfaces are present; (3) Fungi-proof for use where dampness- or'other conditions crpab| mold, etc. ADDITIONAL INFORMATION ON REQUEST Specification 23 One Coat--Spray or brush will cover any surface and will give a high percentage of light reflection. D--Where fumes prevail, specify Pli-enamel. NOTE: For dado trim Florenamel is ideal. It* has ex cellent coverage and adhesion to the surface and will stand constant washing. One full brush coauis sufficient on a properly sized and sealed surfacd* INSULTTE WHITE--a sanitary,' water-proof, purewhite paint for industrial interiors. PLI-NAMEL . ... (See Specification 30) INTERIOR FLOOR FINISHES 0PEN-GRAINED WOOD . . . FLOORETTE VARNISH is the highest grade of floor varnish manufactured: heavy body; extreme full ness; high gloss; waterproof; scuffproof, andextremely elastic. Formulated with latest types of synthetic resins. Floorette Varnish covers approximately 400-square feet per gallon. 2 coats. New Work, Specification 24 1st Coat--A full coat of Endurance Wood Stain of color selected. 2nd Coat---(Open grained woods only) A brush coat of Glidden Endurance Paste .Wood. Filler, thinned with tur pentine or naphtha to the proper consistency. Remove all excess filler by rubbing across the grain. 3rd Coat--Floorette Varnish 10% reduction with turpen.> tine. Succeeding Coats--To be Floorette Varnish, applying necessary number to get desired results. Allow 24 hours between each coat. Waxing--Apply a thin coat of Jap-A-Lac Wax with a soft cloth. Allow 20 minutes to dry and polish. Old Work The surface shall be cleaned free from dust, dirt, wax and all other foreign matter, as well as being perfectly dry. Portions of floor surfaces that have become worn, such as at door entrances, shall be carefully washed and bleached to remove stains. Surface Preparation--Make as many applications oi di luted stain as may be necessary to match the color of the floor surface. Open grained woods shall be filled. All stained and filled spots shall receive an application of Glidden's Floorette reduced 10%. with turpentine. If 1938-SWEET-00341 INTERIOR FLOOR FINISHES (C&nt'd) NjM'ri/icofion 25 1st Coat--The entire fl/or .surface shall receive one coat of Oliilden's FV-orette/educjjl 10% with turpentine. 2nd Coat--Alter the/wst coat\has dried 24 hours apply one full flowing coair of Gllddfen Floorette without re duction. t. y RAPID-COTE is a quick-drying All-Purpose Varnish that can be substituted for Floorette in any of the floor , finishing specifications. SOFT WOOD (Stain) . . . (Same as Specification 21 omitting tin* 2nd Coat of I'tislc Wood Filler) NATURAL WOOD FINISH . . . Specification 2ft 1st Coat-- Brush on full coat of Glidden Paste Wood Filler reduced as desired with turpentine or naphtha. (Omit Wood Filler coat on close-grained woods.) Allow to set 15 to 20 minutes and rub off excess Filler remain ing on surface, wiping across the grain. 2nd Coat--Alter Filler is dry. apply a .coat of Floorette Varnish reduced 10% with turpentine. Succeeding Coats--Full coats of Floorette Varnish until desired effect is obtained. Allow 24 hours* drying time between coats. \ -- PAINTED WOOD FLOORS . . . FLORENAMEL is a sanitary, extremely tough coat ing for interior floors: will withstand hard wear and repeated washings; made in a wide range of popular colors. `Florenamel covers approximately 500 square feet per gal/on. J coat. New Work, XpcciftCitiion 27 1st Coat--Glidden Florenamel. of color selected by the architect, reduced with one pint of turpentine to the gallon. Allow overnight to dry. 2nd Coat--Glidden Florenamel as it comes in the con tainer. If additional coats are desnatle, allow' overnight to dry between coats. INTERIOR PAINTED FLOORS ... Old Work SpccifictttUm 28 The surface shall be cleaned free from dust. dirt, wax and all other foreign matter, as well as being perfectly dry. Portions of floor surface that have become worn shall re ceive a coat of Florenamfel in the color selected, which has been reduced 10% with turpentine.. Finishing Coat--The entire floor surface shall receive one coat of Florenamel applied in the consistency found in the can. , GYMNASIUM FLOORS . . . New Work# Specification 29 1st Coat--Apply Gli^detf Gym Floor Varnish liberally to impregnate entire surface. 2nd Coat--After first coat has dried for 24 hours apply a second coat. Old Work Surface Preparation.--Clean floor of all stains, rubber burns and foreign matter. --Apply one coat of Glidden Gym Floor Varnish. FLORENAMEL OR CONCRETE FLOOR DRESSING may be used on concrete floors where cost is a vital factor. Use Speci fication No. 27. CONCRETE FLOORS . . - PLI-NAMEL has Pliolite as its basic ingredient. It is recognized as a long wearing finishing material for cement floors, for resistance to moisture, alkali and `acid. It is very tough and will withstand hard y/ear. Before applying Pli-namel, floors should be etched with a 107o dilute muriatic acid. This should be removed from, the surface with water after 15 minutes. Specification 30 1st Coat--Pli-namel requires no primer. Brush on one coat of Pli-namel, reduced 25% with mineral spirits, into the surface and allow to dry from 24 to 48 hours. 2nd Coat--Brush on a coat of Pli-namel, as supplied by the manufacturer. NOTE: Two coats complete the average job; however, an additional coat, same as 2nd coat, may be added if required, after 24 hours of drying. MASTICRETE is an excellent, economical' product for patching or resurfacing floors, and is particu larly good lor repairing concrete floors in factories, warehouses and basements, and on sidewalks, load ing platforms, runways, etc. It can be applied in any thickness--works down to a feather edge--and will bond securely to any clean, firm surface. ADDITIONAL INFORMATION ON REQUEST INTERIOR WOOD TRIM FINISHES WOODWORK AND TRIM HARDWOOD (Stain) . . . WEARETTE VARNISH is a high grade varnish for the finest interior use. It is light in color, extremely elastic, and durable. Wearette Varnish covers approximately 400 square feet l* ift *c* a I/on, 2 coats. New Work, Specification 31 Kj Coat One coat ui Endurance Wood Stain, of color selected 2nd Coat--After Stain is thoroughly dry, apply a coat of 'pure Shellac, that has been thinned 50% with alcohol. 3rd Coat--(Open grained wood only) Brush a coat of Glidden Endurance Paste Wood Filler thinned with tur pentine or naphtha to the proper consistency. Rub off excess Filter, wiping across the grain. Allow 18 to 24 hours for drying, and then sandpaper thoroughly to a smooth surface. Succeeding Coats--To be Wfearette Varnish. Apply two or more coats to get desired results allowing 24 to 36 hours drying time between coats. NOTE: Wearette Varnish may be rubbed down to a dull finish after drying 72 hours. 10 1938-SWEET-00342 one 1 in )ber vith rom one into by t of two )urs dull INTERIOR WOOD TRIM FINISHES (Cart'd) NOTE: Flat Finish . . . Lik-A-Rub dries with a rubbed or egg-shell effect without the expense of the very costly rubbing operation. Apply as a final finish coat after ap plication of Wearette Varnish. Lik-A-Rub covers approximately 400 square feet per gallon, 2 coats. GLIDDENSPAR is recommended for interior work exposed to severe conditions, such as window sills, bars and furnishings of hotels, clubs, restaurants, etc. -and wherever a long oil varnish which wtl^not '.urn white from water is required. 1 se Specification 5--page 6. RAPID-COTE VARNISH is' a new synthetic, four hour varnish that dries rapidly, staying wet just long enougfy-to permit free brushing, and that does not show brush marks or laps. It is absolutely water-proof, pale in color, elastic and very durable. It was prirhatily developed for floors and is cap able of resisting the wear and abuse to which floors ire subjected, consequently, it qualifies .as a fine linsh for any interior work where a quick-drying varnish is required. Old Work*. Specification 32 After thoroughly cleaning the surface and allowing it to dry. all chipped, scratched, stained or bare spots shall be touched up with a stain matching the color of the original finish. After such patches have been dried they shall receive a coat of shellac. Finishing Coat--The entire surface shall receive two coats of Gliddenspar or Wearette, allowing 24 hours between coats for thorough drying. Flat Effects--If a flat or rubbed finish is desired, the first coat shall he Glidden's Wearette followed with a final or finishing coat of Lik-A-Rub. SOFT WOOD (Close-Grained) (STAIN) Specification 33 (Same as Specification 31 ('mining 3rd Coat of Paste Wood Filler) HARDWOOD (Open-Grained) Natural Wood ... Specification 34 1st Coat--Brush on full coat of GIidden-Paste Wood Filler reduced as needed with turpentine -or naphtha. Remove all excess, filler by rubbing across the gram. Allow over night to dry, 2nd Coat--Apply a wash coat of shellac. 3rd Coat--Sand with fine sandpaper and apply a full coat of Wparette Varnish reduced 10'; with turpentine. Allow 24 to 36 hours for drying. Succeeding Coats Full coats of Wearette Varnish until desired effect is obtained, allowing 24 to 36 hours between coats for proper drying. MISCELLANEOUS FINISHES RADIATORS ... METALLITE dries with a film that closely resembles aluminum metal. It is heat-resisting and specially adaptable to radiators. Covers in one coat and dries to a smooth surface and will not collect dust or dirt. V CHROMATIZED PRIME& as a radiator primer, has good adhesion for the metal and unusual rust-inhib iting qualities. Specification 35~ 1st Coat--.Brush on a coat of Chromatized Primer in the consistency supplied by Glidden. Allow overnight to dry. 2nd Coat--One coat of Metallite. NOTE: Metallite is supplied in a compartment can and it is important that the powder be well dispersed in the vehicle before application of the material. JAP-A-LAC GOLD AND ALUMINUM give a metal lie finish and are suitable for use on hot surfaces. SPEED-WALL FLAT is so formulated that it retains its color even after being subjected to a high tem perature for a long period of time. . Speed-Wall Flat is made in 14 attractive colors. SWIMMING POOLS . . . Past experiences in the finishing of swimming pools have demonstrated the necessity of. treating each pool as an individual case. If the architect will ^supply all the facts that the painter has to consider, the Glidden Company Architectural Service will recommend a specifica tion that will cover the finishing of any type of swimming pool. BARNS AND FARM BUILDINGS . . . (See Specification 7) ADDITIONAL ARCHITECTURAL FINISHES Ad-El-Ite Hygienic Kalsomine Ad-El-Ite Paint and Varnish Re. mover Architectural Enamels Bar and Table-Top Varnish Barn and Roof Paint Euston Liquid White Lead Endurance White--Semi-Paste Flat Brick Red Flatting Oil Gloss Interior Enamel Jap-A-Lac Enamel Japan and Liquid Driers Liquid Roof Cement Metal Protective Paint Paste and Semi-Paste Paints Polishes and Waxes Pure. Colors in Oil Reflect-O-Lite Washable Cold Water Paint Ren-O-Wax Shellac Speedoleum Varnish Titan-O-Zinc Enamel Titan-O-Zinc White Paste Paint Wallpaper Elixir Zinc-O-Lith Enamel Zinc-O-Lith House Paint Zone Marking Paint--Romark FOR FURTHER INFORMATION WRITE THE GLIDDEN COMPANY. CLEVELAND. O. II 1938-SWEET-00343 17 GLIDDEN QUALITY Since 1870, GLIDDEN Paints, Varnishes, Lacquers and Enamels have been known for their fine quality. NOW--that quality is doubly .y'--assured to paint buyers by the fact that all outstanding GLIDDEN Products carry the famous "TIME-TESTED" trademark, which is recog;:i::ed everywhere as absolute proof of dependable quality in Paints'. THE GLIDDEN COMPANY M ^ National Headquarters CLEVELAND, OHIO ^ Factories and Branches in Principal Cities Throughout America 3 938-SWEET-00344 17 20 \ COVERING THE USE OF DUTCH BGY PRODUCTS 1938-SWEET-00345 c `Good pain t'other aatn6* if a i41 Dutch Bd\ white-le&d But it is iJhrOie thair jusf^\ express- the experience of thousand's of architects; ^nerflaaBt^parinting^ Jrr Lontractors who ha\e specified or applied Dutch Boy Shitkft^ojj^manyf ,, 4 thousands of build-uYgs-w - who 'have'watched ~DutrH'-:Boy..' r' '' ' ^ ** 1 weather exposure . who have* seen Dutch Bjoy bea interiors,: .^^ippg'Sf 3 , ' IFod ay,i'the standard'ih. q ft SecrK;n^A^conta^^^R;dU?^..^l'ilSh: specify ;t'he .rpateriais,. tqf^ useefifaftc{ ,5\ gawr^^arpher- be carried fohvardi ; , ' ' '' -Section.,B"-c.ont-ainf?the^&ectlnris:'^ii-' surface^ reparation and app|$3h% df the parfiiyilar Surfaces t.o;he.fainted- . ;. 4. 1 ''- -In preparing specifications for' theipaintingfeon^ tif'tse paragraphs that foyep'-the. exact vvrtrfc tp, frc||ioi|<;, ' Ei:||hei-user'sfcon. employed letters ,and.' ^fflerals to designate tlie^s^ptidks;' .^8r' main- dfvisic graphs of the latter. ' . ' '. ' i . '> | I f desired/deipif.df'A^rk to' he d one "as; w||jfn^:.fedfe -q MM? written (u^in'^p^^he^ details.'.of: fnllnu-ujg.-^Iause: ' ' '; '^ , utider tint conn act, except as '" '. '^heated i/PstrUt confoi mityteith the Piifnttn^ of Dutch Boy Products as issuedb\~KatiOJidl Lead G$fnpanyxdjf(fmj?M) tire hereby- declared and made part 'pf thi<! spfetficatio \/ . .''.; . and iffeet as If iqfitten herein " . ..M-KIHIf.p>*V....- m--- , General Requirements ............. .'. .5, ...'''Pqintihg^Wo^ Mcfte-rijls Specification ...'............... ....... 6... Pqjntin.g.`'G6h^^ie,^f|^qfS.;2'; Painting,'Ne.w Exterior Wood..;............. 6' Pcunting.^tdL,l...^^:41.---- Repainting Exterior Wood ....... 6- Painting fyfetal 'Wh6ti|Guick- /Painting-Brick, Stucco,- Stone, Concrete. 7 'is Required ....-, / Painting Interior Wood.........'..... '........... 7 . Nptes on Extenol-Pai^tingi-j. Painting Interior-Plaster........................ 8 ., Motes'on Interior! Painting*.; n NATIONAL LEAD Ml BROADWAY, NEW YORE Brunch addresses nr,t tisjed on`-hnck cover. 2 C H B @'" Y : ^ 1 N X I N. ^ S- ICATIONS % /'" j .EsfeA.^ 1938-SWEET-00346 mm fit THE DUTCH BOY LINE A QUALITY LINE OF PAINT PRODUCTS A qualify line of paint products, is tnarkcted-^nder the Dutch Boy trademark. It in cludes nearly all the materials needed for painting any type of surface, interior or exterior. To the architect tins Dutch Boy line offers a definite check on the quality of every hrushful of paint. Inferior materials--even those used as sparingly as colots in oil or liquid drie,r--sometimes impair a paint's protective fir decorative qualities to a degree out of all proportion to their volume percentage. Each Dutch Boy product is of the same high quality as the haste materials . . . white-lead and red-lead. Each is a tested product . . . tested in the laboratories of science .and of praeticn! experience. Although intended primarily for use together, each also stands, on its own merit, as the finest material available for the purpose. The full Dutch Boy line simplifies the preparation of specifications--they can he made "Dutch Boy" throughout. Furthermore, the presence on the job of the brilliant orange and black containers facilitates inspection. DUTCH BOY WHITE-LEAD 17 20 in at the factory with special mills. This produces a white-lead which can l*e thinned to paint more quickly and more easily than heavy paste. The resulting paint is exactly the same in cither cae '<1 it is simply a matter of personal preference which form of white-lead shall be used- both forms of white-lead can he ued for alt jobs . . . cm interior as well as exteriors . . . for hat or eggshell as well as gloss finishes . <re sold in too-lb. steel kegs and 50, at and ij;.--1b. steel pails. DUTCH BOY LINSEED OIL Dutch Boy linseed oil is clear, uniform and well settled. Since it is easy to adulterate linseed nil ' hut difficult to detect the adulteration, the safest procedure in preparing specifications is to specify a brand uf known purity and quality. Three types uf strictly pure linseed oil--raw, boiled and standoil type are marketed under the Dt^teh Boy trademark. DUTCH BOY RAW LINSEED OIL--is the filtered nit obtained by crushing the finest grade of flaxseed. After filtering, the oil is permitted to stand for a long period so that impurities may settle out. DUTCH BOY BOILED LINSEED OIL--is oil which has lieen put through a heating process during which certain drying compounds are added. It is thicker than raw oil and hastens the drying action -if paint. DUTCH BOY STANDOIL TYPE LINSEED OIL--is pure linseed oil which is treated by a special process. It is called "Standoil Type" because is similar to the bodied oil made by the Dutch anil long employed in preparing high-grade enamels, its use gives improved gloss and better leveling (tialities to white-lead paint, reduces the tendency toward dirt collection and helps prevent paint Doubles due to absorbent, weathered surfaces- All three types are sold in 1 gallon cans and 5 gallon drums--sfatrd at tht factory as a guarantee of purity. DUTGH BOY LEAD MIXING OIL Dutch Boy Lead Mixing Oil is a companion vehicle to Dutch Boy linseed oil. It was developed for a particular purpose--to provide an oil which would mix perfectly with white-lead for the sealing and decoration of all porous surfaces--plaster, wallboaid, concrete, brick anti stucco -- whether on the inicriur or exterior. A special virtue of while-lead paint made with I.cad Mixing Oil is its sealing quality. It stops Miction on plaster and wallbuard and on exterior stucco, concrete and brick. It fills up fine firecracks and forms a film that is resistant to water ami moisture penetration. ft dries to a soft fiat finish. The surface i free from bntsltriiiirks or shiners. It retains its good appearance, despite frequent washing yntl everyday wear anil tear. Paint made from Lead Mixing nil has the eav working qualities characteristic of white-lead and linseed oil. It tints and brushes out easily, It hides well and spreads far. It products a solid, durable finish . . . and give- KfcAt. economy. Dutch Boy l.rad Mixing f)d |s available in irulr.l 1 gallon can' ami s gallon drums. DUTCH BOY PAINTING SPECIFICATIONS 1938-SWEET-00347 DUTCH B Color in ml a f-/rSnftmWe'ftdftfi Otners are chemical cdmpb For accurate ffoftng, tola should fcaye a high tufting tlfit The pigment pa.rticll ,sfio person n ihe paint'* C'ar-ffeeuifi the sesentv fi\ ye-ifs of color tlwse qualities . election, Dutch Boycolore in. 0^.3 Sepspeecciaiallllyy jjnnaaddec ffotjrf ttfihhttmmgg wwhWmMdeeaaddp'paainmt^^TJftWfimihii ^%^00-t ihVifmng Th^jpe^e-rapidly ^erlSfrp firf mg Thu tffey `aYe'time-linl^^la'] boi-foft-the rointer There is'Vwfde rMige-df'c9plofbrrv^minthe,, Dut^BowW The^oW^i^r^ nuprt md "yi jpifit caii 111(1 n a*ouuee tubes DUTCH BOY WALL PRIMWEERR at? nnmrp i tip &a<. '> ^ 4 %\ I v V'i .-t1* ^TOiigsauiijiueais! ;;hiacrI Pam^ V^f'i a.se",,ng 1,9u,a;r?M. MU' k~ttOfaljj:/fAt ah\ typer Dutch Boy wrtj pritner works easily Under the-behind penetrate the surface uffic&ntlv in r,w sss^ a ^ P"feci or Hrer* cqato *hitc Iead fiit JJr Dutch Boy Wall pnner is old in 1 quart and 1 gallon can and 5 gallon Juts. ~ . ,.' ^ ,.p ..s4 - DUTCH BOY LIQUID DRIER conea^o^oloflngTh^ob!17 ^ ^ dr*,ng and WnnUmg If rt **< * Iow1^ Ti ind du't ` \ Dutch Boy liquid drier 1 a dependable drier made'especially for yse- with Dutch Bov white-lead a```" ^fcrAar* i!T ,t00 "<& *** un-ua^ strong drSr-of die beTknoKom^ uniform nallnce3'! "br,.n^ abom elh\ent drying The content *of ever? cdhtainer Se eiiSy^hJ? uniform in ttength md uniform in insult. produced-, if will notcurdltror di*caloE.the-pamV It 1 void in Ji prnt, pint, quart and gallon can 6 DUTCH BOY RED-'LEAD Red lead paint i\th- tandard coating \r the protection and preservation of iron, teel an metal urfaces. No other pa.pt thus fa^deVlop/d, ether m the laboratory or the field, ha' %T to b^ its equal for th P^po e^ Properly mix^d and applied, it remains for many year a an unfto clovelv adhering coating sufficiently elastic\to follow the movement of the metll* surfaced expands and cohtract*-with temperature changes This extreme durability is nor only de ifabi^ the technical standpoint, but it makes recWeajfvby far the moat economical rfaint^foi: the/pe ma uemnee of largb/ir mall metal structure on all tvoes * * Just as pure red lead excels other punt raa^nal 'a a protection for metal, 0 rfoe/'hfeliU rx dired red-leid--that 1 , red lead containing rriore than 97% Pb <3,--excel other revd feadVwfetf lower tine rid-lend content Paint made from'highlV oxidue'd red"lead ha 'better keCo ** ,iut .i.s...e..asier to *n>rorLv -am-t his -^ trr*atfT m*Hr4+vaiAuu**it<* tru\^t<f%L<*iivv. 4t1 pcoaj uc_e a unif/or.m H2i$m. ot density and thus is more durable and more re istnht to destructive atmqcphencTinflu.ence ^ ,* S Oniv this better rvnis nf rM<tqiifin'i>. <La,fnl 97c/6t, prt)inU,...i_s..auLsejd.inv.the1 pa re-tr>e.vreadyWiT ground in pure linseedi oil. It is sojd inV Du t c h BOV DUTCH BOT LliuiD^l^lJ tidn-of a smali amouhf facilitating inspec^on., a hea\y-servi<;e ready-tb-use'-i^tnA ';of-lm\fed oil. It-re unexcelled riSotl aces thhyhavc to vfifhstahd extreme 'ex'posurir a^t and>gallon cans. ...w to No ' 6* but contafos coat` ^id-^^on4Tum, '?' (BDAc I^ a ItFtig-o.1 black pajnt designed for finikng^ of car3 ^S';? better;d^^fr^es are Usually found m patmseomammg-a Jarge\fi** " '?f: k* wpecally .viiuabic^as a ^h coat in industrial localities where oot the atnKK>ph$re result in dn^imme^ia^ j - 5 gallon kits and gallon cans. TV DUTCH BOY QUICE-DR'raNG Rgp^M/PBJMERr'Ia a special type of red-lcpd paint designed fq^' use when the available drying tinVe ;is.|sh'ortv. It dries for recoating in from- four to six hourvSkaY hc^ painted over the siime day if necessary,-It colitain;sno#ng but pure highfr-oxidiied rctf.lead,gro\ o1,?ivhet,?/"iu VChl- t f" add^J?r * primer has -excelle'nt pAtewvr' qualities: It adheres tightly to metals, is/ehstiCraad rejstant to water and abrasion Jt holds well anv * Pf>1'ed oveiyc- Jt can be used :fo.^4^^Mu!h'&ris'pfay application and is' se!f-lAhu, a features which produces agfilm of very -- ________ .W1, .. ^ ' '& . ao galloii drumsr 5 galI(T0tkit^TWla1Uon't*aM; P A I N X I jNf G 1938-SWEET-00348 y mm PAINTIN G A Covering 'the U$e of ' -> 20 is^nr. s t7 DUTCH BOY PAINT PROD Notes Regarding Specifications If desired, the general requirements and workmanship), as set do<tbA in Section./f> eran he omitted in detail and covered' by the following clau-Pe: AH painting work tinder^ this ' CiK% * i-fSVS. . Ji. 'V cation, with the same force anc^ effect .as 'if wpjttcn*/serein in 'full, SECTION A PART^ GENEHA^'REQUIR 1. GENERAL' CONDITIONS. ? \ 7. STORAGE \ ' .' t .** * '* * The General Conditions of the Amerjfan >stitfttt of Architects,\ The painting contract^ shall-store his materials in one place In" latest edition, shall form a part of these specifications, and all .\he building, anil such storage plate shall he kept mat an<l clean work, shall be subject to thfe provisions thereof, insofar as they and all damage thereto oe to its surroundings sha^.ht made goo.1;^ apply to work urifter these specifications. n'e being takfcn in'the storage of. paints, oils, eur. to p'revent all . 2. WORK INCLUDED (l-aligdrrof fire. Oily rags shall be removed front tfe building every day-ppon the.'siopping of work. <Jj, ' * '& (a) The painting contractor, .shall supply all labor, materials, . \ ; tools, staging, and equipment necessary and shall perform all g f.T.fegMlWfi painting and finishing work in connection with the building described as follows:' `j ' {b) (Here describe generally the work which is to he painted,*) (r) (Here also describe work which is to be primed under other specifications but finished under these specifications.) - 3. -DRAWINGS (a) The painting contractor shall be furnished all drawM* ings, details and other (pfofmation necessary for the painting of, all classes of work which ate to receive a painted finish. (b) In the event of any doubt,or question, respecting the draw ings and/or specifications, reference shall be made to the architect whose decision thereon shall be final. 1. ^^PLES (( a)l^SRammppllees of all finishes sha5l be submitted to the accbitect for approval before applying, and finished work shall match same. ( ) The painting contractor shall carefully inspect each surface before applying any finish and, if same is not in proper condition, lie shall notify the architect dn writing. Otherwise the contractor will hp hdd responsible' for any defects in the -finish arising therefrom. ' Upon'fcompleiibn of the building,.* the painting contractor shall remove a!\piint spot* from- all7 finished work, and shall leave the entire premi\ses free from rubbish caused by bis w*orS; and shall remove his equipment, from the. pwmjses, He shall present'the work clean an^ free from blemish. (Washing glassV.s not intended to be i n--cclu4*d1.ed in this specification, nrchlltct wishes it to be included, be should specifically itwrutuaj it.i 9. .EXTRAS. %. '.'; TWe-paipting contractor shall not be entitled to4 payment, in excess of the amount agreed <tipnn.,(n his contract for any Vxtrc work- over and ahoy* that specified'herein, unless author,izetl -In writing by the architect or his-superintendent. , 10. PROTECTION OF WORK .r It shall be the painting contractor's responsibility to .protect hjs; work, and the work of all other contractors during the time hts work is underway. He shall be responsible for any and. all dam age tQ the work or property of others caused by his employees' or himself, -* ` * .. . .Vj : * 5. INSPECTION . (a) The architect, or his duly authorized representative shall have access at all times to the stock of. material* and shall be furnished with every reasonable facility for ascertaining that the .workmanship is-in accordance with the rcVjuiremfnts and intent of these specifications. * . (b) Defective work shall be made good and unsuitable materials may be rejected. The architect reserves the right to replace both at the expense of the painting contractor. '* 6. ALTERATIONS AND REMODELING All present work that is'removed and reset or that is affected in any way by the dlterations sytd remodeling, shall he rofinished to match the finished surfaces adjacent thereto. 11. WORKMANSHIP * (ay Before any painting is,,done, all surfaces -shall he clean, smooth and-free from du,st,- dirt, grease, mortar* rust and othe* `foreignj^subltances and all) parts where paint regtoytel h-as been used snail bit washed off with turpentine r benzine. , (b) All paint shall be- evenly.-spread atfd thoroughly brushed out. . \ (r) No,'coat of paint shall be applied on a wet or damp surface' and in no case untilypre'cedihg coat is dry and hard. {./) .No palming shall be done t>n outside work in extremely eolii, frosty, foggy or damp weather. F&nting done fri winter weather shall be done only when the temperature is abo^e-' 50F and. when all 'surfaces arfe* dry*, , V -* ' ' v. 1 V;. > PUTCH BOY PAINTING S P E CSt FI C A t I G N S / 1938-SWEET-00349 M MATERIALS i-J) DfclLR--All 5ner usted ^halh be braiHl w luch-informs, to Tyjxularf .ihejateenFederal? tjn.s.for liquid .paim drtei% .* <> ! (<n LI VD--VII whiierfeud shill 1)6 pure ^vhu-e I/rjd ) f'Dutch 1i|)t l>i and which cofifojfhs to the lites* spebjficitions of ihw VmeTic 11 * jfiietv for^TTcsting Materials , O' V ARNKJf--` All vgrnrchi v'xrnistf the protMict of Sh \! HI D L/ \H-- \]1 re 1 lead shjll be putt reel ieid of- Dutch (i).SHfiEL4fc \ARjnSJI- ,, il v Urlucl winch <^form*to the htest specifications of the Arncr f rum ro m arid c jpppoieed of ppuuai c .gum shellac cut tjn pmje delta-*- i m `wets /m I esting Materials - ttuirrreetjl aailccoofhtooll,, uussiinngg fbu'r'pounds dfg.um to tit* gallon' ( OI OKs IN Oil-,MI Colo's m oil shill he oF Dutch* Bov* J/) prlTY--Poftv shill be composed o/ pure amf / -V i i\sn n o l ito\ir im seed * <* id i*h I! he pure linseed -nil ' ^ wbrring mixed with ptlre lin eedoil to pwp/r (Consistency anti if shill conform r white Jeid jfvhmnjLputty., Glass $ of trt^f-atest > ."Dutch' H<iy hraji'-t 'which' coniffoorrmmss to t,h.,e7.J__it_lst spec ficitn ns if pGcrficitdns of^efit* .Vnfeficin-SoCrtty f<Tr Tfesrjnir VfaferfSls Fosh& .li \iih i . .in,s.uny fur rc'*tinn<gr.N\tIia^P^..5ilt>, , mmieOfai ! s i^-Hb c a tUth.e pimg--ment m__av in..ciludie toy*, po"wdered lith> arg*e ^ * \ r * APPLICATION .....1...*......... ....... f n /*-?!.(cic list and- <1<'<iiv<- surfaces .to be'.pa-jntciLH ' v ; EXTERIOR WOOD -- ' : '-' % FORMULA No 1 -- " Pruning Coot--New Exterior Wood wmk ^ '] (/* I)iir .7iui' ivjtp.ttnv casings. jmiNiuns. etc. ha.lt.*be..>anded to ' MVrritfU , Ditch Boy white-Je id v SOFT Il Tt J iK^VtP^sTE i ioo pounds *T roo pounds ' . i VeiHHve li'iD'fe edges left by'sanding machine.`AH surfaces sbatHre Dut'cfi Boy Iinseet! oil , + gaffon> 4. gallons i freefrom slivtj^s, .spl'ffiters,' etc/'./' ' y ' _ Pnrentirpehtine ty4 gallons , .'^gallon If % Dutch liquid dier . . . *1 pmt `i^p The above formula malees 9 gallons oi paipf which (.t;) A,ftt.r jvrimlngr iylat ; &}y, -knots -and.-sappy streaks 'shall rev- covers about 600 -squafo feet per gallon, one coat. ^ve>one <o.ir .pf^ FORMULA bccopu.CoXt-New No. 2 / xte^WooA, s. # ^c. ^ .ii.hil holes, etr/shaH be'puttie.a-with white-lead pwtty. ` \nriRiu 1, s o Tt p Xs t e * Wav .y 'f a s 't e v s . j(/| '' ' *.' ' 4 . Dutch Bov whiti-Icarl , . too liounds too noiitld*'";*wi'| <-J) Air .pjpnting 'WoiA 'shai! be. allWed-std's/h'y fr.om .fo'u^'^i.six DInurtcrhh BMonvs..IIm.nVtec.-dd.o.il . ' .1./1/ ~Ka-liila^n.s. . f1-5.4/.gLa.irrottt f-^1.-'*'^I da'S's' l.iefj.re the"ifext- eiXii.. ^.applied. '.V isif. Pure turpentine, > Dutch Bo liquid drier! & ^nns iyA*nW&J$ *1 Pint , ^ *1 vpmte < a. ~;.i f.^-P All siu-ty<>.Mi.5m""b"r".prvuned...w...it.h...pdrnriula Nov: i^h'4 ..{ecelyc,' , ' * THe above iormula Aiakei fi gallons oi ppaaiinnttw, hich covers about 700 squeresieet per"gallon.-one < ,1 iiwo adriiti./njtl-coats..urfOK Formulas No.2 aii'i'^Ovj.Are^perfiyidi;,-' . FORMULA No. 3 . 4 ' Finish Coat--New Exterior Wood f' ' *,.'?C' '; If .culurs'-'otiie^ than, . -.V white aj-e to. {be :V'";V;.' U^edv th-'e- nece^sarv.*' ' DiWkutitcchh''jIBB^jj(TijyivyI r vtMvfViViIshjhfSieittcec--dllead ` - lintine mtt*aTister*riarl-'-..!.,s.Jt(^rftd.md-..ubce uaududceud wfo..inthy_? Jlaa.sstt..rtwW^tc^;o'cad^a't-Jo!:t-vo-f`p;-paawHn:i't;;.''?>'.. mPuirree^tuturrppeenjjttiinAee '*) 1 1 '^pVlificatuujs, of colorva'nd where tb ar? fo b^use'd 5shovtr|-c) ije-'.'': D'^bBoy Kqufddrier >* \ - " s o f t p.vsi it ' ,, t o > pounds ^ 5 fp^lons . ~'i' ipPinifftf HtAVY 3'*ga i pi TpTeff!' -nt.inieudi hhneeerrreee.yrr '* ` *' .......4.......... ~ > 4-3' " 1choevearosoavenoiount m70U0a smquaakeres bwvo^t apl^emr gsaolloi np.aipnntwJchoicahtv - n '-fy- ' 2. _ Ifty-X i-U-rc iist .and(ieScnbe surfaces '^0.be.pa|"5ii:''J^ : ' 1 v" '' ' ' ,* - ' " " ^ . , ,f ' \d)' AiipifntingAv;ork/sha|l'b'e p'j'h alltfj^hd to '' dry .from ' i ', ..; four-W-six". . *i_ / . Tcohvee'arsboavbee,hibl..r^m,Qu^ltSt:gtrhiaakree8fe7etgaplelorngsaolloi nnpp.aoinntetvchoieaht. >'J ' ` days'before the -next*coal 3s-aj)pilcd.' ' ' ' / . ' 'f'^BMULA No' 5 ""/ ../ Al) surfaces shall rec.eve ,two coats. o..f. paint, using Tormula` s . . - '. PFiivnitiaslih'. #Chdf>c|ti.9p.!3*iW*in#*t^|iM-'|%l4v 4.ami. Nb.^re^:p..rc t..viy..-iK.^.-y-..,',.;*.' v ' --'--'------.. . H-M.* .-v*. l%,. thM.A^yTi;w'wAbifis-'."|egd..;vjv...................^o-SqOF.pTToVoSt^E, . - .M;<BAyr y - ' :#! *: &?*& ^-*8. are ^ ** " 3^ -.1j.< i ii `cojors `^therthan- svhite are to ,be. used^the^ necessary ' .timlOK ' j;atiV/ns Biaterialsvs'hohld'"be.-added to <>i cjdrifV*. and where they- are both coatsto 6e` used of paint. Specifishopuald,n,b. eS.sftated ,mak0I 6,A S* o! paint v^' 'fieri?'). -" " ' vcpvg^ftfiia^-:70tDjlquare-1.fft/ f|||^ r!~rfl^Jcti|w%^u&&,'rd^*drier^i^{.phit..y : 6 . &V T; C p . B O Y P A plf T I N;q /S 1938-SWEET-00350 ic ATIOIJS ,. 3. PAINTING BRICK, STUCdS, STONE OR CONCRETE - (a) (Hye )it and'describe surfaces, to be painted.) '% */ - (/>) UNPAlfsJTED S'TUCCO OR CONCRETE--winch has noJ ' '* ` * 'FORMULA No. 6 Coat--Brick. Stucco, Ston'or Concrete * '* . V. , , . .. . ,, y MATERIALS SOFT PASTE been allowed to age fora period of six months or longer, shall bfe Dutch Boy .white-lead............................... too .pounds HEAVY PASTE 100 pounds treated with- a solution made by dissolving two pounds of zinc* Dutch BoyLead*Mixing Oil...... *4 to 5 gallons *4,to $ gallons sulphate >n one gaifon of water. After the zinc sulphate solution Th above fonnulai-inaked from 7 to B gallons of paint '* ' has beep .applied, .sufficiertTfiine shall .be allowed .for the. stucco ' whlch about * * gallon., m coat 0 or concrete ta-dry;-before priming. A- -- . (r, UNFAINTED BRICK WORK--shall'be b/ushed vigorously f FORMULA.,No. 7 ^ Second <&>at--Brick. Stucco. Stone of Concrete M'ATERtAts s o f t 'p a STe heavy past e with a wj|g brush- to remove -efflorescence or 'bther foreign sub- _ Dutch Boy white-lead...............................rod pounds xoo pounds 1 stance^, .fjmaiiy mortar has become loose or damaged, all such * Dutch Boy Lead Mixing .Oil...... *3 to 4 gallons *3 to 4 gallons places shall be pointed wifh motar before paint is applied. After .. priming, Kigali defects in the surface shall be corrected with putt/. ' The above formula makes 8 to 7 gallons of paint which covers about 400 Square feet per gallon, one coat. > TMEv.ousLy p a in t e d s t u c c o , c o n c r e t e , b r ic k , IftdcS, .OR STONE SURFACES--shall be .dry-hrushed before pa.ntmg If the old paint is blistered,, cracking'or scaling, the surfaces-shall "be brushed, vigorously with a wire-brush before painting. in rNPAINTF.D EXTERIQ* BRICK,"sTUCf'O. ST<9\E OR ,'oW'BETr\'i-or*r>Vi; " #c ,. , t.ONCRE I E SURFACES--or all saicn surfaces which have been wire-brushed to rjtfiove completely The old paint, shall be primed' with Focmula No. 4 hnd shali receive two additional cats, using ma t e r ia l s , ,. so f t past e heavy past e Dutch Boy white-lead................ .............. 100 pounds 100 pounds `Dutch Boy Lead Mixing Oil...... *3 to 4 gallons *3 to 4. gallons. The above forAiula makes 8 to 7 gallons of paint which covers about 800 square* feet per gallon, one coat. . '. . . j ^em*'oss ^***1,^ ' ^ ^h,rd Coot-Bnck. Succo. Stone or Concrete > Formula.No. 7 for the second coat and Formula No. (Mf finish; Dutch Boy wh}te.|eatl..............................too pounds 100 pounds 7, semi-glois finish; or to, gloss finish) for the finding coat. -Dutch Boy Lead Mixing Oil..... *2 to 3 ga'lons *2 to 3 gallons (Previously painted surfaces on which the old paint is in good Spar varnish ................... ......................... 1 gallon 1 gallon condition do not require* the priming coat.) * ,, , .... '(/) {!( brick* is to he lined, it should be so specified Ijere..) ' ' - . (g) INTERIOR BRICK, STUCCO, SIO>jE OR CONCREI1-. The above formula makes 6 to 7 gallons of paint which covers about 600 square feet pet. gallon, one coat ,,,,,,,,. M ,. . < FORMULA No. 10 (Glossfinish) Third Coat--Brick. Stycco, StoncTCDr Concrete * SURFACES--should be painted.t-he same as interior plaster. See ma t e r ia l s * so f t past e heavy past e paragraph'(/), Page 8. Dutch Boy whtte.lefed.............................100 pdtand* 100 pounds t/r) (If colors other thafi* white are to be used, the necessary tinting materials should be added to the last two coats of- paint. Specifications of colors and where they'are to be used should be -tated here!) pure turpentine ............................................................. ... , ,)uar, Dutch Boy liquid drier................ ** pint *>1 pint The above formula makes Gty* gallons'oi paint which * covers about 800 square" feet per gallon,* One coat.- 4. PAINTING INTERIOR WOOD . ,/:^; t) (Here list and describe surfaces to be painted.) 9 tj>) New woodwork, shall be cut smooth with sandpaper where .. required and .lusted dean before priming. , f * (<) Old painted or varnished woodwork that shows bad cracking, checking or scaling shall be stripped by means.of a good paint and varnish remover, and then cleaned with benzine or turpenrtne.^Voodwork that is greasy or coated with wax should be. scrubbed clean with turpentine or benzine before panting. FORMULA No. 11 ` Priming Coat--Interior Wood ma t e r ia l s SOFTPASTE Dutch Boy wlme-Ieatl.............................too pounds Dutch Boy Hnseed ()il.............................. 3 gallons '' h e a v y EASTS too noundfv . 3 gallons Pure turpentine ...................................'.i-kj gallons Dutch Boy liquid drier.................. j pint 2 gallons 1 pint ,, The <*bove formula makes 8 gallons of -paint which covers about 700 square feet per gallon, one coat.' * ' ^o. *\,r ma t er ial s :*C" heavy- past e ` ^ - (<f)'All nail holts, cracks, dents or other defects shall be filled- wi(h white-lead putty after the priming coat has dried. ,, (<'). All unpainted yvood, or surfaces from which the paint has been removed completely, shall be primed with Formula No. 11 Dutch Boy \yhitq-lead.......,.................. ..100 pounds Dutch Boy Lead Mixing Oil................. 3 gallons 100 pounds 3 gallons The above formula makes 6 gallons oi paint which covers about 800 square feet per gallon, one coat! . t ' FORMULA -No. .13 (Flat Finish) Third.Coat; InteriorJWood and shall receive two additional coats, using Formula No. 12 fog the second coat ahd'Formula No. (13finish; or 14, semi- ,/loss finish> for the finishing^oat. (Previously painted surfaces on which the old paint is in good condition do not require the nrimine coat) ' Pfipimg coat.) ' * . $. Dutch Boy white-lead............. ................100 pounds. - 100 pounds Ddtch Boy Lead Mixing Oil................. 3 gallons 3 gallons The above formula makes 6. gallons of paint which covers akou 800 scIuare leet gUo* <> coat FORMULA No. 14 (Semi-Gloss Finish) _ Third Coat-Interior-Wood 4f\ (If a gloSs, finish wanted on interior wood, specify a pre- |)(I,ch Boy white-lad............................. 50 pounds 50 pounds .pared enamel for the third or finishing.coat.) . . ' Dutch Boy Lead Mixing Oil:........... '....i 'A gallons Dutch Boy wall primer................ 3 gallons i'/> gallons 3 gallons 1 oj. (If colors other than white are to be used, the necessary tint- The aboye formula makes 6 gallons of paint which ing materials should be a'dded 'to the last two coats of paint Sped-fOVer* about 800 SqUC^G ,eet POT aIlo"' one coat* fications of colors and where they are to be used should be stated .' bere.) 'The minimum 'Sittmwt 1 Mixing Oil should be used when the greatest amount of hidine is desired, * * If. bpiled oil is used, reduce the drier to '/{ pint. * _________ :---------;-- -----------------------------------------------------------------------------------------: DUTCH BOY PAINTING SPECIFICATIONS 1938-SWEET-00351 11 20 5. PAINTING INTERIOR PLASTER . (a) (Here list and de-cribe surfaces tn be painted.) FORMULA No 16 . {/j ) Before any paint, is applied, planter surfaces, either $ew o t ' Second Coat--Interior Plaster old, shall he made clean and smooth. (/) All cracks and holes shall he filled triih plaster of palris or approved patchtffc plaster. Large rvack'aH>>re filling snail be opened up itwdovetail shape dear to the nnh and snaked with water. The-filling plaster shall he leveled off even with the adjoin ing plaster surfaces, ami when dry shall be sandpa^ped smooth. {,/) WalN that have hern rnldmined shall be washed until all calcimine is removed before applving any paint. (V) Where new plaster to he painted is not properly aged, the surfaces shall He treated with a solution made by dissolving two^ pounds of /inc MiJphate in one galloti of water. After the zinj sulphate solution has been applied, sufficient time shall be'-allowcf for the plaster to dry before priming. & if) All plaster not previously painted shall he primed with Formula No. 15 and shall receive two additional coats, using Formula No. 16 for the second coat and Formula No. (. 17, fiat finish; 17-t. Spninl flat finish for stippling; or 18, srmi-gloss finish 1 for the finishing coat, [piaster previously painted does not reeluiff the priming coat.) lg) (If a glo" finish is wanted on interior pla*ie.f,.specify a pre pared enamei for the third or finishing coat.) ( (hi (If colors other than white are to lie used, the neccs-ary tint ing materials should he added to the last two coats of paint. Speci fications of colors and where they are to he used as well as any instructions as u, -peciai decorative finishes should he stated here.) MATERIALS SOFTPASTE HEAVY PASTE Dutch Rpy white-lead....:............. 100 pounds too pounds Dutch Boy Lead Mixing Oil....**3 to 4. gallon* **3 to 4 gallons , The above formula makes 6 to 7 gallons oi paint which covers about 80& square feet per gallon, one coat. FORMULA No. 17 Third Ooat--Interior Plaster (Flat Finish) ' MATERIAL SOFTPj mI . HEAVYPASTE Dutch Boy white-lead.............................100 pounds 100 pounds Dutch Boy Lead Mixing Oil...."3 to 4 gallons **3 to 4 gallons The above formula makes 6 to 7 gallons oi paint which covers about 800 square feet per gallon, one coat. ^ FORMULA No. 17-1 Third Coat--Interior Plaster (Special Flat Finish for Stippling) MATERIALS SOFT PASTE ' HEAVYPASTE Dutch Boy Arhite-lead.............................100 pounds 100pounds DutcwBoy Lead Mixing Oil.....'......... 2 gallons 2/galktpx The above formula makes S gallons of paint- which * covers about 600 square feet per gallon, one coat. NOTE: for a stipple with o somewhot sharper texture, Dutch Boy fiattinq oil : instead of Lead Mixing Oil moy be used. The quantity should be lowered to U'/i gallons per 100 pounds of soft poste and 1% gallons for heavy paste. FORMULA No. 15 FORMULA No. 18 Priming Coot--Interior Plaster Third Coat--Interior Piaster ,, * `Dutch Boy wall primer (Semi-Gloss Finish) (or) MATERIALS SOFTPASTE HEAVYPASTE !tl mRi.U.S ^ SOFT PASTE HEAVY PASTE Dutch Boy white-lead.............................'50 pounds 50pound^ Dutch BoV whitehead............................ too pounds too pounds Dutch Boy Lead Mixing Oil............... \y< gallon*.,. gallons Dutch liny Lead Mixing Oil..... ','4 tu 5 gallons 4 to 5 galjons - -Uuteh^goy wall primer..,...... .............. ...IJjallohs 3`gallons The above formula makes 7 to 8 gallons of paint which The't j bovo fonirirfa'rrtake'ff;6``gallons of paint which ` " covers "about 800 square feet per gallon, one coat. covenfBEout 800 square feet per gallon, one coat. * I jiitrli 'It. > wall ],riiin r -li'-ul.l ;ilii> !>< -i"'cilir.| when walls arc extremely porous or in ail otherwise poor condition. It covers about 81)0 square l.-.l j.<- imII.'M. one V.'.it, 'The 1.iiuiinuin .......... .... <.f f.i.ul Misuin Oil slimiM lx- lived wlien `he maximum amount of biding is wanted. i r 6. PAINTING WOOD FLOORS (a) (Here list ami describe surface'. i<> be |uit*ied.) </>) AH wood Hours shall be rleahvd and sandpapered smooth before painting. If the old paint on a previously painted floor is in had condition, it should be remove^ by planing, scraping or by the. use of a liquid paint remover. 1, ) AU work shall he allowed to dry for at least four datA before ilie next coat is applied. All Hu-c-rs, (t<si prtrvly pU-sl, r f' --m Ss'litAh IfeS {VRfftf Kav been rctruived, -hall he primed With Formula No: 19 and shall receive two additional-.coats, using Formulas No. 20 and 21, respectively*. (<*) All floors^previously painted shall he touched up on worn places using Formula No. 20. after which they shall receive two coats, using Formulas No. 20 and No. 2t, respectively.(fl (Specifications of colors should he stated here. The necessary tinting materials should he added to the Iasi two coats.) (g) Underside of alt new porch floors and the tongued anil grooved edges of the boards -hull receive one coat. Using Formula No. 22. * FORMULA No. 19 Priming Coat--Wood Floors M A IT.KIAI..S . " SOFT PASTE Dutch BtSy white-lead.......... ..................*00 pound* ^Dutch Boy linseed oil........................... `1 gallons HEAVY PASTE 100 pound* . *3 j^ilionx Pure turpentine.................v....................2(.j gallons 2's gallons Dutch Boy liquid drier................... `*1 pint *'t pint* The above formula makes 8V2 gallons oi paint which covers about 600 square feet per gallon, one coat. !f rlie i- ,.f li.ir-U..... 1. rr-.lurr tf..- Jfn-! oil ... "Wli.-.i t...rJ.-'t oi) is u-cjl, M-lu..- 111. -Iri.r 1o ; J.it:t. ) :.ll,,ns. ' FORMULA No. 20 Second Coat--Wood Floors MATERIALS SOFTPASTE Dutch Boy white-lead.............................. too pounds Dutch Boy linseed oil...................... </i gallon HEAVY PASTE iap pounds f'/2' gallon Pure turpentine.........................................zyi gallons, Dutch Boy liquid drier........................... '/* pint z'/2 gallons '/2 pint The above formula makes 61/4 gallons of paint which covets about 700 squats feet per gallon, one coat. FORMULA No. 21 Third Coat--Wood Floors MATERIAt.S SOFT PASTE HEAVY PASTE, Dutch Boy white-lead............................ 100 pounds 100 pounds Dutch Boy linseed oil.............................. y. gallon A gallon Pure turpentine........................................ >j gallon Floor varnisht......................... j gallon 1 gallon 1 gallon Dutch Boy liquid drier................. -....... pint t A pint The above formula makes "5% gallons of paint which covers about 700 sqaare feet per gallon, one coat. . . FORMULA No. 22 Underside of Porch Floors MATERIALS SOFTPASTE Dutch Boy white-lead................... *....... 100 pounds Dutch Boy linseed oil..................................3 gallons HEAVYPASTE 100 pounds -vx gallons Pure tuTpentine..................................'......................... quart Dutch Boy liquid .drier............. t pint 1 pint The above formula makes 61/4 gallons of paint which covers about 600 square feet per gallon, one coat. tM the floor is exposed ti, the weather, use -par varnish instead of a floor varnish. 8 DUTCH BOY PAINTING SPECIFICATIONS /. 1938-SWEET-00352 v ' ' '*&.' ' ' ' i:i. ': .....;' " '- r -nff'Z 7. PAINTING CONCRETE FLOORS (a) New concrete floors shall be aged at least six months before being painted. If necessary to^ paint before .that time, they may be aged artificially by washing with- a solution of two pounds of - zinc sulphate to a gallon of water. (b) Previously painted concrete floors shall be wire-brushed to remove all loose paint. (<) All work shall be allowed to dry at least four'days before the next coat is applied. (d) Unptnnted concrete floors shall be primed.with Formula No. 23 and receive two additional coats, using.Formula No. 24 for'the second coat and finished as specified in Paragraph (e). (Previ ously painted floors do not require the priming coat.) (r) (Here specify whether floors are to be finished with floor enamel or waxed or varnished. If waxing or varnishing is speci fied, a third coat of paint mixed according to Formula No. 24 should first be applied.) (/) (The.undercoat of paint should be brought to. an approximate match with the desired finish coat color by the addition of the necessary tinting materials. Specifications of colors should be stated here.) FORMULA No.'23 - - Priming -Coat--Concrete Floors MATERIALS . SOFT PASTE HEAVY PASTE' -Dutch Boy white-lead.............................too pounds ,, 100 pounds Dutch Boy Lead Mixing Oil..... *4 to j gallons * to s gallons The above formula makes 7 to 8 gallons of paint which covers about 200 square feet per gallon, one coat. FORMULA No. 24 SeeotJd Coat--Concrete Fibers MATERIALS SOFT PASTE HEAVY PASTE Dutch Boy white-lead............................ 100 pounds 100 pounds Dutch Boy Lead Mixing Oil..... *3 to 4 gallons *3 to 4 gallons The above formula makes 6 to 7 gallons of paint which covers gbout 400 square feet per gallon, one" coat. *The minimum amount of Lead Mixing Oil linttld !>< ti'fd when the maxi mum amount of htdmi! U waited. 8. PADDIN'G METAL tnl (Here list and describe surfaces to be painted.) (//) All metal surfaces before priming shall be cleaned thoroughly with steel scrapers, wire brushes or by means of sandblasting where, necessary. {<-) Galvanized- iron, or all metal surfaces where solder fluids have been used, shall ,be carefully cleansed with petroleum spirits before any paint is applied. (</) All metal work shall receive three coats of paint astfollows: (Here.specify paint'to be used for each coat; writing in the formulas if Dutch Boy paste red-lead i^to be used; designating by name and number in the case of the" Dutch Boy Liquid Red head Paints. If a light-colored finish is wanted o r exterior metal, specify for the second and third coat Formulas No. 2 and No. 3 (Pages 6, 7), respectively. If a light-colored finish is desired on interior metal/specify for the.second and third coat, Formulas No. 16 and No. 17 (Page 8). respectively.) FORMULA No. 25 Priming Coat--Metal Surfaces (Orange-Red) f MATERIALS QUANTITIES Dutch Boy paste red-lead........................................................too pounds Dutch Boy raw Iinse9d nil............................................ ........1% gallons Pure turpentine ......................................................................... i '/j pints Dutch Boy liquid drier............................................................ i.'j pints The above formula makes 41/2 gallons of paint which covers about 600 square feet per gallon, one coat. This paint weighs 26.1 pounds per gallon and contains 33 pounds of . dry red-lead to the gallon of oil. (or) DUTCH BOY LIQUID RED-LEAD No. 1 (Orange-Red) This paint weighs 28 pounds per gallon, contains 33 pounds of dry red-lead to the- gallon of oil and covers about 600 square feet per gallon, one coat. FORMULA No. 26 Second Coat--Metal Surfaces (Light Brown) MATERIALS QUANTITIES Dutch Boy'paste red-lead......................................................,.!ioo pounds Dutch^Roy linseed oil....................... |T* gallons Dutch Boy lampblack...................... ............................ ............ 'j pint Pure turpentine ....:..................................................................... i!-.. pints Dutch Boy liquid drier...........,................................................i'/j pints The above formula makes 4s/g gallons of paint which weighs 25.9 pounds per gallon and covers about 600 square feet per gallon, one coat. (or) . DUTCH BOY LIQUID RED-LEAD No. 6 " " (Light Brown) This paint weighs 26.8 pounds per gallon and covers about 600 square feet per gallon, one coat FORMULA No. 27 ihird Coat--Metal Surfaces (Blaclc) -MATERIALS QUANTITIES Dutch Boy paste red-lead......................... 25 pound- Dutch Boy lampblack........................................................ jfo gallon- Dutch Boy C. P. prussinrt Id 11 :..... r............... .................... l/:_ gallon Dutch Boy linseed oil............................... 2^ gallons Pure turpentine ................................... 3 pints Dutch Boy liquid drier.................................................................3 pints The above formula makes 6 gallons of paint which weighs 11.6 pounds per gallon and covers about 700 square feet per gallon, one coat. v (or) i DUTCH BO-Y LIQUID BED-LEAD No. 5 (Black) Thii paint weighs 11.6 pounds per gallon and covers abo.u3?00 square feet per gallon, one coat. NOTE: The red-lead orrminq coots offered in these specifications ore -mixed* on the basis of 33 pounds of dry red;leod to the gallon of linseed oil. grperience hOS shown thot o primer of this Composition gives maximum durability and.service, porticulorly where exposure conditions are severe as in worm moist climates or near the seoeoast. If. however, exposure conditions ore not so severe it is frequently possible to use a tighter weight primer containing q tower percentage ^of pigment ond secure perfectly satisfactory results. For this purpose,.Notional Lead Company offers Pure Red-Lead Paint No. 25 and Pure Red-Lead Point No. 16. 80th ore 100% pure red-lead points, the former mixed on the basis of 25 pounds of dry red-lead to one qallen of vehicle, the latter on the basis of 16 pounds of dry red-lead to one qollon of vehicle. 8-A. PAINTING. METAL WHEN QUICK DRYING IS REQUIRED Whenever conditions demand quick drying Dutch Boy QuickDrying Red-Lead Primer should be specified. Dutch Boy Quick-Drying Red-Lead Primer Is a straight red-lead, paint weighing io .<ifounds to the gallon. Its quick drying proper ties are obtained through the use of a synthetic resin vehicle. It dries for recoating in from Two to six hours. It is specially adapted for use in painting ships, water tanks and other equip ment which cannot be Conveniently kept out of service for an extended period. Dutch Boy Quick-Drying Red-Lead Primer dries to a hard, firm, yet elastie film, uniform in thickness. It adheres tightly to metal, holds well the paint coats applied over it, and will stand severe rubbing. On exposure, it is resistant to the softening action of wl<r, It may be used for all coats. For inspection purposes suc ceeding coats cap be tinted to brown by the addition-of from % to Vi pint of lampblack per gallon. If the proportion is increased beyond Vi pint to a gallon, the lampblack should be ground in japan. DUTCH-BOY PAINTING. SPECIFIC AT I O N S 1938-SWEET-00353 tl ff 20 ' GOOD PAINTING an d The preceding specifications arc based not only on bur own constant testing of paints and painting methods under actual service conditions hut also upon the practical knowl edge and experience of skilled painters. But no matter how carefully worked out they rn.iy be, the usefulness of these specifications to any particular individual depAids chiefly on his acceptance of white-lead and*red-lead as satisfactory HOW TO ASSURE IT paints for the job he is considering at the time. K In other -words, the specifications represent standard practicedand .it seems only logical to devote a portion* of the space to a discussion of the<&facts upon which the recommendations are founded. In this way the picture will he complete. It will include the "why" as well -as the "how" of specifying Dutch Boy p'aint products. NOTES ON EXTERIOR PAINTING, Paint is specified for cxierinr surface to bring about a com bination of benefits including presentation and better appearance. The exterior surfaces fur whicfp'lt is fittingly specified inctade practically all the common budding materials . . . wopd, concrete, brick, stucco, stone, metal. Btif no matter what the purpose nor wh'at the surface, the manxvho pays the bill \Vants the paint that is specified apd used to function longer than any other paint that mighthave been tised.An short, he wants maximum paint life and, usually, minimuny paint cost. r bo it becomes the problem of those responsible for the specifi cations to merge these?two requirements into realization. This can be done and has beeff done on numberless occasions through the selection of while-lewl. That is to -rty-j/yhite-lead has a lung, proved background of practical use behind it. It takes years, as a rule, to prove whether a paint or a painting method is sound. There are plenty of in stances where trouble has developed ten years after the \vrong materials were employed or the wrong method followed. But white-lead has been used for many generations. Its <|ualitie.s have been attested by thousands upon thousands of actual paintings and repaintings. Its performance thus becomes a matter of past knowledge and not a matter for future speculation. This is why we can say that white-lead is a safe paint to specify and a safe pnin^*to use, if statement which remains true not only under ideal laboratory conditions but in practical, every day situations as .well. In other words, white-lead is a -paint with a generous margin of safety. Factors that may be beyond the specifiers control, such as poor weather conditions at th% time of painting, are rendered less hazardous. Of course, such unfortu nate happenings do affect the life and the appearance of any paint job bu,t the metre.foolproof the paint, the less the damage. White-lead has another important characteristic, too. It per mits, a custom-made paint. Just as the architect selects the build ing material that fits his purpose, so the architect or his painter, with white-lead, selects the mixture that fits the conditions at the time of painting. , * For example, all building materials are not the same in the wav they take paint. Not evqji gjl wopd iv alike. Neither do all exposures of a building affect the paint to theVame extent. No t are all climatic conditions equal in their influence on paint life and paint appearance. The foregoing specifications give proper formulas for all surfaces under average conditions and if fol lowed to the letter should produce a long-wearing paint job that will retain its original fine appearance for a-long time. But the competent painter will know from his experience what slight vari ations to make in the proportions of vehicle and pigment that will result in even longer life for the paint film. That's the advantage of hiring a skilled painting craftsman who knows how to use his head as well as his brush. It is a plus for the owner and a safe guard for the atmfltect. Another factual should nevef be forgotten is that today's painting governs|||niorrow's repainting. Paint rtiust wear out . . . must be replaced libh.er or later. How soon and how inexpensively depends on what done now. It is a simple, arithmetical truth that the longer repainting can be postponed safely, the less the cost per year for the original painting. It is likewise true that the cost of the repainting will be much less if the old surface requires no more preparation than dusting off loose dirt. That's all a white-lead job needs. Whitelead wears down slowly and evenly ... an action known as "chalking." One of its great advantages 19 that the surface is smooth and unbroken whjen it is time to repaint. Any other type of paint wear, such as cracking and scaling, resulting in spotty disintegration of the paint, requires complete removal of what is left of the old film. This is a laborious task and a costly one--doubly irritating to the owner because it would have been unnecessary if the proper materials had been specified at the time the original paint was applied. Whenever cost enters into tne picture it is important to re member that the only painting cost worth considering is the cost per year. That's not saying that one should not "buy right".both the materials and the labor for the painting job. It is simply' saving that neither the materials nor the labor should be bought because of "cheapness." It is easy to figure why. A paint job'is made up of only these two elements, material and labor, and low quality in either or both is bound to decrease the life of the paint job. shorten the time between painting and thus increase the cost per year. This photograph-a! the siding on a double house tells its own story about paint. The owner of the lift side of this double house "saved" rnoneju on tfhe initial cost' of his paint job. He paid $16 less thhn the owntv on ike right side who got a white-teaerjob. ftyh jobs wetfe two years old when the picture was taken. TheycheaML paint job is thrjgujjt. The whitc-lead^g/n is still good for plenty of service. 'w 10 DUTCH BOY PAINTING SPECIFICATIONS 1938-SWEET-00354 Ii is particularly wsky to skimp on the tpaterials because not* even the most skilled applicator can makq inferior paint stick long enough to justify its low price. , * Take the case shown'photographically on the opposite .page. It is one of many that can be cited but it is especially apt because the two jobs are side by side on the' same house. There is no question but that exposure and surface conditions were the same. The owner of^the left side of this double house saved money on the firstf cost of the paint job. He paid $16 less than the other owner who "got a white-lead job. When the pictures were taken both jobs were 2 years old. It is perfectly evident which owner got his money's worth and why he got it. Paint wear and cost, per year, tell the fjpal story every time. The specifications contained in this booklet also cover the use i.f red-lead.for painting iron, and stee,! surfaces. It requires little argument to prove that exposed surfaces of iron and steel need continual paint .protection. Frequently, a few hours in the weather is enobgh to start rust on bare metal and once started rust never i*ests. -Rust spots soon-develop into damage spots and in a few months can seriously endanger tfn Expensive structure.. Pure red-lead paint has the faculty of sticking so tight to metal that it becomes almost a part of the surface it covers. Red-lead has long been-^s prominent in the protection- of inetal as whin?lead is in the freserv-a'tion of wodd'and'-other surfaces. Most of the important structures in the world have had red-lead protecting ever since the metal left the mill. The Jong wear and resulfant economy of Dutch Boy red-lead is a matter of record and the same arguments we havj? used to justify the specifying of white-lea'd apply with equal .truth and force to this standard metal protecting paint. It is always to the best interests of the architect or 'engineer, the owner and the Mrucuire itself to specify red-lead (mg|&Dutch jJoy red-lead paint--of proper type and formulation rowSfejob to be done. NOTES ON INTERIOR PAINTING To properly choose an interior paint the standard for judging ii m*st first be determined, kin many jobs--probably on most jobs --the standard is appearance. In this respect, white-lead is really in a class by itself. Tfierc is no other paint that gives quite the same effect--an effect which ran best be described as a solid, rich beauty of finish. Fdr many generations this quality has made white-lead the unquestioned choice for fine interiors. The elaborate decorations of church interiors, the impressive treatments of the important rooms in lintels and public buildings, the best effects in homes, all have been achieved with white-lead paint. White-lcid must necessarily bring this same beauty of finish, this same fine appearance to all interiors for which it is used. Another factor related to appearance is color. So often it is imperative that an exact shade or tint of color be employed to vtfm the architect's purpose or to fit in with a particular struc tural design. White-lead, being a custom-made paint mixed on lit* job. can he tinted to just the right color with Dutch Boy colors itt oil. The architect, the decorator and the owner will all receive the effect they vyant, not jiist.something approximately like it. On rhp other hand, the standard for judging the value of an interior plaint might be durability. That is, the type of durability that will successfully withstand cleaning with soap and water a- well as the ordinary wear ami mechanical abrasion to which niti't interior surfaces are subject. Here again, white-lead mixed as recommended in these speci fications has unique advantages. The resulting Hat paint produces a thoroughly "clcgnablc" surface--one that can be scrubbed a-, frequently as'fceces^ry jnjteep it in good condition. It i a Hat'* paint that iv datfy-'demonstrating its durability under actual 'service conditions. The test illustrated on this page shows in graphic fyrm just how much abustfr this paint will take. There fctre times-, just as in the specifying of tnny-de paint, when cost, becomes the all-important factor, liven on this basis white-lead has nothing to fear if all' the phases of cost are con sidered. There are interior "Hats'' sold for a lower price per gallon, of Course, hut abdication has a vital inHuencc on interior painting costs. Dutch B.iy goes on so easily and levels out so smoothly that a mat} can paint more surface per hour. Thus thlabor charge per square foot applied is lowered. Also, Dutch Bov white-lead covers at least Soo square feet per.galion on smooth plaster which makes it fin economical paint fr&m the standpoint of the quantity needed for the job. So, no matter what the yardstick for selecting an interior paint may/be, Dutch Boy white-lead will work out to the advantage of the Ann who foots the bill. It'is a Hat paint that will stand out against the'field in tww reasonable and fair test and one that the architect con specify with perfect confidence both as to its imme diate satisfaction and its future performance. WALKED ON--SMEARED--- Just to prove the remark able sturdiness of white-lead fiat paint we put it through a spreial gruelling test. In stead of painting it on a wall we used a square of wall- board that could be walked on. for a full week, lying on the floor in a busy doorway, this paint was tramped ufiou by hundreds of fret. Back and forth . . . heel and toe . , ; grind and crush went these feet until the original while became a-very dirty gray. Even this wasn't all. Walls aren't walked on but Many of them are soiled with such things as grease, lipstick, io dine, shoeblacking, ink and pencil marks. So all of tjtese were streaked on this already mistreated painted surface. Then^Jt was wasffod. Water and jggshing powder cleaned this paint so that it looked practically new again. This, we. respectfully sub mit, is p a in t w e a r . ,- . the kind of wear that you should get from the flat paint you `specify . . . or else your client is not'getting everything from his paint dollar. UTCH BOY PAINTING SPECIFICATIONS 1938-SWEET-00355 V n a t io n a l l e a p c o mp a n y 111 Broadway. New York 116 Oak Street, Buffalo 900 West 18th Street, Chicago 653 Freeman Avenue, Cincinnati f 1213 West Third Stxmi Cleveland 722 Chestnut S(?eet. St. Louis 973 John Street. Seattle 1^211 N. W. Glisan Street. Portland. Oregon 2240-24th Street, San Francisco 932 Wilson Street. Los Angeles National-Boston Lead Co.. 800 Albany Street. Boston National Lead & Oil Co. of Pennsylvania 316 Fourth Avenue. Pittsburgh &John T. Lewis Bros. CdlT^Wi^ener Building, Philadelphia 1938-SWEET-00356 m M # : k: O'BRIEN VARNISfcl, COMPANY SOUTH BEND,;TO , BRAf&i- ' CHICAGO, ILL., 185 3 South Wabash Avenue WASHINGTON,. D.-C., 2422 18th Street,#N.: WMINNEAPOLIS. MINNv, 210 Third Avenue, No. MILWAUKEE, WIS,, 1751 North Third Street.' .." y* - ,,v . . ` KA^ASl',t^^O.,.to^^s#Avfenife; >1 . BAii|^o^6>., : 4,. jp.4;. : _ ** y, The Compft jr m.-. '^'Manufacturers M paints. vanishes, and1s*linew. Speciafete'chnic'al- aclvi^g 1875,. Pionee||?m the developrheiit of washable flat wall wide# `npMktits unit paints, the use of synthetic resins and lately inventors of -nishel: onpreq-uest. v . ................... Interned Thermolyzetl. Tung Oil. O'Brien Paints are pms\f^p~Qr panels- attemplingi^^e^ldp^^Mi^ tftiiversally respected by fine decorators fpr high|g-uality * ish will life made ..up: for any afthTtlct 'fetpeslifigflt ami dependability. .. ' with out any o,b,l.iga..t.i.o. n;- . PATENTED THHRMOLYZED TUN<5 OIL PI! ' f$3pS, Rtissne Patent No^^ssdi) >. . *Vji| y One of the most important- basic developments ever ; || ^jTKide; in paint manufacture, the patented O'Brien Ther| raolyzing Process accomplishes twp sigpi$cai^*esult6.- ,f I eliminates chemical' pecutiarities^which -hv$ SerMifttisly obstructed the free use of -Tung* hishes and enamels, and prevented its usem-p&-t|pf. --yi J|r ' Second, it actually pre-shrinks thd oil and n|akes..-^5'l^^l jfv* -bf' far a' tougher, more vvaterprOo.fi and more*-hesilieri|||||| binder than any paint,vehicle previouslyavailabie. 'K'p . Practically every O'Brien finish is made* with tblsly|g|^ new vehicle. ,/Ast a result, O'Brien finite 'smoothness, waterproofing and durability.,^ than can be obtained vvlthi^ditiary oils,. . , W& GENERAL SPECIFICATIONS Interior Woodwork--New wood shall h`e. sanded smooth . . ;an3*duste<i before painting, before the priming ct>at all knots 'and sap streaks shall receive a thin coat.of shv.Hac. After- prim ing j*H dents and defects shall he neatly- puttied and sanded* sme ry must creating New Piaster--,Xew planter' should he aged at least 90 days before panning. Hefun- painting, all cracks shall be filled with patching plater. 4 .- *'* ' _ - Nt Vkjftufcco--Should age six months .before-painting,' ' it- M|Hi Work--Must,be cleaned thoroughly'of all dirt, ,$1/ grease,- rust, or scale. ' ': subsequent peeling must be m3a(fcbby ther co'ritractor such defects, if ..any, .reported to the architect. New Brick WorkyMust hati- a week in dry y.-cKither before it is painted. b PARTICULAR SP. ECIFICATIONS' Exterior Painting Note: If (he.final cetlaiT^s to \ie `a. darkor The T;T.O. System for Exterior n-g *-- This has seoond coat in the ab/ve .specification should tk*^ % fialf-aml-h-alf $&$ ' ; titre of T;T.O; W1iit(vrrimfr,.Itn<I T?T.O. Paint of the finish-coat ' y j been carefully worked o\U to cuver^ every normal case in ,cx\ No. 2 Dull Finish--^jhstitute O'Prien's T.T.O. Pn Whit^.as the^.S (i , i`.|j terior painting. It represents many years Vjf- ex perfence and' coat in Specification ^ Tint to a pastel shade if -desired. . ' ^j;'- research--plus the great waicrproofing and wearing advantages Hew Brick, StQ p, Coijorote-- _. -, made .possible bv using exterior finishes made with Thermo- lyzed Tun Oih " . . `-'-y, ; Back rWhorever _ possible, back painting* of new `iding is-'^jnhcsitaliitgly recommended as practically jftsilivc insurance against paint trouble--fn .huer years. Onp. coat* of O'Bricji's *tSLO. Aluminum I'ai.nt .shouhL lie used. No. 5, Bull Fait '%Fiifk-Av{i\y 3 coats1: J coat O'Brien's No.! 70t (clear) size reduce! with" % Kiillwi Mineral Spirits, or Tttfpcn.linc to. .ea^b gallon of Size. A1 aw tri dry ovcrmijli.i; then .iKply 1 coat T.T., VVhl Primer? 1 coat T. O. DuJI White (`tinted if deiiretl).' . .' wl No. 4. High Lti 'Paint ffniiA--Substitute O'Brien's T.T.O. Paint the color.desired the last coat in 'Specification No, .3. Hew Shingles--- ` pt ; Hew Woott-t No. 1. tligj, Ltd. Finish--ly three' coats:' -One coat O'Brien's, l',-Ti^tr.-ilin Urimink Oil. Allow to drjt at least six days ip nooil |iaintin ' No. S. Bull Pain sf?A--Apply 3. coats: ] coat O'Brien'sJSPonetrating i . | J'riminK QJ. Allow 'taf^Acy at-least t> /kiys; 1 coat O'Brien's T.T'.O-. } . . While Primer; ] coat Tr.T.O.. PiH! White ftintird,-if deaircdjl. uliirr; one coat 'Brim's T.T.O. White Primer. ' Allow to dry 4H hours in ooJ jiamwnif wraihcrr one coat <>' Ilrivii'n T.T.tJ. yaiul. No. 6. Stained Finish--Apply 2 coats of O'Brieir's Shintde Stain-in the color selceied. Adow 2 days .between coats for drying.* -f .. 1938-SWEET-00357 O'BJjUEtf VASn I How Btot.Wia-- iyf >. Not T. -High LustrePaint Finish--Apply ? co it^ 1 WfihKGrittier ^inted j^^proximrue ti> tmtsn color. cc3oncoOn Brim s TXO T1 O laont. J4lfctlng Over OX U.U, I I- or":srfugles,. m #; When the O-fyif *Finish *l In Vr rerryy uGooooad cCvounddiuitiooh*-- ( Vn3 t'u. fn&^A ^ be fp-taily cl: , Dull W hite as big . Paint of plenty of tmid "for* thorough d^riVibetw^n'watv^,. 1 , n&k?* ^ie Two Coal Are Ac m* ary--Apply l CO it Yt O White Primer-fratedj-to approxim iLe the finish color Apply l coni TIO P.nmi .or T.T.O. Dial White as lustre or dull finish is preferred hot*: It Ijje .finish < olor 1 to lie a dark brown or dirk cretr* Uu. T.T.O. Paint of the i Bepainttag a House xnat Has Peeled t>r fid|led-- jf Check the house for coi^truction defects ;loose joints, 'improper flashing, ctfc,).. ^Correct any defects before painting.'" -Sf"' a i'4%fJi XuJBm tr^t7cd^ec^faiS?'lrT1}uTn thc paint-.off all arcs:?whcrC^eol- mg lias occurred. Then finish thes? areas following Specification No. 1 or .No. 2 as'preferred. jd? ' ' , A'"' Ih "St0"d Choi0p!%'hcre Cost Prohibits "Bitniing'^-'Wire brush coats;- H1^?^^?vaH,d,/<Lrfo.. {* ST'I,<lnlt' . "Siiot-primc" all bare spotsKwit'li liw,5? l t of,9 r,etl i.I cn=tLat,n^ l r|mm? Oil and Turpentine. Ailpu to-'dry at leastddays. .Then follow.Specification No. 9-for finishing.. * Ko. :2f, or No. 27. S P 1V,, Interior WffoWoUdUwWUoVrkK" High LustreisEnamel Finish--O'Brien's T.T.O. Enamel is unreservedly recommended, as-the finest possible finish for in , New Concrefie or Comoiit EIoor*-- terior .woodwork. It produces a tough, elastic 41m of great Note! If' thi* flsCnr U-L, -u- I 1 . . r: 1 beauty,and color depth and can be depended* upon for extra iong wear and-absolute, freedom from checking or crazing. Olitamable in twenty modern colors, besides black and white. O'Brien's Liquid 'Lite Decorators IVkite. Enamel may, bow- rver, be used on interior woodwork with excellent'results where ihe cost of the job is a very important factor. No. 12. On New Wood--Apply 4 coats: 2 coats O'Hrion's T.T.O. White Surfaccr.'eaclt thinned 10% with turpefitim-. 2 coats O'Brien's' T.T.O. htiamel of the cplor desired. Sand and dust carefully between coats. ' Wall Pamtlng . , 0'*Bn,erf!s,Zij<7#f Velvet (washable flat)--O'Brien's 'Satin Fi>t~ < ish (setrtf-gloss):;-- O'i^rien-s Interior Glj)ss/t--',Mrl Liquid (Me Non-YeMoxoiiig Enamel provide the finest .available materials Note: If economy demands, t-he'2il'd coat of Surfuccr may be omitted. for tfK'e'ui doing dependable, good-luokiug-.ahd uamomical wall; No- 23.. Over Old Enamel or Varnish--Sandpaper the surface thor finishing. All of them are highly washable.: ' AN of flu-nvcover oughly. Then rinse down with a. cloth saturated in alcohol.- Immediately wcljj.work easily, and are very acceptable tojhe painter. following this < while Y'tacky") apply coat O'Brien's T.T.O. White surfacer, tinted to approximate.' lire finishing color. Sand and dust when dry. 1 hen finish with \1, epat O'Brien's T.T.O. Enamel of the 'color 'desired. \. Eggshell Enamel ^Finish'-- O'Brien's Liquid Lite Egg Vo* Flatter; Wmaullibuouaiirndi,, Cuaaanvvaass WWaWll SBtumrfaa<ce.s--' ,. Noi'fOi iiFtqt. Finish--Apply 3 coals: tc Cik u LtcfuKl Velvet Primer; 1 coat Lifiuitl'.-Velvet Primer tinted to approximate*.the tini-h color; I coat Lii|ui(l v'clvet. ' -i 'I . .. , No. 31.ySemt-gloss Finish--AjSply3'`coats: 1 coat Liiiii'rd Velvet Primer;' shell Enamel prodttiSgi&a soft "hand-rubbed" finish of great beauty and durability. Itvnay* be tinted to'any'pastel shade. No. 14. Oil New Wood--App# 4 coats! 2 coats T.T.O,"White Surfacar ' I -coat Luiuid "Vcivet - Primer tinted** 10 apptoxjjiinte the lioi-h color; ..coat Satin Finisli. * >' ... v coaNtso.`O3'2U.' riGeltorsiiS,InFtienrisiohr---'GAlpospsly. 3m.cqatsi.' 1, coat.Li'H>`<l Velvet Primer; I 2 with turpi-mme; !\-oaf Liquid Lite Eggshell tnamclMhinntk ' No. 33; Non-ytllowhtg Wjiite JEhomel-^ !finish^\\iQT kitchens. ttfik6fA.es'.v Hl% with turpentine; 1 coaf Liquid Lite Eggshell Kliamel-unthmneti; ' .Vote; If- economy demands it, the second c'oot -of sutTaccr mav be omitted.' * *; J. etc.(--Apply'3 coats: Noti-\fellowing_ Wlvftc E1 ncaomatiFb.'L;"iq'iu;.l. V-olv.et-Primer; 2 coats , Liitujd "Lite BpatBtiag Ot Oldi-.Bafi^t^- . -i .* ' ' 'r-: No. 15. Over Old Enamel or Vanish--Follow Specification No. 13,. sub! stuuting Liquid Luc Eggshell; Lnamgr^for T.T.O.' Enamel... No. 34. Flat.iFluishl-^ki tiie.MhW ijs, gvH-bry .good .condition,- 1 cent- of Liquid Velvet. If ,-oldj-, apply Wcoat LitiGiif -Vcivet Primer tinted to a'p- Stain and Varnish Finishes'^ O'Biyen f'yramid Paste ...proximate thd finlslt-co|or>' Finish w.ith l.|coat LiquidWeJ.vct. Oil Stains -are national favorites among decorators and -wood- No. 3S. Sewc-jfoss Ffnfsfi--1 or, 2 coafs O'Brien's SnUtt" Finish as nec essary to produce the./de,sired effect. . -. : finishers. They lend unusual depth of cetlor and thc decorator .-'* iVq. 36. ;Gloss -Finlsh--hxQr''2 coats O'Brien's, Interior Glosii, can vary them.by thinning soyas to produce exactly the-shade desired by the owner or architect. O'Brien T.T.O. Varnishes Walls', StrudturaWIbn, Etc., in Industrial 'Buildings ; #re of-three types: Spar (for exterior work), 2-Hour (for in O'Brien-.Liquid are^thc .ideal finishes lor f&j-toricsj' 1 terior), and Rubbing'V^rnisli-r-anil represent the nearest raj>v . dairies, garages, .and ..o,mcr'Sj|pn'st rial builclmgsi:,. They inrovidjfi V*; ft proach to perfection possible in each type. extfiaordinary covt^ifj^ abil^P^easy application with spVay' or j i.. No. 16. Close Grain Woods--(Itecch, Cedar, Fir., Guin. Mitple, Pine. brush, and lajtfng good appearance. ' .- Hc-dwood, Spruce, etc.)--Ajiply 1 c-.at Pyramid Paste Oil -Stain of the tli.vle desired.' W'ipe i*. on across'the grain. Foltow with a very thin; - coat of shellac (t lb. of shellac per gallon of ajeobol).-. 'Trh'.e..n. apply 20 '. coats T.T.O. 2-Hour.Varniah,. '0 Hew IKetal,plaster,' Concrete, etc--: No. 37. Flat Pahlt Finish---Apply 2 coats: 1 coat-Liquid Velvet-Primer; 1 coat. Lftiufije^Lile Flat White ^(tinted if desired)^ . Noe 3S. Non-yellowing White Enamel FfMfsA-jfciply 3 c-ojits1 ; Linuiil vVdvet Primer; 2 coats-Liquid Lite Non-Yellowing White Etjaniel. * F?be .lasP coat may lie omitted if cost demands.) V . .-' ...... ^ ........... ft . No 18.. For- Ihmd.Rnbied Ff*/SA--Substitute Tf.T.O. Rubbing Varnish for 2-Hour Varnish in Specification No. lb or No. I/S Rub jvilh pumico' acndu wsva.utewr ourr rotten stone aptl uouil ti.oo jpirroouduuccce uthec tdieess?Ueetij)i eelfTfeccctt.. , No. 19. s~FFoor Satin Finish--Substitute O'Brien''ss 4:-HTfoofir- Spatin -jFFiittrrffssh ' VV'aaVrnmi'ssh -ffonr itthiee''Ilansrtl mcoaatt in Spneecciyfiicraiiltiinon NK'on. t1f6i to.rr 177. '-1' mimtNnufotmn\ . 3P9a. inAtl,u1m, i-num Paint Finish--Ap..plry -2 c--oats M0'Bar/i.etfntiAq,..svT)A.,T4.VG.. VA\liuu*- 0OVv6err OOlldd PPaaiinntt---- '' ^ Na. 40. Apply one*or two coats of Liquid:Lite Flat Wfiftc. Liquid Lite Non-Yellowing White,'pr T.T.O. Alurfiinum Paint as nCcelssary to uro- `luce tile desired rl-sult. ' : No. 20. For Dull {Plat) finish--Use O'Brien's Q. D. Flat Oil Finish for the last coat in Specification No. 16 or No.- 17. , Exterior .Woodwork Hew Wwuowod^r ........... No. 21. Clear Varnish Finish--In the case of Ooeiv-tirain woods, apply . coal Natural Paste Filler. Then apply 3 coats l.'F.O. Spar'Varnish. No. 22. High Lustre Ena. m e. l F' inish--Fo*llovv4 Spe. cific--at ion No. 12. Floor finishing O'Brien's Floor Enamel and O'Brien's C'ellu- , seal are ideal products for this work. Floor * /; MISCELLANEOUS INFORMATION ' Modem, Deep Colors in Flat Paint--O'Brien's Liquid Vel vet, is,, now available-to'architects and decorators, in Jour deep, "primary" colbrg^^tich. can easily be mixed together to. form almost any deep'sHade for modern decorative work. A color chart showfiiig'-these colors and many of the possible; mixtures will he sent on request. v ' For "Bettor Litght---Better Sight" --O Brien offers Liquid. Velvet N-D-iiect-White, a special "blued white" for ceilings * .-'-that is invaluable on jots where, high' - * light reflection must be secured; Samples sent on' request. Knamel comes in ten good looking colors,' dries quickly tq a high lustre, ancL.because it. is,made -CJwith Thermolyzed Tung Oil, can be depended . . Free--A post. card will bring a complete N Spiral bound compilation of color cards show ing, on large chips, every .standard architectural , color manufactured by O'Brien. \ 1938-SWEET-00358 -stdl_--' -Fr f'i L'LfLfK..,...? Th e Sh e r w in -Wil l ia ms Co . Cleveland. ` Ohio d e p a r t me n t ^a r c h it e c t u r a l s e r v ic e 1938-SWEET-00359 T H E R E. I S A SHERWfN-iWIL LIAM S P I N EVERY SURFACE UNDER EVERY CO# Makers of PIGMENTS THE . s,y PAINTS ' 'r VARNISHES METAL PRIMERS ,<r.................. , . 'BEAD PRODUCTS SfAfNS / <&r# f, i 'I ENAMELS ';1 .\ X .. r. > y ,: ' yfv _. 'I # 2 1938-SWEET-00360 71 YE^is AGO, WHEN SHERWIN-WILLIAMS WAS YOUNG.the founders of the company adopted as a general rule the policy best (/escribed by the phrase `SMjjnish for Every Surface," and all the developments of the research yd technical departments since that time have been guided and directed with that in mind. The result of this policy is that the complete Sherwin-Williams line is a long one. It embraces not only those v types of finishes generally accepted for architectural use, but a complete line of Industrial materials, each de- r_ ' signed and manufactured to do a particular job. There is a Sherwin-Williams product for every surface in house, factory, mill, office building, hospital. or any other type of structure, in addition Sherwifl.Williams offers to the manufacturer special materials with which to finish the products of his factory. t\ The development of such an extensive variety of materials has resulted in a fund of Showledge and experience on the part of our Technical Research Department, as to what various types of finishes will do under varying conditions. Almost always, when presented with a particular problem,*a regular item in the Sherwin-Williams line can be found to satisfy ell the given requirements. When a regular item is not available, the Technical Department is always prepared to develop new materials to meet these specific conditions. WHAT THE S-W NAME ON PAINT MEANS Briefly, the Sherwin-Williams name on a particular paiht means that all the Technical Advice, all the practical tests, all the perfection in manufacturing progress, avail- * abte to the largest makers of paints and varnishes in the world, have been brought to bear upon the development and the manufacture of the product in the can. In other words, that special paint, made for a particular use, and for a particular type of surface, is the best material that it is humanly possible to make for that purpose. 1 For when Mr. Henry Sherwin and Mr. Edward Williams founded the company years ago, they concluded that their materials would be quality materials--and the best quality materials that they could make, regardless of any other consideration. That original policy has been -strictly adhered to by the management of the company ever since, fn specifying Sherwin-Williams products the architect may know that he is giving his client the best material that can be obtained for the purpose. wsmsmmmmm 1938-SWEET-00361 Pointing StrueturSl Steel andOrnomental Iron Fast Drying--maximum ftcposure resistance Slower Drying--lower C"St......................... Verde antique finish...................................... Painting Galvanised Iron................................. Fast Drying--maximum exposure resistance Slower Drying--lower cost............................ Pointing Hot Surfaces...................................... Stacks, Flues, Pipes, etc.............................. Alternate (state difference) ........................ Painting Metaf Roofs . v................................. Vast Drying--maximum resistance .... .Slightly Slower Drying--costs less . . . Sherwin-Williams lowest cost application . . Pg Spec. 51 5 1A 52 53 S 3A 54 5 4A 65 6 5A 6 58 Finishing Hardwood Floors--N< Finish. Open Grain Wood........................................... Close Grain Wood......................... Finishing flew Softwood Fleers ...... Stained and Varnished.................................. ViewFinishing Softwood Floors . . * , . . . Painted Finish............................ Finishing New Concrete Floors Painted Finish ........................................... Finishing Schoolroom Gym Floors olso Stores. Warehouses, etc. Finishing' Finishing Discolored Hdrd or Softwood Floors . Stained and Vanished Interior Wc .4 Stained end Varnished Open Graun Wood- Close-Grain Wood Pointing Exterior Wooden Surfaces . . . . For Maximum Service Protection . . . . Where Architect Leaves Mixing to Discretion of Painting Contractor................................... Where Straight White Lead Finish is Desired Pointing Exterior Stucco Surfaces................... / Painting Exterior Brick Walls........................ Where Flat Finish-is'Desired............................. Where Gloss .Finish is Desired....................... Painting Exterior Shingle Walls................... Stolning Exterior Wood Surfaces................... Where architect desires a stain that will not hide grain of wood....................... . . . 66 6 6A 6 66 67 Interior Woodwork--Natural Finish Open Grain Wood Close Grain Wood interior Woodwork- -Stained and Waxed Open Grain Wood Close Grain Wood 6 8| 6 8A 69 Smooth, Sand Finish, Textisred Plaster, Compo sition Board or Canvas Covered Walls. . . Washable Flat Finish Washable Egg Shell Finish . . . . . . . 7 10 Semi Lustre Finish....................................... Staining Shingle Wails and Roofs . . . . . 7 II Pointing Porch Floors...................................... 7 12 Painting Canvas d Tc JTs .................................. 7 13 Finishing Porch Ceilings ........ Natural Finish.......................................................... * 7 14 Finishing Exterior Wood or Metal Trim . . . /Enamel Finish....................... ................................... 7 IS Interior Walls, Any Type . . . Heavy Flat Wall Paint Finish . Highest.Quality Enamel Finish Regular Enamel Finish . . . Alternate--lower cost .... Interior Wood Trim................... Highest Quality Enamel Finish Interior Woodwork................... Enamel Finish........................ Alternate, at lower cost . . . Pointing Radiators Exterior Woodwork---Stained and Varnished Open Grain Woods...................................... Close Grain Woods........................? . . >0 . 16 10 17 Exterior Woodwork--Noturol Finish \ 'Open Grain Woods Close Grain Woods 10 18 10 19 Finishing Hardwood Floats--Stained and Varnished Open Grain Wood . Close Grain Wood . 10 ` 20 10 *1 Pg. Spec. 10 22 10 23 24 25 J ID, 26 jfi 10"' 27 10 28 It 29 II 30 11 31 11 32 11 33. II 34 It 35. 12 36 n 37 12 38 12 39 12 40 12 ' 41 13 41 A 13* 42 13 43 13 43 A 1938-SWEET-00362 II 29 The following specifications are intended to cover the entire field-of finishing fexterior floors, walls, and roofs, and interior floors, walls, and woodwork. For additional information, address THE SHERWIN-WILLIAMS CO.. Department of Architectural Service. 101 Prospect Avenue, N.W., Cleveland, or any of the Branches listed on the back cover of this catalogue. The adequate protection of structural steel requires that the protective coating shall be as completely impermteble as possible, to exclude water, air, or fumes from, contact with the metal. The priming coat must: - 1. Provide lasting adhesion or anchorage to the metal. 2. Prevent corrosion by majntaining an inhibitive or chemically basic condition at the metal surface. 3. Provide a hard, impervious film having sufficient elas ticity to accommodate itself to contraction and expansign of the metal. Sherwin-Williams Kromik' Metal Primer is a strong drying Linseed Oil Primer, composed of Lead Chromate in com bination with substantial amounts of Red Lead, White^Lead, Zinc Oxide, and Iron Oxide. Kromik Primer is noticeably easier to apply than Red Lead, is not affected by sulphur fumes, and shows remarkable durability where structural steel is permitted to stand long periods of time before be ing recoated. The function of the finishingicoat or coats Is to protect the priming coat, and the number of coats and nature of ma terial used wi'' depend upon the conditions to which the surface is exposed. ' Sherwin-Williams Metalistic is a highly elastic Graphite type of peinf wKifch affords excellent protection under the most severe weather conditions. Its quality may be judged by the fact that it has been the standard Sherwin-Williams recom- mendation for field coats on structural steel for over thirty .years. " In the recently-developed Kem-Kromik and Kem-Elastic, Sherwin-Williams has'retained the fine qualities associated for many years with regular Kromik and Metalastic, but in addition, by employing the latest developments in Syn thetic liquids, it has been possible to obtain faster drying and maximum resistance to weather or to corrosive fumes. ,f Extreme conditions of fumes and moisture require particular care in selecting the paint to be used. For this reason, where unusual conditions are anticipated, it is suggested that specific recommendations b&obtained from the SherwinWilliams Department of Architectural Service. ^ 1 PAINTING STRUCTURAL STEEL & ORNA MENTAL IRON (Exterior and Interior) /Fast-drying; maximum resistance to exposure.) SHOP OR PRIMING COAT--Kem Kromik Primer, applied full body. FIRST FIELD COAT--S-W Kcmelastic, color as selected, applied full body. SECOND. FIELD COAT--S-W Kemelasftic, color as selected, applied full body. PAINTING GALVANIZED IRON (Fast drying; muxitumu resistance to cj-po.siuc.j SHOP OR PRIMING COAT--S-W G & G Industrial Prim. r. FIRST'FIELD COAT--S-W Kemelastic, color as selected, applied full body. SECOND FIELD COAT--S-W Kemelastic, color as selected, ap plied full body. (Alternate to No. I) PAINTING STRUCTURAL STEEL & ORNA MENTAL IRON (Exterior and Interior) ' (Slower-drying; slightly less costly.) SHOP OR PRIMING COAT--S-W Kromik Metal Primer, ap plied full body. FIRST FIELD COAT--S-W Metalastic Brown, applied full body. SECOND FIELD COAT--S-W Metalastic, color as`selected; ap plied full body. PAINTING GALVANIZED IRON (Slower drying; slightly less costly.) SHOP OR FIELD COAT--S-W G & G Industrial Primer. FIRST FIELD COAT--S-W Metalastic, color as selected, applied . full body. SECOND FIELD COAT--S-W Metalastic, color as selected, ap plied full body. PAINTING HOT SURFACES (Stacks. Flues, Pipes, etc., Exterior and Interior) FIRST COAT--S-W Salamander fHack, applied full body. HI PAINTING ORNAMENTAL IRON.-- VERDE. SECOND COAT--S-W Salamander *Black, applied.full body. ANTIQUE FINISH (Exterior or Interior) (Alternate to No. 4) ^ SHOP OR PRIMING COAT--S-W Kromik Metal Primer, ap PAINTING HOT SURFACES (Stocks. Flues, plied full body. FIRST FIELD COAT--S W P (Sherwin-Williams Paint Pre Pipes, etc., Exterior ond Interior) pared) Shade No. 393. FIRST COAT -- S-W High-Heat-Smokestack-Brilliant Light SECOND FIELD COAT--Brush stipple with S W P Shade No. Gray. 355 tinted v@h- S-W First Quality Oil Color Verdas SECOND COAT--S-W High-Heat-Smokestack-Brilliant Light Green to Shade approved by architect. Gray. 9 V5 1938-SWEET-00363 91 PAINTING METAL ROOFS (Fast-drying--maximum resistance to exposure.) .SHOP OR PRIMING COAT--S-W Kem Kromik Primer, applied full body. FIRST FIELD COAT--S-W Kemelastic,- color as selected, applied full body. SECOND FIELD COAT--S-W Kemelastic in color selected, ap plied full body. (Alternate to No. $j PAINTING METAL ROOFS (Slightly sloicer drying--slightly less costly) SHOP OR PRIMING COAT--S-W Ktttfk Primer, applied fuH body. FIRST FIELD COAT--S-W Metaiastic Brown, applied full body. SECOND FIELD COAT--S-W Metaiastic in color selected, ap plied full body. (Alternate to Nos. 5 and 5A), PAINTING METAL ROOFS (For reasons of strictest economy.) SHOP OF FIELITCOAT--S-W Kromik Primer, applied full body. FIRST FIELD COAT --.S-W Roof & Bridge Paint, color as selected. Apply full body. SECOND FIELD COAT--S-W Roof & Bridge Paint, color as selected, apply full body. S.W P (Sherwin-Williams Prepared Paint) is SherwinWilliams' highest quality of outside house paint, and repre sents the best technical knowledge in the production of a pajnt for exterior wood and metal work. It is.a combination of White Lead, Zinc Oxide, Titanium Dioxide, Pure Linseed Oil, and Turpentine In a perfectly balanced formula. S W P will present a better appearance, and will wear for a longer time than any paint possible to mix by hand. It is a question of mechanical perfection against the human ele ment. Three coats are recommended for new work, and on old work two coats are required to do a first class job. It Is important that the initial coat be reduced with an amount of raw Linseed Oil sufficient to satisfy the absorbtion of the wood. Too much oil, however, produces a gloss finish over which it is difficult to apply succeeding coats; Because of the variety of conditions to be encountered, full thinning instructions are supplied on every package, and the Architect need only specify "Application in accordance with Manufacturer's Instructions". t PAINTING EXTERIOR WOODEN SURFACES (For maximum service and protection) FIRST COAT--S W P, thinned in accordance with directions. SECOND COAT--S W P, in color selected. THJRD COAT--S-W P, in color selected. (Alternate to No. 6) PAINTING EXTERIOR WOODEN SURFACES (Where Architect desd^s to leave mixing of paint to discre tion of'the Painty^. Contractor.) FIRST COAT--S-W ZiloTrhinned in accordance with directions. -SECOND COAT--S-W Zilo and pure Linseed Oil. THIRD COAT--S-W Zilo and pure Linseed Oil. NOTE: Sherwin-William* Zilo is combination of S-W Old Dutch Prorc*s White l.cml.ancl Zinc Oxide, which adds.to the whiteness, reduces chalking, and increases k Io ms . (Alternate to No. 6) PAINTING EXTERIOR WOODEN SURFACES (Where a straight White Lead Finish is desired.) FIRST COAT--S-W Old Dutch Process-White Lead, thinned in accordance with instructions. SECOND COAT--S-W 01(1 Dutch process White Lead and Lin seed Oil. THIRD COAT--S-W Old Dutch Process White Lead and Lin seed Oil. PAINTING OF* EXTERIOR STUCCO SURFACES The inherent beauty of .a stucco surface is frequently marred by stains caused by mois ture which gets into the more porous sections of the Surface during severe weather condi tions. This same moisture frequently attacks the surface beneath the stucco, causing exten- sive and sometimes expensive repairs within a short space of time. The Architect is urged'to.. ' recommend the finishing of stucco surfacesjdn such a way that they are made "tight'' to weather, and thus his client is assured a great- . er degree of satisfaction, through lack of trouble. FIRST COAT--S-W Stucco & Concrete Paint in color selected, thinned with S-W Stucco & Concrete Mixing Sealer, in accordance with directions. SECOND COAT--S-W Stucco & Concrete Paint, color as selected. THIRD COAT--S-W Stucco & Concrete Paint, color as selected. PAINTING EXTERIOR BRICK WALLS * (Where Flat Finish is desired.) FIRST COAT--S-W Stucco & Concrete Paint, in color selected, thinned with S-W Stucco & Concrete Mixing Sealer in accordance with directions. SECOND COAT--S-W Stucco & Concrete Paint, in color selected. * THIRD COAT--S-W Stucco & Concrete Paint, in color selected. {Alternate to No. 8} PAINTING EXTERIOR BRICK WALLS (Where Gloss Finish is desired.) FIRST COAT--S-W Stucco & Concrete Paint in color selected, thinned with S-W Stucco & Concrete Mixing Sealer in accordance with directions. SECOND COAT--S W P, in color selected. - THIRD COAT--S W P, in color selected. PAINTING EXTERIOR SHINGLE WALLS FIRST COAT--S W P, in color selected, thinned in accordance with directions. SECOND COAT--S W P THIRD COAT--S W P 1938-SWEET-00364 SSkHH iH bkAtNirNG EXTERIOR WOODEN SURFACES (WheTfC Archilrr! desires a stain that irill not hide the t/rnin of the trood.) FIRST COAT--S W P in color selrftod, thinned in accortlanre with directions. SECOND COAT--S W P in color selected, thinned in accord ance with directions. STAINING SHINGLE WALLS AND ROOFS FIRST COAT--S-W Preservative Shingle Stain in color selected. SECOND COA^--S-W Preservative Shingle Stain in color selected. NOTE: K is well for thr first coat to be a oat", where the shinnies are U,i>'\'vU in the stain fr two-tlnvil' of their ienicth Irefore beinit aflixetl to the structure, and thrown in loose jiiles to dry. PAINTING PORCH FLOORS FIRST COAT--S-W Porch & Deck Paint in color selected, thinned with S-W Exolvent or Pure Turpentine in ac cordance with directions. SECOND COAT--S-W Porch & Deck Paint in color selected. THIRD COAT--S-W Porch & Deck Paint in color selected. 29 PAINTING CANVAS DECKS FIRST COAT--S-W Porch & Deck Paint in color selected, thinned with S-W Exolvent or Pure Turpentine in ac cordance wjth directions. SECOND COAT--S-W Porch & Deck Paint in color selected. THIRD COAT--S-W Porch & Deck Paint in color selected. FINISHING PORCH CEILINGS Natural Finish) FIRST COAT--S-W Uexpar Varnish, thinned with S-W K\o!vont or Pure Turpentine in accordance with direction.-. SECOND COAT--S-W Rex par Varnish. THIRD COAT--S-W Rex pur Varnish. I FINISHING EXTERIOR WOOD OR METAL TRIM {Enamel Finish) FIRST COAT--S W P Flat White, reduced in accordance with directions.^ SECOND COAT--S W P Flat White, applied full body. THIRDCOAT--S W P Flat Whi.teund S-W Old Dutch Enamel. e<ftal parts. _ / FOURTH COAT--S-W Old Dutch Enamel, appli.-d full b:id>\ NOTE: I.**t two rout * may l- tint--! m .. ..... ... with Archiii-rt- irc by usinu i!-W Kir>t Quality Colors in Oil. \ The majority of hard woods, with the exception of maple, are open-grain. They have fairly prominent open pores, which follow the figures of ffie grain. A full, smooth varnish finish on such woods requires that these open pores be filled with a paste wood filter to secure a level surface for finish ing. Many times, however, the Architect prefers the so called open-pore finish, in'which case the filler is omitted, ^md a special finishing system employed. Inquire of the S-W Representative for details. Close-grain woods require no filler, and we' advise against the use of any so-called soft-wood filler or first-coater. ` In order to differentiate readily between the open-grain and close-grain woods, a list of the better-known building woods is given, segregated as to type: Open-groin Woods: 'r Ash Butternut Chestnut Elm Mahogany Rosewood Oak Walnui- Close-grain Woods: Basswood Birch* Cedar Cherry* Cypress Fir Gumwood Maple Pine Poplar Redwood Whitewood . *Will permit use of paste filler where it is desired to emphasize the grain. - Handling of Woodwork Trim m All finishing lumber should be delivered protected from the weather, and stored on the premises in dry.warm rooms to prevent the absorption of moisture with the resultant roughening of the wood which would require extra labor to recondition before finishing. Preparation of Surfaces Ail surfaces must be sanded smooth, rubbing with the grain, and never across it. Blemishes should be corrected and the surface, and Iho room cleaned of dust before pro ceeding with the application of arry finishing coats. Each , varnish coat should be sarided lightly before applying the succeeding coat, and the surface carefully wiped clean in every case. Exterior Varnish For varnished surfaces exposed to weather, extremes of heat and cold, excessive moisture, or to strong direct sun light (wirydow-sills, show-windows, etc-.) the use of a spar varnisnjs required. Sherwin-Williams Rexpar is strongly- re sistant to the conditions enumerated. It Is pale in color, and produces an excellent film. Floor Varnish ' The fundamental requirements for a floor varnish are that it.must be dry hard and tough without being brittle. It must be resistant to both water (hot or cold) or ordinap^.^. soap solutions. It must be rapid-drying. Sherwin-Williams Mar-Not Varnish fulfills these requirements. It produces a tough, tenacious film, pale in color, and dries to walk on over night. Finishes for Interior Woodwork Two methods are offered for finishing interior wood trim: 1. Full varnish finish with S-W Mar-Not Fast-Dri Varnish in full gloss, giving a polished finish, or a dull-rubbed finish by rubbing the surface with pewdered pumice stone and rub bing oil. 2. Satin Varnish finish--a beautiful dull-rubbed finish produced by a finishing coat of S-W Velvet Finish Varnish No. 1044 which dries to a dull finish without the labor or cost of hand-rubbing. NOTE: Even where a hand rubbed finish is specified, the use ef Velvet .Finish Varnish is most desirable for mouldings, curved areas, etc., where hand-rubbing is not feasible. Velvet-Finish Varnish No. 1044 is a finishing varnish only, intended for woodwork trim--not for floors. It is waterresistant, does not SDot white, show brush marks, or laps. Gymnasium and Heavy Duty Wood Floocs Sherwin-Williams provides S-W Floor Seal, a varnish type of wood-hardner for floors where extra heavy duty is re quired. Floor Seal penetrates into the wood, leaving very little surface film, dries over night, is not slippery, does not collect dust, does not darken the floor as do orainary floor oils. It is recommended for new floors, of either hard or soft woods. 1938-SWEET-00365 ir- ST >'s -- Gloss While 499 461 360 Canary Yellow 387 does White 360 355 393 . 498 * leory 496 i. 387 393 Golden 406 Brown 462 6 Gloss White 360 383 496 French Cr. Green Medium 362 * Gloss White 461 496 387 Gloss White 496 3S4 360 Willow Green 461 doss White 351 485 496 Bottle Greea 484 Red. 367 Sh e r w in -Wil l ia ms St u c c o Am Co n c r e t e f I' 8 Complete Color Cards furnished upon request. 1938-SWEET-00366 Also WHITE IVORY L.R. V..70', ' Sh e r w in -Wil l ia ms Fl a t -To n e CAEN STONE L. R. V.-7% PALE JADE L. R, V.-47*;, IVORY TAN L. R. V.*65% LIGHT BLUE L. R. V.-SH% SILVER GRAY L. R. V.-46% BUFF .'LEASE DO NOT DETACH COLOR SAMPLES. COLOR. CARDS SENT ON REQUEST. (L. R. V.--Light Reflection Value.) 1.4 R. V.-64% PALE GREEN L. R. V.-SX% CREAM GRAY L. R. V,-63% POUDRE BLUE L. R. V.-J4% BUFF L. R. V.-67% -w BRIGHT SAGE L. R. V.-49% TAUPE (New) L. R. V.-5S%. Sh e r w in -Wil l ia ms Wo o d c r a f t St a in s (PENETRATING OIL TYPE) 1938-SWEET-00367 9 -v' EXTERIOR' WOODWORK^ SV1NED A VAR NISHED--PN*-GRAIN WOODS Woodcraft Stomyn coJoi selected. -StGONO C.^)AT--S-W Paste WoQd^Fillei, color to correspond 'With stam,4\v>ped:acrossgrafn when partly drv * < TH^D COAT--S-W Rexpar Varnish thinned with. S-W Exol' chH^^ furoehtWie accordance with directions., FMJ?TH CpAf--S-W RexparVarnfeh applied full-body NOTE: For -dull , finish, .rub. to a iinffoM satin finish -with tcn-dere& IvourS6 S'to"e anJ r'ui?u1?B oil. '$ ywmUi harf ^ficd for 48 HARDW< >Pf SECONDS i ' SWfr-Exolv -`WTth'd'diiffeccttiiotrt&. ,, ' f'f "'1 ""iff*-** Mar-Not 1 - x*i, * JaBBS OETCr To R. WO0DWd^K-^-"A^rD s vAR- Hl SHfeD--rCLOSE-ORAIN W'OgDS . FJRST COAT--S-W .Woodcraft, Stein m roloi selected. SECOND COAT--S-W ftoxnar Varnish thinned with S-W Exolvent.or Pare %|rpentine in accoutance with direc tions.- . ' H1' \ THIRD COAT--S-W Rexpar Varnish applied full body,,. ,,.,i ;:'NOTE: FoY dull finish, ".rub to a uniform'.ssflfi flnifh with powdered- pumicS atone and oil. after ike varnisff-Jias dried for -48 houra. -- FINISHING HARDWOOD FLOORS--1 NATURAL FINISH--CLOSE-GRAIN WOOD FIRST COAT--S-dV Mar-Noc Fa&^brfc Vajmsli 4i5ag| with djne"ctiEoxposl.v- e nt or Pure Turp'entine .m ' accorda^diW'.^fr SEC<bodyCAT~SAy Fsfst-Dn VarmsH.`apphed-full \H'ftbodyAT~S"W ^ai^fc j?ast$u Varnish- applied full :sr SBrP?SOFTV e^>D. Fioil STAINED ^ VARNISHED yt EXTERIOR WOODWORK -- NATURAL FINN ISH--OpEN-GRAiN WOODS !' : V- FIRST COAT--^S-W Paste Wood Filt^vgClected Shade, wiped acros# grain when palely dry. 1 - -v . ^ sec o nd' SECOND-. COAT--S-W Rexpar Varnish tliinnedfiwifh, .S-W .. ___ - toperation. i- r-^-S-W MarrNoJ-jFa'stXDfi -VaWvIsh a; Exolvent orJPnte Trjientirfl-'iri aCcordancfr-with diree- Tif$DSAfT--S.W.Mar-Ndt Pasfc-DH' Waraish. apple? full' . tion's. ..I; . JHIRD COAT---S-W Rexpar Varnislr^)plied fuU.hody.',' '5:';^dy; ' ..V'- NOTE: For dull finish;.rub-to/.a -oiniform. satin finish, wjtfcftowtlercd ' v- , . * % . ;-i,. y- , puntice stond and oil, after viirm'sh' has dried ftfr 48 .hours. I ..... r*TUfi |. ' ' ft EXTERIOR WOODWORK --NATURAL FfN- TRST"CdATr--SiWt Floor -Mara^flin; <^ldr selected'' thi , vifth, S?W,,']Exbtvepfe; 'ori Pura^Turf#htim iir accordant* 1SH--CllOSE-GRAi^, WOODS ' I ?$ ' '' - FIRST COAT--S-W Rexpar Varnish thinned with S-W Exolvent or Puve,Turi>entine, in,ac:covdahc6%.ith directions;.:; SECOND COAT--S-.W Rexpar.Varnish applied fuj1 body. .... SECOND COAT^-S-W Floor-cEnaniM ife^ccted'color^ppliea- :`fuiL1i6%j ' % ''`aifej*-v , - i T^H.iRffDc,tnSbbAp"dfe^g-vW- .Fh)or En^md M^ftfcteTi/olot, ai NOTE-.' Fdr-'.dyTlLfittUh. ruh to \a uniform satin flftUV-aw&h potfdewsilv. pumiCjd;.stone and oil. after the varnish has dr'ietI,'f,or iS hiwrs.' w _____s. f i-14 I'sH 1KG H A R D W.-OO'S Ft -<3^1^ /'STAINED .AND V^RN1S^D^6pN'RMN ,\iVggp^ FIRST COAT^rS-W V^dd-arf Stapi in. selected eplctfr -' sSeECCOOND '^^XpATT^S-^-SW-W^PPaasstte Wdod'Fnillier,. coloorr to econrirespond N^wit^ptain,. wiped.ncross grain when partly dry. THIRD O0AT-^S-W.Mar-Not-Fast-L>rj; Varnish thinned with -S-W Exolvent or pure Turpentine in accordance with instructions. ' FOURTH COAT--S-W.Mar-Not Past-T)ri. Varnish.applied full body.. ' .,,, / NOTE: Sherwin-Williiiffis Paste Wood ' Filler "Dark haa feufficieht piir- " . .. fithiftcnntt ttoodarkiii-hniin''oonakk ffllnoocr >to some eVt-4-- IT`f the---c--o-' lo'r itfodueed the fir8t inttie ------J FINISHING SCHOOL-ROOM Oft AVmk ia P SIUM:FWORS(StoreS,^are(S^e^)<5YK"NA- C^T --Apply S-W-FloorrSeal; full^body. .: v 1k ______ , .JlSMI'fJiG HARDWOOD FLOORS-- STAINED ANM^^ftl^-^LOSE-G.RAtlN WOOD FIRST COAT--S-W Woodcraft Stain in color selected,, SECOND COAT--^S-W Mar-Not East-llri VaiirTsh thinned >y|th -S-W"Exolvent or Pure Turppntihe in accordance ,. '' -v/fth directions.' ' THIRD COAT--S-W Mar-Not Faat-Uri Varnish applied full body. ' BALipiOMS jrLOOft^- --v 'A AiBiJ surface With a .Weig,^, NOTE: "BperfinorkelidSuofnietiijiie^ asUsifmfiaj lt"i I ''' uyuiiie, 1938-SWEET-00368 a < FINISHING DISCOLORED HARD OR SOFT WOOD FLOORS--STAINED & VARNISHED FIRST COAT--S-W Flo-lac Ground Color applied full body.' SECOND COAT--Grain floor with S-W.Graining Preparation. THIRD COAT--S-W Flo-lac .in shade selected, applied .full body. ' FOURTH COAT--S-W Mar-Not Fast-Dri Varnish, applied full body. ' ' SECOND COAI^-Thin coat White Shellac. THIRD COAT--S-W' S^ar-Not Fast-Qri Varnish applied full body. ' ' * . FOURTH COAT--S-W Mar-Not Fast-Dri VarnisH applied full body. . ' . ., NOTE: I. For dull finish, rujy'fo * uniform satin finish with powdered . pumice stone and oil after.varttish has' dried for 48 hours. 2. Or, for economy, substitute a coht of Velvet Finish Varnish .V No. 1044 for the.Fourth Coat, I INTERIOR WOODWORK--STAINED & VAR NISHED- -OPEN-GRAIN WOOD fj&ST COAT--S-W Woodcraft Stain,-in color selected.; SfivOND COAT--S-W Paste Wpod Fjjler.in color to Corres pond with stain, wiped across grain when partly dry. THIRD COAT--Thin coat of White shellac. FOURTH COAT--S-W Mar?Not Fast-Dri Varnish applied.full body. ,_ - FIFTH COAT--S-W Mar-Not Fast-Dri Varnish applied full body. . . . , S' D. NOTE-. 1. For dull rftocl. rub to a uniform satin nnish with pbvfdfcrefl pumice stone and oil after varnish has dried 48 hours. 2. Of. for economy, substitute a coat of Velvet Finish Varnish No. 1044 for the Fifth Coat. INfERIOR WOODWORK--NATURAL FIN ISH--CtOSE-GRAIN WOOD FIRSTCOa T--Thin coat Whit.Shellac. . SECOND COAT--S-W Mar-Not Fast-Drii Varnish applied full body. , . THIRD'COAT--S-W Mar-Not Fast-I)ri'Vami^h applied full body. 'V NOTE." 1. For dull effect ruff*to n^uniform aatin finish with powdered pumice stone antrVul after varnish hns rlriyl for lx hour., ' 2. Or.' for'economy, substitute com of Velvet Finish'Varnish , No. 14)44 for the Third Cost. 'v * , INTERIOR WOODWORK- STAINED & VARN!SHED--CLOSE-GRAIN WOOD FIRST COAT--S-W Woodcraft Stain i. color selected. Wipe with grain to develop high-lights SECOND COAT--Thin coat of White Shellac. THIRD COAT--S-W Mar-Not Fast-Dri Varnish applies! full body. FOURTH COAT--S-W Mar-Not Fast-Dri Varnish applied full body. A NOTE: 1. For dull finish, rub to ft uniform satin finish with powdered pumice stone and oil'fifter varnish has dried for 48 hours. 2. Or. for economy. aubstlAite a coat of Velvet Finish' Varnish ^o. 1044 for the Fourth Coat. - INTERIOR WOODWORK 4-NATURAL FIN ISH--OPEN-GRAIN WOOD FJRST- COAT--S-W Transparent'Paste. Wood Filler,-wiped across grain when-partly dry. v `. . ' ' '' . X WAXED --OPEN-GRAIN WOODS FIRST COAT--S-W Woodcraft Stain in color selected. SECOND' COAT--'S-W Paste Wood Filler In color, to eorre-' spond with stain, wiped Across grain when partly dry. THIRD COAT--Thin coat White Shellac. FOURTH COAT--S-W Prepared Wax--wipe off surplus Slid polish. - '. - , ^ FIFTH COAT--S-W Prepared Wax--wipe off surplus and7 polish. . ' '. . INTERIOR WOODWORK 1- STAINED AND .WAXED --CLOSE-GRAIN WOOD FIRST'GOAT=--S-W Woodcraft Stain incolor selected.' . ` SECOND COAT--*Thin coat White Shellac.. . THIRD COAT--S-W Prepared Wax^-wipe off surplus; and- . polish. . - . . FOURTH COAT--S-W Prepared Wax--vane off surplus and polish. : ^ the Sherwin-Williams Co', has developed a very complete line of interior wall finishes to meet all requirements' of gloss, semi-gloss, and flat finishes, textured pr otherwise-, for walls of plaster, composition board; wooffi metalr-brick, er ^ concrete. The following brief description of Hie various items In the line will assist the Architect'in writing his spe cifications, and the Specifications themselves' are designed ,,: to cover the entire field of interior wall finishing, insofar as the Architect's duties and responsibilities arexoncerned. If special conditions occurnot^covered In the following, it is suggested that the ArcWtecfapply to the Sherwin-Williams Department of Architectural Service fdradvice or sugges tions. S-W Flot Tone -. ^ is a flat-finish washable oil wall paint, furnished in a wide selection of shades, both pastel and deep colors, designed for use on walls of plaster, composition, wood, metal, brick . or concrete. Apply to the. Sherwin-Williams Co. for color chart giving the complete line of shades. .-V S-W Wall Paint No. 96 is a heavy-bodied flaf finish wall paint, -for use overrough -. surfaces, or where a special textured effect is desired. Fur nished in White.only, :bu't may be tinted with S-W First ,, Quality Oil Colors to ahy desired shade. ... < - - .. S-W Painter Craft Maintenance Wall Pain^^No. 3' is a beautiful washable wall finish especially designed for maintenance work which dries with an egg-shell . finish, be tween that^pf S-W Rat-tone and S-W Semi-Lustre. Furn ished in white only, buf'may be tinted to any desired shade with S-W First Quality Oil Colors. S!W Semi-Lustre 1 is a washable' oil wall finish, which dries with a soft mellow half-lustre as its name; implies.. It. is recommended for those * surfaces wherefregyent washings map* a/more durable finish than possiblejlwith a s'trictly flat-finish paint, but where a high-gloss enamel finish -is not desired. Furnished in a, wide , selection of shades. Apply to Sherwin-Williams for com plete coidr chart. . * 1938-SWEET-00369 Painter Craft Enamelostic * is a full enamel which dries to a high-gloss .finish, both dur able and washable. It is designed for composition or pjgsl walls, and may be used on interior woodwork as wetfTFum- Sshed in white, but may be tinted td any desired shade with, S-'W First Quality Oil Colors. S-W Wall Primer and Sealer t is a penetrating wall sealer containing a percentage of pig- . ment, which is effective in stopping suction on all new wait surfaces except the more porous types of composition board. The pigment by adding to its covering capacity makes its use advisable where two-coat work is aesirad.'- S-W Painter Craft Oil Type Enamel No. 35 is an easy-working interior enamel for use when? greater economy is^esired than available with other types of en amel finish. Designed for plaster or .composition walls. Furnished in white, but may be tinted to any desired shade ' with S-W First Quality Oil Colors. S-W Old Dutch Enamel * is the highest quality enamel that Sherwin-Williams can pro-^ duce. Desirable for interior wood trim, or for interior walls of any nature where the very best quality and type of finish is desired. Furnished in White^Creem and Gray, Gloss or ?emi-glo&s but may be tinted to any desired shade with S-W rirst Quality Oil Colors. S-W Tri-Seal is a pigment penetrating wall sealer for use on exception ally porous composition boards such as Masonite, Cefotex, etc. This materia] should not bemsed in brick tile, or con crete, where S-W Wall Primer and Sealer is re<&mnfim3ad. ^ - S-W XXX Enamel Undercoater -- is an enafhei undercoater with exceptional cohering-'and hiding capacity, for. use beneath an enamel finish. Its use seals the surface tight, preventing suction or spotting of the surface, and makes the ideal base.for an enamel finish of any type. I 1^1 SMOOTH. SAND FINISH, OR 'TEXTURED PLASTER, COMPOSITION BOARD OR CANVAS COVERED WA^LS -- WASHABLE FLAT FINISH FIRST COAT--S-W Wall Primer & Sealer applied full body. NOTE: If porous surface, use S-W Tri-Seal instead. SECOND COAT--S-W .Flat-Tone in color selected, and S-W Wall Primer & Sealer, mixed in accordance with in struction. * THIRD COAT--S-W Flat-Tone in color selected, applied full body. NOTE: In the interest of economy, the second coat may be omitted it conditions warrant it. in th<; judgment of the Architect) For Glazed effect: When last coat is dry, apply S-W Glazing liquid to a portion of wall, tinted with S-W First Quality Oil Colors to color ^elected. Then stip ple with crumpled cloth, twisting cloth slightly after it has been applied to wall surface. . . ` '4 : ' INTERIOR WALLS, ANY TYPE. HEAVY FLAT' LL PAINT FINISH FIRST COAT--S-W Wall Primes.& Sealer. f NOTE: If porous surface, use S-W Tri-Seal instead. . ... SECOND <$OAT--S-W Wall Paint No. 96, applied full body. mtm SMOOTH. SAND . FINISH, OR TEXTURED PLASTER", COMPOSITION BOARD OR CANVAS COVERED WALLS -- WASHABLE EGG-SHELL FINISH V. NOTE: Due to heavy nature of this material, special textured effects are possible with whisk broom, sponge, cloth.! etc., before this last coat has dried. <'* .>ly to Sherwin-Williams for directions for .special effects. . I FIRST ~OAT__S-W Wall Primer & Sealer, applied full body. NOTE: If* porous composition board surface, use Tri-Seal instead. HIGHEST QUALITY ENAMEL FINISH FOR SECOND COAT--S-W Painter Craft Maintenance Wall Paint WALLS -- ANY TYPE * No. :i applied full body. . THIRD COAT--S-W Painter Craft Maintenance Wall Paint No. applied full body. FIRST COAT--S-W'Wall Primer & Sealer. NOTE: If porous surface, use S-W Tri-Seal instead. ' NOTE: In the interest of economy, the third coat may he omitted if conditions warrant, in the opinion of the Architect. SECOND COAT--S-W Painter Craft XXX Undercoater re duced with S-W Explvent or Pure Turpentine in accord ance with directions. THIRD COAT--S-W Kem-name) Snow White Enamel, reduced ^ 1 SMOOTH, SAND FINISH* OR TEXTURED PLASTER, COMPOSITION BOARD OR 'CANVAS COVERED WALLS -- SEMI-LUSTRE FINISH with S-W XXX Undercoater and S-W Exolvent or Pure , Turpentine in accordance with directions. FOURTH COAT--S-W Kem-namel Snow White Enamel, ap plied full body. FIRST COAT--S-W Wall Primer Sealer, applied full body. NOTE: If porous composition board surface, use S-W Tri-Scal instead. SECOND CQAT--S-W Semi-Lustre in color selected, apply full body. THIRD COAT--S-W Semi-Lustre in color selected, apply fuH body. NOTE: In the interest of economy." the third-coat may he omitted if conditions -warrant, in the opinion of the Architect. If either a stippled effect, or a.glazed finish is desired, same may he obtained in connection with Specifications numbers 36. 37. and 38 in the following manner: For Stippled effect: When last coat is dry, apply brush stipple in color selected, using: same material as used for last coat. Either two or three color effects may be obtained by simply repeating operation. MKm ENAMEL FINISH FOR INTERIOR WALLS -- ANY TYPE . FIRST COAT--S-W Wall Primer & Sealer. NOTE: If porous surface, use S-W Tri-Seal instead. SECOND COAT--S-W Painter Craft XXX Undercoater, mixed, with S-W Exolvent or Pure Turpentine, and S-W Paintej; Craft Ehamelastic ift accordance with directions^ THIRD COAT--S-W Painter Craft Enameiastic, reduced with S-W Evolvent or Pure Turpentine in accordance with directions. NOTE: In the intercut of economy, necond cont-mny be omitted when conditions warrant, in the opinion of the Architect, * '1 12 1938-SWEET-00370 4 ^ (Alternate to Specification No. 41 For economy) HI ENAMEL FINISH FOR INTERIOR WALLS -- ANY TYPE r . FIRST COAT--S-W Wall Primer & Sealer. NOTE: If porous surface, use S-W Tri-Seal instead. SECOND COAT--S-W Painter Craft Oil Type Enamel No. 36 mixed with S-W Painter Craft XXX Undercoater and S-W Exolvent or Pure Turpentine in accordance with directions. ' <. THIRD COAT--S-W Painter Craft Oil Type Enamel No. 35 thinned with S-W Exolvent or Pun. * urpentine in ac cordance yrithdirections. NOTE: In the interest of economy, second coat may be omitted if condi tions warrant, in the opinion of <th* architect. ' ______ HIGHEST QUALITY ENAMEL FINISH FOR INTERIOR WOOD TtilM FIRST COAT--S-W Painter Craft XXX Enamel Undercoater, reduced with S-W Exolvent or Pure Turpentine in ac- . cordanc,e with directions. / SECOND COAT--S-W Painter Craft XXX Ehamel Under- coater, reduced with S-W Exolvent or Pure Turpentine in accordance with directions. * THIRD COAT--S-W Kem-namel Snow White Lnamel, mixed with S-W Painter Craft XXX Enamel Undercoater and S-W Exolvent or Pure Turpentine in accordance with directioifc. * FOURTH COAT--S-W Kem-namel Snow White Enamel applied full body: ` - ENAMEL FINISH FOR INTERIOR WOOD WORK FIRST COAt--S-W XXX Painter Craft Enamel Undercoater, reduced with*S-W 'Exolvent or Pure Turpentiiie in ac- ' . cordance with directions. ' J' . '' SECOND COAT--&W X$X ?aiitter Craffe "Ename* 'Unde** - coater, reduced with S-W Exolvent on Pitre Turpentine in accordance with directions. v THIRD-* COAT--S-W Painter Craft Enamelastic, mixed with S-W Painter Craft XXX Enamel Undercoater and S-W Exolvent or Pure Turpentine in accordance with direc tions, FOURTH COAT--S-W Painter Craft Enamelastic, applied foil body-- (Alternate to Specification No. 43--for economy^ * S ENAMEL FINISH FOR INTERIOR WOOD' FIR^T COAT--Ss-WPainter Craft Enamel Undercoater No. 45, Areduced with pure Linseed Oil according to directions. SECOND COAT--S-W Painter Craft Oil Type Enamel No. 3*>, dnd S-W Painter Craft Enamel Undercoater No. 45, in equal parts, reduced according to directions with g-W Exolvent or Pure Turpentine. / THIRD COAT--S-W Painter Craft Oil Type Enamel No. 35, applied fu^i body. PAINTING RADIATORS FIRST COAT--S-W Metal Primer Gray. SECOND COAT--S-W Flat-Tone in color 'selected (for flat' finish). ' * S-W Enamelold in color selected (for Enamelfinish). THIRD COAT--S-W Flat-Tone in color selected (for flat finish). S-W Semi-Lustre in color selected (for semi-gloss finish). S-W Enameloid in colbr selected (for enamel finish). NOTE: Tests prove that radiators painted with bronze powder materials, radiate 26% less heat than those painted with materials containins zinc oxide or lithepone. SAYE-LITE WHITE PAINT FOR INDUSTRIAL INTIr IORS $ave-Lite is the' name which identifies a complete line of Industrial Interior Whitf Finishes manufactured and ofFered by Sherwin-Williams for.the betterment of industrial light-, ing. The value of a White finish for the interior of mills and factories is well known. The gain in quality andevolume of production, in accuracy, and in the health and improved morale of workmen due to proper lighting has been demon strated in numerous cases. the standpoint of light reflection and distribution. Save-Ute Egg-Shell offers some advantage by comparison With either the Flat or the Gloss. The accompanying drawing illustrated, the comparative distribution of light from surfaces painted SherWin-Williams Save-Life-is manufactured in three de grees of gloss--Flat, Egg-Shell and Full Gloss. It can be applied to any interior surface --wood, metal, concrete, piaster or composition board. The material is formulated in a consistency suitable for application by either brush or spray. Sherwin-Williams Save-Ute has an unusually high light reflecting^alue. The light reflection factor for all Save- ^ Lite products Jias been determined by careful laboratory methods and varies from 84% to 86% of the actual light, falling upon the surface. Save-Ute retains its superior light* reflection characteristics for a remarkably long period of time after application. Its freedom from yellowing being one of its outstanding features. SELECTING THE DEGREE OF GLOSS There is no manufacturing reason for Sherwin-Williams ad vocating any one type of MillWhite paint. Our sole interest' is in supplying an interior finish which will be bpst adapted to the particular condition involved. Considered solely from Gl o s s a n d Eg g -Sh &l l Wh it e s 13 1938-SWEET-00371 with Save-Lite Egg-Shell and Save-Lite Gloss. The advan tage of Save-Lite Egg-Shell, In the region of diffuse reflec tion is_apparent. ^ The Egg-Shdt finish combines the itrong light diffusing properties ora Flat-White with the superior vwshability and service of a full gloss. However, for maximum washability and durability, under the most adverse conditions,. Full Gloss Save-Lite is. recommended. /* For ceiling surfaces over indirect lighting equipment, it is important to eliminate high lights, or glare. This is best ac complished by. the use of a Fiat or Egg-Shell finish. Inas much as the efficiency of the indirect lighting unit is almost entirely dependent upon the'light reflecting value of the ceiling, the increased light reflection obtained from an Egg-Shell or a Flat finish is an added reason for their selec tion in this type of work. Occasionally an interior White having a porous Rlmfs re quired, in order that moisture present in damp walls' and ceilings can come through .Without forcing the paint from the surface. Save-Lite Flat White is material of this nature and finds important use in packing plants, tunnels and other damp surfaces. FUMERESISTINGMATERIALS Sherwin-Williams Fdme Resisting Save-Lite has been de veloped to meet special conditions existing in many types of industries. Fume Resisting Save-Lite is manufactured fjn Gloss, .Semi-Gloss and Ffet, and ii^extremely resistant to the ordinary types and concentration of industrial fumes such as: Sulphur, Chlorine, Ammonia): etc. Fume/resisting finishes are required under the conditions prevailing in rub ber plants, tobacco factories, portions'bf textile mills, and in the food industries. One of the latest developments of SKerwin-Williams Re search Laboratories has been the application of a synthetic chemistry in the production of Fume Resisting Interior White finishes. Sherwin-Williams Fume Resisting Kem SaveLite Gloss and Super Fume Resisting Gloss are two remark able products, without counterpart, in this fielefat the pres ent time. The selection of a suitable Fume Resisting Mill White in volves technical consideration, which makes it advisable for the architect to obtain suggestions from the paint manu facturer. The Sherwin-Williams Company is glad to cooper ate in matters of this kind without obligation in any way. THREE-COAT WORK For the best possible results on new work, three coats are recommended and surfaces should be dry. 1. Save-Lite Primer and Sealer 2. Save-Lite Undercoater 3. Save-Lite Flat, .Egg-Shell 9oy. Gloss \ \ TWO-COAT WORK it is recognized thaft-in much industrial construction, two- coat work is used in the interest of economy. Save-Lite ma terials due to their unusual quality are.particularly adapted to this type of work. r On new work and non-porous-reasonably dry brick and con crete masonry, ave-Lite Undercoater should be used as the first coat. Tfie superior hiding power of. Save-Lite Un dercoater and Save-Lite Egg-Shell will materially assist in .overcoming the tendency of knots to show through on wood, ceilings. . i. . For exceptionally absorbent surfaces such as: Celotex, Ma sonite and other insulating wall boards, the first coat should be S-W Tri-Seal. When the job requires.painttng on new plaster, concrete, or brick work without sufficient time for thorough drying, lime burning becomes an important problem. It is impos sible to eliminate completely the hazards of painting under such circumstances. If the wall is not too damp, Save-Lite Primer and Sealer used as the initial coat will reduce the danger of lime burning. A wash coat of Zinc Sulphide solu tion prior to painting has also been foiind helpful. For the final coat, Save-Lite, Egg-Shell, or Gloss may be used. MOISTURE CONDITIONS Save-Lite Flat dries to a porous film and will permit the passage of a certain amourQ^f dampness without lifting the film. It may be applied in one or two coats on concrete or brick walls which are too damp for usual painting proced ure, or which later may be subject to moisture from the back of the wall such as: basements and tunnels. No- under coater or size of any kind should be used arid both coats of Save^uite Flat should be reduced from 15 to - 25% with; Sherwin-Williams No. 74 Reducer. Roof plank which contains an excessive amount of moisture nrlay be given two coats of Save-Lite Flat, although the nor mal amount of residual moisture in roof plank'will come through Save-Lite Undercoater and Save-Lite Egg-Shell. REPAINTING OLD WORK ; Best results on previously painted surfaces are obtained with, two coats, using Save-Lite Undercoater followed with either Save-Lite Egg-Shell or Save-Lite Gloss. Where the old paint remains treasonably well sealed, orfe spray coat of either Save-Lite Hat, Egg-Shell, or Gloss will give good results, depending upon the color and condition of the wall over which they are applied. If the old. paint is'extremely porous, a coat of Save-Lite Primer and Sealer should be used followed with Save-Lite Egg-Shell. FUME CONDITIONS ' Save-Lite Fume Resisting Hat, Semi-Gloss pr Full Gloss are applied over Save-Lite Undercoater and Save-Lite Primer and Sealer in two or three coat work in the same manneras specified above for regular Save-Lite finishes. In all cases involving fume resisting materials, a special investigation by a technical, representative of the paint manufacturer is suggested to the end that the materials selected will meet all of the conditions involved. *4 1938-SWEET-00372 t r TH ERE IS ASHER WIN-WILLIAMS FINISH FOR EVERY SURFACE UNDER EVERY CONDITION Makers ef PIGMENTS THE SHERWIN-WILLIAMS CO. J PAINTS ^ VARNISHES # METAL PRIMERS # # LEAD PRODUCTS # STAINS # ENAMELS LACQUERS ETC. ' # ) 1938-SWEET-00373