Document D44Xj58gqXGJOmmKbnQ13bY4

E6Z.HN s. 1 yC8fh:T IIS THE NEED FOR PAINT ON THE F WITH a nation at war "waste not" is the first order of the day. patriot is doing his level best to make things last. The struggle for victory calls for every ounce of our natural resou every minute of our factory production. Neither time nor material spared for the replacement of things lost through needless neglect. The farms of America are one of our greatest assets on the side of v "Food will win the war," is a slogan that has been emphasized aga again. And it is to the farms of this country that the whole world mu for the food so greatly needed. Nothing is more important, then, than keeping up the equipmen which your farm is run. Buildings and machinery are either diffi impossible to replace. Barns allowed to go to rot and ruin in these day ,j>ikS4v r SC8r n* ,;l PAINTING TIME on the F PAINT provides protection--but it can bring beauty, too. painted farm buildings seen against the green of sprin yellows and browns of harvest time are something to de . of an artist--and the heart of the owner. So, when it's painting time on the farm, why not make time, too? Leave drabness and dullnes things of war where concealment is the sideration. Use color to make your house a ings sparkle and shine. Why not try out some of the color arran suggested in this booklet? It will cost you in either labor or material. You will be what it can do to your place and to your s 98TT I1N m # Dutch Boy Shines Up Billings Homestead Here's what two coats of white lead did to the old home of Samuel P, Billings at Deerfield, Mass. The home was built in 1860. F you are selecting a paint to be used outside, I the' "best" is the one that can do two things. First, it must give long life under the constant hammering of weather. Second, it should have the ability to wear down smoothly without cracking or scaling and be ready for repainting without extra preparation costs. These two single factors mean more to the paint buyer's pocket book than a whole list of claims. No matter how well a house paint may look in the can or right after it is put on, or how little it cost per gallon, or what ingredients it contains -- it just isn't the best paint for you unless it lasts long and wears down so smoothly that the surface can be repainted without extra expense. Long life and smooth wear are well known characteristics of pure white lead paint. This is not just an unsupported cla years and years of experienc thousands of homes. It is fu statements made by many i government bureaus and con It also receives daily confirm and painters who stake their lead's durability -- upon thei it wears and saves. And, here's another impor days substitutes are a necess But pure white lead paint composition and performance Pearl Harbor." There is no ne to sacrifice paint life or paint go to his dealer and get Dutc IS) DUTCH BOY'S DURABILITY 11 1 DUTCH BOY is pure%hite lead. As such it possesses all the unique characteristics of this famous paint pigment. And nature has endowed white lead with certain "good habits'* that are possesed in equal degree by no other pigment so far developed. One of these "good habits" is white lead's strong attraction for linseed oil -- the liquid part of every good quality exterior house paint on the market. How strong an attraction this is will be seen from a simple example which takes place dur ing white lead's manufacture. During most of the various grinding and screening steps of the manufacturing process the white lead is mixed with water. Them toward the end of the pro cess, pure linseed oil is stirred into the water and white lead mixture. As soon as this is done Photographs of lead soaps taken through a microscope and under polarized light to show how lead particles (the white feathery spots) "bloom out" in the lin seed oil (the dark area) to form a perfect bond. every tiny particle of white lead attract oil and drives off the water so that the w floats to the top. That's how strong is the between white lead and linseed oil. This friendly cooperation between oil pigment continues even after the white paint is applied and in service. Right in paint film itself the white lead and the oil what chemists call organic lead compound "lead soaps." Note the pictures at the left. The reasons for the formation of these pounds are too technical to describe here. W is more important to the paint user is the fect on the life of the paint. Paint technologists have found that formations do a very important job. The sure an intimate contact between the oi the pigment not only while the paint m. 8G8CTT I1M liquid form but also after it has been ap plied and dried. As the paint job ages the white lead continues to cling to the dried oil thus keeping that solid continuous coating that protects and beautifies. Another good quality of white lead is that it makes a flexible paint. A white lead paint film gets hard and dry, as paint should, but it never gets brittle. Even after years of service white lead fifcint re tains elasticity. It does not crack and scale as the surface expands and contracts. These are the unique advantages of white lead which mean dollars and cents to you in less frequent repainting and low cost per year paint jobs. *Of course to these can be added all the other white lead "plus's" such as easy brushing, high whiteness, far spread and low price per gallon. Case History Shows White Lead's Superiority At left is an actual photograph of a cheap paint job after one year's exposure con trasted with a white lead job four years old. Both jobs were on the same building. Play safe with white lead. 68TT ITN m farm at Sayville, L. in various parts of the extensive tract all type and retested under act Here's What the D Says About W "Type *L' Paint: T entirely of white le additions of colored the tinted paints. T exclusively, remains house owners who w long intervals, longer of any other white elapse between pain out, a coating consist lead, on woods that h still go through a lon during which it loo unkempt. After suc lead surface can e without undue expen (Above quotation Guide, Vol. 5, No. 1 A.A.A. Division of Agriculture.) HERE'S the story on price when it comes to mixing your own paint from Dutch Boy and pure linseed oil. You can figure it for yourself with the table opposite. Suppose the price of white lead in your locality is $13.00 per 100 lbs. and linseed oil $1.20 per gallon. On the table, as you will see, the cost per gallon for pure white lead paint is only $2.52. Compare this, or whatever the cor rect price may be in your c-.ality, with the price per gallon of other dut c h boy SOFT PAST* k paints. Then remember that for this low price you are also getting pure white lead's durability and quality. ^HITE LEAUI Why sacrifice the very definite ad s t r ic t l y pu r e vantages of good paint when you can get Dutch Boy at such a low price per | gallon? 181 AVERAGE COST PER GALLON 2-COAT -- REPAINT JOB --OUTSIDE WOO The square in which your oil cost and your whit cost meet gives you the overage cost per gallon of White Lead Cost per 100 lbs. $12.00 12.25 12.50 12.75 13.00 13.25 13.50 13.75 14.00 14.25 14.50 14.75 15.00 15.25 15.50 (These prices include Turpentine at $1.0 gallon and drier* at 60 cents a pint) Pure Linseed Oil -- Cost per Gallon $1.00 $1.10 $1.20 $1.30 $1.40 $1.50 $1.60 $2.30 $2.33 $2.38 $2.41 $2.45 $2.49 $2.53 2.33 2.38 2.41 2.45 2.48 2.52 2.56 2.38 2.41 2.45 2.48 2.62 2.56 2.59 2.41 2.45 2.49 2.52 2,56 2.59 2.63 2.45 2.48 2,62 2.5t 2.59 2.63 2.66 2.48 2.62 2.56 2.69 2.63 2.66 2.70 2.62 2.56 2.59 2.63 2.66 2.70 2.74 2.66 2.59 2.63 2.66 2.71 2.74 2.77 2.60 2.63 2.66 2.70 2.74 2.77 2.81 2.63 2.66 2.70 2.74 2.77 2.81 2.84 2.66 2.70 2.74 2.77 2.81 2.84 2.89 2.70 2.72 2.77 2.81 2.84 2.89 2.92 2.73 2.77 2.81 2.84 2.89 2.92 2.96 2.77 2.81 2.84 2.89 2.92 2.96 2.99 2.80 2.84 2.89 2.92 2.96 2.99 3.03 *If Dutch Boy boiled linseed oil is used, no drier is n * 8^t mi | Read About This Special Primer for First Coat | In addition to the regular Outside White, Dutch Boy I Pure White Lead Paint comes in an Exterior Primer I form. For the first coat on new wood or, in repainting, j this special mix gives unusual hiding and sealing of the ; surface. With Exterior Primer as the first coat and Out , side White as the second coat you'll get a two-coat job -- even on new or previously unpainted wood -- that will delight you. In bright ness and hiding it is the equal of any two-coat combination on the market today! And, as for durability and wear --remember it is a pure white lead job from start to finish. YES, here is pure white lead paint all ready to brush on the surface. And, if you think you have spread good paint before, just try a few brush fuls of this high-hiding, easy-working surface coater. Your brush will slide along with the greatest of ease and every stroke will leave a coat of gleaming whiteness that protects and beautifies. If you want white lead's quality and long life plus convenience you'll go for this new Dutch Boy paint. It comes only in white but, of course, like all white lead paint it can be tinted to any other color you want by simply adding colors in oil. And, you will find, too, that it costs no more than regular quality paint. You pay no premium for Dutch Boy's many advantages. (9) CTT l'*1 XT.H iOW MUC TpVEN the expert can't figure to the drop how m paint he'll need to do a given job. There are too m variables such as type of surface, condition of the paint, amount of brushing and the like. But these directions and examples will help you fig your job in such a way that you will have enough pa to do the work with a little left over. With white l paint this doesn't mean waste because you can mix it w other white lead paint for the next job, or save it touch up work. Keep it away from air and it will be fresh as ever when you need it again. Better a little much than much too little. MATERIALS Required for Painting 1000 Sq. Ft. REPAINT WORK -- 2 COATS NEW WORK -- 3 COATS Outside Wood Wood Shingles Outside Wood Wood Shingles White Lead... 40 lbs. 55 lbs. 65 lbs. 120 lbs. Linseed Oil.... 1*4 sals. 1% gals. 1% gals. 3% gals. Turpentine.... 2 qts. 3 pts. 3 qts- lJ/2gals. Liquid Drier.. 44 pt. V-i pt. % Pt. 1% pts. mGals, of Paint. 3 4 944 I (OJ "Example" Meth of Estimating This method somewhat more proximate than measuring system scribed at upper but if the build you are to pain reasonably close size to one of th shown on the p opposite, you m prefer to use simpler calculat ( PAINT DO VOU NEED SMALL -wnggr MEDIUM LARGE APPROX. DIMENSIONS: Paint required for 2rcoat re Height 10 Ft. mill contain about paint job; about 4* gal*. Front 26 Ft. 1,000 Sq. Ft, in Sides Side 24 Ft. 240 Sq. Ft. in Gables 60 Iba; white lead. 300 Sq. Ft. Other Sur. 1% gab linseed oil ---------- 3 qts. turpentine 1,540 Sq. Ft. Total % pt- liquid drier APPROX. DIMENSIONS: Paint needed for 2-coat re Height 18 Ft. will contain about paint job: about 0 gals, Front 24 Ft. 1,800 Sq. Ft, in Sides or Side 26 Ft, 210 Sq. Ft. in Gables 120 lbs. white lead. 890 Sq. Ft. Other Sur. 3% gala. linseed oil 1% gals, turpentine 2,900 Sq. Ft. Total 1 % pta. liquid drier APPROX. DIMENSIONS: Height 18 Ft. will contain about Front 20 Ft. 3.500 Sq. Ft. in Sides Side 78 Ft. 200 Sq. Ft. in Gables 1,050 Sq. Ft. Other Sur. ---------- 4,750 Sq. Ft. Tata! SMALL MEDIUM LARGE APPROX. DIMENSIONS; Height 10 Ft. wilt contain about Front 20 Ft. 800 Sq. Ft. in Sides Side 20 Ft. 200 Sq. Ft in Gables 1,000 Sq. Ft. Total Paint needed for 2-coat re paint job; about 3 gala. or 40 lbs. white Lead. 1 % gala, linseed oil 2 qta. turpentine Vd pt. liquid drier APPROX. DIMENSIONS: Height 45 Ft. wilt contain about Front 60 Ft, 2-940 Sq. Ft. in Sides Side 54 Ft. 1,080 Sq. Ft. in Gables 4,020 Sq. Ft. Total Paint needed for 2-coat re paint job: about 12 gals. or 160 lbs. white lead. 4 lA> gala, linseed oil 2 gats, turpentine 2 pts. liquid drier a p p r o x , d ime n s io n s : Height 50 Ft. will contain about Front 40 Ft. 5,000 Sq. Ft. in Sides Side 72 Ft. 1,000 Sq. Ft. in Gablea 6.600 Sq. Ft. Total [M] ewe t nK HOW FROM PASTE STEP ONE Stir the paste in the pack age just enough to mix in any free liquid on the top. Then put as much as needed into the mixing tub. STEP TWO Reduce to paint by stirring in -- a little at a time -- the liquid called for by the-, formula. Add color if desired. TO MIX PURE MIX SUFFIC I ENT PAINT Be sure to mix enough paint to do the job, particu larly if it is a tinted paint. Left-over pure white lead paint, regardless of its color or its formulation, is always usable for odd jobs. Unused portions of paste white lead can be kept soft and free from skins if a one inch layer of water is poured on the surface of the lead and the container kept tightly covered. Of course, this water should be removed before the lead is again stirred. To keep paint, pour it into a container that it will fill as completely as possible. Then seal tightly with an airtight cover. STRAINING THE PAINT Straining freshly mixed paint improves its brushing qualities and, in the case of tinted paint, it prevents the possibility of color streaking. With paint that has stood for some time it removes skins and hardened particles. A section of fine mesh wire screening makes a handy paint strainer that can be used again and again if rinsed in kerosene or thinner immediately after use. Or a piece of double cheesecloth will do the trick equally well. (Direction* below are for toft pa*te white lead* if heavy paste is used a little turpentine may be added.) REPAINTING OUTSIDE WOOD {Including wood ihingtes) FIRST COAT FINISH COAT DRIER: Add V, pint %. Tunwaxad {4 UNSEED OIL to each gallon of paint, if raw linseed oil is used. Moiled linseed oil requires no drier. * For flat finish on shingles use Lead Mix ing Oil instead of lin seed oil in this coat. No drier required. M2] WITH liquid on to Pour little it in AND TO frfr8TT X1N ITE LEAD HOW TO TINT f EIGHT POPULAR COLORS Here are eight attractive tints to select from. All of them are nice clean colors especially selected to look well in any farm setting. The quantitipypf color, given are for tintinj|ohe fgiittn of white lead paint. Simpy multiply the amount shown by the number of gallons you have to tint to find out how much color to buy. IVORY % Tube or A Pint Raw Sienna LIGHT TAN % Tube or A Pint Burt Umber PUTTY 1 Tube or % Pint Raw Umber DARK BUFF 1 Quart Raw Sienna CREAM 2 Tubes or Vi Pint French Ochre MED. GRAY Vz Tube or A Pint Lampblack LIGHT GREEN % Pint C.P. Chromium Oxide Green LEMON % Tube C.P. Lemon Chrome Yellow MANY COLORS POSSIBLE WITH DUTCH White lead paint, mixed from paste or bought ready to use, is white in color. But it can be easily colored to a wide range of shades and tints through the use of colors in oil. A few popular colors are suggested be low. All these are simply made with just one color in oil. Add the c at a time, until you get the Never put in a big batch or you may get too dark a to tint your paint a little takes a lot more white p lighter. QolohA' TRIM COLORS You can mix your own Dutch Boy trim colors, too, by adding the necessary oil and thinners to Dutch Boy colors. Be cause of their color strength they contain no white lead. Use these paints for the finishing coat only. The undercoat should be regular white lead paint, preferably tinted to a medium shade of the trim color. Ask your dealer for Dutch Boy Colors tint paint. They are carefully made to pr tints. They are also high in tinting streng goes a long way. And to make it easier fo manufactured that they quickly mix into lumping or streaking. mu m*TM*** With white lead paint there is no need to stick to the traditional red for barns and other. farm buildings. Why not strike a new note with a medium gray or a nice tan, for example. Make your farm a distinctive one. 11 i | [ 13 1 sfrsm nii the. BuA^ace FOR PAINTING PREPARING the surface is a very impor Knots and sappy streaks should be given a tant part of a painting job. No matter what thin coat of shellac after the first coat of paint material is being painted, it should be clean is dry. Be sure the shellac extends well over and smooth before a brushf'ul of paint is ap plied. Dirt, dust, rust, loose paint, grease or any other foreign matter should be removed. the edges of the sappy areas. Fill cracks, nail holes and minor surface de Rough and uneven places should be sand fects with white lead putty after the first coat papered smooth. .. J of paint is dry. SCALING OfPEElING PAINT MUST BE REMOVED To apply a fresh coat on top of paint that has started to scale and peel is a waste of material and labor. Sooner or later whatever old paint still re mains may loosen up, come off and bring the new paint with it. The only safe practice is to remove all the old paint that shows any indication of coming loose. This can be done with paint remover, in paste form, or, as is frequently the case, with a blow torch. A blow-torch should be carefully handled. Keep the flame away from loose joints, knot holes, cracks and underneath clapboards or shingles. Never use a torch when the flame might touch glass. Hold the flame at an angle about an inch from the painted surface and about two inches ahead of the scraper. As the paint bubbles up and softens, it can be scraped off. SANDPAPER ROUGH SPOT SHELLAC KNOT PUTTY HOLES [ N] 9fr8f-TT IIS WiilANY COATS? The nqHber of p9nt coats to be put on a surface can be generally stated as three coats on a previously un painted surface and two coats on repaint work. However, on unpainted exterior wood, white lead jobs are being done today in two coats as well as in three. The combination of Dutch Boy Pure White Lead Ex terior Primer and Pure White Lead Outside White is designed for this very purpose. Also, on repaint work, if the old surface is in fairly good physical condition, one coat of Dutch Boy can be used to freshen up and give new durability to the old film. An actual photograph of a Dutch Boy two coot job on rod cedar siding. The first coat is Dutch Boy Exterior Primer. See how it hides the bare wood. At the right the finish coat of Outside White has been applied. Perfect coverage -- sparkling whiteness in only two coats. HOW PAINT SHOULD WHITE lead paint for exterior use freely with a full--but not drip three coat job is being done the p out well to form moderately thin coats, then finished up with light strokes. On two-coat work, the priming coat more freely with moderate brushing an All paint should be applied in a coat ness. Avoid too thin a coat or an exces using a well filled brush and proper bru THINGS TO AV No surface should c o l Wr o s t y WUfHElL is wet or damp. If t porous it is better eral days of clear d SUJffACEV If outside painting weather, choose pe is clear and the su and dampness. Time between coats to assure complete surface. A good tes face with 1/0 sand does not clog up wit is ready for the ne ^s c t t nN nHFtLI rPrFUIJLI Ft aAlfTi ^o the, HUfkt B>uult! THATp aWin,Lt Lin gMAeKaEs i NOTHING is more wasteful of the painter's time and energy spread of the paint and therefore affects the paint's durability. than to use a brush that is the wrong On the other hand, the shape of a size for the job. a, ^ ;.-4 large brush can be ruined by using Using a two or Ihree incjfi brush the narrow edge to paint in small on large surfaces ^bt only^fs tire surfaces that should be done with a some but also prevents proper one or two inch brush. Clean Bnuiltel! FOR BIG SURFACES This is a 4 Vi inch paint brush, the type used by profes sional painters for coating large surfaces such as siding on a house. l S A dirty, caked up brush makes hard work of painting. Keep your brushes clean, particularly in these times when pure bristle brushes are irreplaceable. Never let paint dry in a brush. If you are painting and must interrupt the job for more than an hour or two, put the wet brush in a brush-keeper filled with turpen tine or kerosene. When the job is finished wash out the brushes in kero sene. If you do not expect to use it again for some time further, clean the brush with ordinary yellow laundry soap, rinse with clear water and dry it thoroughly. Then when you want to paint again your brushes will be as good as new. HOW TO GOOD Good putty is im types, made with ma petroleum oils, will s color the paint. White lead putty, for any work, can b using Dutch Boy s lead and fine bolted the whiting into oughly, kneading th the hands as soon as to handle. The weig quired will be abou of the white lead pa [1*1 t 8fr8ETT FIN AVOIDING PAINTING TROUBLES GOOD paint doesn't fail prematurely un less it is improperly mixed, carelessly applied or asked to do the impossible. One of the impossible things that paint is sometimes asked to do is to stay on a surface where excessive moisture is present behind the paint him. This condition will loosen the paint's adhesion to the surface and is re sponsible for practically all the cases of paint peeling. Obviously, no surface should be painted while it is wet but very frequently moisture trouble occurs after the painting.# done on a dry, or at least appajkentlyij ur surface. The difficulty in these &ses can sually be traced to definite defecttjn constitution. To cite a few typical examines: - 1--Lack of hashing or its incorrect use. 2--Poor fitting of siding against door and window casings or corner boards. 3--Improper installation of moisture bar rier in sidewall insulation. 4--Siding or porch skirting touching soil. 6--No ventilation between soil and floor. 6--Hollow porch columns without ventilat ing holes at top and bottom. Of course, if any of these or other similar faults in construction are present, they must be corrected to prevent paint failure. ALUGATORING CAUSE: The application of a hard type of paint film over a film that is much softer. The soft undercoat may be the result of improper formulation, the use of a soft drying pigment like yellow ochre, or the use of large amounts of straight color pigments. HOW TO AVOID: Do not apply a paint that will form a hard film over a paint film that is much softer. Allow ample time between coats for drying and hardening. Before re painting a surface that has alligatored ex tensively, remove all of the old paint, down to the wood. CAUSE: It may be the use of the wrong type of paint or poor application on an im properly prepared surface. Frequently, it is excessive moisture in the material that is painted that moves through to the underside of the paint film so that the paint's adhesion is broken and the paint peels off. HOW TO AVOID: Make sure that the mate rial to be painted is clean and in proper condition to receive paint; that it is thor oughly dry, not only on the surface but throughout. If there are any construction faults the proper repairs should be made. V CAUSE: Usually excessive m present in the wood at the tim or gaining access to it at so Heat of the sun, or heat fr house, moves the moisture thr to the underside of the paint f the paint's adhesion. If vap then built up, blisters are for HOW TO AVOID: Make, sure no construction faults and th to_ be painted is dry. Before blistered surface, remove all CAUSE: Uneven absorption finishing coat by the surface HOW TO AVOID: This defec when the finish coat is applie erly sealed surface. nn 6f'8CTT Iiu AVOIDING PAINTING TROUBLES-cont CRACKING AND - - SCALING on soft paint films under the combined con dition of moisture, warmth and shade. HOW TO AVOID: Where mildewing has pre viously occurred, remove ail fungus possible by washing surface thoroughly. Use a solu tion of paint cleaning compound or a mixture of one-quarter pound of washing soda to a gallon of water. Rinse well and repaint. The addition of mercuric chloride (corrosive sub limate) to the paint (both coats) aids. Use about an ounce to every gallon of white lead paint. It may be added to the paint in either of two ways. First method: Dissolve the mercuric chloride in alcohol by placing a container with a small amount of alcohol in a hot water bath (but not over an open flame). Second method: Make a very thin paste of the mercuric chloride and a small amount of linseed oil and turpentine. Add gradually to the paint, stirring it in thor oughly. CAUTION: Mercuric chloride is a deadly poison. Use with great care. CAUSE: Paint that has become hard and brittle due to its age or composition so that it can no longer follow the movement of the wood surface underneath. HOW TO AVOID: Use properly formulated white lead paint. It remains elastic and retains its adhesion. CAUSE: Formation of metal salts washed down over the surface of the paint film by rain. When the paint contains certain white pigments, the salts actually stain the film so that it is impossible to remove the discolora tion. HOW TO AVOID: Pure white lead paint is not permanently stained by these salts and any normal discoloration that is deposited on the surface of a white lead film from this source, can be washed away. [18] CAUSE: The use of the paint, such as wa materials that becom chemical reaction. HOW TO AVOID: U white lead paint wh form water soluble m CAUSE: Every pain as it ages. However, excessive discolorati is still fairly new. Th that contains too mu poor quality. . HOW TO AVOID: B properly formulated. atmosphere is part linseed oil in the fina D Ch I C A n FOR METAL |\LU LbAL/ SURFACES Rust never rests. It is a constant enemy ready to turn valuable metal into worthless junk. But there's one sure way to beat rust to the punch. Use Dutch Boy red lead. Its bright red color will signal safety .from rust and corrosion for all* the metal surfaces Ground your farm. This includes all sorts of farm machinery, hich is so difficult to replace these days, as sll as iron roofs, ventilators, wire fences and etal gates. - You can get Dutch Boy red lead in dry or paste form and mix it with oil yourself. Or, there is the ready-mixed kind that you can brush on today and recoat tomorrow. Both wi 11 give you the same long-wearingprotection--the i proven durability that has | I made Dutch Boy the choice of leading engineers. It is the next-to-metal protector of many of the country's big gest structures as well as countless thousands of other iron and steel surfaces. HOW TO MIX RED LEAD PAINT FROM DRY RED LEAD To make a half gallon of red lead paint, using linseed oil and dry red lead, proceed as follows: 1. Into one pint of linseed oil, mix 10 pounds of dry red lead, a little at a time. 2. Let this mixture stand for about three days. 3. Then add another pint of linseed oil and stir thoroughly. 4. Just before you are ready to use the paint stir in one pint of a mixture consisting of two-thirds turpentine and one-third drier. I WE have talked about Dutch Boy as a "house paint" but let's not forget that there are many other buildings on a farm that need to be protected from weather. And this is one of Dutch Boy white lead's greatest ad vantages to the farmer. With it you can mix a paint that is suitable for every type of surface that you want to paint. It is fine for exterior wood, of course. But white lead paint is equally durable and decorative for shingles, either wood or asbestos cement, and for such surfaces as brick, stucco, concrete and stone. Dutch Boy can be used inside, too, to decorate and beau tify woodwork and plaster. In this case, the white lead should be mixed with Dutch Boy Lead Mixing Oil to make a flat paint just as linseed oil and turpentine make a gloss paint for exterior surfaces. 120] So the w Dutch Boy paint for this an for something else. He out of the same container. lead paint. Left-overs can be put to of spoiling the paint for later use. It's a good idea to always have so ready for those odd jobs when you spare. Keep things touched up and t frequent and you will keep weathe the upper hand. On the pages that follow we have how some of the smaller but impo can be painted with Dutch Boy. Lo that you can apply to your buildings Give Dutch Boy protection to ail ZS8CTI UN CS8CTT CATTLE FEEDER Note how the under section has been (tainted a color against which the mud spatterings will not show up. POU White is color for p trim color (21 ) PORTABLE HOG HOUSE The above color selection is one way of making these little buildings at tractive as well as keeping them protected from the wear of weather.. CORN CRIB These structures should be painted against weather and at the same time they can be made to look a pleasing part of a well painted farm. MACHINE SHOP AND A dark color that does not so can be used for doors and s white where greasy hands touch. Note the metal roof protecting primer coat of r MILK HOU . Nothing is better than white for th dairy buildings. It signifies cleanli ness and purity; keeps sanitary. I 22 J o,) ,iV'Av.. -and don't neglect THE INTERIOR PAINT isn't needed much for protection on the in side of the house. But it is important for beauty and decoration. Nothing spruces tip a room and your family's spirits like a coat of Dutch Boytfl|*lfpaint in some bright and cheerful color. Itlslke a spring tonic to get rid of dirty walls and make erythinMresh and clean again. Paint can makJffany home more livable. Well se lected color will bring your rooms up to date -- make a home that the whole family will take pride in. It will S58GTI IrIM help to keep the young folks contented "d the farm." If you are interested in learning more ab to decorate your rooms write for our book Defense of Your Home." which tells about with paint. It contains suggestions in full well as an interesting discussion of decorati ciples. It's free for the asking. Address any the offices shown below. LEAD COMP 1U Broadway, New York 116 Oak Street. Buffalo * 900 West Chicago 669 Freeman Avenue, Cincinnati 1213 West Third S land 722 Chestnut Street, St, Louis * 932 Wilson Street. Los 1211 N. W. GJinan Street, Portland, Oregon 2240-24lb Street cisco 973 John Street, Seattle National-Boaton Lead Co., Street, Boston National Lead k Oil Co. of Penna., 1376 River burgh John T. LewU k Bros. Co., Widener Building, Phila | 23 1 ; niifli