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sss If; iaig8fc^s,, zm^ma.s^enmxM; ;<----;-x-^- v.- .. ; v 0007-PTL-000091 Eighth Edition PRATT ar LAMBERT . ARCHITECTURAL SPECIFICATION MANUAL INCLUDING COLOR PLANS PAINTING VARNISHING ENAMELING Ar c h it e c t u r a l Se r v ic e De p a r t me n t PRATT sr LAMBERT-lNC. Ne w Yo r k : Lo n g Is l a n d Cit y (1) Bu f f a l o (7) 3301 - 38t h Av e . 75 To n a w a n d a St . Fo r t Er ie , On t a r io 61 CoVRTWRICHT ST. Ch ic a g o (16) 326 W. 26t h St . 0007-PTL-000086 To meet ever-changing demands, the Pratt ii Lambert laboratories are constantly developing many new and different types of coatings possessing properties previously considered unobtainable in painting and finishing materials. As a result, the architect can specify, and his client may enjoy the benefits to be gained from the use of protective coatings which have much greater durability and more lasting beauty than ever before. For example, there are new, odorless-type, alkyd wall coatings which are easier to apply and dry faster. They may be washed repeatedly, some even scrubbed without harm to the finish or the luster. And the recently-developed alkyd enamels for both interior and exterior surfaces have many advantages over the earlier type products. These new enamels hide much better, dry hard overnight and are unusually resistant to color change and marring. New type floor finishes, both pigmented and clear, resist moisture to a remarkable degree and better withstand the wear and tear of heavy foot traffic. One of the most interesting developments is the creation of an extremely pale varnish for interior trim which not only possesses marked resistance to water, wear and soil, but may be used over natural wood or the very lightest blond stain without changing its color. "After-yellowing," so objectionable in most trim varnishes, is negligible. The research necessary to develop P&L House Paint required years of testing. Literally hundreds of formulas combining varied selected pigments and oils were tried out, made into test paints and applied to panels which were exposed on test fences located in three climatically different sections of the United States. Examined at regular intervals, the panels eventually revealed just which formulas offered the greatest combined values of pro tection, durability and beauty. These new exterior paints have longer fife and much better gloss and color retention. They wear down evenly, making expensive wire-brushing, scraping or burning off of the old paint unnecessary when it's time to repaint. These are but a few of the achievements of the Pratt & Lambert laboratories. MANUFACTURING PLANTS The manufacturing plants of Pratt & Lambert-Inc., are equipped with the very latest and most efficient machinery made for the production of quality paints, varnishes and enamels. However, the finest tools of pro duction are of little value without skilled hands to guide them. Men of long 8 0007-PTL-000093 FOREWORD This Architectural Specification Manual is dedicated to the architects of the United States and Canada. In it we present what we believe to be the latest developments and information pertaining to the use of architectural finishes. To this end, we have combed the resources of the industry, have conducted exhaustive research and countless tests, and have drawn upon our own vast experience gained in (he manufacture of paints, varnishes and enamels over a period of one hundred years and more. We have endeavored to make this manual a complete and reliable reference of present-day painting procedure. The Architectural Service Department of Pratt 8? Lambert-Inc., is always ready to aid the architect in a practical way. This includes, without obligation, -furnishing complete painting specifications and color plans for any project; supplying specifications for painting surfaces sub jected to unusual conditions rarely encountered and requiring special treatment, or making up especially finished sample panels to comply with the architect's ideas. A division of this department is located at each office of the Company in New York, Buffalo, Chicago and Fort Erie, Canada. Architects are cordially invited to use this service. Ar c h it e c t u r a l Se r v ic e De p a r t me n t Pr a t t & La mb e r t -In c . PRATT 6? LAMBERT PRODUCTS FOR Ex t e r io r Su r f a c e s PRATT & LAMBERT HOUSE PAINT EXTERIOR PRIMER A modem exterior paint specification calls for the use of a specially for* mulated primer rather than a first coat of house paint or lead in oil. P&L House Paint Exterior Primer uniformly seals all surfaces; hides much better than ordinary primers; holds out succeeding coats and meets the varying com ditions found in wood siding, trim, etc. It serves as a bond between the wood and the finish coats; minimises checking, cracking, and scaling; increases the life and improves the appearance of the finished job. Made in white, it may be tinted to the same color as the finish coat with P&L Oil Color, USE: For priming and back'priming exterior wood surfaces. Used as the first coat under P&L House Paint and Verdura Trim Shutter Finish. SPECIFICATIONS: 1, 2,4, 5 PRATT & LAMBERT HOUSE PAINT An exterior paint possessing maximum beauty, durability, hiding power and covering capacity. Made of highest quality pigments, resins, and vegetable oils with the same exacting care as all other Pratt & Lambert products. Strongly resists the deteriorating effects of sun, heat, cold, rain, snow and ice. Wears down slowly and evenly, maintaining a smooth, clean finish which may be easily and economically painted when the time eventu ally comes to repaint. Outside White is a self-cleaning type of paint which stays white. Colors are dear in tone and have good color retention. USE: For finish coat work on wood which has previously been primed with P&L House Paint Exterior Primer. Also used for finish coat work on metal which has previously been primed with PSsL Noxide Red Lead Primer. P6sL Fast Drying Gloss Black is especially recommended for window sash, storm windows, hand rails, grilles and hardware. P&L Tinting White is recom mended when paint is to be tinted with P&L Oil Color or for white work where a slow-chalking paint is desired. P&L Mildew & Fume-Resistant White should be used wherever mildew is a problem or sulfur fumes are present. SPECIFICATIONS: 1, 2,9,10 10 0007-PTL-000095 TABLE OF CONTENTS Pr o d u c t De s c r ip t io n s .________________ ____________ Beginning on Page 10 In d e x o f Su r f a c e s --Ke y e d t o Sp e c if ic a t io n s -----Exterior Work.______________________________ Interior Work_______________________________ 24 24 26 To t h e Sp e c if ic a t io n Wr it e r ____________________ 4 Sp e c if ic a t io n s f o r Pa in t in g a n d Va r n is h in g .-----General Conditions._____________________________ Shop Coats.____________________________________ Exterior Work.______________________________ Interior Work_______________________________ 31 31 35 35 36 Ma s t e r Sp e c if ic a t io n s Fine Residences.-------------------------------------------------Medium'Price Residences-----------------------------------Hotels and Apartment Buildings.________________ Hospitals and Institutions.-----------------------------------Schools and Colleges___________________________ Office and Commercial Buildings------- -----------------Industrial Buddings, Warehouses----------------------- 37 54 64 73 89 104 115 126 Co l o r Suggested Interior Color Plans---------------------------------------------------- 138 Residences; Hotels and Apartment Buildings; Hospitals and Insti' tutions; Schools and Colleges; Office and Commercial Buildings; Industrial Buildings and Warehouses. Safety Color Code--------------------------------------------------------------- --- 167 Pipe Line Identification.------------------------------------------------------------ 170 The Importance of Color in Architectural Design.____ .... 173 The Color Calibrator.---------------------------- ----------- ------- .... 182 Rules for Harmonious Color Relationship-------------------- TM 185 Balance and Proportion.-------------- -------- --------------------- ,, 193 Light Reflection____________________________________ .... 198 Ty p ic a l Pa in t Pr o b l e ms a n d An s w e r s .______________ ._ 207 Bu il d in g a Fin e Va r n is h o r En a me l Fin is h __________ .... 216 0007-PTL-000090 PRATT 8 LAMBERT SHAKE 8 SHINGLE FINISH Especially formulated to protect and accentuate the rugged beauty and charm of wood shakes, wood shingles and rough'sawed lumber. The soft' textured colors provide a variety of modem, decorative effects particularly suited to these exterior surfaces. USE: For protecting and decorating shakes, shingles, rough'sawed lumber and similar exterior wood surfaces. Applied in the consistency supplied as an opaque or solid'hiding finish on shakes. Thinned in the proportion specified on the label when used as a heavy'bodied shingle stain or as a typical lighter'bodied shingle stain. SPECIFICATION: 6 OKENE PRESERVATIVE A transparent, preservative finish which penetrates, seals and weather' proofs the surface on which it is applied. Does not leave an oily or greasy film and dries to a hard, dean surface. Because it contains no wax or paraffin, it does not require frequent renewing. Made in Natural only. Interior wood stain effects may be easily obtained by the addition of not more than one quart P8L Oil Stain (color desired) to each gallon Okene Preservative. For exterior work, tint with P8L Oil Color. USE: For preserving and decorating exterior English half timbered woodwork, and for finishing interior paneling and trim where a surface finish (varnish) is not desired. Ideal for back'priming interior trim and paneling to be stained and varnished. SPECIFICATIONS: 7,61 NOXIDE RED LEAD PRIMER f The best method of protecting structural iron and steel surfaces against the destructive action of rust and corrosion is to envelop the surface with a coating that is as nearly impervious as possible to the penetration of air and moisture. Noxide Red Lead Primer is such a coating. It is a rust'inhibitive, red'lead base primer which dries with a flexible film that provides a suitable foundation for subsequent finish coats. USE: For priming exterior structural iron, steel, bridges, tanks, fire escapes, metal sash, ornamental iron, gutters and similar metal surfaces which are to be painted with P8L House Paint, Verdura Trim 8 Shutter Finish or Noxide the Enduring Metal Paint. SPECIFICATIONS: 9,10,11,12 12 0007-PTL-000097 A CENTURY OF PROGRESS PRATT & LAMBERT'In c . Founded in 1849, Pratt 6? Lambert-Inc. has had more than one hundred years of paint-making experience. During this entire period, the company's original policy of making only products of the finest quality, which would meet every practical requirement, has never varied. The P&L Red Seal trade-mark on the label of every Pratt & Lambert paint, varnish, enamel and stain is added assurance to those who seek only the best in protective coatings. The present-day wide acceptance of such out standing products as "61" Floor Varnish, Vitralite Enamel, Lyt-all Wall Coating and P&L House Paint has proved the soundness of this policy. PRATT & LAMBERT COLORS To achieve enduring decorative perfection, Pratt & Lambert-Inc. has devoted years of study, experiment and practical application in developing colors that are perfectly balanced as to hue, value and chroma. Pratt 5? Lambert colors are modem but not extreme or exotic. They are outstanding, individual, different. They are not to be found elsewhere, nor can they be successfully matched on the job. Every color has been evolved for decorative purposes, only after using it on scores of rooms of varying sizes and light exposures and designed for different functions. Each color is made under rigid laboratory supervision, thus insuring absolute uniformity. SCIENCE IN CONTROL AND DEVELOPMENT Nearly fifty years ago, the company took what many in the paint industry then considered a radical and unnecessary step. It established its first laboratory. Even at that early date, the management of the company anticipated the important part that chemical enguieering would play in the improvement of old products and the development of new protective coatings. From a comparatively small beginning, the Technical Division of Pratt 6? Lambert-Inc. has not only greatly increased in size, physical equip ment and staff, but it has grown rich in knowledge and experience. 7 0007-PTL-000092 EFFECTO ENAMEL Made to withstand the extreme conditions of exterior exposure, EfFecto is equally satisfactory for interior work. On exterior surfaces, it is vastly superior to and far more durable than ordinary enamels or mixtures of enamel and lead in oil paint. This ultra-modern finish dries quickly with a beautiful high luster. Excellent color and gloss retention. Is not easily marred. Made in White, Black and a wide range of beautiful colors. A number of these colors approximate the standard colors recommended for pipe line identification and similar industrial usage by the American Standards Association. (See Safety Color Code, page 167). USE: For protecting exterior and interior wood and metal surfaces such as fire doors, partitions, lockers, iron work, piping, ducts, machinery and motors. Also used for painting and identifying pipe lines, fire protection and safety equipment, indicating hazardous areas, etc. LUSTER: High Gloss SPECIFICATIONS: 17,43,75 "61" FLOOR S? PORCH ENAMEL This fine enamel combines many outstanding qualities. It dries with a tough yet elastic film that may be washed repeatedly. It withstands heavy foot traffic and year around exposure to weather. Is unusually resistant to water and is not easily marred. Made in White, Black and a well chosen line of colors. USE: For exterior or interior floors of wood, concrete or metal. An ideal coating for dadoes of concrete, brick, plaster, wood or metal found in-service quarters, stair halls, factories and similar surfaces. LUSTER: Gloss SPECIFICATIONS: 18,37,76 PRATT & LAMBERT WP-578 SEALER For sealing knots and sappy spots in exterior wood surfaces to be painted, WP-578 Sealer's tough film is considerably more water, sap and stain resistant than shellac. It better insures the durability and appearance of the paint used over it. See General Conditions, (c) page 33 14 0007-PTL-000099 paint-making experience operate the mills and chimneys. They are proud of their productive record covering a period of many years and overlook no manufacturing or packaging detail which will insure that every gallon of material meets a definite standard of quality, in order that the PSs'L trade- mark may always signify the best in paint, varnish, enamel and lacquer. Pratt & LambertTnc., maintains plants in the following cities: Bu f f a l o Ne w Yo r k Ch ic a g o Fo r t Er ie , On t a r io Cl e v e l a n d De t r o it Ka n s a s Cit y DISTRIBUTION FACILITIES Pratt Lambert products are distributed and sold by franchised fullline distributors and dealers located in most of the cities and larger towns in the United States and Canada. To insure prompt deliveries of merchan dise to these outlets, shipments are made from the nearest factory or from a nearby Pratt E? Lambert warehouse or subsidiary company located in the following cities: At l a n t a Cin c in n a t i El Pa s o In d ia n a p o l is Mil w a u k e e Min n e a p o l is Ph il a d e l p h ia St . Lo u is Sa l t La k e Cit y Sa n Fr a n c is c o Win n ip e g , Ma n it o b a ARCHITECTURAL REPRESENTATIVES Pratt & Lambert architectural representatives have for more than fifty years regularly called on and co-operated with architects throughout the United States and Canada. This dose cooperation has proved a valuable aid to architects in the recommendation of materials, writing of specifica tions, laying out of complete color plans and the inspection of jobs in progress and when completed. It is their desire as well as the Company's to render prompt and helpful service at all times and thus merit the confi dence and respect of the architect. PRATT & LAMBERT ARCHITECTURAL SERVICE DEPARTMENTS 75 Tonawanda Street BUFFALO 7, NEW YORK Telephone: DElaware 6000 326 West 26th Street CHICAGO 16. ILLINOIS Telephone: Victory 2-1800 3301 38th Avenue NEW YORK: LONG ISLAND CITY l Telephone: STSlwell 4-5100 In Ca n a d a: 61 Courtwright Street FORT ERIE, ONTARIO Telephone: Fort Erie 80 9 0007-PTL-000094 USE: For priming interior bare metal, including ventilating ducts, beams, sash and trim. Also for priming bare exterior gutters, conductors, metal roofs, fire escapes, etc. It should always be used under Alkatite Floor Finish when this product is to be used on metal. SPECIFICATION: 45 LYT'ALL FLOWING FLAT A better alkyd flat enamel for walls that dries with a velvet-smooth finish which may be washed repeatedly without injuring the film. Its freedom from objectionable odor, excellent hiding, unsurpassed flowing properties, positive drying and fade-resistant colors, set it apart from other flat wall paints. Made in a wide variety of de luxe Calibrated colors that are modem but not extreme. They are individual, different and are not to be found elsewhere, nor can they be successfully mixed on the job. Each color, per fectly balanced for decorative purposes as to value and chroma, was evolved only after using it on scores of rooms of different size, light exposure and function. Lyt-all Flowing Flat Calibrated Colors are designed to be used in combination with matching Colors of Vitralite Enamel, Gloss or Eggshell, recommended for trim. (See "Color" section for light-reflection value of Lyt-all Calibrated Colors.) White and colors may be intermixed to secure any desired tint or tone. White and colors may also be tinted or shaded with P8*L Oil Color. USE: For both residential and public building work on walls and ceilings of smooth, sand-finished or textured plaster; Keene's Cement; canvas; asbestoscement; concrete; cinder and other aggregate blocks; gypsum board; wood pulp and pressed wood boards. Always applied over one or two coats of Lyt-all Double Duty Primer or Vapex Wall Primer. LUSTER: Flat, with slight angular sheen SPECIFICATIONS: 19,20,25,29, 30 LYT-ALL STIPPLING EGGSHELL The distinctive finish, exceptional durability, color permanency and freedom from objectionable odor of this outstanding, alkyd-base product have established its use wherever sound decoration is employed and low-cost maintenance is requisite. It does not contain sand, grit or other dirt-catching, abrasive materials. Its extremely tough film withstands repeated washings without showing signs of wear and with little change in luster. It is an 16 0007-PTL-000101 VERDURA TRIM & SHUTTER FINISH Present-day exterior decoration calls for trim or accent colors of un usual brilliance and permanence. White or any one of the several available hues of Verdura Trim & Shutter Finish will supply just the desired touch of color that gives added decorative value to the exterior of a house or other structure. It is made with the purest colors obtainable which are ground in an alkyd base vehicle designed to insure maximum durability, gloss and color retention. This outstanding product has unusual flow for an exterior paint and produces a smooth gloss finish that can be easily and frequently washed. Verdura Trim & Shutter White is a specially developed high-gloss, sod-resistant paint for trim only. USE: For finish coat work on shutters, sash, doors and other exterior trim of wood or metal. Used over a priming coat of P&L House Paint Exterior Primer on new wood and over Noxide Red Lead Primer on new metal. SPECIFICATIONS: 4,5,11 ALKATITE CEMENT 6? STUCCO PAINT This alkali-resistant, synthetic rubber-base paint is outstanding in many respects. Made with lime-proof pigments, the smart, non-fading colors give lasting beauty and protection to all types of masonry surfaces including asbestos-cement board and shingles. Exterior masonry surfaces, if tightly sealed, may eventually disintegrate as a result of the destructive action of entrapped frost or water. Alkatite Cement 6? Stucco Paint is not a masonry waterproofer. While its primary function is to resist exterior moisture, it is sufficiently porous to allow interior moisture to breathe through the paint film. Alkatite Cement ii Stucco Paint may be sprayed. USE: A uniformly-flat, alkali-resistant paint for use on exterior concrete; stucco; brick; cinder, cement and other aggregate building blocks; asbestoscement board and shingles (except roofs). Unsuitable for use on magnesite stucco or wood. SPECIFICATION: 8 PRATT & LAMBERT REDWOOD STAIN Made with light-fast colors, finely ground in carefully-selected oils. It provides the "natural" effect so much in demand for finishing redwood siding, shingles and other exterior wood surfaces -- and at the same time resists the destructive effects of weather. USE: An exterior finish for redwood or any type of wood where a light, red-brown stain is desired. SPECIFICATION: 3 11 0007-PTL-000096 LYT-ALL DADO FINISH Very resistant to water, grease and oil. Its tough film also withstands unusual abuse caused by scraping, abrasion and hard knocks. 2020 Green is an industrial background color; practical, and easy on the eyes. USE: For painting dadoes on concrete, brick, cement, cinder and other aggregate blocks, clay tile (other than glazed tile), plaster, wood and metal. Lyt-all Dado Finish is an excellent finish for factory trim, interior sash, heat' ing units, overhead tracks and hoists, partitions and stair wells. LUSTER: Gloss and Eggshell SPECIFICATION: 37 CELLU'TONE SATIN This alkyd base, odorless-type, semi-gloss finish for interior walls and trim, has unusual hiding, durability and washdbility. It can actually be scrubbed! Fingerprints, dirt, grease, pencil and crayon marks, ink spots, even mercurochrome and match scratches can be removed without injuring its rugged film. It is especially suitable for use in hospitals, schools, hotels, office buildings, theaters and other public buildings where painted surfaces must be frequently washed. The wide range of modem colors and White may be intermixed to secure any desired shade. White may be tinted with P&L Oil Color. USE: For a satin-smooth finish on walls and ceilings. On smooth, sandfinished or textured plaster and Keene's Cement, Cellu-Tone Satin requires no primer. Used over Vapex Wall Primer on gypsum board, asbestoscement, wood pulp and other dry wall construction. SPECIFICATIONS: 21, 26, 37, 44 SOLIDEX An ultra-fiat, dense hiding, washable oil base paint that is free from any objectionable odor. It is especially suited for use on walls and ceilings where a dead flat or ''matte" finish is desired, such as balcony soffits, low ceilings, etc. Also for painting interior walls of cinder block, brick, concrete and other masonry surfaces. Does not lessen the sound absorption properties of acoustical surfaces. Available in a carefully selected range of decorative colors which match Cellu-Tone Satin colors of the same name. USE: For painting interior walls and ceilings of plaster, wall board, concrete, cinder and other aggregate blocks, brick, clay tile (other than glazed tile), wood, metal and acoustical material. LUSTER: Flat (Matte Finish) SPECIFICATIONS: 24,28, 33, 36 18 0007-PTL-000103 NOXIDE THE ENDURING METAL PAINT This paint, which has been especially designed for use on metal, serves two purposes. It seals Noxide Red Lead Primer used under it, thereby adding to its protective, rust-inhibiting qualities and provides a practical, durable finish and color for the surface on which it is used. Made in Black, Natural Graphite, Aluminum, and a range of practical colors. USE: A finish coat for structural iron and steel, fire escapes, cat walks, ladders, tanks and similar exposed metal surfaces which have been pre viously primed with Noxide Red Lead Primer. SPECIFICATION: 12 NOXIDE SMOKESTACK BLACK A black coating designed to withstand exterior exposure and tempera tures which do not exceed 500F. Applied when the metal is cool, the film is practically baked on when first subjected to heat. USE: For metal stacks, boiler breachings and other heated metal surfaces. SPECIFICATION: 13 "61" SPAR VARNISH An extremely tough, durable, water-resistant varnish that provides excellent protection against moisture, strong direct sunlight, freezing tem peratures, etc. It has great elasticity, exceptional body and good luster. USE: For protecting all natural, stained or filled woodwork exposed to weather, strong sunlight or excessive moisture. Best used on exterior wood trim, doors, porch ceilings and hand rails. Also window sills, show windows and similar interior wood surfaces subjected to extreme heat, light and moisture. LUSTER: Gloss SPECIFICATIONS: 14,15,16 EFFECTO PRIMER An easy brushing, good leveling, pigmented primer for sealing wood or metal against the deteriorating effect of extreme exposure, moisture, etc. It provides a perfect foundation for finish coats of Effecto Enamel. Made in White, it may be tinted with PSs'L Oil Color or the same color of Effecto Enamel to be applied over it. . USE: For application on exterior and interior wood or metal under Effecto Enamel. SPECIFICATION: 17 13 0007-PTL-000098 USE: For enameling interior woodwork, wood and metal trim, walls of plaster, Keene's Cement, canvas and hard surfaced wall boards. Ideally suited for use on window silk and other interior surfaces subjected to occasional moisture and weather. Vitralite Enamel Eggshell is especially well adapted for use on radiators, convectors, grilles and other enclosures. LUSTER: Gloss and Eggshell SPECIFICATIONS: 32, 35,40,41,42 PRATT 5? LAMBERT OIL STAIN Pigmented oil stains, which do not raise the grain of die wood. Each color in the wide range of these clear, rich stains is designed to enhance the beauty of the natural wood rather than to give it a garish or unnatural effect. The colors include a number of light or blond stains as well as the always popular mahogany, walnut and oak effects. Colors may be intermixed to secure any desired color. USE: For staining interior or exterior wood trim and interior floors of hard or soft woods. Also for coloring Okene Preservative to be used on interior work. SPECIFICATIONS: 14,16,49, 50, 52, 56, 57,58,61,62,64,71,72 PRATT S' LAMBERT PASTE FILLER For filling the pores of open grain wood to provide a smooth, level, non-absorbing, non-shrinking natural or colored surface over which subse quent coats of varnish may be applied without soaking in or showing "pin holes." USE: For filling exterior and interior open grain wood trim and interior open grain wood floors. , SPECIFICATIONS: 14,47,48,49, 50, 59,62,67,68 FILTEX A pigmented primer especially designed to subdue or reduce the prominence of the grain of such woods and plywoods as fir, yellow pine and cypress. When used under P&L Oil Stain, it is possible to secure many beautiful stained effects formerly unobtainable on these woods. USE: A preparatory coating for interior trim, paneling and plywood made of flashy grained soft woods. SPECIFICATIONS: 56, 58 "38" PALE TRIM VARNISH For paleness of color and toughness of film, "38" Pale Trim Varnish is unrivaled. Its almost water-white color permits its use in any luster over dark, light or even blond stains without changing their color. "After- 20 0007-PTL-000105 Fo r In t e r io r Su r f a c e s LYT-ALL DOUBLE DUTY PRIMER As contrasted with ordinary wall sizes or primers, Lyt-all Double Duty Primer's tight bonding film offers unusual resistance to alkali and moisture. It seals "suction" spots, often found in new plaster walls, into which succeeding finish coats would otherwise penetrate. Combined with maximum adhesion and sealing, Lyt'all Double Duty Primer also has excellent hiding and flow, producing a smooth, firm foundation on which to apply succeeding coats. Users especially like its freedom from objectionable odor. Made in White only, it should always be tinted to the approximate color of the finish coat with P&L Oil Color. See General Conditions, Workmanship (h) and (k). USE: For priming and sealing interior walls and ceilings of smooth, sand' finished and textured plaster, Keene's Cement, and canvas, which are to be finished with Lyt'all Flowing Flat, Lyt'all Stippling Eggshell, Lyt'all Stippling Flat or Solidex. Also used under Vitralite Enamel when this product is used on walls. SPECIFICATIONS: 19, 20, 22, 23, 24, 25, 27, 30, 31, 32, 34, 35, 37 VAPEX WALL PRIMER A fast'drying, vinyl emulsion primer especially formulated for use on plaster and exceptionally porous wall surfaces, including all types of dry wall construction and absorbent wall boards. Unlike ordinary primers, Vapex does not raise the fibers of paper'covered gypsum board. Made ii% White only, it should always be tinted to the approximate color of the finish coat with Vapex Tinting Color only. See General Conditions, Workmanship (h) and (k). USE: For sealing plaster, absorbent wall boards and dry wall construction to be finished with Lyt-all Flowing Flat, Lyt'all Stippling Eggshell, Lyt'all Stippling Flat or Cellu'Tone Satin. SPECIFICATIONS: 25,26,27, 30,31, 39 PRATT LAMBERT No. 25 ZINC CHROMATE PRIMER A rust' and corrosion-inhibitive coating, recommended for priming exterior and interior bare metal, structural steel, beams, ventilating ducts, sash and trim. It dries faster and levels better than most primers, providing a smooth foundation for subsequent coats of paint or enamel. 15 0007-PTL-000100 ALKATITE FLOOR FINISH When used on interior concrete floors and masonry walls, this fast' drying, synthetic rubber'base paint resists the destructive effect caused by the presence of alkali. It is also an ideal product for use on metal surfaces in chemical plants where corrosion'resistance is an important consideration. The tough, lustrous colors withstand heavy foot traffic and frequent washing. USE: Recommended in place of "61" Floor 6? Porch Enamel on concrete floors, masonry walls and similar interior surfaces where an alkali-resistant enamel finish is required. Also used on interior bare metal, structural steel, beams, ventilating ducts, etc., over a priming coat of P&L No. 25 Zinc Chromate Primer. SPECIFICATIONS: 38,45,46, 77 "61" FLOOR VARNISH For more than a half-century this famous P&L product has enjoyed world-wide acceptance as the finest floor finish available. In recent years, "61" Floor Varnish has taken on new and improved qualities, made possible by the discovery or the development of better raw materials, in creased technical skill and modem equipment. Today, its tough, wearresistant finish shields floors from water, soil and usage better than ever before. Floors finished with "61" Floor Varnish are not slippery, are not easily marred, do not spot white, show streaks or highlights, do not collect dust or dirt, and are easily kept clean. Clear Gloss, Satin and Dull are all equally durable. USE: The best finish for floors of hard or soft woods. Never specify shellac under "61" Floor Varnish. - LUSTER: Gloss, Satin and Dull SPECIFICATIONS: 65,66,67,68,69,70,71,72 "61" PENETRATING SEALER "61" Penetrating Sealer is one of a number of outstanding products that have been recently developed by the Pratt 6? Lambert laboratories. It penetrates and impregnates hard or soft wood with selected resins and oils that greatly increase the resistance of the wood to wear, moisture, soil and stain. It thoroughly seals the surface and makes a perfect foundation for subsequent coats of "61" Filler-Sealer and "61" Floor Varnish. Natural and colors may be intermixed to secure varying shades and depths. USE: For sealing hard and soft wood floors. Also used as a finish coat on floors where a heavy duty finish is required and a surface floor finish 22 0007-PTL-000107 economical finish because it can be applied and stippled in one operation with a stippling roller. Available in the same Calibrated Colors as Lyt-all Flowing Flat. White and colors may be intermixed to secure any desired tint or tone. White or colors may be tinted or shaded with P&L Oil Color. USE: For both residential and public building work on walls of smooth, sand'finished and textured plaster; Keene's Cement; canvas; asbestos'cement; concrete; cinder and other aggregate blocks; gypsum board; wood pulp and pressed wood boards. Especially well suited for use in hotels, hospitals, schools, office buildings and similar structures. Always applied over one or two coats of Lyt'all Double Duty Primer or Vapex Wall Primer. LUSTER: Eggshell. When initially applied, the luster is somewhat higher than its final sheen. It requires about three weeks' time for it to develop a true eggshell luster. SPECIFICATIONS: 22,23,27, 31, 37 LYT'ALL STIPPLING FLAT A lowduster textured wall coating. Any desired stipple can be had with a stippling roller. USE: For both residential and public building work on walls of smooth, sand'finished and textured plaster; Keene's Cement; canvas; asbestos'cement; concrete; cinder and other aggregate blocks; gypsum board; wood pulp and pressed wood boards. Always used over one or two coats of Lyt'all Double Duty Primer or Vapex Wall Primer. Made in White only, it may be tinted with P&L Oil Color. LUSTER: Flat SPECIFICATIONS: 22,23, 27, 31 LYT'ALL GLOSS, EGGSHELL AND FLAT Durable wall coatings for industrial and service areas. Gloss and Eggshell may be washed frequently. Flat may be washed but is not as serviceable in this respect as the other lusters. USE: For painting interior walls and ceilings of concrete, brick, cement, cinder and other aggregate blocks, clay tile, plaster, wood, metal and hard' surfaced wall board. Always used over a priming coat of Lyt'all Double Duty Primer. Made in White only, it may be tinted with PsL Oil Color. LUSTER: Gloss, Eggshell and Flat SPECIFICATION: 34 17 0007-PTL-000102 INDEX OF SURFACES AND Re c o mme n d e d Sp e c if ic a t io n s EXTERIOR SURFACE PAINT Aluminum 1, 2,4, 5 Asbestos-Cement Board 8 Asbestos-Cement Shingles Siding 8 ENAMEL VARNISH MISCELLANEOUS Back-Priming Exterior Siding Brick 1, 2, 4, 5 8 Catwalks Cement Cinder Blocks Clapboards Concrete, Floors Concrete, Walls Conductors, Metal 12 8 8 1,2 8 9,10, 11 18 6 Doors, Metal Doors, Wood Ducts, Ventilating 9,10,11 1, 2,4 9,10, 11 17 17 14,15,16 Exposed Timbers 7 Fences, Metal Fences, Wood Fire Escapes, Metal Floors, Wood, Con- crete. Metal 9,10,11, 1217 1,2,4 12 17 18 ! Galvanized Metal Gutters, Metal 9,10, 11 9,10,11 Half Timbers Hand Rails, Metal 11, 12 17 7 24 0007-PTL-000109 PRATT LAMBERT INTERIOR TRIM PRIMER The depth, smoothness and beauty of a fine enamel finish begins with die first or priming coat. Unless great care is taken in the selection of a suitable primer, the resulting finish may not be satisfactory. P&L Interior Trim Primer is richly pigmented, possessing qualities not to be found in ordinary or mixed-on-the-job primers. Its film forms a close bond with wood or metal, hides exceptionally well, seals perfectly and dries free of brush marks. After a light sanding, it presents a non-porous, uniformly smooth surface which holds out succeeding coats of Vitralite Enamel Undercoating and Vitralite Enamel. USE: For priming and back-priming interior surfaces of wood and metal (including aluminum) which are to be finished with Vitralite Enamel. SPECIFICATIONS: 40,41,42 VITRALITE ENAMEL UNDERCOATING An odorless-type undercoating for highest quality architectural work. Produces a perfect foundation on which to directly apply Vitralite Enamel. The pigments and vehicles have been carefully selected to secure extra good flow and solid hiding. These are mixed and ground to extreme fineness to insure that the undercoating, when dry, will present an absolutely smooth, hard surface devoid of brush marks, specks and grit that needs little or no sanding before applying Vitralite Enamel. Made in White only, it should always be tinted to the approximate color of the finish coat with P?L Oil Color. (See General Conditions, Workmanship (k). , USE: Applied over P&L Interior Trim Primer on interior wood and metal surfaces which are to be finished with Vitralite Enamel. f SPECIFICATIONS: 40,41 VITRALITE ENAMEL The finest of all modem, alkyd-base enamels. Odorless-type, it produces an exceptionally-smooth finish of great durability, depth and color-fastness. Dries hard overnight to a porcelain-like film. Withstands repeated washing. When subjected to subdued or strong light, moderate heat or moisture. White and colors have unusual resistance to color change. In the painstaking development and final selection of the. de luxe colors in which Vitralite Enamel is made, careful consideration was given to their decorative use on trim in combination with matching de luxe colors of Lyt-all Flowing Flat and Lyt-all Stippling Eggshell recommended for walls. White and colors may be intermixed to secure any desired tint or tone. White or colors may also be tinted or shaded with P&L Oil Color. 19 0007-PTL-000104 SURFACE Siding, Wood Siding, Asbestos' Cement Smokestacks Structural Iron, Steel Stucco Tanks, Metal Timber, Half Trim, Metal Trim, Wood Ventilating Ducts Wood Fences Wood Floors Wood Sash Wood Shingles Wood Siding Wood Trim EXTERIOR (Continued) PAINT 1,2 8 ENAMEL VARNISH MISCELLA' NEOUS 3 13 12 8 12 4, 5, 9, 10, 17 11 1,2, 4, 5 17 9,10,11 1,2,4 1, 2, 4, 5 18 1,2 4,5 7 14,15, 16 7 14,15, 16 6 3 7 INTERIOR Acoustical Tile 33 Armory Floors Back'Priming 1,2, 4, 5 (General Conditions) Balcony Soffits 24 Ball Room Floors Benches, School, Laboratory 74 74 62, 63, 64 26 0007-PTL-000111 yellowing," so noticeable and objectionable in most trim varnishes, is negli gible. Of equal importance is the unusual durability of this alkyd varnish. Its hard, yet elastic film is not easily scratched or marred and it is remarkably resistant to moisture and strong sunlight. Unlike most other trim varnishes, Satin and Dull do not "gloss up" with constant handling when used around doors, trim and fixtures. USE: For interior wood trim and paneling, window sills, display windows, show cases, etc. LUSTER: Gloss, Satin and Dull SPECIFICATIONS: 47,49, 51, 52, 53, 55, 56, 58 PRATT & LAMBERT CABINET RUBBING VARNISH A full bodied rubbing varnish which can be left in its initial gloss, rubbed or polished as desired. USE: On interior wood trim, doors, paneling, etc., where the final coat is to be hand rubbed or polished. SPECIFICATIONS: 48, 50, 54, 57 VTTRALOID LACQUER SEALER An excellent lacquer sealer for spray application only. USE: For sealing trim, paneling and similar interior wood surfaces to be finished at the mill with Vitraloid Lacquer. SPECIFICATIONS: 59,60 VITRALOID LACQUER . A durable lacquer finish which may be rubbed or left in its original finish, as desired. Applied with spray gun. f USE: For interior wood trim, paneling, etc. to be finished at the mill. Used over Vitraloid Lacquer Sealer. LUSTER: Clear Gloss and Dull SPECIFICATIONS: 59,60 PRATT & LAMBERT SCHOLASTIC FINISH Three coats of this unusual gloss varnish produce a finish that is highly resistant to chemical reagents and alcohol. USE: For school and institutional furniture, laboratory tables and benches (other than tops) and similar surfaces. Never specify P&L Scholastic Finish over shellac. LUSTER: Gloss SPECIFICATIONS: 62,63,64 21 0007-PTL-000106 INTERIOR (Continued) SURFACE Floors, Concrete Floors, Ball Room and Convention Hall Floors, Enameled Floors, Gymnasium Floors, Heavy Duty . Floors, Schools, Stores Floors, Sealed Floors, Varnish Floors, Waxed Floors, Wood Fume'Resistant Finish Furniture, Kitchen, Laboratory Gymnasium Floors Gypsum Board Handball Court, Floor Iron, Ornamental Keene's Cement, Walls Lockers, Metal Metal Doors Metal Sash Metal Trim Motors Ornamental Iron Partitions, Metal Partitions, Gypsum, Pulp, Pressed Wood Boards Partitions, Wood, Plywood PAINT 35 25, 26, 27 19'23 25, 26, 27 ENAMEL 76, 77 76, 77 76 40,41 40, 41 40'43 32 43 41, 43 40, 41 40, 41 43 40,43 43,44 41 43,44 VARNISH 65,66 65'72 65'72 62, 63, 64 ' / 56, 58 MISCELLA' NEOUS 74 75 74 74 73, 74 73 73, 74, 75 75 75 * 28 0007-PTL-000113 (varnish or wax) is not practical, i. e., ballrooms, convention halls, class rooms, corridors, stairs, etc. For best results, buff mechanically. LUSTER: Low gloss when used as a finish coat. SPECIFICATIONS: 65, 66, 73, 74 "61" FILLER-SEALER For years, manufacturers have striven to produce a material that would satisfactorily take the place of paste filler used on open grain hard wood floors. "61" Filler-Sealer has been successfully developed for this purpose. It is a pigmented finish designed for use over "61" Penetrating Sealer on both open and close grain hard and soft woods. While it does not fill the pores of open grain woods as thoroughly as P8sT Paste Filler, properly used it produces a result equal to the average commercially filled floor, and builds up a bone hard foundation finish on both open and close grain woods for subsequent coats of "61" Floor Varnish or P&L Paste Wax. Unlike paste wood filler, it does not require wiping, and thus effects a substantial saving in time and labor. While heavily pigmented, it is so transparent that it may be readily used over "61" Penetrating Sealer colors or P&?L Oil Stain without clouding the finish. USE: For filling the pores of open grain woods and providing a bone hard foundation on both open and close grain woods for subsequent coats of "61" Floor Varnish or P&L Paste Wax. SPECIFICATIONS: 65,66,73 "61" GYMNASIUM FLOOR FINISH "61" Gymnasium Floor Finish provides a surface finish that stands up under unusual abuse. It prevents marring by rubber bums, which are readily removed by washing. The non-slip qualities it imparts make quick starting and stopping possible without undue muscle strain. USE: For floors in gymnasiums, squash courts, hand ball courts, etc. LUSTER: Medium Gloss SPECIFICATION: 75 PRATT LAMBERT PASTE WAX Made of carefully selected hard waxes and resins, P&L Paste Wax gives added durability and beauty to any finish over which it may be used. USE: For use over "61" Penetrating Sealer and "61" Filler-Sealer. LUSTER: Satin SPECIFICATION: 73 23 0007-PTL-000108 INTERIOR (Continued) SURFACE Walls, Keene's Cement Walls, Plaster, Textured Walls, Pressed Wood Board Walls, Clay Tile Wall Board, Hard Surface Wood Doors Wood Floors Wood Paneling Wood Sash Wood Trim PAINT ENAMEL 19, 20, 21, 32 22, 23 19, 20, 21, 22, 23 25, 26, 27 34, 35, 36, 37 25,26,27 41 40 76 40,41 40,41 40, 41 VARNISH 47'58 65'73 47'58 57, 58 MISCELLA' NEOUS 59, 60 74,75 59,60 59,60 f 30 0007-PTL-000115 SURFACE Hand Rails, Wood Hot Metal Surfaces Iron Work Ladders, Metal Metal Doors Metal Fences Metal, Hot Metal Ladders Metal Roofs Metal Sash Metal Tanks Metal Trim Ornamental Iron Pipes Plywood, Fir Roofs, Metal Roofs, Shingled Sash, Metal Sash, Wood Shingles Shingles, Asbestos' Cement (Siding) Shutters EXTERIOR (Continued) PAINT 4 13 ENAMEL VARNISH 17 15, 16 9,10,11, 17 12, 13 12 9,10, 11 17 9,10,11,12 17 13 12 9,10, 11 4, 5, 9, 10, 17 11 12 4, 5, 9, 10, 17 11 9,10, 11 17 12 17 56, 5 9,10,11 4, 5, 9, 10, 17 11 1, 2, 4,5 8 MISCELLA' NEOUS 6< 6 5 25 0007-PTL-000110 EXTRAS (a) The painting contractor shall not be entitled to payment in excess of the amount agreed upon in his contract for any extra work over and above specified herein, unless authorized in writing by the architect or the archi tect's duly authorized representative. MATERIALS (a) All materials used on the work shall be exactly as hereinafter specified in brand and quality. No claim by the painting contractor as to the unsuitability or unavailability of any material specified, or his unwillingness to use same, or his inability to produce first class work with same, will be entertained unless such claims are made in writing and submitted with his bid. All paints, varnishes, enamels, lacquers, stains, paste fillers and similar materials must be delivered in the original containers, with the seals unbroken and labels intact. (b) All materials shall be used only as specified by the manufacturer s direction label on the container. (c) All painting materials, such as linseed oil, shellac, turpentine, etc. shall be pure and of highest quality, and shall bear an identifying label on the container. > (d) Bids shall be based on the use of the goods of the specific brand, quality and color, as hereinafter specified. If the contractor desires to use materials other than those specified, he shall accompany his bid with such request in writing to the architect for approval, giving the name of the manufacturer and the specific brand name and number of each product he offers as a substitute; and shall state the difference in price per gallon of the various items he wishes to substitute as compared to the prices of the goods specified, and the amount to be added to or deducted from his bid for such substitu- tion. After the award, no substitution of materials for those mentioned in the accepted bid will be permitted. (e) All colors (including deep tones) shall be selected or approved by the archi tect. If required, three panels for finish and color shall be prepared in advance, with the materials as specified, for the approval of the architect. WORKMANSHIP (a) The workmanship shall be of the very best. All materials shall be applied under adequate illumination, evenly spread and smoothly flowed on without runs or sags. Only skilled mechanics shall be employed. 32 0007-PTL-000117 INTERIOR (Continued) SURFACE Boiler Fronts Brick Cabinets, Metal Cabinets, Wood Canvas Walls Ceilings, Unplastered (Concrete) Cement, Keene's Church Pews Cinder Blocks Clay Tile Concrete Floors Concrete Walls Counters, Wood Convention Halls, Floors Dadoes Desks, School Doors, Fire Doors, Metal Doors, Wood Ducts, Ventilating Elevator Cabs Engines Exposed Pipes Fir Plywood Fire Doors PAINT 13 34, 35, 36 ENAMEL VARNISH MISCELLA' NEOUS 30,31 28 41, 43, 44 41,43,44 47, 58, 62, 61 64 19,20,21, 32 22,23 40,41 29,36 32 34, 35, 36, 37 76,77 34, 35, 36, 32 76 47'58 59, 60 62, 63, 64 * 74 37 * 62, 63, 64 9,10,43 41,43 43,44 47'60 42,43, 44 40,41 43 43 56, 58 43 27 0007-PTL-000] 12 (m) All coats shall be thoroughly dry before applying succeeding coats. (n) All work where a coat of material has been applied must be inspected and approved by the architect before the application of the succeeding specified coat, otherwise no credit for the coat applied will be given, and the con' tractor automatically assumes the responsibility to recoat the work in question. The painting contractor will furnish the architect a report of the particular coat applied when completed for inspection and approval to comply with the above. (o) All interior trim shall be back'primed before installation, with Pratt & Lambert Interior Trim Primer or Okene Preservative, as required. (p) All exterior trim shall be back'primed before installation, with Pratt & Lambert House Paint Exterior Primer. Tops of all upper sash and bottoms of all lower sash shall be finished same as balance of sash, (q) All pulley stiles shall be oiled with boiled linseed oil. (r) Tops, bottoms and edges of doors shall be finished same as balance of doors after they are fitted by the carpenter. (s) All closets and the interior of all cabinets shall be finished the same as adjoining rooms, unless otherwise specified. All other surfaces shall be finished the same as nearest or adjoining surfaces unless otherwise shown. (t) The insides of all drawers shall be given one coat of pure white shellac and one coat of Pratt & Lambert "38" Pale Trim Varnish Gloss. (u) Exterior painting shall not be done while the surface is damp, or during rainy or frosty weather. (v) Where interior or exterior wood and metal are primed in the mill or shop, the material shall in every case be that specified for such surfaces and shall be used in accordance with the manufacturer's directions for the first or priming coat. (See "Shop Coats" on pages following). (w) The painting contractor shall not only protect his work at all times but shall also protect all adjacent work and materials by suitable covering or other method during progress of his work. Upon completion of the work, he shall remove all paint and varnish spots from the floors, glass and other surfaces. He shall remove from the premises all rubbish and accumulated materials of whatever nature not caused by other trades and shall leave the work in dean, orderly and acceptable condition. (x) All lettering shall be executed in style and design as directed by the archi' tect, by skilled and capable mechanics employed for this work. 34 0007-PTL-000119 INTERIOR (Continued) SURFACE Pews, Church Pipe Lines Plaster Walls, Smooth, Sand Finished, Textured Plywood Pumps PAINT ENAMEL 40,41 43 19, 20, 21, 22, 23 43 VARNISH 47'58 56, 58 MISCELLA' NEOUS 59,60 Radiators 42 Sand Finished Plaster Walls Smooth Plaster Walls Soffits, Balcony Squash Court, Floor Auditorium Seats, Benches 19, 20, 21, 22, 23 19,20, 22,23 24 32 17 75 62, 63, 64 Textured Plaster Walls Tile, Acoustical Tile, Clay Trim, Metal Trim, Wood 19, 20, 22 23 33 34, 35, 36, 37 40, 41 40, 41 57, 58 f 59,60 Unplastered Ceilings (Concrete) Ventilating Ducts Walls, Canvassed Walls, Brick, Concrete 28 42, 43, 44 30, 31 34, 35, 36, 37 / 29 07-m-00 WM INTERIOR Metal Trim, Doors, Radiators, Aluminum Ventilating Ducts, etc.-- Enamel Finish 1 coat Pratt & Lambert Interior Trim Primer (See Specifications Nos. 40, 41, 42, 43, 44) or 1 coat of Pratt ii Lambert No. 25 Zinc Chromate Primer (See Specification No. 45) Wood Trim, Doors, etc.--Enamel Finish 1 coat Pratt & Lambert Interior Trim Primer (See Specifications Nos. 40,41,43,44) Wood Trim, Doors, etc.--Lacquer Finish If a lacquer finish is specified for interior wood trim, etc., it is the general practice to complete the entire finishing operation by applying all coats specified at the mill and before installation. (See Specifications Nos. 59, 60). 36 0007-PTL-000121 SPECIFICATIONS f o r Pa in t in g a n d Va r n is h in g GENERAL CONDITIONS (a) The painting contractor shall read and be governed by the general conditions at the head of the complete specifications for this project. (b) The painting contractor agrees to save the owner harmless from all 1i>n or damages arising from or caused by this work; and to carry liability insurance and workmen's compensation insurance for all workmen. SCOPE OF WORK (a) The following specifications cover the complete painting and finishing of all wood, plaster, brick, concrete, stucco, unfinished metal and other sur' faces throughout the interior and exterior of the building, except as other' wise specified. (b) The painting contractor shall supply all labor, materials, tools, ladders, scaffolding and other equipment necessary for the completion of this work. (c) The painting contractor shall examine the specifications for the various other trades and shall thoroughly familiarize himself with all their pro* visions regarding their painting; he shall understand that all surfaces that are left unfinished by the requirements of other specifications, shall be painted or finished as a part of this contract. (d) Copper, bronze, chromium plate, nickel, stainless steel, aluminum and Monel metal shall not be painted or finished, except as otherwise specified. (e) If woodwork, metal or any other surface to be finished can not be put in proper condition for finishing by customary cleaning, sanding and puttying operations, the painting contractor shall immediately notify the general contractor, architect or owner in writing; or assume responsibility for and rectify any unsatisfactory finish resulting. STORAGE (a) All materials used on the job shall be stored in a single place designated by the owner or architect. Such storage place shall be kept neat and clean and all damage thereto or to its surroundings shall be made good. Any oily rags, waste, etc. must be removed from the building every night, and every precaution taken to avoid the danger of fire. 31 0007-PTL-000U6 MASTER SPECIFI CATION NUMBER MASTER SPECIFICATIONS (Continued) EXTERIOR WORK (Continued) (8) Concrete, *Stucco, Bric\, Cinder, Cement and other Aggregate Bloc\s All (designate surface and location) shall be given: 2 coats Pratt & Lambert Alkatite Cement & Stucco Paint *other than magnesite stucco and wood n o t e: To insure color uniformity of deep colors (Cavalier Gray, Deep Red, Deep Green, Deep Brown and their mixtures), specify one coat Pratt & Lambert Alkatite Cement & Stucco Paint Primer Gray and omit first coat Alkatite Cement & Stucco Paint (9) Metal Sash, Trim, Gutters, Conductors, Roofs and Ornamental Iron-- House Paint--Three Coat Wor\ All (designate surface and location) shall be given: 1 coat Pratt 6? Lambert Noxide Red Lead Primer 2 coats Pratt & Lambert House Paint n o t e: Galvanized metal shall be chemically treated before painting. See General Conditions, Workmanship (f) (10) Metal Sash, Trim, Gutters, Conductors, Roofs and Ornamental Iron-- House Paint--Two Coat Wor\ All (designate surface and location) shall be given: 1 coat Pratt 6? Lambert Noxide Red Lead Primer 1 coat Pratt 5? Lambert House Paint n o t e: Galvanized metal shall be chemically treated befofe painting. See General Conditions, Workmanship (f) (11) Metal Sash, Trim, Gutters, Conductors, Roofs and Ornamental Iron-- Verdura All (designate surface and location) shall be given: 1 coat Pratt 8 Lambert Noxide Red Lead Primer 2 coats Pratt S Lambert Verdura Trim & Shutter Finish n o t e : Galvanized metal shall be chemically treated before painting. See General Conditions, Workmanship (f) 38 0007-PTL-000123 (b) All surfaces to be painted, including floors, shall be cleaned free of loose dirt and dust before painting is started. (c) All knots, pitch streaks and sappy spots shall first be touched up with shellac where the finish calls for interior paint or enamel. For exterior surfaces, use Pratt & Lambert WP'578 Sealer. (d) All necessary puttying of nail holes, cracks, etc., shall be done after the first coat, with putty of a color to match that of the finish. Putty shall be brought flush with the adjoining surface in a neat and workmanlike manner. (e) All metal surfaces shall first be washed with mineral spirits to remove any dirt or grease, before applying materials. Where rust or scale is present, it shall be wire brushed, or sand papered clean before painting. Shop coats of paint that become marred shall be cleaned and touched up with the Pratt 6? Lambert primer specified. (f) All galvanized metal surfaces shall be chemically treated with a compound designed for this purpose (Lithoform, Stibloy,`Solfo Metallic Coating, etc.) in accordance with manufacturer s directions for use, before applying the first coat of paint. (g) All scratches, cracks and abrasions in plaster surfaces and openings adjoin' ing trim, shall be cut out as required, then filled with Spackle or other approved patching plaster, flush with adjoining plaster surface, and when dry shall be sanded smooth and sealed before application of priming coat. (h) The priming coat on plaster shall be tinted to the approximate shade of the final coat. All suction spots or "hot spots" in plaster or cement after the application of the first coat, shall be touched up before applying the second coat, to produce an even result in the finish coat. The contractor shall secure color schedules for rooms before priming walls. (i) Paste Wood Filler, applied on open grain wood, when "set" shall be wiped across the grain of the wood, then with the grain to secure a dean surface. (j) Surfaces to be stained shall be covered with a uniform coat of stain and wiped off if required. (k) All undercoats of paint and enamel shall be tinted to the same or approxi' mate shade of the final coat. (l) All woodwork to be finished with enamel or varnish shall be sanded smooth and the surface deaned before proceeding with the application of the first coat. Enamel or varnish finish applied to wood or metal shall be sanded between coats with fine sandpaper to produce an even, smooth finish. 33 0007-PTL-000118 MASTER SPECIFI CATION NUMBER MASTER SPECIFICATIONS fContinuedJ EXTERIOR WORK--ENAMEL. (Continued) (18) Floors--Wood and Concrete All floors of (designate kind and location) shall be given: 2 coats Pratt & Lambert "61" Floor & Porch Enamel INTERIOR WALLS--WALL COATING Smo o t h , Sa n d -Fin is h e d a n d Te x t u r e d Pl a s t e r a n d Ke e n e 's Ce me n t (19) Flat--Three Coat Wor\ All (designate surface) walls and ceilings throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Rowing Rat (20) Flat--Two Coat Wor\ All (designate surface) walls and ceilings throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt Lambert Lyt-all Rowing Hat (21) Satin--Two Coat Wor\ All (designate surface) walls and ceilings throughout* (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert CeUu-Tone Satin (22) Stippled--Eggshell or Flat--Three Coat Work All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt 6? Lambert Lyt-all Stippling Eggshell or Stippling Hat, stippled (23) Stippled--Eggshell or Flat--Two Coat Work All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Stippling Eggshell or Stippling Hat, stippled 40 0007-PTL-000125 SHOP COATS In the painting of new structures, the first or priming coat is often applied in the shop or mill. This is especially true of such building materials as structural steel, metal sash and trim, ornamental iron, radiators and interior woodwork. From the standpoint of protection and durability, it is generally recognized that the first coat of paint applied to the surface of any building material is at least equally as important as the succeeding coats. Upon that particular coat depends all other coats for adhesion to the surface. Therefore, the primer should be of good quality, designed for use on the particular surface for which it is recommended. In actual practice the paint so used . is often poor in quality and of questionable value. In every Pratt & Lambert specification, the material recommended for the first or priming coat has been designed for use as a foundation coat for the particular surface designated, to insure maximum adhesion and to pro vide a smooth, non-porous surface on which to apply subsequent coats of paint. If a shop coat, as subsequently indicated, is to be applied at the mill, under a mill contract, then this coat may be omitted in the painting con' tract specifications. The following Pratt 2 Lambert Primers are recommended for the surfaces listed below: r EXTERIOR Structural Steel, Metal Sash, Trim, Cutters, Conductors, Roofs, Fire Escapes 1 coat Pratt & Lambert Noxide Red Lead Primer (See Specification No. 12) Wood Siding, Trim, Shutters, etc. 1 coat Pratt & Lambert House Paint Exterior Primer (See Specifica' tionsNo. 1,2,4, 5) 35 0007-PTL*000120 MASTER SPECIFI' CATION NUMBER MASTER SPECIFICATIONS (Continued) INTERIOR WALLS--WALL COATING (Continued) Co n c r e t e Ce il in g s --Un p l a s t e r e d (28) Flat (Matte Finish) All (designate surface) ceilings (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Solidex Co n c r e t e , Cin d e r a n d Ot h e r Ag g r eg a t e Bl o c k s (29) Flat All concrete, cinder and other aggregate block walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt 8? Lambert Lyt-all Flowing Flat (30) Flat Ca n v a s All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be canvassed with the best grade of decorators' muslin, or other suitable material, of a texture and quality approved by the architect, securely applied, without laps, wrinkles or lumps. Any wall covering that is not prefilled shall be properly filled. The surface shall then be given: 1 coat Pratt 8? Lambert Vapex Wall Primer 1 coat Pratt 6? Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Flowing Flat (31) Stippled--Eggshell or Flat All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be canvassed with the best grade of decorators' muslin, or other suitable material, of a texture and quality approved by the architect, securely applied, without laps, wrinkles or lumps. Any wall covering that is not prefilled shall be properly filled. The surface shall then be given: 1 coat Pratt 8? Lambert Vapex Wall Primer 1 coat Pratt 8? Lambert Lyt-all Double Duty Primer 1 coat Piatt & Lambert Lyt-all Stippling Eggshell or Stippling Flat, stippled 42 0007-PTL-000127 MASTER SPECIFI CATION NUMBER MASTER SPECIFICATIONS EXTERIOR WORK (1) Siding--Three Coat Wor\ All siding shall be given: 1 coat Pratt & Lambert House Paint Exterior Primer 2 coats Pratt & Lambert House Paint (2) Siding--Two Coat Wor\ All siding shall be given: 1 coat Pratt & Lambert House Paint Exterior Primer 1 coat Pratt 6? Lambert House Paint (3) Siding Redwood--Stain All Siding shall be given: 2 coats Pratt & Lambert Redwood Stain (4) Trim and Shutters--Three Coat "Wor\ All (designate surface) shall be given: 1 coat Pratt id Lambert House Paint Exterior Primer 2 coats Pratt 8? Lambert Verdura Trim & Shutter Finish (5) Trim and Shutters--Two Coat Wor\ All (designate surface) shall be given: 1 coat Pratt & Lambert House Paint Exterior Primer 1 coat Pratt 8? Lambert Verdura Trim & Shutter Finish (6) Sha\es, Shingles and Rough'Sawed Lumber All (designate surface and location) shall be given: 2 coats Pratt & Lambert Shake 8s* Shingle Finish f (7) Half Timber Construction, J^aturd or Stain, Preservative Finish All (designate surface and location) shall be given: 2 coats Pratt 8? Lambert Okene Preservative n o t e: For stained effects, tint with not more than one-half pint Pratt 8? Lambert Oil Color to each gallon Pratt & Lambert Okene Preservative 37 0007-PTL-000J22 MASTER SPECIFICATIONS ('Continued; MASTER SPECIFI' CATION NUMBER INTERIOR SERVICE AND INDUSTRIAL WALLS WALL COATING (Continued) Co n c r e t e , Br ic k , Cl a y Til e , Pl a s t e r , Wo o d a n d Me t a l (Continued) (37) Dadoes In all rooms throughout service and industrial areas where glazed brick, tile or other dado is not provided except (specify exceptions, if any) a (specify height) dado shall be applied as follows: 1 coat Pratt & Lambert Lyfrall Double Duty Primer 1 coat Pratt Lambert "61" Floor & Porch Enamel n o t e: Pratt & Lambert Lytall Dado Finish, Pratt 8? Lambert Lyt-all Stippling Eggshell or Pratt & Lambert Cellu-Tone Satin may be specified in place of Pratt & Lambert "61" Floor & Porch Enamel, if desired Ma s o n r y Su r f a c e s --(Al k a l i-Re s is t a n t Fin is h ) (38) Gloss All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt 8? Lambert Alkatite Floor Finish (39) CANVAS COVERED PIPE All (designate surface and location) shall be given: 1 coat Pratt & Lambert Vapex Wall Primer Then finish same as adjoining wall or ceiling , INTERIOR TRIM--ENAMEL Wo o d a n d Me t a l (Fu me Re s is t a n t Fin is h ) (40) Gloss or Eggshell--Four Coat VSor\ All (designate surface and location) except (specify exceptions, if any) shall be given: / 1 coat Pratt & Lambert Interior Trim Primer 1 coat Pratt & Lambert Vitralite Enamel Undercoating 1 coat Pratt & Lambert Vitralite Enamel Gloss 1 coat Pratt 8? Lambert Vitralite Enamel Gloss or Eggshell 44 0007-PTL-000129 MASTER SPECIFI' CATION NUMBER MASTER SPECIFICATIONS (Continued) EXTERIOR WORK (Continued) (12) Structural Iron and Steel, Fire Escapes, Cat Wal\s, Metal Ladders, etc. All (designate surface and location) shall be given: 1 coat Pratt & Lambert Noxide Red Lead Primer 2 coats Pratt & Lambert Noxide Metal Paint n o t e: If structural iron or steel is to be embedded in concrete, omit last two coats (13) Smo\estac\s, Pipes and Hot Metal Surfaces (temperature not to exceed 500F.) All (designate surface and location) shall be given: 1 coat Pratt ii Lambert Noxide Smokestack Black EXTERIOR WORK --VARNISH Op e n Gr a in Wo o d s (14) Trim, Doors, etc.--Filler, Stain, Varnish All wood (designate kind and location) shall be given: 1 coat Pratt 6? Lambert Paste Filler 1 coat Pratt & Lambert Oil Stain 3 coats Pratt & Lambert "61" Spar Varnish n o t e: If the desired color can be obtained with filler alone, omit stain Cl o s e Gr a in Wo o d s * (15) Trim, Doors, etc.--FJatural. Varnish All wood (designate kind and location) shall be given: 3 coats Pratt & Lambert "61" Spar Varnish (16) Trim, Doors, etc.--Stain, Varnish All wood (designate kind and location) shall be given: 1 coat Pratt & Lambert Oil Stain 3 coats Pratt & Lambert "61" Spar Varnish EXTERIOR WORK--ENAMEL Wo o d a n d Me t a l (17) Trim, Doors, etc. All (designate surface and location) shall be given: 1 coat Pratt Lambert Effecto Primer 2 coats Pratt 5? Lambert Effecto Enamel 39 0007-PTL-000124 MASTER SPECIFI' CATION NUMBER MASTER SPECIFICATIONS (Continued) Co n c r e t e a n d Wo o d (Al k a l p Re s is t a n t Fin is h ) (46) Gloss All (designate surface and location) shall be given: *2 coats Pratt & Lambert Alkatite Floor Finish *For floors, see Specification No. 77 INTERIOR TRIM--VARNISH Op e n Gr a in Wo o d s (47) Filler, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt Lambert Paste Filler 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, (48) Filler, Varnish--Rubbed Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat pure white shellac 2 coats Pratt & Lambert Cabinet Rubbing Varnish, last coat rubbed (49) Filler, Stain, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat Pratt 6? Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt 6? Lambert "38" Pale Trim Varnish Gloss, Satin or Dull n o t e : If the desired color can be obtained with filler alone, omit stain 46 0007-PTL-000131 MASTER SPEOFI' CATION NUMBER MASTER SPECIFICATIONS (Continued) INTERIOR WALLS--WALL COATING (Continued) Ba l c o n y So f f it s , Lo w Ce il in g s , e t c . (24) Flat--(Matte Finish) All (designate surface) ceilings and (designate location) balcony soffits, except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Lyt'all Double Duty Primer 1 coat Pratt & Lambert Solidex Gy p s u m Bo a r d , As b e s t o S'Ce me n t , Wo o d Pu l p Bo a r d (25) Flat a n d Ot h e r Dr y Wa l l Co n s t r u c t io n All (designate surface) walls and ceilings throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt Lambert Vapex Wall Primer 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt'all Flowing Flat n o t e : For two coat specification (where conditions permit) omit 1 coat Pratt & Lambert Lyt'all Double Duty Primer (26) Satin All (designate surface) walls and ceilings throughout (designate location) except (specify exceptions, if any) shall be given? 1 coat Pratt & Lambert Vapex Wall Primer 2 coats Pratt & Lambert Cellu'Tone Satin < n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt & Lambert Cellu'Tone Satin (27) Stippled--Eggshell or Flat All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Vapex Wall Primer 1 coat Pratt & Lambert Lyt'all Double Duty Primer 1 coat Pratt & Lambert Lyt'all Stippling Eggshell or Stippling Flat, stippled n o t e : For two coat specification (where conditions permit) omit 1 coat Pratt & Lambert Lyt'all Double Duty Primer 41 0007-PTL-000126 IwiASXHR MASTER SPECIFICATIONS (Continued) c at io n NUMBER Cl o s e Gr a in Wo o d s (Continued) (54) l^aturd. Varnish--Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 2 coats Pratt & Lambert Cabinet Rubbing Varnish, last coat rubbed (55) T^atural, Varnish--Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt ii Lambert "38" Pale Trim Varnish Dull (56) Stain, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull n o t e : To reduce the prominence of the grain in fir, cypress, yellow pine, etc., specify a coat of Pratt & Lambert Ffitex (each gallon thinned with two quarts turpentine or mineral spirits) before stain coat, and omit shellac coat (57) Stain, Varnish--Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt 8? Lambert Oil Stain 1 coat pure white shellac 2 coats Pratt & Lambert Cabinet Rubbing Varnish, last coat rubbed 48 0007-PTL-000133 MASTER SPECIFICATIONS ('Continued; ma s t e r INTERIOR WALLS--ENAMEL s pec if ic Smo o t h Pl a s t e r , Ke e n e 's Ce me n t , Co n c r e t e , Cin d e r n u mb e r a n d Ot h e r Ag g r e g a t e Bl o c k s (32) Gloss or Eggshell All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Vitralite Enamel Gloss or Eggshell ACOUSTICAL TILE CEILINGS--WALL COATING (33) Flat (Matte Finish) All acoustical tile ceilings (designate location) except (specify except tions, if any) shall be given: 1 coat Pratt & Lambert Solidex INTERIOR SERVICE AND INDUSTRIAL WALLS-- WALL COATING Co n c r e t e , Br ic k , Cl a y Til e , Pl a s t e r , Wo o d a n d Me t a l n o t e: For Concrete, Cinder and other Aggregate Blocks, use Flat (Matte Finish) Specification No. 36 or Dadoes Specification No. 37 (34) Gloss, Eggshell or Flat All (designate surface) walls and ceilings throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt fi Lambert Lyt-all Double Duty Primer 1 coat Pratt S Lambert Lyt-all Gloss, Eggshell or Flat (35) Gloss or Eggshell--Fume'Resistant All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Vitralite Enamel Gloss or Eggshell (36) Flat (Matte Finish) All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 2 coats Pratt 5s* Lambert Solidex 43 0007-PTL-000128 MASTER SPECIFI' CATION n u mb e r MASTER SPECIFICATIONS (Continued; INTERIOR TRIM--PENETRATING FINISH --. Op e n a n d Cl o s e Gr a in Wo o d s (61) Textural or Stain--Penetrating Finish All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Okene Preservative, wiped dry n o t e: For stained effect, add not more than one quart Pratt & Lambert Oil Stain to each gallon Pratt ($ Lambert Okene Preservative INTERIOR TRIM AND FURNITUREHEAVY DUTY FINISH Op e n Gr a in Wo o d s (62) Filler, Stain, Varnish--Gloss All (designate wood, furniture and location) except (specify exceptions, if any) shall be given: 1 coat Pratt 6? Lambert Paste Filler 1 coat Pratt & Lambert Oil Stain 3 coats Pratt & Lambert Scholastic Finish n o t e: If die desired color can be obtained with filler alone, omit stain Cl o s e Gr a in Wo o d s (63) Natural, Varnish--Gloss All (designate wood, furniture and location) except (specify exceptions, if any) shall be given: 3 coats Pratt & Lambert Scholastic Finish (64) Stain, Varnish--Gloss All (designate wood, furniture and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 3 coats Pratt & Lambert Scholastic Finish 50 0007-PTL-000135 MASTER SPECIFY CATION NUMBER MASTER SPECIFICATIONS (Continued) INTERIOR TRIM--ENAMEL (Continued) Wo o d a n d Me t a l (Fu me -Re s is t a n t Fin is h )--(Continued,) (41) Gloss or Eggshell--Three Coat Wor\ All (designate surface and location) except (specify exceptions, if any) shall be given: 1 coat Pratt 6? Lambert Interior Trim Primer 1 coat Pratt & Lambert Vitralite Enamel Undercoating 1 coat Pratt & Lambert Vitralite Enamel Gloss or Eggshell RADIATORS, CONVECTORS AND ENCLOSURES-- ENAMEL (42) Eggshell All radiators, convectors and enclosures (designate location) shall be given: 1 coat Pratt Lambert Interior Trim Primer 1 coat Pratt & Lambert Vitralite Enamel Eggshell PARTITIONS, LOCKERS, CABINETS, PIPING, DUCTS AND OTHER SECONDARY SURFACES--ENAMEL (45) Gloss Wo o d a n d Me t a l All (designate surface and location) shall be given: 2 coats Pratt & Lambert Effecto Enamel f n o t e : For pipe line color identification, see page 170 (44) Satin All (designate surface and location) shall be given: 2 coats Pratt & Lambert Cellu-Tone Satin OTHER SURFACES--ENAMEL Me t a l (Al k a l i-Re s is t a n t Fin is h ) (45) Gloss All (designate surface and location) shall be given: 1 coat Pratt Lambert No. 25 Zinc Chromate Primer 2 coats Pratt & Lambert Alkatite Floor Finish 45 0007-PTL-000130 MASTER SPECIFI CATION NUMBER MASTER SPECIFICATIONS (Continued) INTERIOR FLOORS--VARNISH Cl o s e Gr a in Wo o d s (69) T^atural, Varnish--Gloss, Satin or Dull--Three Coat Wor\ All (designate floor and location) except (specify exceptions, if any) shall be given: 2 coats Pratt Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss, Satin or Dull (70) Natural, Varnish--Gloss, Satin or Dull--Two Coat Wor\ All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt 8? Lambert "61" Floor Varnish Clear Gloss, Satin or Dull (71) Stain, Varnish--Gloss, Satin or Dull--Four Coat Wor\ All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 2 coats Pratt & Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss, Satin or Dull (72) Stain, Varnish--Gloss, Satin or Dull--Three Coat- Wor\ All (designate floor and location) except (specify exceptions, if any) shall be given: f 1 coat Pratt & Lambert Oil Stain 1 coat Pratt 8? Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss, Satin or Dull INTERIOR FLOORS--WAX FINISH Op e n a n d Cl o s e Gr a in Wo o d s (73) Seder, Naturd or Color, Filler'Seder, Wax All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt 8? Lambert "61" Penetrating Sealer, buffed 1 coat Pratt 8? Lambert "61" Filler-Sealer, sanded 2 coats Pratt & Lambert Paste Wax, buffed 52 0007-PTL-000137 MASTER SPECIFI CATION NUMBER MASTER SPECIFICATIONS (Continued) Op e n Gr a in Wo o d s (Continued) (50) Filler, Stain, Varnish--Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt Lambert Paste Filler 1 coat Pratt Lambert Oil Stain 1 coat pure white shellac 2 coats Pratt fs* Lambert Cabinet Rubbing Varnish, last coat rubbed n o t e: If the desired color can be obtained with filler alone, omit stain (51) T^atural, Varnish--Satin or Dull--Open Pore_ All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt ii Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Satin or Dull (52) Stain, Varnish--Satin or Dull--Open Pore All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, 1 coat Pratt & Lambert "38" Pale Trim Varnish Satin or Dull Cl o s e Gr a in Wo o d s (53) 7Natural, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt 6? Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull 47 0007-PTL-000132 MASTER. SPEOFICATION NUMBER SPECIFICATIONS FOR FINE RESIDENCES EXTERIOR WORK (1) Siding All siding shall be given: 1 coat Pratt & Lambert House Paint Exterior Primer 2 coats Pratt & Lambert House Paint (3) Siding Redwood--Stain All siding shall be given: 2 coats Pratt & Lambert Redwood Stain (3) Trim and Shutters All (designate surface) shall be given: 1 coat Pratt & Lambert House Paint Exterior Primer 2 coats Pratt & Lambert Verdura Trim & Shutter Finish (6) Shades, Shingles and Rough'Sawed Lumber All (designate surface and location) shall be given: 2 coats Pratt Lambert Shake Shingle Finish (7) Half Timber Construction, Natural or Stain, Preservative Finish All (designate surface and location) shall be given: 2 coats Pratt & Lambert Okene Preservative n o t e: For stained effects, tint with not more than one-half pint Pratt 6? Lambert Oil Color to each gallon Pratt & Lambert Okene Preservative (8) Concrete, *Stucco, Bric\, Cinder, Cement and other Aggregate Bloc\s All (designate surface and location) shall be given: 2 coats Pratt Lambert Alkatite Cement & Stucco Paint *other than magnesite stucco and wood n o t e: To insure color uniformity of deep colors (Cavalier Gray, Deep Red, Deep Green, Deep Brown and their mixtures), specify one coat Pratt 6? Lambert Alkatite Cement 6? Stucco Paint Primer Gray and omit first coat Alkatite Cement & Stucco Paint (9) Metal Sash, Trim, Gutters, Conductors, Roofs and Ornamental Iron-- House Paint All (designate surface and location) shall be given: 1 coat Pratt & Lambert Noxide Red Lead Primer 2 coats Pratt Lambert House Paint n o t e: Galvanized metal shall be chemically treated before painting. See General Conditions, Workmanship (f) 54 0007-PTL-000139 MASTER SPECIFICATIONS (Continued) MASTER s pec if i' CATION NUMBER Cl o s e Gr a in Wo o d s (Continued) (58) Stain, Varnish--Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Dull n o t e: To reduce the prominence of the grain in fir, cypress, yellow pine, etc., specify a coat of Pratt & Lambert Filtex (each gallon thinned with two quarts turpentine or mineral spirits) before stain coat, and omit shellac coat INTERIOR TRIM--LACQUER n o t e : For spray application Op e n Gr a in Wo o d s (59) Stain, Filler, Sealer, Lacquer--Gloss or Dull, Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt ii Lambert Acid Stain 1 coat Pratt Lambert Paste Filler 1 coat Pratt & Lambert Vitraloid Lacquer Sealer 2 coats Pratt & Lambert Vitraloid Lacquer Clear Gloss* or Dull, last coat rubbed n o t e: If the desired color can be obtained with filler alone, omit stain Cl o s e Gr a in Wo o d s (60) Stain, Seder, Lacquer--Gloss or Dull, Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: , 1 coat Pratt ii Lambert Add Stain 1 coat Pratt & Lambert Vitraloid Lacquer Sealer 2 coats Pratt & Lambert Vitraloid Lacquer Clear Gloss or Dull, last coat rubbed 49 0007-PTL-000134 SPECIFICATIONS FOR FINE RESIDENCES (Continued) INTERIOR WALLS--WALL COATING MASTER SPECIFI CATION NUMBER Smo o t h , Sa n d -Fin is h e d a n d Te x t u r e d Pl a s t e r a n d Ke e n e 's Ce me n t For Living Rooms, Dining Rooms, Bed Rooms, Hails, etc. (19) Flat All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Flowing Flat (22) Stippled--Eggshell or Flat All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt H Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Stippling Eggshell or Stippling Flat, stippled Gy p s u m Bo a r d , As b es t o s -Ce me n t , Wo o d Pu l p Bo a r d a n d Ot h e r Dr y Wa l l Co n s t r u c t io n (25) Flat . All (designate surface) walls and ceilings throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt h? Lambert Vapex Wall Primer - 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Flowing Flat - (27) Stippled--Eggshell or Flat All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Vapex Wall Primer 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Stippling Eggshell or Stippling Flat, stippled Ca n v a s (30) Flat All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be canvassed with the best grade of decorators' muslin, or other suitable material, of a texture 56 0007-PTL-000141 MASTER SPECIFICATIONS (Continued) MASTER . _, SPECIFI' INTERIOR FLOORS--VARNISH (SEALER METHOD) n u mb e r Op e n a n d Cl o s e Gr a in Wo o d s (6?) Sealer, Natural or Color, Filler'Sealer, Varnish--Gloss, Satin or Dull-- Four Coat Wor\ All (designate floor and location) except (specify exceptions, if any) shall be given 1 coat Pratt S' Lambert "61" Penetrating Sealer, buffed 1 coat Pratt & Lambert "61" Filler'Sealer, sanded 1 coat Pratt ii Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss, Satin or Dull (66) Sealer, Natural or Color, Filler'Sealer, Varnish--Gloss, Satin or Dull-- Three Coat Wor\ All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert "61" Penetrating Sealer, buffed 1 coat Pratt & Lambert "61" Filler'Sealer, sanded 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss, Satin or Dull INTERIOR FLOORS--VARNISH (PASTE FILLER METHOD) Op e n Gr a in Wo o d s (67) Filler, Natural or Color, Varnish--Gloss, Satin or Dull--Four Coat Wor\ All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler 2 coats Pratt & Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt 6? Lambert "61" Floor Varnish Clear Gloss, Satin or Dull (68) Filler, Natural or Color, Varnish--Gloss, Satin or Dull--Three Coat Wor^ All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt Lambert Paste Filler 1 coat Pratt 6? Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt & Lambert "61" Floor Varnish dear Gloss, Satin or Dull 51 0007-PTL-000136 SPECIFICATIONS FOR FINE RESIDENCES fContinued; MASTER SPECIF1' CATION NUMBER CANVAS COVERED PIPE (39) All (designate surface and location) shall be given: 1 coat Pratt & Lambert Vapex Wall Primer. Then finish same as adjoining wall or ceiling INTERIOR TRIM--ENAMEL Wo o d a n d Me t a l Living Rooms, Dining Rooms, Bed Rooms, Halls, etc. (40) Gloss or Eggshell All (designate surface and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Interior Trim Primer 1 coat Pratt & Lambert Vitralite Enamel Undercoating 1 coat Pratt & Lambert Vitralite Enamel Gloss 1 coat Pratt Lambert Vitralite Enamel Gloss or Eggshell n o t e: For trim in service areas, omit 1 coat Vitralite Enamel Gloss RADIATORS, CONVECTORS AND ENCLOSURES-- (42) Eggshell ENAMEL All radiators, convectors and enclosures (designate location) shall be given: 1 coat Pratt & Lambert Interior Trim Primer 1 coat Pratt & Lambert Vitralite Enamel Eggshell INTERIOR TRIM--VARNISH Op e n Gr a in Wo o d s Living Rooms, Dining Rooms, Bed Rooms, Halls, etc. (47) Filler, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull 58 0007-PTL-000143 MASTER SPECIFI CATION NUMBER MASTER SPECIFICATIONS (Continued) INTERIOR FLOORS--HEAVY DUTY FINISH Op e n a n d Cl o s e Gr a in Wo o d s (74) Sealer, featured or Color All (designate floor and location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert "61" Penetrating Sealer, buffed INTERIOR FLOORS--GYMNASIUM FINISH Cl o s e Gr a in Wo o d s (75) Gymnasium Floor Finish--Gloss All (designate floor and location) except (specify exceptions, if any) shall be given: 2 coats Pratt 6? Lambert "61" Gymnasium Floor Finish, buffed 1 coat Pratt W Lambert "61" Gymnasium Floor Finish n o t e : If court or other floor marking lines are required, specify 1 coat Pratt ii Lambert Effecto Enamel after second coat of Pratt Lambert "61" Gymnasium Floor Finish has been buffed and dried hard, and before applying final coat INTERIOR FLOORS--ENAMEL Wo o d a n d Co n c r e t e * (76) Gloss All floors of (designate kind and location) except (specify-exceptions, if any) shall be given: 2 coats Pratt & Lambert "61" Floor ii Porch Enamel Co n c r e t e --Al k a l p Re s is t a n t Fin is h (77) Gloss--Al\ali'Resistant All floors of (designate kind and location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Alkatite Floor Finish n o t e: To insure adhesion, new concrete floors should be etched with a solution of 10% Hydrochloric Acid and then thoroughly rinsed with dear water and allowed to dry before applying Pratt & Lambert Alkatite Floor Finish 53 0007-PTL-000138 SPECIFICATIONS FOR FINE RESIDENCES (ContinueA) MASTER INTERIOR TRIM--VARNISH (Continued) c at io n NUMBER Op e n Gr a in Wo o d s (Continued) (52) Stain, Varnish--Satin or Dull--Open Pore All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish, Satin or Dull Cl o s e Gr a in Wo o d s (53) Natural, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull (54) Natural, Varnish--Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: , 1 coat pure white shellac 2 coats Pratt ii Lambert Cabinet Rubbing Varnish, last coat rubbed (55) Natural, Varnish--Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Dull 60 0007-PTL-000145 ma s t e r SPECJFI' c*TM* SPECIFICATIONS FOR FINE RESIDENCES (Continued) EXTERIOR WORK (Continued) (11) Metal Sash, Trim, Gutters, Conductors, Roofs and Ornamental Iron-- Verdura All (designate surface and location) shall be given: 1 coat Pratt 6? Lambert Noxide Red Lead Primer 2 coats Pratt W Lambert Verdura Trim & Shutter Finish n o t e: Galvanized metal shall be chemically treated before painting. See General Conditions, Workmanship (f) EXTERIOR WORK--VARNISH Op e n Gr a in Wo o d s (14) Trim, Doors, etc.--Filler, Stain, Varnish All wood (designate kind and location) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat Pratt 6? Lambert Oil Stain 3 coats Pratt & Lambert "61" Spar Varnish n o t e: If the desired color can be obtained with filler alone, omit stain Cl o s e Gr a in Wo o d s (15) Trim, Doors, etc.--Natural, Varnish All wood (designate kind and location) shall be given: 3 coats Pratt & Lambert "61" Spar Varnish (16) Trim, Doors, etc.--Stain, Varnish All wood (designate kind and location) shall be given: 1 coat Pratt 8? Lambert Oil Stain 3 coats Pratt Lambert "61" Spar Varnish , EXTERIOR WORK--ENAMEL Wo o d a n d Me t a l (17) Trim, Doors, etc. All (designate surface and location) shall be given: 1 coat Pratt & Lambert Effecto Primer 2 coats Pratt & Lambert Effecto Enamel (18) Floors--Wood and Concrete All floors of (designate kind and location) shall be given: 2 coats Pratt & Lambert "61" Floor & Porch Enamel 55 0007-PTL-000140 SPECIFICATIONS FOR FINE RESIDENCES (Continued) MASTER INTERIOR FLOORS--VARNISH (SEALER METHOD) SPECIFY c at io n Op e n a n d Cl o s e Gr a in Wo o d s NUMBER (65) Sealer, Natural or Color, Filler'Sealer, Varnish--Gloss, Satin or Dull All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert "'61" Penetrating Sealer, buffed 1 coat Pratt & Lambert "61" Filler'Sealer, sanded 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss, Satin or Dull INTERIOR FLOORS--VARNISH (PASTE FILLER METHOD) Op e n Gr a in Wo o d s (67) Filler, Natural or Color, Varnish--Gloss, Satin or Dull All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler 2 coats Pratt & Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss, ,, Satin or Dull INTERIOR FLOORS--VARNISH Cl o s e Gr a in Wo o d s (69) Natural, Varnish--Gloss, Satin or Dull All (designate floor and location) except (specify exceptions, if any) shall be given: 2 coats Pratt& Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt& Lambert "61" Floor Varnish Clear Gloss, (71) Stain, Varnish--doss. Satin or Dull Satin or Dull All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 2 coats Pratt& Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt& Lambert "61" Floor Varnish Clear Gloss, Satin or Dull 62 0007-PTL-000147 SPECIFICATIONS FOR FINE RESIDENCES (Continued) INTERIOR WALLS--WALL COATING (Continued) Ca n v a s (Continued)' _ and quality approved by the architect, securely applied, without laps, wrinkles or lumps. Any wall covering that is not prefilled shall be properly filled. The surface shall then be given: ma s t e r 1 coat Pratt & Lambert Vapex Wall Primer c at io n * 1 coat Pratt Lambert Lyt'all Double Duty Primer n u mber 1 coat Pratt & Lambert Lyt'all Flowing Flat (31) Stippled--Eggshell or Flat All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be canvassed with the best grade of decorators' muslin, or other suitable material, of a texture and quality approved by the architect, securely applied, without laps, wrinkles or lumps. Any wall covering that is not prefilled shall be properly filled. The surface shall then be given: 1 coat Pratt & Lambert Vapex Wall Primer 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt'all Stippling Eggshell or Stippling Flat, stippled INTERIOR WALLS--ENAMEL Smo o t h Pl a s t e r , Ke e n e 's Ce me n t ,* Co n c r e t e , Cin d e r a n d Ot h e r Ag g r e g at e Bl o c k s Bath Rooms, Kitchens, Pantries, etc. ' (32) Gloss or Eggshell All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Lyt'all Double Duty Primer 1' coat Pratt 8? Lambert Vitralite Enamel Gloss or Eggshell Ma s o n r y Su r f a c e s --Al k a l f Re s is t a n t Fin is h Basements, etc. (38) Gloss All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Alkatite Floor Finish 57 0007-PTL-000142 mas t er SPECIFICATIONS FOR MEDIUM'PRICE r e s id e n c e s SPEC1FP c at io n EXTERIOR WORK NUMBER (2) Siding All siding shall be given: 1 coat Pratt & Lambert House Paint Exterior Primer 1 coat Pratt & Lambert House Paint (3) Siding Redwood--Stain All siding shall be given: 2 coats Pratt & Lambert Redwood Stain (5) Trim and Shutters All (designate surface) shall be given: 1 coat Pratt & Lambert House Paint Exterior Primer 1 coat Pratt & Lambert Verdura Trim & Shutter Finish (6) Shades, Shingles and Rough'Sawed Lumber All (designate surface and location) shall be given: 2 coats Pratt & Lambert Shake & Shingle Finish (7) Half Timber Construction, Natural or Stain, Preservative Finish All (designate surface and location) shall be given: 2 coats Pratt & Lambert Okene Preservative n o t e: For stained effects, tint with not more than one-half pint Pratt & Lambert Oil Color to each gallon Pratt W Lambert Okene Preservative (8) Concrete, *Stucco, Bric\, Cinder, Cement and other Aggregate Blocks All (designate surface and location) shall be given: 2 coats Pratt 8? Lambert Alkatite Cement & Stucco Paint *other than magnesite stucco and wood n o t e: To insure color uniformity of deep colors (Cavalier Gray, Deep Red, Deep Green, Deep Brown and their mixtures), specify one coat Pratt & Lambert Alkatite Cement 8? Stucco Paint Primer Gray and omit first coat Alkatite Cement 8? Stucco Paint (10) Metal Sash, Trim, Gutters, Conductors, Roofs and Ornamental Iron All (designate surface and location) shall be given: 1 coat Pratt 8? Lambert Noxide Red Lead Primer 1 coat Pratt 8? Lambert House Paint n o t e: Galvanized metal shall be chemically treated before painting. See General Conditions, Workmanship (f) 64 0007-PTL-000149 MASTER SPECIFI CATION NUMBER SPECIFICATIONS FOR FINE RESIDENCES (Continued) Op e n Gr a in Wo o d s (Continued) (48) Filler, Varnish--Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat pure white shellac 2 coats Pratt & Lambert Cabinet Rubbing Varnish., last coat rubbed (49) Filler, Stain, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) dial be given: 1 coat Pratt & Lambert Paste Filler 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull n o t e: If the desired color can be obtained with filler alone, omit stain (50) Filler, Stain, Varnish--Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler ' 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 2 coats Pratt & Lambert Cabinet Rubbing Varnish, last coat rubbed n o t e: If the desired color can be obtained with filler alone, omit stain (51) Natural, Varnish--Satin or Dull--Open Pore All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish, Satin or Dull 59 0007-PTL-000144 SPECIFICATIONS FOR MEDlUM'PRlCE RESIDENCES (Continue*) MASTER SPECIFI' CATION NUMBER INTERIOR WALLS--WALL COATING Smo o t h , Sa n d 'Fin is h e d a n d Te x t u r e d Pl a s t e r a n d Ke e n e 's Ce me n t Living Rooms, Dining Rooms, Bed Rooms, Hals, etc. (20) Flat All (designate surface) walls and ceilings throughout (designate loca* tion) except (specify exceptions, if any) shal be given: 1 coat Pratt H Lambert Lyt'al Double Duty Primer 1 coat Pratt & Lambert Lyt'al Flowing Flat n o t e: Do not use this two coat specification for dark colored wal boards. Use Master Specification No. 19 (21) Satin All (designate surface) walls and ceilings throughout (designate location) except (specify exceptions, if any) dial be given: 2 coats Pratt & Lambert Celu'Tone Satin (23) Stippled--Eggshell or Flat A11 (designate surface) walls throughout (designate location) except (specify exceptions, if any) dial be given: 1 coat Pratt & Lambert Lyt'al Double Duty Primer 1 coat Pratt & Lambert Lyt'al Stippling Eggshe! or Stippling Flat, stippled Gy p s u m Bo a r d , As b e s t o s 'Ce me n t , Wo o d Pu l p Bo a r d a n d Ot h e r Dr y Wa l l Co n s t r u c t io n (25) Flat A1 (designate surface) walls and ceilings throughout (designate location) except (specify exceptions, if any) shal be given: 1 coat Pratt & Lambert Vapex Wal Primer 1 coat Pratt & Lambert Lyt'al Double Duty Primer 1 coat Pratt & Lambert Lyt'al Flowing Flat n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt y Lambert Lyt'al Double Duty Primer 66 0007-PTL-000151 MASTER SPECIFICATIONS FOR FINE RESIDENCES (Continued) SPECIF!" c at io n NUMBER Cl o s e Gr a in Wo o d s ('Continued,) (56) Stain, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull n o t e: To reduce the prominence of the grain in fir, cypress, yellow pine, etc., specify a coat of Pratt & Lambert Filtex (each gallon thinned with two quarts turpentine or mineral spirits) before stain coat, and omit shellac coat (57) Stain, Varnish--Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 2 coats Pratt and Lambert Cabinet Rubbing Varnish, last coat rubbed (58) Stain, Varnish--DuU All (designate wood and location) except (specify exceptions, if any) shall be given: ' 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Dull n o t e: To reduce the prominence of the grain in fir, cypress, yellow pine, etc., specify a coat of Pratt S' Lambert Filtex (each gallon thinned with two quarts turpentine or mineral spirits) before stain coat, and omit shellac coat 61 "MZ-m-OO0146 SPECIFICATIONS FOR MEDIUM-PRICE RESIDENCES (Continued; MASTER SPECIFI CATION NUMBER (38) doss INTERIOR WALLS--ENAMEL (Continued) Ma s o n r y Su r f a c e s --Al k a l i-Re s is t a n t Fin is h Basements, etc. All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt 6? Lambert Alkatite Floor Finish INTERIOR TRIM--ENAMEL Wo o d a n d Me t a l Living Rooms, Dining Rooms, Bed Rooms, Halls, etc. (41) doss or Eggshell All (designate surface and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Interior Trim Primer 1 coat Pratt & Lambert Vitralite Enamel Undercoating 1 coat Pratt 5? Lambert Vitralite Enamel Gloss or Eggshell RADIATORS, CONVECTORS AND ENCLOSURES-- ENAMEL (42) Eggshell All radiators, convectors and enclosures (designate location) shall be given: 1 coat Pratt & Lambert Interior Trim Primer 1 coat Pratt & Lambert Vitralite Enamel Eggshell INTERIOR TRIM--VARNISH Op e n Gr a in Wo o d s Living Rooms, Dining Rooms, Bed Rooms, Halls, etc. (47) Filler, Varnish--doss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: / 1 coat Pratt & Lambert Paste Filler 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull 68 0007-PTL-000153 SPECIFICATIONS FOR FINE RESIDENCES (Continued; MASTER SPECIFI' CATION NUMBER INTERIOR FLOORS--WAX FINISH Op e n a n d Cl o s e Gr a in Wo o d s (73) Seder, J^aturd or Color, FiUer'Seder, Wax All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt& Lambert "61" Penetrating Sealer, buffed 1 coat Pratt& Lambert "61" Filler-Sealer, sanded 2 coats Prattii Lambert Paste Wax, buffed INTERIOR FLOORS--ENAMEL Wo o d a n d Co n c r e t e (76) Gloss All floors of (designate kind and location) except (specify exceptions, if any) shall be given: 2 coats Pratt 8s* Lambert "61" Floor & Porch Enamel Co n c r e t e --Al k a l i-Re s is t a n t Fin is h (77) Gloss--Alkali'Resistant All floors of (designate kind and location) except (specify exceptions, if any) shall be given: 2 coats Pratt Lambert Alkatite Floor Finish n o t e: To insure adhesion, new concrete floors should be etched with a solution of 10% Hydrochloric Acid and then thoroughly rinsed with clear water and allowed to dry before applying Pratt 8? Lambert Alkatite Floor Finish 63 0007-PTL-000148 MASTER SPECIFICATIONS FOR MEDIUM-PRICE RESIDENCES (Continued) INTERIOR TRIM--VARNISH (Continued) n u mb e r Cl o s e Gr a in Wo o d s (Continued) (56) Stain, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull n o t e: To reduce the prominence of the grain in fir, cypress, yellow pine, etc., specify a coat of Pratt & Lambert Filtex (each gallon thinned with two quarts turpentine or mineral spirits) before stain coat, and omit shellac coat (58) Stain, Varnish--Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt 6? Lambert "38" Pale Trim Varnish Dull n o t e: To reduce the prominence of the grain in fir, cypress, yellow pine, etc., specify a coat of Pratt 6? Lambert Filtex (each gallon thinned with two quarts turpentine or mineral spirits) before stain coat, and omit shellac coat INTERIOR TRIM--PENETRATING FINISH Op e n a n d Cl o s e Gr a in Wo o d s (61) T^aturd or Stain--Penetrating Finish All (designate wood and location) except (specify exceptions, if any) shall be given: , 1 coat Pratt & Lambert Okene Preservative, wiped dry n o t e: For stained effect, add not more than one quart Pratt & Lambert Oil Stain to each gallon Pratt Lambert Okene Preservative 70 0007-PTL-000155 SPECIFICATIONS FOR MEDIUM-PRICE RESIDENCES (Continued) MASTER SPECIFY c at io n NUMBER EXTERIOR WORK--VARNISH Op e n Gr a in Wo o d s (14) Trim, Doors, etc.--Filler, Stain, Varnish All wood (designate kind and location) shall be given: 1 coat Pratt Lambert Paste Filler 1 coat Pratt & Lambert Oil Stain 3 coats Pratt < Lambert "61" Spar Varnish n o t e: If the desired color can be obtained with filler alone, omit stain Cl o s e Gr a in Wo o d s (15) Trim, Doors, etc.--Natural, Varnish All wood (designate kind and location) shall be given: 3 coats Pratt & Lambert "61" Spar Varnish (16) Trim, Doors, etc.--Stain, Varnish All wood (designate kind and location) shall be given: 1 coat Pratt & Lambert Oil Stain 3 coats Pratt & Lambert "61" Spar Varnish EXTERIOR WORK--ENAMEL Wo o d a n d Me t a l (17) Trim, Doors, etc. All (designate surface and location) shall be given: 1 coat Pratt & Lambert EfFecto Primer 2 coats Pratt & Lambert EfFecto Enamel (18) Floors--Wood and Concrete All floors of (designate kind and location) shall be given: 2 coats Pratt & Lambert "61" Floor & Porch Enamel 65 0007-PTL-000150 SPECIFICATIONS FOR MEDIUM-PRICE RESIDENCES (Continued) MASTER SPECIFI- c at io n NUMBER INTERIOR FLOORS--WAX FINISH Op e n a n d Cl o s e Gr a in Wo o d s (73) Sealer, 'Natural or Color, FiUer'Sealer, Wax All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert "61" Penetrating Sealer, buffed 1 coat Pratt 8? Lambert "61" FiUer'Sealer, sanded 2 coats Pratt 6? Lambert Paste Wax, buffed INTERIOR FLOORS--ENAMEL Wo o d a n d Co n c r e t e (76) Gloss AU floors of (designate kind and location) except (specify exceptions, if any) shaU be given: 2 coats Pratt Lambert "61" Floor 8? Porch Enamel Co n c r e t e --Al k a l p Re s is t a n t Fin is h (77) Gloss--Al\di'Resistant AU floors of (designate kind and location) except (specify exceptions, if any) shaU be given: 2 coats Pratt & Lambert Alkatite Floor Finish n o t e: To insure adhesion, new concrete floors should be etched with a solution of 10% Hydrochloric Acid and then thoroughly rinsed with dear water and aUowed to dry before applying Pratt & Lambert Alkatite Floor Finish 72 0007-PTL-000157 SPECIFICATIONS FOR MEDIUM-PRICE RESIDENCES (Continued) MASTER INTERIOR WALLS--WALL COATING (Continued) SnotT Gy p s u m Bo a r d , As b e s t o s -Ce me n t , Wo o d Pu l p Bo a r d n u mb e r a n d Ot h e r Dr y Wa l l Co n s t r u c t io n (Continued) (26) Satin All (designate surface) walls and ceilings throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Vapex Wall Primer 2 coats Pratt & Lambert Cellu-Tone Satin n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt Lambert Cellu-Tone Satin (27) Stippled--Eggshell or Flat All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Vapex Wall Primer 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt Ss* Lambert Lyt-all Stippling Eggshell or Stippling Flat, stippled n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt 8? Lambert Lyt-all Double Duty Primer Co n c r e t e , Cin d e r a n d Ot h e r Ag g r e g a t e Bl o c k s (29) Flat All concrete, cinder and other aggregate block walls throughout (designate location) except (specify exceptions, if any) shall be given: ' 2 coats Pratt & Lambert Lyt-all Flowing Flat INTERIOR WALLS--ENAMEL Smo o t h Pl a s t e r , Ke e n e 's Ce me n t , Co n c r e t e , Cin d e r a n d Ot h e r Ag g r e g a t e Bl o c k s Bath Rooms, Kitchens, Pantries, etc. (32) Gloss or Eggshell All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt 8? Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Vitralite Enamel Gloss or Eggshell 67 0007-PTL-000152 Vt SPECIFICATIONS FOR HOTELS AND APARTMENT BUILDINGS (Continued) ma s t e r SPECIFI' c at io n NUMBER EXTERIOR WORK--VARNISH Op e n Gr a in Wo o d s (14) Trim, Doors, Hand Rails, etc.--Filler, Stain, Varnish All wood (designate kind and location) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat Pratt Lambert Oil Stain 3 coats Pratt 5? Lambert "61" Spar Varnish n o t e: If the desired color can be obtained with filler alone, omit stain Cl o s e Gr a in Wo o d s (15) Trim, Doors, Hand Rails, etc.--Natural, Varnish All wood (designate kind and location) shall be given: 3 coats Pratt & Lambert "61" Spar Varnish (16) Trim, Doors, Hand Rails, etc.--Stain, Varnish All wood (designate kind and location) shall be given: 1 coat Pratt & Lambert Oil Stain 3 coats Pratt & Lambert "61" Spar Varnish EXTERIOR WORK--ENAMEL * Wo o d a n d Me t a l (17) Trim, Doors, Hand Rails, etc. All (designate surface and location) shall be given: 1 coat Pratt & Lambert Effecto Primer 2 coats Pratt & Lambert Effecto Enamel (18) Floors--Wood and Concrete All floors of (designate kind and location) shall be given: 2 coats Pratt & Lambert "61" Floor & Porch Enamel 74 0007-PTL-000159 MASTER SPECIFI CATION NUMBER SPECIFICATIONS FOR MEDIUM-PRICE RESIDENCES (Continued) Op e n Gr a in Wo o d s (Continued) (49) Filler, Stain, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt Lambert Paste Filler 1 coat Pratt 8? Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt 6? Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt ii Lambert "38" Pale Trim Varnish Gloss, Satin or Dull n o t e: If the desired color can be obtained with filler alone, omit stain (51) Natural, Varnish--Satin or Dull--Open Pore All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt& Lambert "38" Pale 1 coat Pratt8? Lambert "38" Pale Trim Varnish Gloss Trim Varnish, Satin or Dull (52) Stain, Varnish--Satin or Dull--Open Pore All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt& Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt& Lambert "38" Pale Trim Varnish, Satin or Dull Cl o s e Gr a in Wo o d s (53) Natural, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, (55) Natural, Varnish--Dull Satin or M All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Dull 69 0007-PTL-000154 SPECIFICATIONS FOR HOTELS AND APARTMENT BUILDINGS (Continued) INTERIOR WALLS--WALL COATING (Continued) MASTER SPECIFI CATION NUMBER Gy p s u m Bo a r d , As b e s t o s -Ce me n t , Wo o d Pu l p Bo a r d a n d Ot h e r Dr y Wa l l Co n s t r u c t io n (25) Flat All (designate surface) wall and ceilings throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Vapex Wall Primer 1 coat Pratt 6? Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Flowing Flat n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt 6? Lambert Lyt-all Double Duty Primer (26) Satin All (designate surface) walls and ceilings throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Vapex Wall Primer 2 coats Pratt & Lambert Cellu-Tone Satin n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt & Lambert Cellu-Tone Satin (27) Stippled--Eggshell or Flat All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Vapex Wall Primer 1 coat Pratt 6? Lambert Lyt-all Double Duty Primer 1 coat Pratt 8? Lambert Lyt-all Stippling Eggshell or Stippling Flat, stippled n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt & Lambert Lyt-all Double Duty Primer Co n c r e t e Ce il in g s --Un p l a s t e r e d Corridors, Service Areas, Linen Rooms, Dining Rooms, Bed Rooms, etc. (28) Flat (Matte Finish) All (designate surface) ceilings (designate location) except (specify exceptions, if any shall be given: 2 coats Pratt & Lambert Solidex 76 0007-PTL-000161 SPECIFICATIONS FOR MEDIUM-PRICE RESIDENCES ('Continued; MASTER INTERIOR FLOORS-VARNISH (SEALER METHOD) SPECIFI CATION NUMBER Op e n a n d Cl o s e Gr a in Wo o d s (66) Sealer, Natural or Color, Filler'Seder, Varnish--Gloss, Satin or Dull All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert "61" Penetrating Sealer, buffed 1 coat Pratt Lambert "61" Filler-Sealer, sanded 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss, Satin or Dull INTERIOR FLOORS--VARNISH (PASTE FILLER METHOD) Op e n Gr a in Wo o d s (68) Filler, Natural or Color, Varnish--Gloss, Satin or Dull All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat Pratt ii Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt Lambert "61" Floor Varnish Clear Gloss, Satin or Dull INTERIOR FLOORS-VARNISH Cl o s e Gr a in Wo o d s (70) N&tural, Varnish--Gloss, Satin or Dull All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt& Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt8? Lambert "61" Floor Varnish Clear Gloss, Satin or Dull (72) Stain, Varnish--Gloss, Satin or Dull All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat Pratt8? Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt& Lambert "61" Floor Varnish Clear Gloss, Satin or Dull 71 0007-PTL-000156 SPECIFICATIONS FOR HOTELS AND APARTMENT BUILDINGS (Continued) INTERIOR WALLS--ENAMEL Smo o t h Pl a s t e r , Ke e n e 's Ce me n t , Co n c r e t e , Cin d e r a n d Ot h e r Ag g r e g a t e Bl o c k s ma s t e r rATTnxT CATION n u mb e r Bath Rooms Kitchens Linen Rooms Pantries Stair Halls Toilets Utility Rooms, etc. (32) Gloss or Eggshell All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Lyt'all Double Duty Primer 1 coat Pratt ii Lambert Vitralite En: nel Gloss or Eggshell ACOUSTICAL TILE CEILINGS--WALL COATING (33) Flat (Matte Finish) All acoustical tile ceilings (designate location) except (specify except tions, if any) shall be given: 1 coat Pratt & Lambert Solidex INTERIOR SERVICE WALLS--WALL COATING Co n c r e t e , Br ic k , Cl a y Til e , Pl a s t e r , Wo o d a n d Me t a l Elevator Machine Rooms Storage and Supply Rooms Engine Rooms Service Corridors Laundries Utility Rooms and Closets Locker Rooms Work Shops, etc. Stair Halls n o t e: For Concrete, Cinder and other Aggregate Blocks, use Flat (Matte Finish) Specification No. 36 or Dadoes Specification No. 37 (34) Gloss, Eggshell or Flat All (designate surface) walls and ceilings throughout (designate loca' tion) except (specify exceptions, if any) shall be given: 1 coat Pratt 8? Lambert Lyt'all Double Duty Primer 1 coat Pratt & Lambert Lyt'all Gloss, Eggshell or Flat 78 0007-PTL-000163 SPECIFICATIONS FOR HOTELS MASTER SPECIFI AND APARTMENT BUILDINGS CATION NUMBER EXTERIOR WORK (8) Concrete, *Stucco, Bric\, Cinder, Cement and other Aggregate Blocks All (designate surface and location) shall be given: 2 coats Pratt & Lambert Alkatite Cement & Stucco Paint *other than magnesite stucco and wood n o t e: To insure color uniformity of deep colors (Cavalier Gray, Deep Red, Deep Green, Deep Brown and their mixtures), specify one coat Pratt & Lambert Alkatite Cement & Stucco Paint Primer Gray and omit first coat Alkatite Cement & Stucco Paint (1) Wood Trim and Sash All (designate surface and location) shall be given: 1 coat Pratt 8 Lambert House Paint Exterior Primer 2 coats Pratt 8? Lambert House Paint (4) Wood Trim, Sash and Doors, Extra Bright Colors All (designate surface) shall be given: 1 coat Pratt 8? Lambert House Paint Exterior Primer 2 coats Pratt 6? Lambert Verdura Trim 8s1 Shutter Finish (11) Metal Sash, Trim, Gutters, Conductors, Roofs and Ornamental Iron-- Verdura All (designate surface and location) shall be given: 1 coat Pratt & Lambert Noxide Red Lead Primer 2 coats Pratt Lambert Verdura Trim & Shutter Finish n o t e: Galvanized metal shall be chemically treated before painting. See General Conditions, Workmanship (f) (12) Structural Iron and Steel, Fire Escapes, etc. All (designate surface and location) shall be given: 1 coat Pratt 8? Lambert Noxide Red Lead Primer 2 coats Pratt 8? Lambert Noxide Metal Paint n o t e: If structural iron or steel is to be embedded in concrete, omit last two coats (13) Smo\estac\s, Pipes and Hot Metal Surfaces (temperature not to exceed 500 F.) All (designate surface and location) shall be given: 1 coat Pratt 6 Lambert Noxide Smokestack Black 73 0007-PTL-000158 SPECIFICATIONS FOR HOTELS AND APARTMENT BUILDINGS (Continued; INTERIOR TRIM--ENAMEL Wo o d a n d Me t a l Barber Shop Ball Room Bath Rooms Bed Rooms Cafeteria MASTER Coffee Shop SPEC3FI' Cocktail Lounge CATION Corridors NUMBER Dining Rooms Elevator Cabs Kitchen Library Lobbies Lounges Solarium Pantries Powder Rooms Offices Shops Stores Stair Halls Showers Toilets (40) Gloss or Eggshell All (designate surface and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Interior Trim Primer 1 coat Pratt & Lambert Vitralite Undercoating 1 coat Pratt & Lambert Vitralite Enamel Gloss 1 coat Pratt & Lambert Vitralite Enamel Gloss or Eggshell RADIATORS, CONVECTORS AND ENCLOSURES-- ENAMEL (42) Eggshell All radiators, convectors and enclosures (designate location) shall be given: 1 coat Pratt & Lambert Interior Trim Primer 1 coat Pratt & Lambert Vitralite Enamel Eggshell PARTITIONS, LOCKERS, CABINETS, PIPING, DUCTS AND OTHER SECONDARY SURFACES-ENAMEL Wo o d a n d Me t a l (43) doss All (designate surface and location) shall be given: 2 coats Pratt & Lambert Effecto Enamel n o t e: For pipe line color identification, see page 170 (44) Satin All (designate surface and location) shall be given: 2 coats Pratt & Lambert Ceflu-Tone Satin 80 0007-PTL-000165 SPECIFICATIONS FOR HOTELS AND APARTMENT BUILDINGS (Continued) INTERIOR WALLS--WALL COATING Smo o t h , Sa n d -Fin is h e d a n d Te x t u r e d Pl a s t e r a n d Ke e n e 's Ce me n t Barber Shops Ball Rooms Bed Rooms MASTER Cafeteria SPECIFY Cocktail Lounge CATION NUMBER Coffee Shop Corridors Dining Rooms Foyers Libraries Lobbies Living Rooms Meeting Rooms Offices Powder Rooms Shops Solaria Stores (19) Flat All (designate surface) walls and ceilings throughout (designate loca' tion) except (specify exceptions, if any) shall be given: 2 coats Pratt Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Flowing Flat (22) Stippled--Eggshell or Flat All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Stippling Eggshell or Stippling Flat, stippled _A Ba l c o n y So f f it s , Lo w Ce il in g s , e t c . (24) Flat (Matte Finish) , All (designate surface) ceilings and (designate location) balcony soffits, except (specify exceptions, if any) shall be given: 1 coat Pratt 8? Lambert Lyt-all Double Duty Primer 1 coat Pratt 8? Lambert Solidex 75 0007-PTL-000160 SPECIFICATIONS FOR HOTELS AND APARTMENT BUILDINGS (Continued) INTERIOR TRIM--VARNISH. (Continued) c at io n NUMBER Op e n Gr a in Wo o d s (Continued) (49) Filler, Stain, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull n o t e: If the desired color can be obtained with filler alone, omit stain (50) Filler, Stain, Varnish--Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 2 coats Pratt 8? Lambert Cabinet Rubbing Varnish, last coat rubbed n o t e: If the desired color can be obtained with filler alone, omit stain * (51) Natural, Varnish--Satin or Dull--Open Pore All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish, Satin or Dull (52) Stain, Varnish--Satin or Dull--Open Pore All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain / 1 coat pure white shellac 1 coat Pratt 8? Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt 8? Lambert "38" Pale Trim Varnish, Satin or Dull 82 0007-PTL-000167 SPECIFICATIONS FOR HOTELS AND APARTMENT BUILDINGS (Continued) MASTER SPECIF!' INTERIOR WALLS--WALL COATING (Continued) CATION NUMBER Co n c r e t e , Cin d e r a n d Ot h e r Ag g r e g a t e Bl o c k s (29) Flat All concrete, cinder and other aggregate block walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Lyt'all Flowing Flat Ca n v a s Ball Room Main Lobby Main Dining Room Private Dining Room DeLuxe Suites Library (30) Flat All (designate surface) walls and ceilings throughout (designate loca' tion) except (specify exceptions, if any) shall be canvassed with the best grade of decorators' muslin or other suitable material, of a texture and quality approved by the architect, securely applied, without laps, wrinkles or lumps. Any wall covering that is not prefilled shall be properly filled. The surface shall then be given: 1 coat Pratt & Lambert Vapex Wall Primer 1 coat Pratt & Lambert Lyt'all Double Duty Primer 1 coat Pratt & Lambert Lyt'all Flowing Flat (31) Stippled--Eggshell or Flat All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be canvassed with the best grade of decorators' muslin, or other suitable material, of a texture and quality approved by the architect, securely applied, without laps, wrinkles or lumps. Any wall covering that is not prefilled shall be properly filled. The surface shall then be given: 1 coat Pratt & Lambert Vapex Wall Primer 1 coat Pratt Lambert Lyt'all Double Duty Primer 1 coat Pratt Lambert Lyt'all Stippling Eggshell or Stippling Flat, stippled 77 0007-PTL-000162 MASTER SPECIFI CATION NUMBER SPECIFICATIONS FOR HOTELS AND APARTMENT BUILDINGS (Continued) INTERIOR TRIM--VARNISH (Continued) Cl o s e Gr a in Wo o d s (Continued) (57) Stain, Varnish--Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 2 coats Pratt & Lambert Cabinet Rubbing Varnish, last coat rubbed (58) Stain, Varnish--Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Dull n o t e: To reduce the prominence of the grain in fir, cypress, yellow pine, etc., specify a coat of Pratt Lambert Fitex (each gallon thinned with two quarts turpentine or mineral spirits) before stain coat, and omit shellac coat INTERIOR TRIM--LACQUER n o t e: For spray application ' Op e n Gr a in Wo o d s (59) Stain, Filler, Sealer, Lacquer--Gloss or Dull, Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Acid Stain 1 coat Pratt & Lambert Paste Filler 1 coat Pratt & Lambert Vitraloid Lacquer Sealer 2 coats Pratt & Lambert Vitraloid Lacquer Clear Gloss or Dull, last coat rubbed n o t e: If the desired color can be obtained with filler alone, omit stain 84 0007-PTL-000169 MASTER SPECIFI CATION NUMBER SPECIFICATIONS FOR HOTELS AND APARTMENT BUILDINGS (Continued) INTERIOR SERVICE WALLS--WALL COATING (Continued) (35) Gloss or Eggshell--Fume'Resistant All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt 8s* Lambert Vitralite Enamel Gloss or Eggshell (36) Flat (Matte Finish) All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 2 coats Pratt 8? Lambert Solidex (37) Dadoes In all rooms throughout service and industrial areas, where glazed bride, tile or other dado is not provided except (specify exceptions, if any) a (specify height) dado shall be applied as follows: 1 coat Pratt 6? Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert "61" Floor id Porch Enamel n o t e: Pratt 8? Lambert Lyt-all Dado Finish, Pratt id Lambert Lyt-all Stippling Eggshell or Pratt id Lambert Cdlu-Tone Satin may be specified in place of Pratt id Lambert "61" Floor id Porch Enamel, if desired Ma s o n r y Su r f a c e s --Al k a l i-Re s is t a n t Fin is h Basements, etc. (38) Gloss All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt 8? Lambert Alkatite Floor Finish CANVAS COVERED PIPE (39) All (designate surface and location) shall be given: 1 coat Pratt 8? Lambert Vapex Wall Primer. Then finish same as adjoining wall or ceiling 79 0007-PTL-000164 SPECIFICATIONS FOR HOTELS AND APARTMENT BUILDINGS (Continued) MASTER SPECIFI CATION NUMBER INTERIOR TRIM AND FURNITURE HEAVY DUTY FINISH (Continued) Cl o s e Gr a in Wo o d s (63) Natural, 'Varnish--Gloss All (designate wood, furniture and location) except (specify exceptions, if any) shall be given: 3 coats Pratt & Lambert Scholastic Finish (64) Stain, Varnish--Gloss All (designate wood, furniture and location) except (specify exceptions, if any) shall be given: 1 coat Pratt 6? Lambert Oil Stain 3 coats Pratt Lambert Scholastic Finish INTERIOR FLOORS--VARNISH (SEALER METHOD) Op e n a n d Cl o s e Gr a in Wo o d s Apartments, Corridors, Offices, etc. (65) Sealer, N^urd or Color, Filler'Sealer, Varnish--Gloss, Satin or Dull All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert "61" Penetrating Sealer, buffed 1 coat Pratt & Lambert "61" Filler-Sealer, sanded 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss, Satin or Dull INTERIOR FLOORS--VARNISH (PASTE FILLER METHOD) Op e n Gr a in Wo o d s (67) Filler, Naturd or Color, Varnish--Gloss, Satin or Dull All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt Lambert Paste Filler 2 coats Pratt & Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss, Satin or Dull 86 0007-PTL-000171 SPECIFICATIONS FOR HOTELS AND APARTMENT BUILDINGS (Continued) MASTER SPECIFI' c at io n NUMBER OTHER SURFACES--ENAMEL Me t a l (Al k a t it e 'Re s is t a n t Fin is h ) (45) Gloss All designate surface and location) shall be given: 1 coat Pratt H Lambert No. 25 Zinc Chromate Primer 2 coats Pratt & Lambert Alkatite Floor Finish Co n c r e t e a n d Wo o d (Al k a t it e 'Re s is t a n t Fin is h ) (46) Gloss All designate surface and location) shall be given: *2 coats Pratt Lambert Alkatite Floor Finish For floors, see Specification No. 77 INTERIOR TRIM--VARNISH Ball Room Bed Rooms Cocktail Lounge Dining Rooms Op e n Gr a in Wo o d s LibraryLobbies Lounges Living Rooms Offices Shops Solaria Stores, etc. (47) Filler, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: , 1 coat Pratt & Lambert Paste Filler 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt 6? Lambert "38" Pale Trim Varnish Gloss, (48) Fitter, Varnish--Rubbed Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt 8? Lambert Paste Filler 1 coat pure white shellac 2 coats Pratt 6? Lambert Cabinet Rubbing Varnish, last coat rubbed 81 0007-PTL-000166 SPECIFICATIONS FOR HOTELS AND APARTMENT BUILDINGS {Continued} INTERIOR FLOORS-ENAMEL MASTER SPECIFI CATION NUMBER Wo o d a n d Co n c r e t e Engine Room, Laundries, Locker Rooms, Stair Halls, Storage and Supply Rooms, etc. (76) Gloss All floors of (designate kind and location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert "61" Floor & Porch Enamel Co n c r e t e --Al k a l i-Re s is t a n t Fin is h (77) Gloss--Ai\ali'Resistant All floors of (designate kind and location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Alkatite Floor Finish n o t e: To insure adhesion, new concrete floors should be etched with a solution of 10% Hydrochloric Acid and then thoroughly rinsed with dear water and allowed to dry before applying Pratt & Lambert Alkatite Floor Finish 88 0007-PTL-000173 SPECIFICATIONS FOR HOTELS AND APARTMENT BUILDINGS (Continued) MASTER SPECIFI' CATION NUMBER INTERIOR TRIM--VARNISH (Continued) Cl o s e Gr a in Wo o d s (53) Natural, Varnish--Gloss, Satin or Dull AH (designate wood and location) except (specify exceptions, if any) shaU be given: 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, (54) Natural, Varnish--Rubbed Satin or Dull AJ1 (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white sheHac 2 coats Pratt & Lambert Cabinet Rubbing Varnish, (55) T^atural, Varnish--Dull last coat rubbed AH (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish DuH (56) Stain, Varnish--Gloss, Satin or Dull AH (designate wood and location) except (specify exceptions, if any) shaU be given: 1 coat Pratt & Lambert Oil Stain ' 1 coat pure white sheHac 1 coat Pratt. 5? Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or DuH n o t e: To reduce the prominence of the grain in fir, cypress, yeHow pine, etc., specify a coat of Pratt & Lambert Filtex (each gaHon thinned with two quarts turpentine or mineral spirits) before stain coat, and omit sheHac coat S3 0007-PTL-000168 MASTER SPECIFI CATION NUMBER SPECIFICATIONS FOR HOSPITALS AND INSTITUTIONS ('Continued; EXTERIOR WORK (Continued) (13) Smokestacks, Pipes and Hot Metal Surfaces (temperature not to exceed 500F.) All (designate surface and location) shall be given: 1 coat Pratt & Lambert Noxide Smokestack Black EXTERIOR WORK--VARNISH Op e n Gr a in Wo o d s (14) Trim, Doors, Hand Rails, etc.--Filler, Stain, Varnish All wood (designate kind and location) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat Pratt & Lambert Oil Stain 3 coats Pratt & Lambert "61" Spar Varnish n o t e: If the desired color can be obtained with filler alone, omit stain Cl o s e Gr a in Wo o d s (15) Trim, Doors, Hand Rails, etc.--Natural, Varnish All wood (designate kind and location) shall be given: 3 coats Pratt ii Lambert "61" Spar Varnish (16) Trim, Doors, Hand Rails, etc.--Stain, Varnish All wood (designate kind and location) shall be given: 1 coat Pratt & Lambert Oil Stain 3 coats Pratt 8? Lambert "61" Spar Varnish EXTERIOR WORK--ENAMEL Wo o d a n d Me t a l (17) Trim, Doors, Hand Rails, etc. All (designate surface and location) shall be given: 1 coat Pratt 6? Lambert Effecto Primer 2 coats Pratt & Lambert Effecto Enamel (18) Floors--Wood and Concrete All floors of (designate kind and location) shall be given: 2 coats Pratt & Lambert "61" Floor 6? Porch Enamel 90 0007-PTL-000175 SPECIFICATIONS FOR HOTELS AND APARTMENT BUILDINGS (Continued) MASTER SPECIFI CATION NUMBER INTERIOR TRIM--LACQUER (Continued) Cl o s e Gr a in Wo o d s (60) Stain, Sealer, Lacquer--Gloss or Dull, Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt 8 Lambert Acid Stain 1 coat Pratt 8 Lambert Vitraloid Lacquer Sealer 2 coats Pratt 8 Lambert Vitraloid Lacquer Clear Gloss or Dull, last coat rubbed INTERIOR TRIM--PENETRATING FINISH Op e n a n d Cl o s e Gr a in Wo o d s (61) T^atural or Stain--Penetrating Finish All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt 8 Lambert Okene Preservative, wiped dry n o t e: For stained effect, add not more than one quart Pratt 8 Lambert Oil Stain to each gallon Pratt 8 Lambert Okene Preservative INTERIOR TRIM AND FURNITURE--' HEAVY DUTY FINISH Op e n Gr a in Wo o d s Cabinets, Furniture (other than Table Tops) and similar working surfaces in Kitchens, Pantries, etc. (62) Filler, Stain, Varnish--Gloss All (designate wood, furniture and location) except (specify exceptions, if any) shall be given: 1 coat Pratt 8 Lambert Paste Filler 1 coat Pratt 6? Lambert Oil Stain 3 coats Pratt 8 Lambert Scholastic Finish n o t e: If the desired color can be obtained with filler alone, omit stain 85 0007-PTL-000170 SPECIFICATIONS FOR HOSPITALS AND INSTITUTIONS (Continued) MASTER SPECIF!' CATION NUMBER INTERIOR WALLS--WALL COATING ('Continued; Gy p s u m Bo a r d , As b e s t o s 'Ce me n t , Wo o d Pu l p Bo a r d (a n d Ot h e r Dr y Wa l l Co n s t r u c t io n Continued) (26) Satin All (designate surface) walls and ceilings throughout (designate loca' tion) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Vapex Wall Primer 2 coats Pratt & Lambert Cellu'Tone Satin n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt Lambert Cellu'Tone Satin (27) Stippled--Eggshell or Flat AH (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Vapex Wall Primer 1 coat Pratt & Lambert Lytall Double Duty Prime:: 1 coat Pratt & Lambert Lyt'all Stippling Eggshell or Stippling Flat, stippled n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt & Lambert Lyt-all Double Duty Primer Co n c r e t e Ce il in g s --Un p l a s t e r e d (28) Flat (Matte Finish) ' All (designate surface) ceilings (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Solidex Co n c r e t e , Cin d e r a n d Ot h e r Ag g r e g a t e Bl o c k s (29) Flat All concrete, cinder and other aggregate block walls throughout (design nate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Lyt'all Flowing Flat 92 0007-PTL-000177 MASTER SPECIFI CATION NUMBER SPECIFICATIONS FOR HOTELS AND APARTMENT BUILDINGS (Continued) INTERIOR FLOORS--VARNISH Cl o s e Gr a in Wo o d s (69) Natural, Varnish--Gloss, Satin or Dull All (designate floor and location) except (specify exceptions, if any) shall be given: 2 coats Pratt& Lambert "61" Floor Varnish Clear- Gloss 1 coat Pratt& Lambert "61" Floor Varnish Clear Gloss, Satin or Dull (71) Stain, Varnish--Gloss, Satin or Dull All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt Lambert Oil Stain 2 coats Pratt&? Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt& Lambert "61" Floor Varnish Clear Gloss, Satin or Dull INTERIOR FLOORS--WAX FINISH Op e n a n d Cl o s e Gr a in Wo o d s (73) Sealer, Natural or Color, Filler'Sealer, "Wax All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert "61" Penetrating Sealer, buffed 1 coat Pratt & Lambert "61" Filler-Sealer, sanded 2 coats Pratt Lambert Paste Wax, buffed INTERIOR FLOORS--HEAVY DUTY FINISH Op e n a n d Cl o s e Gr a in Wo o d s Auditoriums, Ball Rooms, Convention and Exhibit Halls (74) Sealer, Neural or Color All (designate floor and location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert "61" Penetrating Sealer, buffed 87 0007-PTL-000172 MASTER SPECIFI CATION NUMBER SPECIFICATIONS FOR HOSPITALS AND INSTITUTIONS (Continued) INTERIOR WALLS--ENAMEL. ('Continued; (32) Gloss or Eggshell All (designate surface) walls throughout (designate location) except specify exceptions, if any) shall be given: 2 coats Pratt 6? Lambert Lyt-all Double Duty Primer 1 coat Pratt 8? Lambert Vitralite Enamel Gloss or Eggshell ACOUSTICAL TILE CEILINGS--WALL COATING (33) Flat (Matte Finish) All acoustical tile ceilings (designate location) except (specify excep tions, if any) shall be given: 1 coat Pratt 8? Lambert Solidex INTERIOR SERVICE WALLS--WALL COATING Co n c r e t e , Br ic k , Cl a y Te l e , Pl a s t e r , Wo o d a n d Me t a l Elevator Machine Rooms Splint Shop Engine Rooms Storage and Supply Rooms Laundries Utility Closets Locker Rooms Work Shops Service Halls and Corridors n o t e: For Concrete, Cinder and other Aggregate Blocks, use Flat (Matte Finish) Specification No. 36 or Dadoes `Specification No. 37 (34) Gloss, Eggshell or Hat All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 1 coat Pratt 8? Lambert Lyt-all Double Duty Primer 1 coat Pratt 8? Lambert Lyt-all Gloss, Eggshell or Flat (35) Gloss or Eggshell--Fume'Resistant All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: I coat Pratt 8? Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Vitralite Enamel Gloss or Eggshell (36) Flat (Matte Finish) All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 2 coats Pratt 8? Lambert Solidex 94 0007-PTL-000179 SPECIFICATIONS FOR HOSPITALS AND INSTITUTIONS MASTER SPECIFI" c at io n NUMBER EXTERIOR WORK (8) Concrete, *Stucco, Bric\, Cinder, Cement and other Aggregate Blocks All (designate surface and location) shall be given: 2 coats Pratt & Lambert Alkatite Cement & Stucco Paint *other than magnesite stucco and wood n o t e: To insure color uniformity of deep colors (Cavalier Gray, Deep Red, Deep Green, Deep Brown and their mixtures), specify one coat Pratt & Lambert Alkatite Cement & Stucco Paint Primer Gray and omit first coat Alkatite Cement & Stucco Paint (I) Wood Trim and Sash All (designate surface) shall be given: 1 coat Pratt & Lambert House Paint Exterior Primer 2 coats Pratt & Lambert House Paint (4) Wood Trim, Sash and Doors, Extra Bright Colors All (designate surface) shall be given: 1 coat Pratt & Lambert House Paint Exterior Primer 2 coats Pratt & Lambert Verdura Trim & Shutter Finish Metal Sash, Trim, Gutters, Conductors, Roofs and Ornamental Iron-- (II) Verdura All (designate surface and location) shall be given: ' 1 coat Pratt & Lambert Noxide Red Lead Primer 2 coats Pratt & Lambert Verdura Trim & Shutter Finish n o t e: Galvanized metal shall be chemically treated before painting. See General Conditions, Workmanship (f) (12) Structural Iron and Steel, Fire Escapes, etc. All (designate surface and location) shall be given: 1 coat Pratt & Lambert Noxide Red Lead Primer 2 coats Pratt ii Lambert Noxide Metal Paint n o t e: If structural iron or steel is to be embedded in concrete, omit last two coats 89 0007-PTL-000174 MASTER SPECIFY CATION NUMBER SPECIFICATIONS FOR HOSPITALS AND INSTITUTIONS ('Continued; INTERIOR TRIM--ENAMEL. (Continued) Wo o d a n d Me t a l (Fu me 'Re s is t a n t Fin is h ) (40) Gloss or Eggshell All (designate surface and location) except (specify exceptions, if any) shall be given: 1 coat Pratt ii Lambert Interior Trim Primer 1 coat Pratt Lambert Vitralite Enamel Undercoating 1 coat Pratt 5s* Lambert Vitralite Enamel Gloss 1 coat Pratt & Lambert Vitralite Enamel Gloss or Eggshell n o t e: For less important surfaces, as trim in service corridors and stair halls, pantries, laundries, linen and utility rooms, janitor closets, grilles, balusters, etc., one coat Pratt & Lambert Vitralite Enamel Gloss may be omitted RADIATORS, CONVECTORS AND ENCLQSURESENAMEL (42) Eggshell All radiators (designate location) shall be given: 1 coat Pratt & Lambert Interior Trim Primer 1 coat Pratt & Lambert Vitralite Enamel Eggshell PARTITIONS, LOCKERS, CABINETS, PIPING, DUCTS AND OTHER SECONDARY SURFACES-ENAMEL Wo o d a n d Me t a l (43) Gloss All (designate surface and location) shall be given: 2 coats Pratt & Lambert Effect Enamel n o t e: For pipe line color identification, see page 170 (44) &xtm All (designate surface and location) shall be given: 2 coats Pratt & Lambert CelluTone Satin 96 0007-PTL-000181 SPECIFICATIONS FOR HOSPITALS AND INSTITUTIONS (Continued) INTERIOR WALLS--WALL COATING Smo o t h , Sa n d -Fin is h e d a n d Te x t u r e d Pl a s t e r a n d Ke e n e 's Ce me n t MASTER. SPECIFI CATION NUMBER Auditoriums Bed Rooms Cafeteria Chart Room Coffee Shop Corridors Dining Rooms Dormitories Lounges Nurseries Offices Play Rooms Record Rooms Solaria Waiting Rooms Wards, etc. (19) Flat All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 2 coats Pratt ii Lambert Lyt-all Double Duty Primer 1 coat Pratt 6? Lambert Lyt-all Flowing Flat (22) Stippled--Eggshell or Flat All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Double Duty Primer 1 coat Pratt & Lambert Lyt-all Stippling Eggshell or Stippling Flat, stippled Ba l c o n y So f f it s , Lo w Ce il in g s , e t c . (24) Flat (Matte Finish) All (designate surface) ceilings and (designate location) balcony soffits, except (specify exceptions, if any) shall be given: 1 coat Pratt 8? Lambert Lyt-all Double Duty Primer 1 coat Pratt 8? Lambert Solidex Gy p s u m Bo a r d , As b e s t o s -Ce me n t , Wo o d Pu l p Bo a r d a n d Ot h e r Dr y Wa l l Co n s t r u c t io n (25) Flat All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Vapex Wall Primer 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Flowing Flat n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt & Lambert Lyt-all Double Duty Primer 91 0007-PTL-000176 MASTER SPECIFI CATION NUMBER SPECIFICATIONS FOR HOSPITALS AND INSTITUTIONS (Continued) INTERIOR TRIM--VARNISH (Continued) Op e n Gr a in Wo o d s (Continued) (49) Filler, Stain, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt ii Lambert Paste Filler 1 coat Pratt H Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull n o t e: If the desired color can be obtained with filler alone, omit stain (50) Filler, Stain, Varnish--^Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 2 coats Pratt & Lambert Cabinet Rubbing Varnish, last coat rubbed n o t e: If the desired color can be obtained with.filler alone, omit stain (51) Natural, Varnish--Satin or Dull--Open Pore ' All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish, Satin or Dull (52) Stain, Varnish--Satin or Dull--Open Pore All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish, Satin or Dull 98 0007-PTL-000183 SPECIFICATIONS FOR HOSPITALS AND INSTITUTIONS (Continued) MASTER SPECIFI' CATION NUMBER (30) Flat INTERIOR WALLS--WALL COATING (Continued) Ca n v a s Board Room, Library, Main Lobby and Adjoining Reception Rooms, etc. All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be canvassed with the best grade of decorators' muslin, or other suitable material, of a texture and quality approved by the architect, securely applied, without laps, wrinkles or lumps. Any wall covering that is not prefilled shall be properly filled. The surface shall then be given: 1 coat Pratt& Lambert Vapex Wall Primer 1 coat Pratt& Lambert Lyt-all Double Duty Primer 1 coat Pratt& Lambert Lyt-all Flowing Flat (31) Stippled--Eggshell or Flat All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be canvassed with the best grade of decorators' muslin, or other suitable material, of a texture and quality approved by the architect, securely applied, without laps, wrinkles or lumps. Any wall covering that is not prefilled shall be properly filled. The surface shall then be given: 1 coat Pratt & Lambert Vapex Wall Primer 1 coat Pratt Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Stippling Eggshell or Stippling Flat, stippled INTERIOR WALLS--ENAMEL Smo o t h Pl a s t e r , Ke e n e 's Ce me n t , Co n c r e t e , Cin d e r a n d Ot h e r Ag g r e g a t e Bl o c k s Bath Rooms Delivery Rooms Heat Therapy Rooms Kitchens Laboratories Mortuary and Autopsy Rooms Operating Rooms and Adjoining Corridors Pantries Pharmacy Showers Soiled Linen Rooms Sterilizing Rooms Surgical Dressing Room Stair Halls and Janitor Closets Toilets Utility Rooms X-ray Rooms, etc. 93 0007-PTL-000178 MASTER SPECIF!' CATION NUMBER SPECIFICATIONS FOR HOSPITALS AND INSTITUTIONS (Continue*) Cl o s e Gr a in Wo o d s (Continued) (57) Stain, Varnish--Rubbed. All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 2 coats Pratt & Lambert Cabinet Rubbing Varnish, last coat rubbed (58) Stain, Varnish--Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Dull n o t e: To reduce the prominence of the grain in fir, cypress, yellow pine, etc., specify a coat of Pratt & Lambert Filtex (each gallon thinned with two quarts turpentine or mineral spirits) before stain coat, and omit shellac coat INTERIOR TRIM--LACQUER n o t e: For spray application Op e n Gr a in Wo o d s f (59) Stain, Filler, Sealer, Lacquer--Gloss or Dull, Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Acid Stain 1 coat Pratt Lambert Paste Filler 1 coat Pratt & Lambert Vitraloid Lacquer Sealer 2 coats Pratt & Lambert Vitraloid Lacquer Clear Gloss or Dull, last coat rubbed n o t e: If the desired color can be obtained with filler alone, omit stain 100 0007-PTL-000185 MASTER SPECIFICATIONS FOR HOSPITALS AND INSTITUTIONS (Continued) n u mb e r Co n c r e t e , Br ic k , Cl a y Til e , Pl a s t e r , Wo o d a n d Me t a l (Continued) (37) Dadoes In all rooms throughout service and industrial areas where glased brick, tile or other dado is not provided except (specify exceptions, if any) a (specify height) dado shall be applied as follows: 1 coat Pratt Lambert Lyt'all Double Duty Primer 1 coat Pratt Lambert "61" Floor & Porch Enamel n o t e: Pratt & Lambert Lyt'all Dado Finish, Pratt 6? Lambert Lyt'all Stippling Eggshell or Pratt & Lambert Cellu'Tone Satin may be specified in place of Pratt 6? Lambert "61" Floor ii Porch Enamel, if desired Ma s o n r y Su r f a c e s --Al k a l p Re s is t a n t Fin is h (38) Gloss Basements, etc. All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Alkatite Floor Finish CANVAS COVERED PIPE (39) All (designate surface and location) shall be given: 1 coat Pratt & Lambert Vapex Primer Then finish same as adjoining wall or ceiling INTERIOR TRIM--ENAMEL Wo o d a n d Me t a l (Fu me 'Re s is t a n t Fin is h ) Auditorium Bath Rooms Bed Rooms Board Room Cafeteria Chart Room Coffee Shop Corridors Delivery Rooms Dining Rooms Dormitories Elevator Cabs Heat Therapy Rooms Kitchens Laboratories Library Lobby Lounges Nurseries Offices Operating Rooms Pantries Pharmacy Play Rooms Showers Sterilizing Rooms Surgical Dressing Rooms Solaria Toilets Waiting Rooms Wards X-ray Rooms 95 0007-PTL-000180 MASTER sPECEFi' CATION NUMBER SPECIFICATIONS FOR HOSPITALS AND INSTITUTIONS (Continued) Cl o s e Gr a in Wo o d s (Continued) (64) Stain, Varnish--doss All (designate wood, furniture and location) except (specify exceptions, if any) shall be given: 1 coat Pratt Lambert Oil Stain 3 coats Pratt & Lambert Scholastic Finish INTERIOR FLOORS--VARNISH (SEALER METHOD) Op e n a n d Cl o s e Gr a in Wo o d s Board Room, Library, Main Lobby, Adjoining Reception Rooms, etc. (65) Sealer, Natural or Color, Filler'Sealer, Varnish--Gloss, Satin or Dull All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert "61" Penetrating Sealer, buffed 1 coat Pratt & Lambert "61" Filler'Sealer, sanded 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss, , Satin or Dull INTERIOR FLOORS--HEAVY DUTY FINISH Op e n a n d Cl o s e Gr a in Wo o d s Auditorium, Corridors, Shops, etc. (74) Sealer, Natural or Color All (designate floor and location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert "61" Penetrating Sealer, buffed 102 0007-PTL-000187 SPECIFICATIONS FOR HOSPITALS AND INSTITUTIONS (Continued; MASTER SPECIFI' CATION NUMBER OTHER SURFACES--ENAMEL Me t a l (Al k a l i'Re s is t a n t Fin is h ) (45) Gloss All (designate surface and location) shall be given: 1 coat Pratt S3 Lambert No. 25 Zinc Chromate Primer 2 coats Pratt S3 Lambert Alkatite Floor Finish Co n c r e t e a n d Wo o d (Al k a l i'Re s is t a n t Fin is h ) (46) Gloss All (designate surface and location) shall be given: *2 coats Pratt S3 Lambert Alkatite Floor Finish *For floors, see specification No. 77 INTERIOR TRIM--VARNISH Op e n Gr a in Wo o d s Board Room, Library, Main Lobby, Adjoining Reception Rooms, etc. (47) Filler, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt S3 Lambert Paste Filler , 1 coat pure white shellac 1 coat Pratt S3 Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt S3 Lambert "38" Pale Trim Varnish Gloss, Satin or Dull (48) Filler, Varnish--Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt S3 Lambert Paste Filler 1 coat pure white shellac 2 coats Pratt S3 Lambert Cabinet Rubbing Varnish, last coat rubbed 97 0007-PTL-000182 SPECIFICATIONS FOR SCHOOLS AND COLLEGES MASTER CATION NUMBER EXTERIOR WORK (8) Concrete, *Stucco, Bric\, Cinder, Cement and Other Aggregate Blocks AH (designate surface and location) shall be given: 2 coats Pratt ii Lambert Alkatite Cement & Stucco Paint *other than magnesite stucco and wood n o t e: To insure color uniformity of deep colors (Cavalier Gray, Deep Red, Deep Green, Deep Brown and their mixtures), specify one coat Pratt ii Lambert Alkatite Cement 8? Stucco Paint Primer Gray and omit first coat Alkatite Cement 8? Stucco Paint (1) Wood Trim and Sash All (designate surface) shall be given: 1 coat Pratt Lambert House Paint Exterior Primer 2 coats Pratt & Lambert House Paint (4) Wood Trim, Sash and Doors, Extra Bright Colors All (designate surface) shall be given: 1 coat Pratt 8? Lambert House Paint Exterior Primer 2 coats Pratt & Lambert Verdura Trim 8 Shutter Finish (11) Metal Sash, Trim, Gutters, Conductors, Roofs and* Ornamental Iron-- Verdura All (designate surface and location) shall be given: ? 1 coat Pratt 8? Lambert Noxide Red Lead Primer 2 coats Pratt 8? Lambert Verdura Trim 8? Shutter Finish n o t e: Galvanized metal shall be chemically treated before painting. See General Conditions, Workmanship (f) (12) Structural Iron and Steel, Fire Escapes, etc. All (designate surface and location) shall be given: 1 coat Pratt & Lambert Noxide Red Lead Primer 2 coats Pratt & Lambert Noxide Metal Paint n o t e: If structural iron or steel is to be embedded in concrete, omit the last two coats 104 0007-PTL-000189 MASTER SPECIFI CATION NUMBER SPECIFICATIONS FOR HOSPITALS AND INSTITUTIONS (Continued) Cl o s e Gr a in Wo o d s (53) T'laturd, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt ii Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt Lambert "38" Pale Trim Varnish Gloss, Satin or Dull (54) Natural, Varnish--Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 2 coats Pratt ii Lambert Cabinet Rubbing Varnish, last coat rubbed (55) T^aturd, Varnish--Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt 6? Lambert "38" Pale Trim Varnish Dull (56) Stain, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: < 1 coat Pratt 6? Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt 6? Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt 6? Lambert "38" Pale Trim Varnish Gloss, Satin or Dull n o t e : To reduce the prominence of the grain in fir, cypress, yellow pine, etc., specify a coat of Pratt & Lambert Filtex (each gallon thinned with two quarts turpentine or mineral spirits) before stain coat, and omit shellac coat 99 0007-PTL-000184 SPECIFICATIONS FOR SCHOOLS AND COLLEGES ("Continued; INTERIOR WALLS--WALL COATING Smo o t h , Sa n d -Fin is h e d a n d Te x t u r e d Pl a s t e r MASTER SPECIFI CATION n u mb e r Auditoriums Cafeteria Class Rooms a n d Ke e n e 's Ce me n t Corridors Dormitories Kindergarten Rooms Library Offices Stair Halls, etc. (19) Flat All (designate surface) walls and ceilings throughout (designate loca- tion) except (specify exceptions, if any) shall be given: 2 coats Pratt 8? Lambert Lyt-all Double Duty Primer 1 coat Pratt 8 Lambert Lyt-all Flowing Flat (22) Stippled, Eggshell or Flat All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt 8? Lambert Lyt-all Double Duty Primer 1 coat Pratt 8? Lambert Lyt-all Stippling Eggshell or Stippling Flat, stippled Ba l c o n y So f f it s , Lo w Ce il in g s , e t c . (24) Flat (Matte Finish) All (designate surface) ceilings and (designate location) balcony soffits, except (specify exceptions, if any) shall be given: 1 coat Pratt 8? Lambert Double Duty Primer . 1 coat Pratt & Lambert Solidex Gy p s u m Bo a r d , As b e s t o s -Ce me n t , Wo o d Pu l p Bo a r d a n d Ot h e r Dr y Wa l l Co n s t r u c t io n (25) Flat All (designate surface) walls and ceilings throughout (designate location).except (specify exceptions, if any) shall be given: 1 coat Pratt 8? Lambert Vapex Wall Primer 1 coat Pratt 8? Lambert Lyt-all Double Duty Primer 1 coat Pratt 8? Lambert Lyt-all Flowing Flat n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt & Lambert Lyt-all Double Duty Primer 106 0007-PTL-000191 MASTER SPEC2FI' CATION NUMBER SPECIFICATIONS FOR HOSPITALS AND INSTITUTIONS (Continued) INTERIOR TRIM--LACQUER (Continued) Cl o s e Gr a in Wo o d s (60) Stain, Sealer, Lacquer--Gloss or Dull, Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt fi Lambert Acid Stain 1 coat Pratt & Lambert Vitraloid Lacquer Sealer 2 coats Pratt fi Lambert Vitraloid Lacquer Clear Gloss or Dull, last coat rubbed INTERIOR TRIM--PENETRATING FINISH Op e n a n d Cl o s e Gr a in Wo o d s (61) Natural or Stain--Penetrating Finish All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Okene Preservative, wiped dry n o t e: For stained effect, add not more than one quart Pratt & Lambert Oil Stain to each gallon Pratt Lambert Okene Preservative INTERIOR TRIM AND FURNITURE Op e n Gr a in Wo o d s Cabinets, Furniture (other than Table Tops) and similar working surfaces in Kitchens, Laboratory, Pantries, etc. (62) Filler, Oil Stain, Varnish--Gloss " All (designate wood, furniture and location) except (specify exceptions, if any) shall be given: 1 coat Pratt 6? Lambert Paste Filler 1 coat Pratt & Lambert Oil Stain 3 coats Pratt ii Lambert Scholastic Finish n o t e: If the desired color can be obtained with filler alone, omit stain Cl o s e Gr a in Wo o d s (63) Neural, Varnish--Gloss All (designate wood, furniture and location) except (specify exceptions, if any) shall be given: 3 coats Pratt & Lambert Scholastic Finish 101 0007-PTL-000186 SPECIFICATIONS FOR SCHOOLS AND COLLEGES (Continued; INTERIOR WALLS--ENAMEL Smo o t h Pl a s t e r , Ke e n e 's Ce me n t , Co n c r e t e , Cin d e r a n d Ot h e r Ag g r e g a t e Bl o c k s MASTER SPECIFI CATION NUMBER Bath Rooms Domestic Science Rooms Infirmary Kitchens Laboratories Pantries Toilets Wash Rooms, etc. (32) Gloss or Eggshell All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Vitralite Enamel Gloss or Eggshell ACOUSTICAL TILE CEILINGS--WALL COATING (33) Flat (Matte Finish) All acoustical tile ceilings (designate location) except (specify excep tions, if any) shall be given: 1 coat Pratt ii Lambert Solidex INTERIOR SERVICE WALLS--WALL COATING Co n c r e t e , Br ic k , Cl a y Til e , Pl a s t e r , Wo o d a n d Me t a l Engine Room, Gymnasium, Shops, Storage and Supply Rooms, etc. n o t e: For Concrete, Cinder and other Aggregate Blocks, use Flat (Matte Finish) Specification No. 36 or Dadoes Specification No. 37 (34) Gloss, Eggshell or Flat All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt 6? Lambert Lyt-all Gloss, Eggshell or Flat (35) Gloss or Eggshell--Fume-Resistant All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Vitralite Enamel Gloss or Eggshell 108 0007-PTL-000193 SPECIFICATIONS FOR HOSPITALS AND INSTITUTIONS (Continued) INTERIOR FLOORS--ENAMEL MASTER SPEC3FI' CATION NUMBER Wo o d a n d Co n c r e t e Engine Room, Laundries, Locker Rooms, Stair Halls, Storage and Supply Rooms, etc. (76) Gloss All floors of (designate kind and location) except (specify exceptions, if any) shall be given: 2 coats Pratt s? Lambert "61" Floor & Porch Enamel Co n c r e t e --Al k a l p Re s is t a n t Fin is h (77) Gloss--Al\di'Resistant All floors of (designate kind and location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Alkatite Floor Finish n o t e: To insure adhesion, new concrete floors should be etched with a solution of 10% Hydrochloric Add and then thoroughly rinsed with dear water and allowed to dry before applying Pratt & Lambert Alkatite Floor Finish 103 0007-PTL-000188 SPEanCATIONS FOR SCHOOLS AND COLLEGES (Continued) INTERIOR TRIM--ENAMEL Wo o d a n d Me t a l (Fu me -Re s is t a n t Fin is h ) Auditorium MASTER SPECIFI CATION Cafeterias Glass Rooms Corridors NUMBER Domestic Science Rooms Dormitories Kindergarten Rooms Kitchens Laboratories Library Offices Pantries Stair Halls, etc. (40) Gloss or Eggshell All (designate surface and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Interior Trim Primer 1 coat Pratt & Lambert Vitralite Enamel Undercoating 1 coat Pratt & Lambert Vitralite Enamel Gloss 1 coat Pratt & Lambert Vitralite Enamel Gloss or Eggshell n o t e: For less important surfaces such as trim in service corridors and stair halls, pantries, laundries, linen and utility rooms, laboratories, janitor closets, grilles, balusters, etc., one coat Pratt S' Lambert Vitralite Enamel Gloss may be omitted RADIATORS, CONVECTORS AND ENCLOSURES-- ENAMEL (42) Eggshell All radiators (designate location) shall be given: 1 coat Pratt S Lambert Interior Trim Primer 1 coat Pratt .S Lambert Vitralite Enamel Eggshell PARTITIONS, LOCKERS, CABINETS, PIPING, DUCTS AND OTHER SECONDARY SURFACES--ENAMEL Wo o d a n d Me t a l (43) Gloss All (designate surface and location) shall be given: 2 coats Pratt S Lambert Effecto Enamel n o t e: For pipe line color identification, see page 170 (44) Satin All (designate surface and location) shall be given: 2 coats Pratt & Lambert Cellu-Tone Satin 110 0007-PTL-000195 MASTER s pec if i' CATION NUMBER SPECIFICATIONS FOR SCHOOLS AND COLLEGES (Continued) EXTERIOR WORK (Continued) (13) Smokestacks, Pipes and Hot Metal Surfaces (temperature not to exceed 500 F.) All (designate surface and location) shall be given: 1 coat Pratt ii Lambert Noxide Smokestack Black EXTERIOR WORK--VARNISH Op e n Gr a in Wo o d s (14) Trim, Doors, Hand Rails, etc.--Filler, Stain, Varnish All wood (designate kind and location) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat Pratt & Lambert Oil Stain 3 coats Pratt & Lambert "61" Spar Varnish n o t e: If the desired color can be obtained with filler alone, omit stain Cl o s e Gr a in Wo o d s (15) Trim, Doors, Hand Rails, etc.--Natural, Varnish All wood (designate kind and location) shall be given: 3 coats Pratt & Lambert "61" Spar Varnish (16) Trim, Doors, Hand Rails, etc.--Stain, Varnish All wood (designate kind and location) shall be given: 1 coat Pratt & Lambert Oil Stain 3 coats Pratt & Lambert "61" Spar Varnish f EXTERIOR WORK--ENAMEL Wo o d a n d Me t a l (17) Trim, Doors, Hand Rails, etc. All (designate surface and location) shall be given: 1 coat Pratt & Lambert Effecto Primer, 2 coats Pratt & Lambert Effecto Enamel (18) Floors--Wood and Concrete All floors of (designate kind and location) shall be given: 2 coats Pratt & Lambert "61" Floor & Porch Enamel 105 0007-PTL-000190 MASTER SPECIFI CATION NUMBER SPECIFICATIONS FOR SCHOOLS AND COLLEGES (Continued) Cl o s e Gr a in Wo o d s (53) Natural, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt 6? Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt 8? Lambert "38" Pale Trim Varnish Gloss, Satin or Dull (56) Stain, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt 6? Lambert "38" Pale Trim Varnish Gloss, Satin or Dull n o t e: To reduce the prominence of the grain in fir, cypress, yellow pine, etc., specify a coat of Pratt & Lambert Filtex (each gallon thinned with two quarts turpentine or mineral spirits) before stain coat, and omit shellac coat INTERIOR TRIM AND FURNITUREHEAVY DUTY FINISH Op e n Gr a in Wo o d s Cabinets, Furniture (other than Table Tops) and similar working surfaces in Domestic Science Rooms, Kitchens, Laboratories, Pantries, etc. (62) Filler, Stain, Varnish--Gloss All (designate wood, furniture and location) except (specify exceptions, if any) shall be given: 1 coat Pratt 6? Lambert Paste Filler 1 coat Pratt 8? Lambert Oil Stain 3 coats Pratt & Lambert Scholastic Finish n o t e: If the desired color can be obtained with filler alone, omit stain 112 0007-PTL-000197 SPECIFICATIONS FOR SCHOOLS AND COLLEGES (Continued) MASTER SPECIFI CATION NUMBER INTERIOR WALLS--WALL COATING ('Continued; Gy p s u m Bo a r d , As b e s t o s -Ce me n t , Wo o d Pu l p Bo a r d a n d Ot h e r Dr y Wa l l Co n s t r u c t io n ('Continued; (26) Satin All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 1 coat Pratt Lambert Vapex Wall Primer 2 coats Pratt & Lambert Cellu-Tone Satin n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt ii Lambert Cellu-Tone Satin (27) Stippled--Eggshell or Flat All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Vapex Wall Primer 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Stippling Eggshell or Stippling Flat, stippled n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt 6? Lambert Lyt-all Double Duty Primer Co n c r e t e Ce il in g s --Un p l a s t e r e d (28) Flat (Matte Finish) All (designate surface) ceilings (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Solidex Co n c r e t e , Cin d e r a n d Ot h e r Ag g r e g a t e Bl o c k s (29) Flat All concrete, cinder and other aggregate block walls throughout (desig nate location) except (specify exceptions, if any) shall be given: 2 coats Pratt S? Lambert Lyt-all Flowing Flat 107 0007-PTL-000192 SPECIFICATIONS FOR SCHOOLS AND COLLEGES (Continued) ma s t e r SPECIFI CATION NUMBER INTERIOR FLOORS--GYMNASIUM FINISH Cl o s e Gr a in Wo o d s (75) Gymnasium Floor Finish--Gloss All (designate floor and location) except (specify exceptions, if any) shall be given 2 coats Pratt & Lambert "61" Gymnasium Floor Finish, buffed 1 coat Pratt 6? Lambert "61" Gymnasium Floor Finish n o t e: If court or other floor marking lines are required, specify 1 coat Pratt & Lambert Effecto Enamel after the second coat of Pratt & Lambert "61" Gymnasium Floor Finish has been buffed and dried hard, and before applying final coat INTERIOR FLOORS--ENAMEL Corridors Engine Rooms Laundries Wo o d a n d Co n c r e t e Shops Storage and Supply Rooms Stair Halls, etc. (76) Gloss All floors of (designate kind and location) except (specify exceptions, if any) shall be given: * 2 coats Pratt & Lambert "61" Floor & Porch Enamel Co n c r e t e --Al k a l i-Re s is t a n t Fin is h (77) Gloss--ATkflli'Resistant All floors of (designate kind and location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Alkatite Floor Finish n o t e: To insure adhesion, new concrete floors should be etched with a solution of 10% Hydrochloric Acid arid then thoroughly rinsed with clear water and allowed to dry before applying Pratt 8? Lambert Alkatite Floor Finish 114 0007-PTL-000199 SPECIFICATIONS FOR SCHOOLS AND COLLEGES (Continued) MASTER INTERIOR SERVICE WALLS--WALL. COATINGS (Continued) Co n c r e t e , Br ic k , Cl a y Til e , Pl a s t e r , n u mb e r Wo o d a n d Me t a l (Continued) (36) Flat (Matte Finish) All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Solidex (37) Dadoes In all rooms throughout service areas where glazed brick, tile or other dado is not provided except (specify exceptions, if any) a (specify height) dado shall be applied as follows: 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt 6# Lambert "61" Floor & Porch Enamel n o t e: Pratt & Lambert Lyt-all Dado Finish, Pratt & Lambert Lyt-all Stippling Eggshell or Pratt & Lambert Cellu-Tone Satin, may be specified in place of Pratt Lambert "61" Floor ii Porch enamel, if desired Ma s o n r y Su r f a c e s --(Al k a l i-Re s is t a n t Fin is h ) (38) Gloss , All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: f 2 coats Pratt & Lambert Alkatite Floor Finish (39) CANVAS COVERED PIPE All (designate surface and location) shall be given: 1 coat Pratt 8? Lambert Vapex Wall Primer. Then finish same as adjoining wall or ceiling 109 0007-PTL-000194 $- MASTER SPECIFI CATION NUMBER SPECIFICATIONS FOR OFFICE AND COMMERCIAL BUILDINGS ('Continued; EXTERIOR WORK--ENAMEL Wo o d a n d Me t a l . (17) Trim, Doors, Hand Rails, etc. All (designate surface and location) shall be given: 1 coat Pratt 8? Lambert Effecto Primer 2 coats Pratt & Lambert Effecto Enamel (18) Floors--Wood and Concrete All floors of (designate kind and location) shall be given: 2 coats Pratt & Lambert "61" Floor 8? Porch Enamel INTERIOR WALLS--WALL COATING Smo o t h , Sa n d Fin is h e d a n d Te x t u r e d Pl a s t e r a n d Ke e n e 's Ce me n t Barber Shop Beauty Parlor Cafeteria Corridors Lobbies, Elevator Lobbies, Main Offices, General Offices, Private Offices, Professional Offices, Reception Restaurants Shops Stores Tea Rooms (19) Flat All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Flowing Flat (22) Stippled--Eggshell or Flat All (designate surface) walls, throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Stippling Eggshell or Stippling Flat, stippled Ba l c o n y So f f it s , Lo w Ce il in g s , e t c . (24) Flat (Matte Finish) All (designate surface) ceilings and (designate location) balcony soffits, except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Solidex 116 0007.FTL-000201 SPECIFICATIONS FOR SCHOOLS AND COLLEGES (Continued; MASTER SPECIFI' CATION NUMBER OTHER SURFACES--ENAMEL Me t a l (Al k a l p Re s is t a n t Fin is h ) (45) Gloss All (designate surface and location) shall be given: 1 coat Pratt & Lambert No. 25 Zinc Chromate Primer 2 coats Pratt & Lambert Alkatite Floor Finish Co n c r e t e a n d Wo o d (Al k a l l Re s is t a n t Fin is h ) (46) Gloss All (designate surface and location) shall be given: *2 coats Pratt ii Lambert Alkatite Floor Finish *For floors, see Specification No. 77 INTERIOR TRIM--VARNISH Auditoriums Class Rooms Op e n Gr a in Wo o d s Corridors Dormitories Kindergarten Rooms Library Offices, etc. (47) Filler, Varnish--Gloss, Satin or DuU All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat pure white, shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull (49) Filler, Stain, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull n o t e: If the desired color can be obtained with filler alone, omit stain 111 0007-PTL-000196 SPECIFICATIONS FOR OFFICE AND COMMERCIAL BUILDINGS (Continued) INTERIOR WALLS--ENAMEL Smo o t h Pl a s t e r , Ke e n e 's Ce me n t , Co n c r e t e , Cin d e r a n d Ot h e r Ag g r e g a t e Bl o c k s mas t er Kitchens Laboratories vAllUIl NUMBER Pantries Stair Halls Toilets Utility Rooms Wash Rooms, etc. (32) Gloss or Eggshell All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Vitralite Enamel Gloss or Eggshell ACOUSTICAL TILE CEILINGS--WALL COATING (33) Flat (Matte Finish) All acoustical tile ceilings (designate location) except (specify excep' tions if any) shall be given: 1 coat Pratt & Lambert Solidex INTERIOR SERVICE WALLS--WALL COATING Co n c r e t e , Br ic k , Cl a y Tij l e , Pl a s t e r , Wo o d a n d Me t a l Elevator Machine Rooms Engine Rooms File Rooms Laundries Locker Rooms Service Corridors Stair Halls Storage and Supply Rooms Utility Closets Vaults Work Shops, etc. n o t e: For Concrete, Cinder and other Aggregate Blocks, use Flat (Matte Finish) Specification No. 36 or Dadoes Specification No. 37 (34) Gloss, Eggshell or Flat 1 All (designate surface) walls and ceilings throughout (designate loca* tion) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt 8? Lambert Lyt'all Gloss, Eggshell or Flat 118 0007-PTL-000203 PIASTER SPECIFICATIONS f o r SCHOOLS AND COLLEGES (Continued; SPECIFI' c at io n NUMBER. Cl o s e Gr a in Wo o d s (63) T^aturcd, Varnish--Gloss All (designate wood, furniture and location) except (specify exceptions, if any) shall be given: 3 coats Pratt 6? Lambert Scholastic Finish (64) Stain, Varnish--Gloss All (designate wood, furniture and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 3 coats Pratt 6? Lambert Scholastic Finish INTERIOR FLOORS--VARNISH (SEALER METHOD) Op e n a n d Cl o s e Gr a in Wo o d s Dormitories Offices Library Reception Rooms, etc. (66) Seeder, J^aturd or Color, Filler'Seder, Varnish--Gloss, Satin or Dull-- All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert "61" Penetrating Sealer, buffed 1 coat Pratt & Lambert "61" Filler'Sealer, sanded 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss, Satin or Dull INTERIOR FLOORS--HEAVY DUTY FINISH Op e n a n d Cl o s e Gr a in Wo o d s Auditoriums Class Rooms Corridors Kindergarten Rooms, etc. (74) Seder, T^aturd or Color All (designate floor and location) except (specify exceptions, if any) shall be given: 2 coats Pratt 6? Lambert "61" Penetrating Sealer, buffed 113 0007-PTL-000198 SPECIFICATIONS FOR OFFICE AND COMMERCIAL BUILDINGS (Continued) INTERIOR TRIM--ENAMEL Wo o d a n d Me t a l Barber Shop Offices, General Restaurants Beauty Parlor Offices, Private Shops Cafeteria Offices, Professional Stores mas t er Corridors 55? levator Cabs Offices, Reception Lobbies, Elevator Tea Rooms Toilets n u mbe r Kitchens Lobbies, Main Wash Rooms, etc. (40) Gloss or Eggshell Pantries All (designate surface and location) except (specify exceptions, if any) shall be given: 1 coat Pratt Lambert Interior Trim Primer 1 coat Pratt 8? Lambert Vitralite Enamel Undercoating 1 coat Pratt & Lambert Vitralite Enamel Gloss 1 coat Pratt & Lambert Vitralite Enamel Gloss or Eggshell n o t e: For less important surfaces, as trim in service corridors and stair halls, utility rooms, janitor closets, grilles, balusters, etc., one coat Pratt & Lambert Vitralite Enamel Gloss may be omitted. RADIATORS, CONVECTORS AND ENCLOSURES-- (42) Eggshell ENAMEL All radiators (designate location) shall be given: 1 coat Pratt & Lambert Interior Trim Primer 1 coat Pratt & Lambert Vitralite Enamel Eggshell PARTITIONS, LOCKERS, CABINETS, PIPING, DUCTS AND OTHER SECONDARY SURFACES--ENAMEL Wo o d a n d Me t a l (43) Gloss All (designate surface and location) shall be given: 2 coats Pratt & Lambert Effecto Enamel n o t e: For pipe line color identification, see page 170 (44) Satin All (designate surface and location) shall be given: 2 coats Pratt & Lambert Cellu'Tone Satin 120 0007-Pt i -000205 SPECIFICATIONS FOR OFFICE MASTER SPECIFI CATION NUMBER AND COMMERCIAL BUILDINGS EXTERIOR WORK (8) Concrete, *Stucco, Bric\, Cinder, Cement and Other Aggregate Blocks All (designate surface and location) shall be given: 2 coats Pratt & Lambert Alkatite Cement Stucco Paint *other than magnesite stucco and wood n o t e: To insure color uniformity of deep colors (Cavalier Gray, Deep Red, Deep Green, Deep Brown and their mixtures), specify one coat Pratt Lambert Alkatite Cement & Stucco Paint Primer Gray and omit first coat Alkatite Cement & Stucco Paint (I) Wood Trim and Sash All (designate surface) shall be given: 1 coat Pratt & Lambert House Paint Exterior Primer 2 coats Pratt & Lambert House Paint (4) Wood Trim, Sash and Doors, Extra Bright Colors All (designate surface) shall be given: 1 coat Pratt & Lambert House Paint Exterior Primer 2 coats Pratt & Lambert Verdura Trim Shutter Finish (II) Metal Sash, Trim, Gutters, Conductors, Roofs and Ornamental Iron-- Verdura All (designate surface and location) shall be given:' 1 coat Pratt & Lambert Noxide Red Lead'Primer 2 coats Pratt & Lambert Verdura Trim Shutter Finish n o t e: Galvanized metal shall be chemically treated before painting. See General Conditions, Workmanship (f) (12) Structural Iron and Steel, Fire Escapes, etc. All (designate surface and location) shall be given: 1 coat Pratt & Lambert Noxide Red Lead Primer 2 coats Pratt 8? Lambert Noxide Metal Paint n o t e: If structural iron or steel is to be embedded in concrete, omit the last two coats (13) Smokestacks, Pipes and Hot Metal Surfaces (temperature not to exceed 500F.) All (designate surface and location) shall be given: 1 coat Pratt & Lambert Noxide Smokestack Black 115 0007-PTL-000200 MASTER s pec if ic SPECIFICATIONS FOR OFFICE AND COMMERCIAL BUILDINGS (Continued) INTERIOR TRIM--VARNISH (Continued) n u mb e r Op e n Gr a in Wo o d s (Continued) (49) Filler, Stain, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt 6? Lambert Paste Filler 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull n o t e: If the desired color can be obtained with filler alone, omit stain (50) Filler, Stain, Varnish--Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 2 coats Pratt & Lambert Cabinet Rubbing Varnish, last coat rubbed n o t e: If the desired color can be obtained with filler alone, omit stain (51) T^atural, Varnish--Satin or Dull--Open Pore All (designate wood and location) except (specify exceptions, if any) shall be given: I coat pure white shellac 1 coat Pratt& Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt& Lambert "38" Pale Trim Varnish Satin or Dull (52) Stain, Varnish--Satin or Dull--Open Pore All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt 6? Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt5? Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt& Lambert "38" Pale Trim Varnish Satin or Dull 122 0007-PTL-000207 MASTER SPECIFICATIONS FOR OFFICE AND COMMERCIAL BUILDINGS (Continued) SPECIFI- CATION Gy p s u m Bo a r d , As b e s t o s -Ce me n t , Wo o d Pu l p NUMBER (25) Flat a n d Ot h e r Dr y Wa l l Co n s t r u c t io n Bo a r d All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 1 coat Pratt Lambert Vapex Wall Primer 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt 8? Lambert Lyt-all Flowing Flat n o t e: For two coat specification (where conditions permit) omit 1 coat (26) Satin Pratt 8? Lambert Lyt-all Double Duty Primer All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 1 coat Pratt 8? Lambert Vapex Wall Primer 2 coats Pratt & Lambert Cellu-Tone Satin n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt & Lambert Cellu-Tone Satin (27) Stippled--Eggshell or Flat All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt 8? Lambert Vapex Wall Primer 1 coat Pratt 8? Lambert Lyt-all Double Duty Primer 1 coat Pratt 8? Lambert Lyt-all Stippling Eggshell or Stippling Flat, stippled n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt Lambert Lyt-all Double Duty Primer ' Co n c r e t e Ce il in g s --Un p l a s t e r e d (28) Flat (Matte Finish) All (designate surface) ceilings (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt 8? Lambert Solidex Co n c r e t e , Cin d e r a n d Ot h e r Ag g r e g a t e Bl o c k s (29) Flat All concrete, cinder and other aggregate block walls throughout (desig nate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Lyt-all Flowing Flat 117 0007-PTL-000202 SPECIFICATIONS FOR OFFICE AND COMMERCIAL BUILDINGS (Continued) MASTER SPECIFI CATION NUMBER INTERIOR TRIM--LACQUER n o t e: For spray application Op e n Gr a in Wo o d s (59) Stain, Filler, Sealer, Lacquer--Gloss or Dull, Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Add Stain 1 coat Pratt & Lambert Paste Filler 1 coat Pratt $ Lambert Vitraloid Lacquer Sealer 2 coats Pratt Lambert Vitraloid Lacquer Clear Gloss or Dull, last coat rubbed n o t e : If the desired color can be obtained with filler alone, omit stain Cl o s e Gr a in Wo o d s (60) Stain, Seder, Lacquer--Gloss or Dull, Rubbed All (designate wood and location) except (spedfy exceptions, if any) shall be given: 1 coat Pratt ? Lambert Add Stain 1 coat Pratt & Lambert Vitraloid Lacquer Sealer 2 coats Pratt & Lambert Vitraloid Lacquer Clear Gloss or Dull, last coat rubbed INTERIOR FLOORS--VARNISH (SEALER METHOD) Op e n a n d Cl o s e Gr a in Wo o d s Offices, Shops, etc. (66) Seder, J^aturd or Color, Filler'Sealer, Varnish--Gloss, Satin or Dull All (designate floor and location) except (spedfy exceptions, if any) shall be given: 1 coat Pratt 5? Lambert "61" Penetrating Sealer, buffed 1 coat Pratt & Lambert "61" Filler-Sealer, sanded 1 coat Pratt 5? Lambert "61" Floor Varnish Clear Gloss, Satin or Dull 124 0007-PTL-000209 MASTER SPECIFICATIONS FOR OFFICE AND COMMERCIAL BUILDINGS ('Continued; SPECIF!' c at io n INTERIOR SERVICE WALLS--WALL COATINGS ('Continued; NUMBER (35) Gloss or Eggshell--Fume'Resistant All (designate surface) walls and ceilings throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Lyt'all Double Duty Primer 1 coat Pratt & Lambert Vitralite Enamel Gloss or Eggshell (36) Flat (Matte Finish) All (designate surface) walls and ceilings throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt Lambert Solidex (37) Dadoes In all rooms throughout service areas, where glazed brick, tile or other dado is not provided except (specify exceptions, if any) a (specify height) dado shall be applied as follows: 1 coat Pratt & Lambert Lyt'all Double Duty Primer 1 coat Pratt Lambert "61" Floor & Porch Enamel n o t e: Pratt Lambert Lyt'all Dado Finish, Pratt Lambert Lyt'all Stippling Eggshell or Pratt Lambert Cellu'Tone Satin may be specified in place of Pratt Lambert "61" Floor & Porch Enamel, if desired Ma s o n r y Su r f a c e s --(Al k a l l Re s is t a n t Fin is h ) Basements, etc. (38) Gloss All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt ii Lambert Alkatite Floor Finish (39) CANVAS COVERED PIPE All (designate surface and location) shall be given: 1 coat Pratt 6? Lambert Vapex Wall Primer. Then finish same as adjoining wall or ceiling 119 0007-PTL-000204 SPECIFICATIONS FOR INDUSTRIAL BUILDINGS, WAREHOUSES, Et c . MASTER SPECIFI CATION NUMBER EXTERIOR (8) Concrete, *Stucco, Bric\, Cement and other Aggregate Blocks All (designate surface and location) shall be given: 2 coats Pratt Lambert Alkatite Cement 8? Stucco Paint other than magnesite stucco and wood n o t e: To insure color uniformity of deep colors (Cavalier Gray, Deep Red, Deep Green, Deep Brown and their mixtures), specify one coat Pratt & Lambert Alkatite Cement & Stucco Paint Primer Gray and omit first coat Alkatite Cement & Stucco Paint (1) Wood Trim and Sash All (designate surface) shall be given: 1 coat Pratt & Lambert House Paint Exterior Primer 2 coats Pratt 8? Lambert House Paint (9) Metal Sash, Trim, Cutters, Conductors, Roofs and Ornamental Iron All (designate surface and location) shall be given: 1 coat Pratt 8? Lambert Noxide Red Lead Primer 2 coats Pratt 8? Lambert House Paint n o t e : Galvanised metal shall be chemically treated before painting. See General Conditions, Workmanship (f) (12) Structural Iron and Steel, Fire Escapes, Cat VSal\s, Ladders, etc. All (designate surface and location) shall be given: 1 coat Pratt 8? Lambert Noxide Red Lead Primer 2 coats Pratt 8? Lambert Noxide Metal Paint n o t e : If structural iron or steel is to be embedded in concrete, omit the last two coats (13) Smokestacks, Pipes and Hot Metal Surfaces (temperature not to exceed 500* F.) All (designate surface and location) shall be given: 1 coat Pratt & Lambert Noxide Smokestack Black 126 0007-PTL-000211 SPECIFICATIONS FOR OFFICE AND COMMERCIAL BUILDINGS (Continued) MASTER SPECIFI CATION NUMBER OTHER SURFACES--ENAMEL Me t a l (Al k a l i-Re s is t a n t Fin is h ) (45) Gloss All (designate surface and location) shall be given: 1 coat Pratt & Lambert No. 25 Zinc Chromate Primer 2 coats Pratt ii Lambert Alkatite Floor Finish Co n c r e t e a n d Wo o d (Al k a l i-Re s is t a n t Fin is h ) (46) Gloss All (designate surface and location) shall be given: *2 coats Pratt i Lambert Alkatite Floor Finish *For floors, see Specification No. 77 INTERIOR TRIM--VARNISH Corridors Offices, General Op e n Gr a in Wo o d s Offices, Private Offices, Professional Offices, Reception Restaurants Tea Rooms, etc. (47) Filler, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: f 1 coat Pratt li Lambert Paste Filler 1 coat pure white shellac 1 coat Pratt 8? Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull (48) Filler, Varnish--Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt 6? Lambert Paste Filler 1 coat pure white shellac 2 coats Pratt 8? Lambert Cabinet Rubbing Varnish, last coat rubbed 121 0007-PTL-000206 SPECIFICATIONS FOR INDUSTRIAL BUILDINGS, WAREHOUSES, ETC. (Continued) INTERIOR WALLS--WALL COATING Co n c r e t e , Br ic k a n d Cl a y Til e ; Co n c r e t e , Cin d e r a n d Ot h e r Ag g r e g a t e Bl o c k s ; Gy p s u m Bo a r d ; As b e s t o s -Ce me n t a n d MASTER Wo o d Pu l p Bo a r d ; St e e l ; Pl a s t e r ; Wo o d ; Me t a l , e t c . SPECIFI CATION NUMBER Co n c r e t e Ce il in g s --Un p l a s t e r e d Manufacturing, Storage, Shipping Areas, etc. (28) Flat (Matte Finish) All (designate surface) ceilings throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Solidex (34) Gloss, Eggshell or Flat All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Gloss, Eggshell or Flat (35) Gloss or Eggshell--Fume'Resistant All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 1 coat Pratt 6? Lambert Lyt-all Double Duty Primer 1 coat Pratt 8? Lambert Vitralite Enamel Gloss or Eggshell (37) Dadoes In all rooms throughout service and industrial areas where glazed brick, tile or other dado is not provided except (specify exceptions, if any) a (specify height) dado shall be applied as follows: 1 coat Pratt Lambert Lyt-all Double Duty Primer 1 coat Pratt ii Lambert "61" Floor & Porch Enamel n o t e: Pratt & Lambert Lyt-all Dado Finish, Pratt & Lambert Lyt-all Stippling Eggshell or Pratt & Lambert Cellu-Tone Satin may be specified in place of Pratt & Lambert "61" Floor 8? Porch Enamel, if desired Ma s o n r y Su r f a c e s ;--(Al k a l i-Re s is t a n t Fin is h ) Basements, etc. (38) Gloss All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Alkatite Floor Finish 128 0007-PTL-000213 MASTER SPECIFI' c at io n NUMBER SPECIFICATIONS FOR OFFICE AND COMMERCIAL BUILDINGS (Continued) Cl o s e Gr a in Wo o d s (53) T^aturd, Varnish--Gbss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt ii Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull (54) 'Natural, Varnish--Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 2 coats Pratt & Lambert Cabinet Rubbing Varnish, last coat rubbed (56) Stain, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull n o t e: To reduce the prominence of the grain in fir, cypress, yellow pine, etc., specify a coat of Pratt & Lambert Filtex (each gallon thinned with two quarts turpentine or mineral spirits) before stain coat, and omit shellac coat (57) Stain, Varnish--Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 2 coats Pratt Lambert Cabinet Rubbing Varnish last coat rubbed 123 0007-PTL-000208 MASTER SPECIFI CATION NUMBER Sp e c if ic a t io n s f o r o f f ic e a n d c o mme r c ia l b u il d in g s (Continued) Gy p s u m Bo a r d , As bes t o s -Ce me n t , Wo o d Pu l p Bo a r d a n d Ot h e r Dr y Wa l l Co n s t r u c t io n (Continued) (27) Stippled--Eggshell or Flat All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 1 coat Pratt fi Lambert Vapex Wall Primer 1 coat Pratt 8? Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Stippling Eggshell or Stippling Flat, stippled n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt 8? Lambert Lyt-all Double Duty Primer Co n c r e t e Ce il in g s --Un p l a s t e r e d (28) Flat (Matte Finish) All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Solidex (29) Co n c r e t e , Cin d e r a n d Ot h e r Ag g r e g a t e Bl o c k s Flat All cinder or concrete block walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Lyt-all Flowing Flat^ INTERIOR WALLS--ENAMEL Smo o t h Pl a s t e r , Ke e n e 's Ce me n t , Co n c r e t e , Cin d e r a n d Ot h e r Ag g r e g a t e Bl o c k s (32) Gloss or Eggshell All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt 8? Lambert Lyt-all Double Duty Primer 1 coat Pratt 8? Lambert Vitralite Enamel Gloss or Eggshell ACOUSTICAL TILE CEILINGS--WALL COATING (33) Flat (Matte Finish) All acoustical tile ceilings (designate location) except (specify excep tions, if any) shall be given: 1 coat Pratt 8? Lambert Solidex 130 0007-PTL-000215 MASTER SPECIF!' SPECIFICATIONS FOR OFFICE AND COMMERCIAL BUILDINGS (Continued) INTERIOR FLOORS--WAX FINISH n u mb e r Op e n a n d Cl o s e Gr a in Wo o d s (73) Sealer, T^aturd or Color, Filler'Sealer, Wax All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert "61" Penetrating Sealer, buffed 1 coat Pratt (i Lambert "61" Filler'Sealer, sanded 2 coats Pratt & Lambert Paste Wax, buffed INTERIOR FLOORS--HEAVY DUTY FINISH Op e n a n d Cl o s e Gr a in Wo o d s Exhibit Rooms, Shops, Stores, etc. (74) Sealer, J^aturd or Color All (designate floor and location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert "61" Penetrating Sealer, buffed INTERIOR FLOORS--ENAMEL Wo o d a n d Co n c r e t e Engine Room Laundries Stair Halls Storage and File Rooms Locker Rooms Vaults * Supply Rooms (76) Gloss All floors of (designate kind and location) except (specify Exceptions, if any) shall be given: 2 coats Pratt & Lambert "61" Floor & Porch Enamel Co n c r e t e --Al k a l p Re s is t a n t Fin is h (77) Gloss--Al\di'Resistant All floors of (designate kind and location) except (specify exceptions, if any) shall be given: 2 coats Pratt 8? Lambert Alkatite Floor Finish n o t e: To insure adhesion, new concrete floors should be etched with a solution of 10% Hydrochloric Acid and then thoroughly rinsed with dear water and allowed to dry before applying Pratt Lambert Alkatite Floor Finish 125 0007-PTL-000210 SPECIFICATIONS FOR INDUSTRIAL BUILDINGS, WAREHOUSES, ETC. CContinued; MASTER SPECIF1' OTHER SURFACES--ENAMEL n u mb e r Me t a l (Al k a l p Re s is t a n t Fin is h ) (45) Gloss All (designate surface and location) shall be given: 1 coat Pratt & Lambert No. 25 Zinc Chromate Primer 2 coats Pratt & Lambert Alkatite Floor Finish (46) Co n c r e t e a n d Wo o d (Al k a l p Re s is t a n t Gloss All (designate surface and location) shall be given: *2 coats Pratt & Lambert Alkatite Floor Finish *For floors, see Specification No. 77 Fin is h ) INTERIOR TRIM--VARNISH Op e n Gr a in Wo o d s Board Rooms Conference Rooms, etc. General Offices Private Offices (47) Filler, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat pure white shellac 1 coat Pratt 8# Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt 6? Lambert "38" Pale Trim Varnish Gloss, (49) Filler, Stain, Varnish--Gloss, Satin or Dull ' Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat Pratt 6? Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt Lambert "38" Pale Trim Varnish Gloss, Satin or Dull n o t e: If the desired color can be obtained with filler alone, omit stain (51) Natural, Varnish--Satin or Dull--Open Pore All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Satin or Dull 132 0007-PTL-000217 SPECIFICATIONS FOR INDUSTRIAL BUILDINGS, WAREHOUSES. ETC. (Continued) MASTER SPECIFI' c at io n NUMBER EXTERIOR WORK--VARNISH Op e n Gr a in Wo o d s (14) Trim, Doors, etc__Filler, Stain, Varnish All wood (designate kind and location) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat Pratt & Lambert Oil Stain 3 coats Pratt ii Lambert "dr' Spar Varnish n o t e: If the desired color can be obtained with filler alone, omit stain Cl o s e Gr a in Wo o d s (15) Trim, Doors, etc.--^Natural, Varnish AM wood (designate kind and location) shall be given: 3 coats Pratt Lambert "61" Spar Varnish (16) Trim, Doors, etc.--Stain, Varnish All wood (designate kind and location) shall be given: 1 coat Pratt & Lambert Oil Stain 3 coats Pratt & Lambert "61" Spar Varnish EXTERIOR WORK--ENAMEL Wo o d a n d Me t a l (17) Trim, Doors, etc. All (designate surface and location) shall be given: 1 coat Pratt & Lambert Effecto Primer 2 coats Pratt & Lambert Effecto Enamel (18) Floors--Wood and Concrete All floors of (designate kind and location) shall be given: 2 coats Pratt 8? Lambert "61" Floor 6? Porch Enamel INTERIOR WORK--METAL St r u c t u r a l St e e l (12) Structured Iron and Steel, Cat Wal\s, Ladders, etc. All (designate surface and location) shall be given: 1 coat Pratt Lambert Noxide Red Lead Primer 2 coats Pratt 8 Lambert Noxide Metal Paint 127 0007-PTL-000212 SPECIFICATIONS FOR INDUSTRIAL BUILDINGS, WAREHOUSES, ETC. (Continued) MASTER SPECIFI' CATION NUMBER INTERIOR TRIM--VARNISH (Continued) Cl o s e Gr a in Wo o d s (Continued) (58) Stain, Varnish--Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt Lambert "38" Pale Trim Varnish Dull n o t e: To reduce the prominence of the grain in fir, cypress, yellow pine, etc., specify a coat of Pratt & Lambert Filtex (each gallon thinned with two quarts turpentine or mineral spirits) before stain coat, and omit shellac coat INTERIOR TRIM--LACQUER n o t e: For spray application Op e n Gr a in Wo o d s (59) Stain, Filler, Sealer, Lacquer--Gloss or Dull, Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Acid Stain 1 coat Pratt & Lambert Paste Filler 1 coat Pratt Lambert Vitraloid Lacquer Sealer ' 2 coats Pratt & Lambert Vitraloid Lacquer Clear Gloss or Dull, last coat rubbed n o t e: If the desired color can be obtained with filler alone, omit stain Cl o s e Gr a in Wo o d s (60) Stain, Sealer, Lacquer--Gloss or Dull, Rubbed All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Add Stain 1 coat Pratt & Lambert Vitraloid Lacquer Sealer 2 coats Pratt & Lambert Vitraloid Lacquer Clear Gloss or Dull, last coat rubbed 134 0007-PTL-000219 SPECIFICATIONS FOR INDUSTRIAL BUILDINGS, WAREHOUSES, ETC. (Continued) INTERIOR WALLS--WALL COATING ma s t e r Smo o t h , Sa n d -Fin is h e d Pl a s t e r a n d Ke e n e 's Ce me n t c at io n Cafeterias n u mber Corridors (19) Flat Offices, General Offices, Private Reception Rooms Rest Rooms, etc. All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Flowing Flat (22) Stippled--Eggshell or Flat All (designate surface) walls throughout (designate location) except (specify exceptions, if any) shall be given: 2 coats Pratt Lambert Lyt-all Double Duty Primer 1 coat Pratt & Lambert Lyt-all Stippling Eggshell or Stippling Flat, stippled Gy p s u m Bo a r d , As b e s t o s -Ce me n t , Wo o d Pu l p Bo a r d a n d Ot h e r Dr y Wa l l Co n s t r u c t io n (25) Flat All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall.be given: 1 coat Pratt & Lambert Vapex Wall Primer 1 coat Pratt 6? Lambert Lyt-all Double Duty Primer , 1 coat Pratt 5? Lambert Lyt-all-Flowing Flat n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt 6? Lambert Lyt-all Double Duty Primer (26) Satin All (designate surface) walls and ceilings throughout (designate loca tion) except (specify exceptions, if any) shall be given: 1 coat Pratt Lambert Vapex Wall Primer 2 coats Pratt & Lambert CeUu-Tone Satin n o t e: For two coat specification (where conditions permit) omit 1 coat Pratt y Lambert Cellu-Tone Satin 129 0007-PTL-000214 SPECIFICATIONS FOR INDUSTRIAL BUILDINGS, WAREHOUSES, ETC (Continued) MASTER INTERIOR FLOORS--VARNISH (SEALER METHOD) Board Rooms, Private Offices, etc. n u mb e r Op e n a n d Cl o s e Gr a in Wo o d s (65) Sealer, Natural or Color, Filler'Sealer, Varnish--Gloss, Satin or Dull AH (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt Lambert "61" Penetrating Sealer, buffed 1 coat Pratt & Lambert "61" Filler'Sealer, sanded 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss, Satin or Dull INTERIOR FLOORS--VARNISH (PASTE FILLER METHOD) Op e n Gr a in Wo o d s (67) Filler, Natural or Color, Varnish--Gloss, Satin or Dull All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt S' Lambert Paste Filler 2 coats Pratt & Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt S' Lambert "61" Floor Varnish Clear Gloss, Satin or Dull INTERIOR FLOORS--VARNISH Cl o s e Gr a in Wo o d s (69) Natural, Varnish--Gloss, Satin or Dull All (designate floor and location) except (specify exceptions, if any) shall be given: 2 coats Pratt S Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt & Lambert "61" Floor Varnish Clear Gloss, Satin or Dull (71) Stain, Varnish--Gloss, Satin or Dull All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt S Lambert Oil Stain 2 coats Pratt S Lambert "61" Floor Varnish Clear Gloss 1 coat Pratt S Lambert "61" Floor Varnish Clear Gloss, Satin or Dull 136 0007-PTL-000221 MASTER SPECIFICATIONS FOR INDUSTRIAL BUILDINGS, WAREHOUSES, ETC.(Continued) SPECIFI' CATION CANVAS COVERED PIPE NUMBER (39) All (designate surface and location) shall be given: 1 coat Pratt ii Lambert Vapex Wall Primer. Then finish same as adjoining wall or ceiling TRIM, DOORS, PARTITIONS, CABINETS, ETC.-- ENAMEL Wo o d a n d Me t a l (Fu me -Re s is t a n t Fin is h ) (40) Gloss or Eggshell--Four Coat ~Wor\ All (designate surface and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Interior Trim Primer 1 coat Pratt Lambert Vitralite Enamel Undercoating 1 coat Pratt & Lambert Vitralite Enamel Gloss 1 coat Pratt Lambert Vitrab'te Enamel Gloss or Eggshell (41) Gloss or Eggshell--Three Coat Wor\ All (designate surface and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Interior Trim Primer 1 coat Pratt & Lambert Vitralite Enamel Undercoating 1 coat Pratt 5? Lambert Vitralite Enamel Gloss or Eggshell RADIATORS, CONVECTORS AND ENCLOSURES-- ENAMEL (42) Eggshell All radiators, convectors and enclosures (designate location) shall be given: 1 coat Pratt & Lambert Interior Trim Primer 1 coat Pratt Lambert Vitrab'te Enamel Eggshell LOCKERS, FIRE DOORS, PIPE LINES, HAND RAILS, DUCTS AND OTHER SECONDARY SURFACES-- ENAMEL (43) Gloss All (designate surface and location) shall be given: 2 coats Pratt & Lambert Effecto Enamel n o t e: For pipe line color identification, see page 170 131 0007-PTL-000216 INTERIOR COLOR PLANS for Residences, Apartment Buildings, Hotels, Hospitals, Schools, Office Buildings, Factories, etc. The suggested color plans on the following pages have been carefully chosen to adequately meet present-day decorative requirements. Each color plan has been developed on a basic calibrated harmony using the Pratt ii Lambert Color Calibrator. Related colors have been used to lend variety and interest to the plans. From a technical standpoint each color plan has been analyzed as to the function and the light reflectance requirements of the particular area to be painted. Each complete plan is indicated by numerals 1, 2, 3 or 4 appearing in the second column. Plans indicated by the letters A, B, C, etc., can be used effectively with any of the numerically designated plans. While it is impossible to give any consideration to construction detail, illumination, exposure, or the already established color of such material as marble, finished metal fixtures, hardware, composition flooring, etc., these plans should prove helpful in developing an appropriate decorative theme. Res id en c es : Color plans have been designed to work well with exist ing styles of furniture, architecture, etc. Special attention has been given to the role of color relating to the dignity and tradition of formal periods, the straight lines of functionalism and the current lived-in look of informality. Ap a r t men t Bu il d in g s : Contemporary color plans have been estab lished to conform to popular appeal, and a more standardized approach has been incorporated to fill the color requirements of the tenant and superintendent. Ho t el s : Where constant turnover is an important factor, the varied moods of many guests have been considered. In these areas a more universal approach to color is essential; warm and cool colors are in balance and there is an integration of light and dark colors. Ho s pit al s : The attitude here is that calibrated color has an indirect therapeutic effect on the patient. Deep wall colors have been avoided and variety has been stressed in areas normally used by patients, visitors and staff. No precise mood has been set that might result in monotony or depression. 138 0007-PTL-000223 SPECIFICATIONS FOR INDUSTRIAL BUILDINGS, WAREHOUSES, ETC. (Continued) MASTER c at io n Op e n Gr a in Wo o d s (Continued) NUMBER (52) Stain, Varnish--Satin or Dull--Open Pore All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Satin or Dull Cl o s e Gr a in Wo o d s (53) ?<[aturd, Varnish--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt 8? Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull (55) Natural, Varnish--Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat pure white shellac 1 coat Pratt 6? Lambert "38" Pale Trim Varnish Dull (56) Stain, Vamisk--Gloss, Satin or Dull All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt 8? Lambert Oil Stain 1 coat pure white shellac 1 coat Pratt 8? Lambert "38" Pale Trim Varnish Gloss 1 coat Pratt & Lambert "38" Pale Trim Varnish Gloss, Satin or Dull n o t e: To reduce the prominence of die grain in fir, cypress, yellow pine, etc., specify a coat of Pratt & Lambert Filtex (each gallon thinned with two quarts turpentine or mineral spirits) before stain coat, and omit shellac coat 133 0007-PTL-000218 COLOR PLANS FOR RESIDENCES Topaz Fawn Gi Indian T Everglad Indian T Wedgwc Lime Yd Rose Buttercup Y Rose Melon Greei Wedgwood C .. >. 2 8 20,*-5 O M5 -R-tJi)_QCC *^ f!ert AJ-3h ^sS*CQgO (J *s8 u .y O-i o J^.CyJ ,, c*3-<tj.<yCd `'^ 11^1 ra*J3f WU WU iO> iU> cScScSm M.Sj* s j Gj GGj s CtocoQCStcoQ-SrOt m5tco ^O <U4_> +G*> 44->) -C >C-C^3 VVVV CCCC f ^o|3 ^oI3 _-jt5i **MCti TV3 TV3 C I >. 2 20 S IH I J! CQ 3 wa g srb Ja -laJa J0l5iiS^.13253 -c53o oz z h N eo ^ 2 Jj s .c3 a MCu rcfti Tgo3 h N to 8 I *{<*s.3* i-itSrt't M3 Jg3 4 3 CQ . E3 ft8*-21 wcSrt't A ^ A r*CQ < \ Front and Upper Hall Powder Room Living Room Dining Room Kitchen and Pantry 140 0007-PTL-000225 SPECIFICATIONS FOR INDUSTRIAL BUILDINGS, WAREHOUSES, ETC. (Continued) ma s t e r SPECIFI' c a t io n NUMBER in t e r io r t r im--p e n e t r a t in g f in is h Op e n a n d Cl o s e Gr a in Wo o d s (61) Natural or Stain--Penetrating Finish All (designate wood and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Okene Preservative, wiped dry n o t e: For stained effect, add not more than one quart Pratt & Lambert Oil Stain to each gallon Pratt & Lambert Okene Preservative INTERIOR TRIM AND FURNITURE--HEAVY DUTY Op e n Gr a in Wo o d s (62) Filler, Stain, Varnish--Gloss All (designate wood, furniture and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert Paste Filler 1 coat Pratt & Lambert Oil Stain 3 coats Pratt & Lambert Scholastic Finish n o t e: If the desired color can be obtained with filler alone, omit stain Cl o s e Gr a in Wo o d s r (63) N&ural, Varnish--Gloss All (designate wood, furniture and location) except (specify exceptions, if any) shall be given: 3 coats Pratt 6? Lambert Scholastic Finish (64) Stain, Varnish--Gloss All (designate wood, furniture and location) except (specify exceptions, if any) shall be given: / 1 coat Pratt & Lambert Oil Stain 3 coats Pratt 6? Lambert Scholastic Finish 135 0007-PTL-000220 COLOR PLANS FOR RESIDENCES ( Continued) s 4> c4) 4> 2s- g -ti E ~4> og i?J *3 Srf3 !>PQ!>3 u 8 o2 3 PA '*1 8c-2> *^>m3o0Sy0c>-52ue*<-45ug) com_i 4) 0 1 t4p! HIa 01o-1 f-w1 F-< 4) O 4J 3? I tatj CO llil cl3 ^=ss c5pQh4i-l oz zO<ut h MK)^ ,,fSabtjJ.SAftt)i, 4c- g^l S s-g SfSfS I Ig <D r><43 OA) E^ A) 8 A) OWOA) <L> 4t5) u `jtjj v;-S3 .t? >S jq 8 2 O cg "3O 42) Sg?< s<2 4> S i-iNM 1 *3 J4D> Cuo S i f fS s 8 Ircot TJ 1 (C4Li 4) -O <4 o s <na<S i *2 o* I 1: cS rt cCS 52H >* 32 50 co c S | < CO >rUtsi o CO *2 3 c4o-> ;n g 3 C -S4d-S> C.*d-O> w"j uV J*wQC* cl 6uw" -- ^ P< <lu copH o Z w O > 44-4>) 4w3 4.5 > gg ^ 88 && c | fi 3 .9 rt s pcoqmopcqoc^Qo 9-0M0`-rc3nt5-t)-C-4c^Os"-4> 4i 4> 3 3c U O 4> 2 g S I go >. UUd% -S*oOVit;)TO3 pJ y ij ofl UJ> oco !> m3w sO4OqS_'O4ngQ1 *Tfa4s1,l*3-SQSsoi .53 <k 8 8 |% O Es ge *.332 -rg2ct 1-3 PU a wg & ll 4cSJS 8Ogo 30 513 o2 2<-aj, i cs CO J-O>D. 8 3 4B>O 2 Drrt c8 3 142 0007-PTL-000227 SPECIFICATIONS FOR INDUSTRIAL BUILDINGS, WAREHOUSES, ETC. (Continued) MASTER SPECIFI CATION NUMBER INTERIOR FLOORS--WAX FINISH Op e n a n d Cl o s e Gr a in Wo o d s (73) Sealer, Natural or Color, Filler'Sealer, Wax All (designate floor and location) except (specify exceptions, if any) shall be given: 1 coat Pratt & Lambert "61" Penetrating Sealer, buffed 1 coat Pratt & Lambert "61" Ffller-Sealer, sanded 2 coats Pratt & Lambert Paste Wax, buffed INTERIOR FLOORS--HEAVY DUTY FINISH Op e n a n d Cl o s e Gr a in Wo o d s (74) Sealer, Natural or Color All (designate floor and location) except (specify exceptions, if any) shall be given: 2 coats Pratt Lambert "61" Penetrating Sealer, buffed INTERIOR FLOORS--ENAMEL Wo o d a n d Co n c r e t e (76) Gloss All floors of (designate kind and location) except (specify exceptions, if any) shall be given: < 2 coats Pratt 8? Lambert "61" Floor & Porch Enamel Co n c r e t e --Al k a l i-Re s is t a n t Fin is h (77) Gloss--Alkali-Resistant All floors of (designate kind and location) except (specify exceptions, if any) shall be given: 2 coats Pratt & Lambert Alkatite Floor, Finish n o t e: To insure adhesion, new concrete floors should be etched with a solution of 10% Hydrochloric Acid and then thoroughly rinsed with clear water and allowed to dry before applying Pratt & Lambert Alkatite Floor Finish 137 0007-PTL-000222 COLOR PLANS FOR APARTMENT BUILDINGS (Continued,) .g - J rt | W S -S EJ> ctf .4ds- >N d inCO co &> c .3 a ca<33 -o >*. S 8 23 < J> CO CQ | &o g <U 2 gj _q 5 j (vOj >-ESj ^3^ CO >> c5o <jg j pqi O <3 ~c>o .GS3 .P*Zsdh3 o J3 * ^S V V V o hJ 4-> 4J *-> 4-> u U3J3 -G -G uuuu ooG oGoGmoG >u/--Vi *4Jj +44> -fut) J3 -C -G G(It 1 U 4) U *c30o m0G m0G m0G s U 4) 4) U OG O oG oC mc^nm &> *C 443) * ! **-OG>* <3HD mOC mGO mOG mOG u u 4wJ -G -G -13 mWco mWoc mWocm,,rt oQ D J 4 3w I wQto s. G TO3 O5* gg Iso *S0o*1*a) GQ JJ 5 .3 o' O2 2< ^-t <S m t}- Eu H Zw ,,g j*J g( CH 3f 3 4) 3 4) m _3 m t3OO &_ OO 4W *0 4> N eo ^ tJ EP S I T3 i2S a a CO P$ *m4o) 144 S J2$.2 2 P" e3^ G i'S i'i G4> S' o a 1a*^o GJ5 2 8o- s. g* O 8G& n k Ua wN rt ^ ga I 8 2 a*s f&8c2:D *4 tfj 13 0007-PTL-000229 Of f ic e s a n d Co mme r c ia l Bu il d in g s : It is the function of color in these areas to help occupants see well without fatigue and to work in comfort in pleasant surroundings. Therefore, colors with adequate light reflectance and general desirability were selected. Sc h o o l s : Here color has been analyzed as to light reflectance and heightened visibility to cover the needs of both students and teachers. Accent colors are "sprinkled" throughout the plans to act as mild stimulants and to promote adequate color change. Fac t o r ies : In industry, the psychological aspects of color have been incorporated to promote efficiency, lower accident rates and increase pro duction. Improvements in lighting and fenestration have permitted the occasional use of colors with lower light'reflectance on walls, machines and floors. Colors and woodstain effects are identified by their respective names. Some colors are shown lightened in value and lowered in chroma (grayed) by the addition of Platinum, but it should be noted that certain colors, such as Cocoa Brown, Puritan Gray and Lime Yellow are lightened in value by adding White instead of Platinum. Dadoes may be included or omitted as may be necessary to comply with detail as shown on plans. Should panels be required showing any specific color or woodstain effect, they may be secured on request from any Architectural Service Department of the Company. (See page 9). 139 0007-PTL-000224 Platinum Melon Green Platinum Platinum Melon Green Platinum Regency Blue Fern Green Caribbean Blue COLOR PLANS FOR APARTMENT BUILDINGS (Continued) sH2 .a C4O-> -aCO .s nt |} CO 2 b'O o ?.> .s rt c 1 c 4) CO 8& ftlt.2fSf3i 53*C>O . >> w rOt Oo .S'O JC 2 C/3 4Ik> o Ik *C3O a.1 % o < w CO PQ .Ig^J5O2H,5 -3C/5 glv p q c o .5 $5* % 2 o ~;h rt 4) ft) ft) T33 .E5 So SQ C/3 1--3 PQ pi c I PQ % O asw &> U 4J O5 PQ 32 2; la 4) 4) SO O PQ pq C H --J w 3 O Ji r. | s-i T3 -g o J2 l< .Sas CO 2 ^a go 1 ^ fcrt |i u 44->> 4> * 44J) 44-> &&&& V <J V V GGGG m m c f b -2ts -2ts -2ts j*a8 .b1p I 8 S 8 2 0 0 0 _> p q p q m -g s 1 qo S 8 V 92 3o 3C(o4 ^tc0l CUa2>1e0(J coPQ<PQ I .a5j J tN C 2i O e .fl C 3 Ph 0r3f O8o T>5 35'S<y Prti O rt c T3 C C " o trjt) dk 8 f_t$p}. ftrt Pi O -- Jg g> C/3 _,Ig3 W&s CQS0s^ o2 <j2 <S rt Ok H N rt t Nnt S -qS3 % -OUi >v *T33 C4/-D> |- jh ed o 3* *3 A* 146 & I 5.2 '3gr3i32-rcUSj<JocU2p<J4U5 | *4a*) i--SJ N CO 'J' 1 2 I I 8n 4-> pH iS c8 Platinum Melon Green Platinum 2 3 4 and Stairway 0007-PTL-000231 cc ft) ci rd *2 5 |o2 >C >-2 8 do O c Sk s o - rt i-5 |.3Ji jS|**"s! JS'Sj ssJ'S ^q <c o <U CO yC OG > s*-scSS*. ss21 Sj5 B8.'SI*Oo "Sj 51/> _ rn OC- sH*r-. ---5Cu3 3 paQ<pa >c 5O> fftt)) >rbt go-|" *SJ*i hSS43 #y<-M< '^S*2 PfOha <y 55* c y e*g g w y *o o C k UTI pfal<2; u O3 <o 3 .g +-> S g^ 4> U 41 U 4) U u 4) 4) ^ M 6 6 -y y y y y y y y y .y .y .y o ~~rC-G >>*& 03^3^3- -C-C-CwC .C r * y y ^t^iS I ^-3^^ O) w w .y jd .y y U3 C J3 J3 s> C 3 o "Oo && ^ ^ SSoOC <3 111 | III |||S I St'S 8 p^^pwSpoapOa p0a 0pa0m4o2* pOqpOacOQpOa pOa-UJpSQOpOa uS ) 4J oC -ert C Co paO papa W T3 o 6^2 CO W o Tf^t3) CL) z w Q 55 w oQ 2 n2 20 Pi O c a 'n 2 &3 P^(X| %P 2>2 Jv3 UoS 4) sP .8 8 8 J3 ni -C _C o co i _ 1J s aw CO oco t) 8 O <55 -Hptnt HNcflt --< (S CO TJ- HNrtt w N fiU --1 C-J <*> T(- <fu<itf 9 I'M iS rt P3i 2 PJi~o TJ Z CfQt) a g<S Pi 2^ S JPi"o! 'S55 PQ 6 o 3 J5 p6aJ oso --< ^ " 8* pa 141 Buttercup Yell( Rose Melon Green Platinum Melon Green Rose Topas Sudan Ivory Aspen Indian Turquoi Buttercup Yellt Burgundy Empire Green Fern Green Wedgwood Bit Melon Green Lime Yellow Melon Green Cocoa Brown Puritan Gray Empire Green Puritan Gray Wedgwood Bit Melon Green 0007-PTL-000226 22 t- .4cs-c>l C/D 4-> S Si sS. 3 O 3 c/D ,G -ZD Cl > G Q ,,3 eu IS o Er rt .S W Vi c JS P o "> S ^ 3 ^ < Oi **Crut< *q CO 4> -v-> 3 c5 C/D s 4> *3 Id-GCO <S <v> u CO o G Cl ) 3Of" >V Si o h I | VJ CO 3 c3 .2 3 -C ^ *3 3g `r? rt 3cOh SO33 *4G3L> Uc,rco CGJ S5 Si r"1 O CO c -- - iTg3 4xC^O G CD CD sESs <o *5 -5 u G *i a o A<*2 JPSh PoQ ^4w-> w 4w-> D U U UO g c ac m0 <S (S cS . -G -G (U Cl ) _as aS CG OO Oh CL, PQ PQ u4H) u4> u A4) 4) **- >H -G -C _C _G c0-c00c 0c PQ PQ PQ PQ H4->) V4-)* _-C*DJ 4t-J) 05 iS M iS O| OI 1CD oI PQ pq PQ PQ 6> 4) 3 1 s .! 3 Gas _4Q> g ^ * 6 g .3 0*0 {,^r4t >--e< P.35Q ! CkO d) sCO ja O' s P"Q' S_Hg a &U> Gu G _<3 G VO . 8 SP-|3 pp; pcj >5 ^ J| *3 Is wJ v f _G 3 4) "*Oo .SS -t{ S _j ^ Oh & 5 *- 8 S-4>^ 3 >< S i 8-8 rt rt c p Oh Oh --1 pin o S3 E*& S,,i o O ah > 3 4^-> Srt crK 3uG 23^*32'^n *r3t Q 25 co pi* 4> S3 rjy ^ III o G>* 4> .2 4) J'i-s CO oi >S h -i H N <) t rt P) 4 Tf H rl C4 H cl CC) -t <oo CO ggl I |q O % top > S 'S Soo S ^ Pd Q M o CO ,,.s s ^rt *e_o E4f)i SCO *s |M 0d co l R'S -9 S S* w CO g>8 O4S>c a9Q& 4> ^ C/D 148 0007-PTL-000233 r^ts2H * s* T- b-ti s 8*$ - <Qwm .^.S O C CJ3-P r>tN `3 H Q S C_O Srt 41>- -SG 'S'S.E rt <^ioS .4r3->t tj*b J*.S2 rg? a2^43r3HCJt < m CO Oh 'i *> c >->2N ^g 2l=0 2W5 &3 S S < CO CO J w fe si *w3 3ci-ri>'fHt> >^Hc g= Hg CcoQe^)g2PQ3CJL. 'Ss +$52> O <3 CO 0 Z 9 55 S' wo g|il 8 rt.S.S sa -pH jg CSh OOh Oh 4) Jw5-H 4> * * ^G 4> < j4C*>P4 '24> 4> -H3 4) jC>{ 4> w HC 6GW>- tUG-iW6G>UUG* CGfcJ* tGW) GtV* CGMJ c2 c m c cc8c2c 4> 4> 4> 4) -C j C -C U3 & GGGC m c c dl WW^ W J3Z2 j s SI POQ CoO CoO C5O 4> 4) ^ 4> 3 -ti o .a .C.G 33 -G CoOCQCo4S0C)'JDW5C4OQG) HH 4CO> 11 0 1 *4o> 8pu r^2b bS 4) 4) .c3o.c3o cc rt rt 80 4> J o 1*1 c >x D -2 -SHS 8 f s I & JG JG JWrQtl J*rG4t oS. a|o Id i||3I^| os3t2S oawfi PQh Qi-JPh J4 Ico S' B3 a o 09 -M a*S | S' Ia If?' I a i J.s| o4 g.S o Ph OKcQ a.a s h -IOKPh J*SJ Oh c Oh J ^ xK J lO? 4> ) S W *'D4TOwsNO) k,25t&^H>PSspwQ? ^i 32,^ftQt 3 SH 3 I 4> rt * 33 S 3^3 3 c4cg)<^ J.i;cof 3 oz 8 <z <-> p< <>'t N rt ^ h N rt't h ^ to ^ w N rt ^ *"i N rt I |si <33 _o<Q3 I __m _i5 s a 6 *2 gCO J fana and Ad 8 cg oCO *SPTO4 .s oo s THO so w a & wwMB< ?8 Soi S W) <^H .S>3 BA C a*o'J 8<S ^S crtj 'SS2 o 12 iiQ mK PQ 2 143 Q007-PTL-000228 O rt OOlS 4> G.3 i.e 8 S cs CIS |w CO g dd& i|Gh2> g |.g cS ^P Cc3 rt .? O ^ rt^y3 2 ^ o G g S."^ 5 CO JG <66& <>s-O3w*h <<2J Wc .Sir-3t ^ CO J PS h Ph Ah g ^3 -n OG .m2 cQo. cq *o o o *,4T>3 3 ff <U wy rt $> -j h -G J2 a, O CQ co > 6 4J . 4.t4)t-s) __t<_>-_>__$4~_>>__44_-)_>__f4t_)3 s5=S ,g .C U3 U3X3*CC v5S^2 Ouc oOc <cOu ecOj &cQj coj , i--1 O CPCQ CQCQ CP PQ P-4 44->) -iUy J3 JG oC Uco 4co) CQ CQ CQ &=> T^>.s T3 CQ w <2 i* 31 .s &> 5*3 gScJoS i fl *gc S Sd. c Ah 50 s T-g3--Sg>aS j sj* J< j *PTh3 Gg o Ja *A h o jjrS g g:9 ^ jj E 5 !> c p 6o c q *P ergt ja:2 _ O) *2 g| o< is g OJ Stftf g sI &s g co O O 6> D . c J2 c CQ & JW 4g1 8H g 60 sSH'Sg Oh 3 a* J| 3oIo|IisSoSS ^ bO 5 8 e 3 S3j S3' OH ca O ,g 4j *o 2 G o 2 <2 CS CO Tf N cfl ^ HNcCHf rH (S C) -t --I tS c*l hJ- si <Hc< > G to B IJ *3 1 s & 8 ffS rt 4> O -2;p JPh -dS ig8 o-O 6 eg 150 0007-PTL-000235 Silver Gray Stain Platinum Bone White Bone White COLOR PLANS FOR APARTMENT BUILDINGS ( Continued) .C aS.sg|s Sj3.C Jt "O > *3 <3 CO CO Pk c e-lrSct* c 2 S' iocB E3 Si C 5 *ug.g> i3 <lScSS 4) G .2 2 8 * .5a O r12t .223 O (J -<SJ4^C! --Oi-.4 Si Soq a > E*~ Cl 3 pq ^SH HrCt 5*2 * to.c Sl - sS 44_J> 44_J> y ,uS M oC Go Co oG pq m eq m +&$> .-Uu> 6) &J BOG OC OG OC so 2 t) U U 4) tJ .*3 .*3 -*3 -C -G -C _C T3 S -G cGa V CJ 4$->> t) G .G *jG -C 4J 4> &> 4) PGOQCOGQCGOQ mGO c ;s rt W W 4> U poCqpoGqpCoqpoCq 4&->>&U>>4&->)&4J) C C-l3<) 4ClJ) *C UG 4G) 4G) 4G) 4G> 4G) CoQCoQcoqpoq PoQ CoQ >o2 08 1 rtot J 4) < e .3 s s|| 9 * *Oj3,* 0rt5gUS*SJ ^cot-jO o2 2< '--< CS CO '<*- si CJ CO Tf" I <S CO Tt* <S EP >3 ICO 5| so" SuD .cs 33 c4q> pwaq HC^eOTt --< c< co 'C <-i N tn 4 8 2W g_ soo Pi X ?5HPaicW59itifr) <| Eo wtGCo* CO i-q P 145 Indian Turquoise Delft Blue 00Q7-PTL-000230 Fawn Gray Lime Yellow Dusty Green White Bone White Bone White Fawn Gray COLOR PLANS FOR HOSPITALS AN D INSTITUTIONS ( Continued) Aa) m S9HSS T3 O O 4> S -o- - T-3 o g3 S3 d rt S 4> 4> 3 PQ 4> ^ ^>n 3oCT rCt JJ433> c3 0 5H s2c ^4c5*0.d3 u PQ cB >5 44 o PQ S o o-c cj 4-> 4> 4> 4) 44 tJ .tt -tJ . -d jfld -d jd jd U3 44 U T3 4) PQ C fG m ^ cq cq od o o o PQ PQ PQ fQ C! m Bone W hite Lime Yellow Dusty Green 4 0& 43> PQ o <o i J| JVSS, -?fot PQ co PQ S<: N eO si <c<d i s I CO a8A. *73 u ICO CO I Jfl *o < I gGtrO 2$a4, ISO h N rt ^ of *Srse n "73 *--< o 2 rt 111 --t tS e<4 'f 11 8 ij j 1--I M <4 t aoS u3 O-i 152 0007-PTL-000237 8 fct) s K O a3 3 3 <2y -S og o^ ~=ta3 co 0 ZI--I 2.s s w I < 4 IPQ CO I Q 2 J3 1 a trot Ou *3 0 V B a to 1 =3 rat "Os PL, I O2 8< *044 ft> 2 to a w 3 CsO | 8 >> &> *-t ^3 Ci ns |>3p >3 cft) Si I 0 pq 363 Tf3t) a J3 Cd 1 "H >-3 H PQi-3 4) 6> &> &) 4- >* <*W- *4 *->< fi J3-CJ3 c 3 8 o I 3a -o a 3 ft) Jg(4 Qo ft) *3 .5*3.3 .S i--3 E"* PQ )--3 3t ' KI o >. s a k. l|s& QcoO HNfOi* 4> ap rt o rt CO I H ! | CO JC ft) g j CsO -CCg t3> 8Q <J fXi PQ O c ceft C*Oj S> C * P a g g>s -4-> P co g s < --Oah.' P 3LQJ UOO CO ^o o H S w ft) s* ^ 9 I s^-gja 44J> i43) 4> 4OJ G G wG ^G*W M ** * *H c > > &8C ^iS 3Q ft) ft) eft ft) s c^ a pQq p ja pfcoqt>pocQ)PcoQ) cc&oq) fct>t Oj .tCf, fct) pS^pSpS to &> UW) o o 3 S 4J ^ 2 PQ a g. 2 c >>? 8 S ^3 ?r`ffi ; PCS.COOJPrQt ja g a 8c C8El ,.c^t_N8H23*A1P I w 5fQrt f3'"i4S_HU8O I &s 8 eft 3.3 Q oSo Jaf3t)> o^r*ue'*Pe--ftI PQ PQ CO 1 _d<% M a 8 MoJH to |C gN &g Efb s ap| ^1?, o> I S rt ft) JJ 3 3 .eCft ^C .-etf!t cfft I- a PSJQHhft 22 3 S-S-g PL, d, ^ CO *3o sft) <P*^o U oz <ezJ. rtNmft- fot)o % u -g< 5? >3|J 5Xq8 'Jg *3 --i N eft ft- 3o to >rtvsG{O 2 O eft Li 111 d --icSeOft- to 3 s w 147 0007-PTL-000232 3 0 H3 1 a CO O2 Wo 1 2l--I Q 5. to i J oi I |0X| to CO *5&3 _P Sm c|l-i 3 Si* .^t6s3> .j&gC) *.4eZ) *.G&2> i) AS) ^ JcUzlS tj G53CaCaaC JsrSAaC) afAi) CA> mfSrnm ^tmm *4? X CO Ms ^*5 >*( := 4f4f S i III!rt Vo* (oJ Wrt a, SOS -C-C JSJCS Iccc m m<<3 '`5 8 1 111 t Sr ` Si j*G &**>J&3)&".^*C>+ &*J^ft>3-4 fsat) efat) e4a1 sfat) nnln A.G)> _C4A34)_G4A5*) ..*A*33X)j C^O3**j5AS3#>PA43) A) fact) fact) fcat) fcat) fcat) fcat) fcat) fcat) m m m m mfStSeB 1 O I 2< si --t <S rO Tj- rnNcO^- *- tS > Tj- S 3 ! .s *i :> a .41 <3 I ,J R QC i* w g Pi IIS 4> " o 154 0007-PTL-000239 Paint dadoes and floors same color as trim .csd CO *C-l) c r: ^rt rWi Q.SS, coO 2G 4ts>s PocQPSUX*?cdd*oq 3w3 & *o S 38 S.S 3 ^ Cf Q <u & so 2-H J3 I et6c)oc'Tceg?od jsbc nV.. E3 CJ *c3 3Tt3o 1 S 3 6 o 3>j .Vtc tOJ .fttJ) -ftts) ~f3J3 JSU3 WCl JO io oC oC Co s pq pq c q pq 2 -_<oQu 8 bco e ;S 35 u !> o 40H &.,) 4W0 40H j s a j sj s 2 js trtT c8 8 I ftt)i >C\-6y) ,4t)i -G P-C.fi s-o c 8 3c PQ co tS s ccdc Q 2 < 2u 4) CL-O) Srtot 1 t) U U (I *Tft3) c ^PQ ? PQ G P ^Sp q bstjp 5ai gOo c*VQ PC* g I I ICO 2 5 a* ctf 3 Qu i PQ CO _fQt) Q OoO 8 b2l-Sbo Ho .'g a Tf3t) P4c5Q> PgcQd.fcSgq4cJu aoo o PnQJ <y PQ Ef T3 3O 51 IS .52 o i5* ~g Kr Q I 8 s wcuOK -h (S ro *-1 o .23 S I b E* .3 o 3 ^3 2 w is .jj J I"c CO p4 2 --i <S r*5 tl" -t si w <B5 c? 'S4 8 53 I cd a * C8 PL* C rt ^g2 H< <cod#* j^yd <<L> 51 ,, o 1 p i| _ **CO *> H> .S>|^ *. l-i '*}& O g CO pH |S 2 ^3 w bp to 2_ 6 S'! 8 CO rtJg l3 149 0007-PTL-000234 u 2 535 83 -Q ns nrt 3 -4S-3 o s 6 ft) GO H-1 H o3 z 2 3 o .J3u2 1 '3cd o ft) 3 g as O8 >dB to -a QO M s a 4 8C 53 OH *>cuo>* 5ci 3^ to4 o tfot) cft) .2 g 2SiS << 3 E* 4C) o* a3 OH a o a mc Sit'isi i nOQO 3 ft) 8 >a4 cta Q 2 ^4C0H55 0> *4 *4jvw354 gW. gW gfcM cS fS c8 E* = H c -*--c3S1 *+U3* *4&*S5 =* c tStS 2 IS a -3t-> M C aCO u0 % w Qs3 Z I PQ <2 <u ICO t-J -Q nrt u Jj OAgft) sC34) to D q u 6 M -G ft) 3 PQ l ft) Q O 8 1rcot I CO Sa Jj g! CQ 9C--O Q 10 -Q&> "3 I rtu M o g j* 23 OH >4 C "J QJ3. $} 1o*0 8&g 2 oz z< 0. uI <Q <PQO < <PQ bD li CO S 1 s (S5 >o4"^ g *3 aCO .s a 3 oW Io * <2 f OH SoTEPi'oS ,Sg 9 WS&.h<j S I 1 jpri *2 aS B _2Oo QJ w c2 156 0007-PTL-000241 d ba es e 8 H |o CO CO S a H3 JSS*^3 -3g 8u 1 <* ^ co PM +- s: a o cO 5 w o y w Sd w .T3i 03 . TB5 ***> 03 03 0<*3h3 --< 5 www gg g g H cS m m H CO Qo 25 I <Q CO g Sr* co j 3 sa apsi I 8 | b S 8 Me cgo 98 So CO Jp s c s k 25 5 0'S | S P^c8q PM o Z Dh 3 z< H (S C<) 8 s! w 3 b oc ? cd i--i w Gx u 3 ijjCS ps _o --* > c8u o be c 8 -a tto) 2 &J 9 O >5 3 0 pc5 sfleofo 2 SS 1*0 c 8 03 io S->b o s d O O 22 O^G PQ tx)n bl Op c a J *Tc3i ^<d5 ~C U O V t) '+> u CO *p 4 .2 3 w <Oc'8 Oco Caol _uao PQ PQ PQ 333 3 66 1 *2 j u PQ ju >< Iou H ou< w d 5) w 4) * ? **5 o: 03 03 H -= .8 S b ST'S Is2f bod !$&p <-S rSt .S3 J^3p "<gIs? <L) CO (2 C *2 ih J4S> i"g3re ov24 o 5 3 -fi Sfltso M |g it is OQ^Q c* cn *--4 N C"0 ^ cO TJ d ^ &2-o ii-sllg-sI e <8Es Od S g o Ph -j US-*C2> I5=JS .Sc w *--$&& o& 3 PQ t T3 g j: 8 ia 'asS'JSl PM eO PQ P> o M rt t(- T3 < Mo<s General Office Toilets Examination Rooms Semi-Private Bed Rooms an Wards, Worn Semi-Private BedRooms an Wards, Men 151 0007-PTL-000236 Butternut Stainaccent color Windsor Blue Bone White* W 5*. >2 ^ b u C^ u Cy ,*j Crt w GO C *0 CQ8 fj O3h C3O wto o cr b 3.2 o C C?* C O rt rt *3 ^5 S *2 %13S Crt 53 Stuo cu *2g 3u 5gtS| x2 S3 t u Ocw2gGa^Seor8ct la 3wx gg3ssr, 3S <* .1 4-> a 632O d) y 3to wo -c-c .S <D &> fe >> 6) fe 4> -pHCJ3^ P J.SaJ>.' t3i! ;----- w dO Sw IMI~ OG GOjG2*03 PQPQOto O J Grt 1111 uuuy Co c2Co h.G54 pGoq ft) v -G J3 8 JG I to w^3<kl_3 idGKgA9) cO . w 4P> w ? S o o oaoa 0 m ftf c j r t<S jS j? *s a5 f-H f-H [--I {-H CO SI BI ceS" as la &> S p 2 I *" co 10$ ^2'H22.-^ 8f ST*Oh S $ CO Oh >-- WQw ^jrjt ~p23*or3t 05 Oh U CO fig- _ 93a O 2 G^ c S.2 2 J Oh *51-4 CO CQ g S3 8 piQ l^ i^ o bg S'? Qco %* j 0 g go .' -. oc a 2 p o z iHNcO^t 3tu AREA 1 pS <2 Is I O Pi co *G b J8 M 't <CQ 6 t> 8 aft. ^-co a/ . ^ TeOd go III1 *| |leg G 2'O'g s|w5 s8- It* * cs 158 Three Walls, Rose; --front wall, Melon Green 0007-PTL-000243 Bone White Bone White Empire Green Regency Blue Tile, StainlessSteel White Bone W hite Bone White Bone White Tile, Yellow Bone White Bone White 4> J C-3 rs -2 g fflpeSi tMsO Oo wrt 3CO oSOOQ 4> 3 4) >g. ags-3 r K CtJ ^ OO g B'r*gi O 43 1 8 S SP (SftUpd . rs*-t> B%c g2^-N^Cw. ^<*3> W r JS m-c s rt J g < PQ ft PL, K. C rJht 2 O 2 So o c rttr|t P'2cS3kOfeg5cPOUgret w&St-> 33 g4> g4)4g} g4) g4) g4) g4) 3 _c 1c IS JSjsJS^S *> 4) *g 4> 4) C0->C CO GO p q t> p q p q 4)4>4)4) COOC OC OC pQpqpppq 4) 3 4> 4) >v g 8^~ "4) 4g) 4S)TrJt eWdmO O3 pq c o 4J &> <L> &) O IS 12 .4-> .*3 4cO) c4O) O4c) O4c) Oa4) CQ PQPQPQPS ts S' c> 0 cc PIrt 1 A S' j S'So 0 SOO 4) c 1 is ft pcgrLt ,Hcgrt,-pfaGeq. S'4a) r2t' G 1 4 .t<oD 1 ^3 fc> 3 *2oo CQ Iw-=> ^Ct 3PHiJ"*0ib d O 3-2 o o O s1 s-ef ig.S.So r* >>* CW cG 2.I= f_^5t.1Sr^is2t25--CSJr3O3t rCOt o G rt CO g^i rtot S rt o HD S^-S^ 4) G PQi CO G 1 rt Pl , & 0 G *3 r>j S 4e1 uco d3,prrL*t ,g_*?4f3t --I c$ cO Tf --IMM^ rt (S rt M- -< r) rt + G <rt < Ort JH4E jl cIo CO 1 s2 T43) PQ -wa CO G i 4) P4 rt O o & Ji3S >3 153 Dusty Green Bone White Melon Green Wedgwood Blue 1 2 3 4 Kitchen 0007-PTL-000238 Empire Green Driftwood Stain Puritan Gray Bone White Bone White Bone White Buttercup Yellow Puritan Gray Wedgwood Blue Empire Green COLOR PLANS FOR SCHOOLS A N D COLLEGES ('Continued; cl C , 8 t: dw> >v o %o>, !X 5 S c to 3 -- 42 c ^2 !> o C- ^ g gc cq J- 3 <3 Qcxi^co CkP-iPP o S o o u &) <D O CUJ ac0) wc0 c0-0wc mfQ m pq e> po_GoaJp*SL--3, cotCoq -s>-GE>ti <y CO Jj 8 i 0 c-Goso 3 1 8 6p ^6o^o .s "s. S J i f-Jf 1 p^Q waS 1 1-o3 % ato G $ oo* >wo* I I OgO go *.- J^ S- c g s k ^. q3ets'2w-'cO?o 3w wQ3f>^ E $ V m zO <z*C4k -H tS * tf N CO ^ i 1 W % T3 5P S-s |Q 1 a0to)4 a o rt Cw JS aSSb`3crt "&u C4O5 ^(2 2 CoO o 2 C4r-C>t C*^dr/pDt 9co O --t 2H gw -Oau o go S|c g->3 | CO ppScoQ w Hi SO .4 <t--I 2oa U JdS>* -Oti t~)5 Ig *c m'Jc d> a w &GO> aOC>fGOt)fOCt) GdO) 5 Q pQCQ PQ PQ a 0 ss S* WW < * oO fsll 8 vr! ft) W i h-H ^ WPS W Pi 6 8 j i 8Ph w Q & C fi C oS %^31c*22o WS`s oe o% PQ o sZ 1 <Z s! Nflt O <3 % 3roatW<12G53 s CO 3 a 3 160 Platinum Dusty Green 2 3 4 in Lobby 0007-PTL-000245 I COLOR PLANS FOR HOSPITALS AND INSTITUTIONS (Continued) s t2- .S'gJ.e `Ja& 5 -S fS5t, Tf&Jt) f^c5St)cf oj5-i mnKPH 3 C g*'I t2o0cgumc Sfl??E2fff(fSuj! &) 3 2 rcC5i fCftt)) C?P -a^c* Ctl ein <2<3i2 g s Sc.TC5SJ-ooo g 5 ^ wcC-*,fntJ> 3S# tj CO o .of32t) 2MS 23" 2* ,c . ft) c-*o-> S*|-g ua ft) rt <2*s I gig pq -S m c cSmO 33 jC4> ^44SS5) ^`gOS.SWg &> &) u) CGCC jScgpScg a aa.-a6) ft) ft) ft) _C.G -C -G gggg pgpgpQpg 15 3 2t) 3V 4S)=r-tGae)o4co) h JOPQCQ J.fCta) -mc `*fCGt3),`jfCGst),^Ofct) -aGMs coco CPO .1 to .Gg pI* '3 -.-6Sa) 3a-* ^ crt ^ff-t4) eG ft ji PQ A A -fgat) Jaf-ts) I.*gft)* ) &) a) GGG paq psq & g 1 3;*) A64 ^ |s c eI s g o j s a c? gsS: lsaa.OtixlJ J) 6) 3 PQ PQ Jj *P3Q s ft) l 3 u*5 --'CQ8 6 U *T3 CO A1 P i g*sJ* wQ Og ppj 3 ^'^ft? " ca gJ* 0*3 o ,2 CO psj >-) o 2 >2<04. CO ft) 5*. J2 g 3S H< frO *J3 g| fgi?J3 I a* rf*t, GrStP S ^23 N -t f3t, B o * g3"*,J4=|) wNcO't *8 g a g*2* ? a.s o*2 PQ >5 ^ CQ .8 f3t) ll3^i5l ^G ^1, Vc;.g03 15 >'-4^C CQ < CQO 'E 2 ?I psi E 1 .4c8 AI< Wc) II .81 a -i 1 E I P*S ! &) o ft) 2 E 3 eg *3 3 Qz2 155 0007-PTL-000240 Caribbean Blue Wedgwood Blue Melon Green Bone White Bone White Bone White Caribbean Blue Regency Blue Melon Green S g .5 c S?I"3 5 (3 *C0l > f*J *s & -s "<8 fr-o s-. o W4Wg> o -fot) a* co c _oa a am0 u *a fgt> O 2*0 2 O *n g _co 3 CO 90 h-H oz jJ3 4 -^>&''>*&*4*'hJ>*&4s>5>*<>hP u *T3 *43 *J3 -S g i-9 < tso) eUg eccotq)qsnuo Q w _T3 CS 3U cu Hs 1 "o "0 |2H2 Q ^ I* I) I* S ft) E do w^n < w o 6E O cd I ao I.. &! 0gc^ 2 GO "OS3 CO *4O) -5 & *cP0s cO agft) Zo 2 a. 2< -1 N ) "t cu 2 8n m 1* fgt) CcOu o ft) ft) 4) -C j G -C aP <u ft) ft) -S m pgp pq p*u, Jj J fr o iiii If8-8 O'QpSS HN rtt *2 a S-2 8J aC Q .ft> 8 8 Op s J g^ O gffVtt4)) >S.' ffGtt)) O>c8oiaw.TOfaat,), O2 c> u%* O-afat). w --CtftJ) ..tffJti) -.Gftti) J-|S5e ^<cou ^foct) ^aoc) Ph PQ PP PQ JZ a PSo8c aft> *So2 w a, s a, 2.g WS tGI W S c &) 2'3 3 "18 S t*8 ri-t. fCt>ro- I o c E CO Q vu to '4(-O> 4t-9j *-G -G j|3 vG 1^ oS C8oQ ^C12u o8 36) PQ *^f*-rEPrfrQt): -- O &| | ^EoE G I ft)CQ E ^8 u oSh HG53k 3 ? ft> c"oqr ft> _Q 'C 6 ftT -2 9& cw 1--*23 c->o> %6 ErtfQi3t .S E'S II ft) Q -3 ft) 3s aj 2 S^3 42 i M <rJt J3 *r? --< c) co yf 43 I rft o '* 03 Boo TJ.^ <Gctoud *"tSC35O S3 PCOi -H *fi* U4 fKl CO d" 162 Indian Turquoise Wedgwood Blue Melon Green 0007-PTL-000247 IndianTurquoise Melon Green IndianTurquoise Bone White Bone White Bone White Indian Turquoise Indian Turquoise oHS .PaQ c rt ^ .esj-g rt uCQ O J S 8^5 <OOQ C/D w &0w 8 0ggWu ^ g 2 j 3 IS U Q 2 c O Uc c4) Oc GSPQOPQOPQO < co COJ h-J O 4) C.2 'I o53 8' e- O 8-g < g CO r9<t QC oo ;a3 S o ^ $ WOO 4 cO 2 J < s! o j I WQ a &jd I T--rc3t a3>-->'>0g s gjj _55 T33 -5C2 OSwO o o O <& >h (S eO -t si W 83 crt t 49-> | wr .rst '!rt C4rS/-3>t ^3 (3j PrGQt O r*C9cq ! G PociQ-al 8rv .G C-3Ou ToO3 Jj <oOQ t4S) -4t>i -4tJ> -G-G-G ~ PwcoQCc0oQPc0oQJCs.25l , 4> .P3Q ti <2 ap 2 *.* Slj3 aaal -M ?D a s rtj*Ty3 6sC3 '"d} 633 r? "3 JS 'IS OjpTMl ,c5o J2 ph 'O S| 2 ns *1o3 a g g geo u C4dc/-3H < 9.--rOOtoc2co\r'PU1owGr8uQt C4SnOJ3 *ooo J Q U >s u -Sgl S 0 S 0 j 1S5 e*8 op c o CU PQ C/3 PQ .8 d o 4> 3 PQ T3 ISS-.5232 *o H6 t3SRo>p> -H N to 't 8 ta a o 52 .8.8 Or9 .9*3 & 3Cl) .^2 c<<ULi>>i o 4G>t-o>> Za3pC3j sIDfOOe *^OO3 'O<U cTct3i Q5 a 4> 8 0 fUs 03 3 Q O3 ,OS 4O2 -&J5) ^2 ~S Zc 4oa> 4co) 4co) 6co) PQ WPQPQ .g la PQ Indian Turquoise Melon Green .*8H SpJ --"1l1l^"1 .iSws .rGt Sbo>o 8oc CSSw So W E> Gi s Ib 8 O 6 T3 Ji *53 &> das 3 J 6-g Q Qh ^4 c o <D 8 j? 3 tgo8* ^ It JS'*?la^ H Melon Green Pablo -< N CO N co 3* 1 2 . 8 |*S T3 O < CO I CO 3 o 157 0007-PTL-000242 COLOR PLANS FOR INDUSTRIAL BUILDINGS, WAREHOUSES, ETC. s ^ I8 .4cgG-d> u 3 c >. 1? S S 2 JtQ;s S8 g 00(2(2 o dyy 3o*. .S~ >wi J- ,3 3 O .d2*.d0* SU->TJc> 2&c H3S-> W3 -o32 g* - 'g 3'i yCSu.i ^ rt S Q*5-h2 Osh QJt <S3 Jy CO pQ oPa rycJ 1vQus^G9cnt! .S 2 BO C<HrUOL2t> 4^C-> G Oh P* o '3tOo c 23*-3a I r3j -C2 C ^s rt ^ & O Oh ^Oh O ocud ocuS 4r3cUJt 4ncGUJJ*i oyco P<poOQS Ph Cl < k ; o o2,3J +y } >d J`H*y3x- -+yfwJi y -G yco nyoc nycoyco +y5 ay *yj ,-yy y y *yj -yu IS IS 12 Id Ic.clcja yco ydo yco yco yd ds<Ss c: O =3 O O 2 rt -Md y d S-MI cS ^3 yWQJ 3ardrUtsti SGa *>* .y PQ PQ PQ PQ PQ O PQ PQ Oh Ph Ph O H U PQ PQ Os2 2 ai >. BB 2 B 3 2 jd^djdjd so wf i %%%% 0(2 (( d Iw 1 *PT2Q3 d .$d3> S cr^ x g 2o' Si 3 J 8 8 S J g y il "Hg.5 O^gcS ,3d *wo O G o'A^o 3SSy '>S3is_.3lic*'go0S *3J71 *J2 gy,&3S2 I^Sp c h Q (S0hP^O2 3J Ph (1i i2o s Sj.2 pc JOp q o oz <z rH rO H)- 04 p) to h J- (S tO t rt N to t h N tO ^, s<u J-Q>Qx I 1 0u 1 o 8 m B > P-c fydcJO "gCO S i | ~cCoJ 1h2J 164 0007-PTL-000249 oo ^'l I* 8S co cCo.J o S JZ & 3 CO nds> 3 3 w 3o o j; 4) CJ CO CD W 0 c3 9 8 Q 1 O 33 / Q Pi C/D .da o 33 d> g d c/D oPi i -j1 Ip-l sCO 2 W9 B Oh ' Pi s 3 8 nS .w 3w3 4-> CO *2 p$ *ooo O --Ca C 33 g U dJ 8& rt CO d> Cl) oC d> J3 PP d rd>t JQ _*>Q" < rt o daJ I c *H 33 C C CO .si 33 3W PQ. co g O O O 35 dco), w O O J-> <UPiQ d) &S-3 - o^ I5 33 5 a ScHeS* 8 Ic Ml Hp q C rt r3t OQU dwOJ Jw2 SQpipx, 3di ' s I *3 gO 3O3 =3 O C OX) d) O dJ 33 OcS. 2i- d) 3 8 - O Ix e o uc d> 3 --a a JP5 ^ Pi Ph CyJ 4C5J 4C5J 4c5> M M *H * ej d> d> d> co Co Co Co PQ PQCQ PQ CJ P ^J-iPi--Q . o & o g -S '3 W) -3 Spi p -c d) 3 PQ 33 d) 0 js 1PQ T3 d> Q gg 26 2 d> Js w -fj S d) s <8 -- CJ g^'S *} ^3 *3 ggp^a3> Said -C(S lOcj- <C -S c3 c S'" ^2^ Of^PPO ^ a i- a*S o > 3 3O Qe^Uco *4O- >< *4C-JJ 4C_J> 4*O->( dco) odcl dco> odc) PQ PQ PQ PQ g g^ 2 ' J2 o o |3 co <p g D 2 .5 3 QPh h Jc o T-t CS CO TJ- 3 1 *s Hi 33 3 Vc5Mi rt <o 159 6 3 .3 1 tcCfO E cd >N 2o 0007-PTL-000244 3 .3g a SI rOSpp2 e3 e3 o O *3 h-3 O S I 352 t* S w JP8HJO424iCe0Qi-sa O s3W oc CO w CO O D J3 33 O E w Voc Ooc < pa I taoJ u0< 8 zCO o 1rt to -H Q *--I 1 sDPQ hJ rt <HH al CO **3On33S D w 4) H-1 8 s&S ^Ho .ws3 .g 13 P-l zco o2 3 <Z <P3 si pi 8 3O4 rt S rt ({ <* o 1 1* Is3 Pi> g aiJ'S'c c ?N.g >> jg yfe .S Q SsSliPasB S^Pi ^P-t^fecoPMOcocoO co u A _C a --C ->wC-UC-- | 3 5S Hk ow ^r. 3313^2 2 ssds 1 f vtJ 2 Q 4-* *3 CcaO u0 8 1 CO B *G cS s *3 *3 > O% <2 *Or3t P-( 8 < S 52 *>t0n*n *AC*c3ltOl-rfhMSt) |(S(8 (X* 166 0007-PTL-000251 Puritan Gray Bone W hite Puritan Gray COLOR PLANS FOR OFFICE AN D COMMERCIAL BUILDINGS (Continued; TB | f IJ g "gOoO .ogE<bu- obGWUo *c<n35i O 03 Pi Cl , rat %caCS ff-s Si &> 5J o o ^ `u 4} cS co Q S S c _ 42'3 I*"* o &T3 - o p 85 O co Q S c r* 4r->t **2 * -O 0^8 g^ W CO Q C EILIN G M ,g g 43 c IS 'Ja a=^5uc00ue 0tc) U 03 03 03 G 1 G Si .3 0e3i 8 o O O .Si a, wE Gu&o .rDtti W3 pi c m &> c w*<D Uw 4C3J < -G l Q ^ C' s sW O U 4) 0^*00 CQ ^ m 03 43> s e T3 ts IJ 5 6,1 *o o ,gi3 ti . E 3 .c -"4<33- _*_r5 t* 4) G o U C S CU Ax 03 CQ Vi OO Gg Iu Cl , pi U J 0) ti -ti .t4 j: jo jo g^^^ o ao oc co to CQ PQ PQ up 03 i *ooo 2 0 8 wo 6 1 <L> ~G 4<-D> 43 4**W*3->* 4) U U ccg ooo G 5 "0 CO 6 ejS-o Si O Si Ml <rt8'<T32 &8 8 Ui Q S6* uu 33 DADO Melon Green Parchment Jasmine Yellov Reed Yellow Rose Abbey Rose Wedgwood B1 Melon Green Swedish Red Melon Green Wedgwood B1 Platinum Chalk Pink Melon Green Wedgwood B1 Lime Yellow SIDE W A L L Sonora Peach Sprite Rose PLAN NO. BA .H N fO Tf -H pi n i s|*Sg **2 8*2 'f2Ol~uof "iSCiL-'SSS,' "*C=; >E> fHU c3o co 9 0 1 5 03 rt M ^ t rt N rt I c I * & M-S 6 161 rt N rt 8 mo Bd>*n 0007-PTL-000246 Or an g e--the basic color for the identification of dangerous parts of moving machinery, etc. Suggested areas for using Pratt 8? Lambert Machinery Enamel Orange: Inside of movable guards Exposed edges of rollers, gears, etc. Yel l o w -- the basic color for designating CAUTION. Suggested areas for using Pratt 8s* Lambert Effecto Enamel Canary Yellow or Pratt 8? Lambert Machinery Enamel Yellow: Construction equipment Covering or guard for guy wires Exposed and unguarded edges of platforms, pits and wells Fixtures or equipment suspended from ceilings or walls which extend into normal operating areas Hand rails, guards, top and bottom treads of stairways where caution is needed Inside covers of switch and fuse boxes Lips on horizontally dosing elevator doors * Marking for projectors, doorways, traveling conveyors, low Jbeams and pipes Material handling equipment Pillars, posts or columns Caution signs Waste containers for explosive or highly combustible materials. Such containers should have a yellow band around the middle. The width of the band should not be more than one-third of the height of the container. Wording to indicate the contents should be painted on the yellow band in large red letters, such as "Explosive," "Combustible" or the name of the material in the container. 168 B s 5 Tu3 2 Htu3 *T* oc+i 3 -d4S3-i in C T-43> .C c/3 P3h a 4o. C3rZ3-jti O CO o 2 -- O2 2 --I wu 2 8 3 <k 4 'CcrOt,.Hor*t$fCOfVl OCh4 0 01 W s U ..-0.3 aI gQ 3.4s CO^ ^ T--gcJ g3 ?M0 co 3 co ^ -o 1 art w o*--< OOhh ooS 2 aCO J J t wQ Ut TCrO33t-&Hwrosst OOMcC3h O.Jeessyh *oS02 8 co <U CO O s 2 2 >h n <n't 0$ <-) 2 oaq 8 <fui < Oh 1 rt 8 Closets Mail Room Printing Well Ro Vaults *T03> *TU3 Oh Oh HH * 4M-> *-Ur>t -5 U3 . CO OC ^to PqPQ CCS Wo *Oo 4arcot) 2o 5 "O *c8S T3 11 8?^ |I Oh h -I <CQ CO aoo 0< Sh <J J3 CPc"oU rt Cil" "rt S0^'S*^3-a3 >N ai-> O 'S tBo Z&3> U> .&> Jz&Z> 'Jg 'Jz j g 'Jg o(cJ moue ouc ouc J1433> C4ocQ) * I c8 4J rn ASc Uo &I Q*w f3i <pu eWT3 fge 8 g.2 3 o-o u 11^3 *au * rt uO< o0 1rcot I 1 "OOC4orO>t Oh -H (S 4 If I 8g .Oh O <--< . c' g 0.0 g 8 3 8^ &<U*3`Cp^ -.MP (^fl*-w22 aWcJ-u-^r6^ItOMhHh C&2OO ^^crt u 163 0007-PTL-000248 RECOMMENDED PRACTICE FOR THE IDENTIFICATION OF PIPE LINES This code is applicable to all pipe line systems used to transport liquids, semi'liquids, gases, vapors or plastics inside or out, but excludes pipes buried in the ground, pipes used as electric conduits, or pipes used to carry solids either in gas or air. The code specifies the use of a general identification plan which calls for three {if necessary, four or five) colors to determine in which classification the contents of a given pipe belong. The plan calls for the use of stenciled legends or color stripes to determine the exact nature of the pipe contents. GENERAL IDENTIFICATION--Under general identification, all pipe systems should be classed in one of the following three groups or classifications, depending upon the nature of the materials carried: (F) Fire protection material and equipment--color RED: Indudes sprinkler systems and all other lines carrying fire protection or control materials and may be identified with PSL Effecto Enamel Grenadier Red or PSL Machinery Enamel Red. (D) Dangerous materials--color YELLOW (or Orange): Indudes pipe lines carrying hot water, corrosive, inflammable, explosive or poison' ous substances and may be identified with PSL Effecto Enamd Canary Yellow, PSL Machinery Enamd Yellow (or Orange). (S) Safe materials--color GREEN (or achromatic cdlors white, black, gray or aluminum): Indudes pipe lines carrying materials such as cold water, brine, air, etc., and may be identified with PSL Effecto Enamd Dublin Green or PSL Machinery Enamd Green. In die event that a building has an unusually large number of pipes falling in this classification, PSL Effecto Enamd White, Black and Mercury Gray or PSL Machinery Enamd Black and Gray may also be used. Specific Identification--If it is desired to identify more exactly the na' ture of the materials in a pipe, it is necessary to also use a specific identifica' tion plan. This may be done in either of two ways--by a stenciled legend painted on each pipe or by the adoption of one or more color stripes. Stenciled legends should name the material carried in the pipe. Where it is desired to indicate the direction of flow, arrows may also be painted on the pipe. Legends should be stenciled near valves, fittings and pumps, and at repeated intervals along the lines. 170 0007-PTL-000255 Fawn Gray Puritan Gray Lime Yellow Rose Fawn Gray Puritan Gray &> nws -S 4So3 p Jj s & 2 -o S 9 IS 8 -2 a w *o v T3 C 41 C 3 O *> O co PQ PQ S *o ts oM* .tWrJ* ->rUt>. 6 jj> 6* ^ >% oc2Bn3D rt 1 PQ m weO_ c .s j --4132 c &rt p q w p mW h * > Cm c>o' 3.SlJnPhJasiQ O c 43 1 S Cl) 67- rt 5 oo a< ecu u iCwO CO D w % o 2o23 V V CJ to ^3 _C _C -C4l 3M 43 4W3 *4M3 *+3jj .*a> M5 -y d .mwdj c3 zzzzH li) d) Cl ) Cl) nco nco nconco cocj cj co PQ PQ co coo ^-"sSs -asa CQPQPLipL, G.C.G.C4M3 *4 3 4*-3M 4v3 ^ p- C> t> (> a 4w3 SCrOt WWW w u ouc ouc uoc ouc *C1J cw oCJ-3H fQpQfSffS PQ Pm ICO M3 03 ss o oo 'Srwt >s ^'D rtf' cO^cS I lilt II1 *(oU A6m> > 14* i 3 CJ Am pe2pp!i j CJ 3 C GS C - PQ 3 S Gr3 O~ &-J4 MV <D T3 GJ _jaQ Om7^ a s *0 ^ 43* W I8 wo c2o <1 s! Is sD Q o a*-H Pi 0Pm d t wQ a> to & c ? Crt *3g ^-r3t x3<sUi _*rQsrJt co Pm U Am OH . 3-g q | 8*3 O a_ S s16S2 .g u.3 Ti 3 JS Dm PQ Pm 3 Co*C>lO)4 3 S' S' .3 S[m rt 3 a 3^ Pm S 3 -S g Pm h m Pm CO <i) aa &.S w -- 3 * 5c- i 33 Qw3m WPm 1 Jd rt PmS co O Z 12 < t PQ MCMC^t m totf- <PQ Am e! PS o3 S 51 o u ,M<1-() (4 o i 1 c rt I a i a I "c to cd ti l o c CO JO CtoL :s^ 165 A Lime Yellow B Rose Ladies' Locker Room 0007-PTL-000250 Material Piped Muriatic Acid_____-- Natural Gas--------------Nitric Acid--------------- Nitrn Bodies............... ........ Nitrous Oxide and Nitrogen Trioxide---- Oils (Petroleum)------Paint----------------------Paper Sizing Solution -- Producer Gas_________ Pyrox Compounds_____ Soda Ash Solution------ Classifi cation D D D D D D D S D D S Material Piped Steam ....................... ........... Sugar Juices and Syrups Sulfur Chloride---------Sulfur Dioxide-----------Sulfuric Acid------------- Tar "X'oluene ... ................ . Turpentine----------------Varnish_____________ Water (cold)-----------Water (hot)------------- Classifi cation D S D D D D D D D S D Key to Classifications F--Fire Protection________________ Red D--Dangerous----------- Yellow (or Orange) S --Safe---------------------------------- Green * 172 0007-PTL-000257 SAFETY COLOR CODE For Marking Physical Hazards and for Identification of Pipe Lines and Other Equipment The American Standards Association in co-operation with the National Safety Council has developed a Safety Color Code which defines the appli cation of colors for uniformly designating and marking physical hazards and the location of fire, safety and protective equipment. Pratt W Lambert EfFecto Enamel or Pratt Lambert Machinery Enamel colors are recom mended for this purpose. COLOR IDENTIFICATION RED--the basic color for the identification of-- (a) Fire protection equipment and apparatus (b) For indicating DANGER (c) For indicating STOP Suggested areas for using Pratt 6? Lambert Effecto Enamel Grenadier Red or Pratt Ss* Lambert Machinery Enamel Red: (a) Fire protection equipment -- fire alarm boxes, sirens, blanket boxes, buckets, extinguishers, hydrants, hose locations, etc. n o t e: If painting extinguishers and hose reels is impractical or undesirable, paint housing, wall or support, to identify location. f Post indicator valves for sprinkler systems. n o t e : If a traffic hazard is involved, paint top red and barrel or post, yellow and black stripes. Sprinkler piping -- See (F) page 170 for recommended practice for pipe line identification. (b) Danger -- safety solvent cans or other portable containers of flam mable liquids; barricades at temporary obstructions and on temporary construction. (c) Stop -- Emergency stop bars on hazardous machinery; stop buttons for electrical switches for emergency stopping. 167 0007-PTL-000252 In the following paragraphs, the principles governing the choice of pigmentary colors for decoration will be interpreted particularly as related to the distinctive colors found only in the Pratt ii Lambert line of paints, varnishes, enamels and stains. Over a period of many years, Pratt & Lambert-Inc., has developed hundreds of colors in many different values and degrees of grayness, solely to determine by actual experience which colors were best suited for decorative usage. Each color was used on a number of rooms varying in size, exposure and function. Some were found unsuited for decorative purposes, others needed correction. Each color had to be perfectly balanced as to chroma to avoid excessive brilliance and a subsequent overpowering feeling. This method of color selection and color balance was applied to all the colors now found in Vitralite Enamel, Lyt-all Wall Coating, Solidex, CeUu'Tone Satin, P&L Oil Stain and kindred products. Only after hun dreds of tests were completed, was it possible to announce the Pratt Lambert line of Calibrated Colors. To take full advantage of the decorative possibilities of any interior or exterior surface, only three simple rules need be followed: (1) Specify the type of paint, varnish or enamel made for that par ticular surface. (2) Select the luster or sheen most desirable, giving due consideration to durability, light reflection and future maintenance. (3) Choose the correct colors for each surface ai\d area. This last rule is probably the most difficult to follow, yet it is comparatively easy if Pratt 8 Lambert products are specified and Pptt Lambert colors are selected with an understanding of the pigmen tary spectrum and the laws governing harmonious color re lationship, as illustrated by the Pratt & Lambert Color Calibrator. 174 0007-PTL-000259 Gr een -- the basic color for designating SAFETY. Suggested areas for using Pratt ti Lambert Effecto Enamel Dublin Green or Pratt & Lambert Machinery Enamel Green: Location of first aid dispensaries Location of first aid kits, gas masks, stretchers Safety bulletin boards Safety deluge showers or their location (a predominance of white is suggested to aid visibility) Safety instruction signs Safety starting buttons Bl u e -- the basic color for warning against movement or use of equipment being worked on. Suggested areas for using Pratt & Lambert Effecto Enamel Nantucket Blue or Pratt 8? Lambert Machinery Enamel Blue: Electrical equipment Elevators Scaffolding, ladders, etc. Pu r pl e -- the basic color for designating RADIATION HAZARDS. Bl a c k , Wh it e o r a Co mb in a t io n Th e r eo f -- for designating HOUSEKEEPING and TRAFFIC markings. Solid white, solid black, single color striping, alternate stripes of black and white, or black and white checkers should be used in accordance with local conditions. Suggested areas for using Pratt & Lambert Effecto Enamel Black or White, or Pratt 6? Lambert Machinery Enamel Black: Dead ends of aisles or passage ways Direction signs Location and width of aisle ways Location of refuse cans Stairways (direction lines) White corners for rooms or passage ways 169 0007-PTL-000254 The reason for having a color spectrum is to make it easy to understand the relation of one color to another and to more readily create harmonious color schemes. 176 0007-PTL-000261 If color bands only are used for general identification, the legend should be stenciled directly on the bands. Legends are usually painted black, par' ticularly if the background is a light color. If the background is a dark color, a rectangular portion of it can be painted in a light color. The legend is then stenciled in this light colored rectangle. The size of the letters should vary from Yl to ^Yl" h* height, according to the diameter of the pipe. For pipes smaller than 34" in diameter, enameled metal tags may be used. Each tag should be fastened securely and in such a manner that it is unnecessary to approach it too closely to be able to read it. Legends stenciled on the pipe should be easily visible to workers on the regular floor level. If a pipe is near a wall, it may be sufficient to paint the legend on one side of the pipe only. If the pipe can be seen from both sides, the legend should appear on both sides. Pipes used as electric conduits may be identified with P&L Effecto Enamel Nantucket Blue or P&L Machinery Enamel Blue. Here are listed materials capable of being piped that are most common in a great variety of industries: CLASSIFICATION OF MATERIALS CARRIED IN PIPES Material Piped Acetic Add ---- -----Acetylene Gas-----------Alcohol _____________ Alum Solution-----------Ammonia____________ Ammonium Nitrate-----Amyl Acetate------------ Hempl ,,,,,............................. Blau Gas -----------------Bleach Liquor-----------Brine __.____________ Butyl Alcohol________ Carbon Bisulfide----------Carbon Dioxide----------Carbon Tetrachloride -- Caustic Soda Solution-- Classifi cation D D D S D D D D D D S D D D S D Material Piped Classifi cation Chlorine......... ............ D Chloroform __1_______ D Coal Gas ____________ D Compressed Air fS Dyes------------------------ D Flue Gas or Waste Heat D Foamite Glycerine ____________ F s Hydrochloric Add ____ D Hydrogen------------------ D Hydrogen Sulfide______ D Intermediates _________ D Lactic Acid__________ D Mercury_____________ D Miscellaneous Solvent__ D Mixed Add.... ........ ... . D 171 0007-PTL-000256 black, which is so dark that no color is visible in it. Thus, pure white has the highest value and black has the lowest or zero value. Yellow, at the top of the spectrum, is closer in value to white than it is to black, so it is said to have a high value. On the other hand, violet, at the bottom of the spec' trum, is much closer in value to black than it is to white, so it is said to have low value. WHITE ADDING WHITE RAISES VALUE --L ANY COLOR | 9 FIGURE IV ,__ hr | BLACK ADDING BLACK LOWERS VALUE ) Figure IV illustrates the ascending or descending value of a hue or color. If white is added to any spectrum color, the resulting tint is a' higher value of the color tinted. If black is added to any spectrum color, the re' suiting shade would be a lower value of die color darkened. High'value colors reflect more light than low'value colors. Low'value colors absorb more light than high'value colors. NORMAL SPECTRUM VALUE ORDER By referring to Figure V, it is easily possible to note the relative value of each spectrum color. To illustrate: starting at yellow, the lightest of all spectrum colors, the colors on either side of yellow become progressively darker in value as they approach violet, the darkest of all the spectrum colors. This may be called normal spectrum value order. It is important because it shows the normal relationship in lightness or darkness between 178 0007-PTL-000263 THE IMPORTANCE OF COLOR IN ARCHITECTURAL DESIGN The greatest single factor in creating a favorable impression for any building other than its location and design probably is the correct choice and application of color to it. Therefore, in no other field should greater care be exercised in the use of color than that of architecture. Paint protects! It also offers die architect a medium for developing a completely harmonious color ensemble of charm and distinction that will add beauty, value and all around liveability to his building. The wise use of color in homes, for example, lends an air of welcome and friendliness. In offices it gives purpose and poise. In schools it helps to create quiet and concentration. In factories it raises the worker's morale and speeds pro* duction. In hospitals it induces rest and well being. Nowhere is this more apparent than in the structures recently designed by and completed under the supervision of leading American and Canadian architects on which Pratt & Lambert products and Calibrated Colors have been used. With color it is seemingly possible to do the impossible. Small rooms can be made to appear larger and large rooms made to look smaller. Rooms with a northern exposure can be given a feeling of warmth, while rooms with a southern exposure can be given a feeling of coolness. Certain colors have a stimulating effect on the emotions, others, a soothing effect. While good planning seldom need apologize for design, there are times when structural requirements make it necessary to place a beam, column or similar support in a position where it is out of balance with die general plan. When such a condition arises, it is possible to visually overcome or at least cause the incongruous member to be less conspicuous by the correct use of color. Its utility value is no less than its decorative value. Today people are more conscious of color than at any other time in the history of the world. Much has been written on the subject and many varying theories expounded, all of which have tended to confuse rather than clarify this very interesting science. The correct use of color does not present a problem, the solution of which can be determined only by a colorist or decorator steeped in a theory which particularly appeals to his imagination or understanding. Today color harmonies can be developed with almost mathematical precision by the application of generally accepted rules governing the use of color or by reference to die Pratt 6? Lambert Color Calibrator (Figure VII). 173 0007-PTL-000258 grayed, either with a mature of black and white (gray) or with die opposite of its spectrum color (its complementary color) the color is said to be reduced in chroma. Ordered relationship of the primary colors as shown in the spectrum (Figure III), is technically correct when each opposite pair of colors can be mixed together in proper proportion and produce neutral gray. For example, a mixture of green and red should produce neutral gray. Because pigments are not obtainable in absolutely pure color, mixtures of complementary pigment colors never produce a pure neutral gray. Such mixtures always show traces of the strongest color in a mixture. Intermediate colors between two opposite colors, such as green and red, are obtained by adding varying amounts of one to the other. For example, adding red to green or green to red will result in progressively graying either the green or the red, (Figure VI). This same reduction in chroma can be obtained by mixing gray (made with black and white) in varying amounts with any color. By the same principle, if all of the twelve spectrum colors were mixed together in proper proportions, neutral gray would result. We have thus 180 07-PTL-000265 THE PIGMENTARY SPECTRUM Figure I shows a pigmentary spectrum made with the three primary colors in ordered arrangement as follows: yellow, blue and red. A primary color is a color in its purest state available, unneutralized by the addition of black or white or any other color that would lessen its maximum purity or brilliance. By mixing equal parts of two primary colors, secondary colors are developed: green, violet and orange (Figure II). For practical decorative use, the number of spectrum colors is increased from six to twelve by again intermixing equal parts of two adjoining colors (a primary color with a secondary color) as follows: yellow and green producing yellow-green; green and blue producing blue-green; blue and violet producing blue-violet; violet and red producing red-violet; red and orange producing red-orange; and orange and yellow producing yellow-orange. The resulting six addi tional colors are known as tertiary colors. This results in a spectrum of twelve colors (Figure III), which are familiar to the average person because of life-long association. m 0007-PTL-000260 Color or Hue Windsor Blue Burgundy Ruby Red Rose Swedish Red Cocoa Brown Sudan Ivory Bone White Platinum Puritan Gray Fawn Gray Color Family Blue Red-Violet Red-Violet Red Red-Orange Red-Orange Yellow-Orange Neutral Neutral Neutral Neutral Value Low Low Medium Low Medium High Medium Low Medium Low High High High Medium High Medium Chroma High Medium High High Medium High Medium Low Very Low Very Low Very Low Medium THE PRATT 8 LAMBERT COLOR CALIBRATOR The Pratt & Lambert Color Calibrator (Figure VII) has been designed in accordance with the 12-color spectrum described, including concentric bands of three tints and four tones (grayed color) of each spectrum color. By the correct use of its patented pointers it is possible for any one to quickly assemble complete color harmonies appropriate for any interior decoration. It may be used not only for the selection of paint colors but also for choosing harmonizing hues in floor coverings, draperies, furniture fabrics and similar accessories. For information regarding its further use or availability, address the nearest Pratt 5? Lambert Architectural Service Department. (See page 9). 182 0007-PTL-000267 THE FIRST STEP The first step in the art of using color is to become thoroughly familiar with the pigmentary spectrum (Figure III), using it in much the same manner as a sailor uses a chart and compass. In choosing his course, he uses his chart to avoid the shoals and rocks. He uses his compass to make certain that his ship is always on the course. Likewise, a trained colorist avoids discord by constant reference to his color spectrum or wheel and to the rules governing its use. The experienced architect uses color with a definite design, to create a specific effect. Some people can handle color almost intuitively, whereas others lack this ability. Regardless of whether one has the "knack" of using color, a vivid mental image of the color spectrum (Figure III) fixing per' manently in mind the twelve colors and their exact juxtaposition to each other, will enable any one to create beautiful color schemes easily and safely. It is a definite guide to follow because it tells you instantaneously what colors go well together and what colors do not. The color spectrum with its orderly arrangement of the spectrum colors, is also the pattern which controls the sequence and arrangement of all tints and shades derived from the twelve spectrum colors. Each color in the 12-color spectrum (Figure III), represents the maxi mum purity available in pigment colors and each is in proper value or degree of lightness or darkness in relation to all other colors. MEASURING COLOR To use colors effectively in decoration, it is first necessary to know how to measure or evaluate color. Just as one building may be different from another in height, length and width, so each color has different dimensions or measurements. These are called hue, value and chroma. HUE Hue is simply another name for color. Hue means color. Hue dis tinguishes one color from another, i. e., red from yellow, yellow from green, green from blue, etc. A hue may be lightened (tinted) with white, or darkened (shaded) with black, but it is still the same hue. For example, a light blue and a dark blue are the same hue, namely, Hue. VALUE The value of a hue or color is the degree of lightness or darkness of that color in relation to pure white, in which no color can be seen, and to 177 0007-PTL-000262 # any two or more colors when used together. If, for example, orange and blue were to be used together in a color scheme in normal relationship, the value of the blue would be considerably lower of darker than the value of the orange. If the blue were lightened with white to the same value as the orange, discordant color relationship would result, because the normal spectrum value relationship of these two colors would have been violated. WHITE It is permissible to lighten any spectrum or intermediate color, pro* vided all other spectrum and intermediate colors to be used in combination with it are also lightened to a corresponding degree. The entire color wheel may, in fact, be lightened or raised in value to a higher key by adding proportionate amounts of white to each color. When so lightened we readily perceive the field of tints--Sudan Ivory, Lime Yellow, Rose, Indian Tur' quoise. Melon Green, Wedgwood Blue, etc., which are so frequently used in decoration. CHROMA Chroma is that quality which indicates die degree of color strength or color saturation of a hue. When a color is unadulterated, it is said to have maximum chroma, or to be of full intensity. When a color is progressively 179 0007-PTL-000264 SPLIT COMPLEMENTS Favorable contrast is also found with the colors on either side of the opposite or complementary color and is defined as a Split Complement (Figure IX). Violet and blue are the split complements of yellow-orange. Conversely, yellow-orange would be the split complement of violet and blue. Here again, the proper proportion of each color used would largely de termine the success of the color plan. Practical application of P&L Cali brated Colors would be to use Sudan Ivory walls (yellow-orange) with a dark gray-violet rug and blue-gray draperies. / 186 0007-PTL-000270 established the ordered sequence of color circumscribing the entire field of color, like a color wheel with a common hub of neutral gray. Each of the twelve spokes, representing each of the hues, range from neutral gray at the hub to pure or full intensity spectrum color at the rim, with varying degrees of chroma (or graying color) between hub and rim. Two paints may be of the same hue, for example, green; and of the same value, neither darker nor lighter than the other, yet be quite different in appearance, because one paint may be a bright green, strong in chroma, and the other a grayed-green, low in chroma. In decoration it is generally true that colors that are strong in chroma are not as acceptable as colors that are low in chroma. Bright, strong colors used in substantial quantities, are hard to live with for any length of time. On the other hand, soft, grayed' down colors are easy to live with. Pratt & Lambert Calibrated Colors are perfectly balanced in this respect. Red, blue, green, yellow and the other spectrum colors are known as chromatic colors. Black and white and mixtures of black and white (gray) are known as achromatic or neutral colors. Neutral gray, found at the hub of the color wheel, is always in favorable relationship with any other color, as are black and white, which mixed together, make gray. The following may prove helpful to the reader who wishes to assodate Pratt & Lambert Lyt-all Wall Coating and Vitralite Enamel Calibrated Colors with the 12-color spectrum: Color or Hue Lime Yellow Buttercup Yellow Dusty Green Lime Green Melon Green Empire Green Fern Green Indian Turquoise Blue Spruce Caribbean Blue Wedgwood Blue Delft Blue Regency Blue Color Family Yellow Yellow Yellow Green Yellow Green Green Green Green Blue-Green Blue-Green Blue-Green Blue Blue Blue Value High Medium High High High Medium High Medium High Medium Low Medium Medium Low Medium Medium Low Low Chroma Medium Low Medium High Low High Medium Low Low Medium Fligh Medium Low High Medium Medium Low Medium High Medium Low 181 0007-PTL-000266 ALTERNATE COMPLEMENT An Alternate Complement is developed by selecting the three alternate colors opposite a given color (Figure XI). For example, red, violet and blue would be the alternate complement of yellow. Applied to a simple decorative problem. Rose walls and trim (red) with a gray-violet rug, smoke blue draperies (blue) and a bright butter yellow (yellow) covered small chair would make a pleasing color plan. 188 0007-PTL-000272 0007-PTL-000268 RULES FOR HARMONIOUS COLOR RELATIONSHIP BY COLOR ANALOGY Favorable color relationship is also established by the use of adjoining colors of the spectrum in a color plan, such as yellow-orange, yellow and yellow'green (Figure XIII). Each color shares a common color factor-- yellow. This is known as a Color Analogy. While a color analogy may include any number of adjoining colors from three to six, three are usually ideal. It cannot include a seventh color in a 12-color spectrum because the seventh color would be a contrasting or complementary color. Two colors would not be adequate to create a color analogy because two colors are not enough for the eye to detect the rhythm of repetition. If the walls of a room were Lime Yellow, a color analogy would be complete if the draperies were in tones of yellow-orange and yellow-green. 190 OOW-PTKWBW THE RULES FOR HARMONIOUS COLOR RELATIONSHIP BY COLOR CONTRAST TRUE COMPLEMENT Contrast is the most favorable relationship of color. The perfect con' trast is found in any two spectrum or intermediate colors opposite one another in the color wheel of the P&L Color Calibrator. These are defined as Color Complements because each color complements the other. Violet, being opposite to yellow, is the color complement of yellow (Figure VIH). Red is the color complement of green. Blue is the color complement of orange. The complementary color scheme has to be used with good judgment. First, choose the color that best meets requirements. For example, if yellow is selected as die predominating color for a room, violet, its complement, would be used to accent the yellow in much die same way as salt or season' ing is used in food to accent the flavor. Excessive use of a complementary color makes a room appear "junky," just as too much salt or seasoning makes the food distasteful. Applying the complementary color scheme to P&L Calibrated Colors, Melon Green (or any of its mixtures with White or Platinum) might be selected for the walls of a room, and rose'colored draperies used to complement the green. 185 0007-PTL-000269 same spectrum color. They result from the addition of white, gray or black, or the addition of the color complement of any spectrum hue. To illustrate: A floor may be a deep, rich brown (P&L Walnut Oil Stain); the woodwork, natural walnut (PSL 2 Medium Paste Filler on walnut); the walls and trim. Cocoa Brown, and the ceiling a much lighter value of Cocoa Brown, and we have thus developed an ideal monochromatic background. It may be a public space without accessories and complete in itself, or the space may be enlivened by contrasting accents. T^aturd walnut trim was injected into this illustration to emphasize that the color of wood, marble or other similar surfaces should not be ignored in a color composition. MONOCHROMATIC COLOR RELATIONSHIP WITH ACCENT Accessories such as brightly-colored draperies made of brown figures on an off-white base could be added to the foregoing color plan and still keep all colors in the same monochromatic family. While the most restful interiors are usually done in a monochromatic scheme, it is often possible to achieve an even better result by using the complementary color in an accessory for accent. To illustrate: Another monochromatic color plan might be based on Empire Green, in which event the complementary accent color used in a very limited manner could be Rose. 192 0007-PTL-000276 COLOR TRIAD Favorable contrast is likewise to be found with any three colors equi distant on the spectrum, and this is known as a Color Triad. Thus, yellow, red and blue are a color triad and create favorable contrast. Triads can be easily established on the color spectrum by drawing a triangle equidistant between any three hues (Figure X). This can be done not only with the color on the rim of the color wheel (full intensity) but with any of the intermediate colors. Strong or full chroma colors are seldom used in work ing out a color plan. It is better decorative practice to use one of the higher values of a spectrum or intermediate color. Colors oh the rim of the color wheel are most frequently used as a guide to determine to what hue or color family a pastel color or tint belongs. An example of the use of a color triad is found in a room having Indian Turquoise walls (blue-green), with a wine-colored rug (red-violet) and apricot (yellow-orange) draperies. 187 0007-PTL-000271 decorative practice, but it has developed a greater appreciation of color range and versatility in decorative treatment. Principle No. 2--If figured areas are used in a decorative scheme, they should be balanced with compensating areas of plain colors. Figured wall' paper on the walls calls for compensating plain areas in the accessories if incongruity and excitement are to be avoided. Likewise, figured draperies or figured upholstery can add interest and charm to a room painted in a plain color. There must be balance in .the proportion of figured and plain areas used together, and the greatest compatibility is achieved when one or more of the basic colors used in the plain areas are suitably repeated in the figured area or vice versa. BALANCE AND PROPORTION IN ROOM DECORATION Principle No. 3--Color can be used advantageously to relieve the feels ing of bad proportion. The ided room proportions are in ratio to multiples of three, five and seven for height, width and length respectively. Multiply' ing each number of the ratio by three would give a room nine feet high, fifteen feet wide and twenty-one feet long. However, architectural layout and functional use does not ordinarily permit ideal proportion for all rooms. Lowering a Ceiling An excessively high ceiling may be lowered in appearance by using a dar\ color on the ceiling and a light color on the walls. The darker the color used, the greater the illusion of lowering will be. A color of relatively bright chroma and dark value should be selected for'a colored ceiling as pastel wall tints appear rather insipid when used on a ceiling. An advancing color will tend to lower the ceding more than Preceding color. The advancing colors are those found on the left half of the color spectrum, particularly colors made with red, red'orange and orange. The receding colors are those found on the right half of the spectrum circle, particularly those made with green, blue'green and blue. The use of horizontal lines will tend to lower ceiling height. This may be accomplished with a dado (Figure XV). In residential work the trim and dado (including baseboard and chair rail, if any) may preferably be painted Berne White orPlatinum, and the upperwall in the desired wall color. In commercial work, the dado would normally be a dark color and the upper wall color a lighter value of the same color (monochromatic treat' ment). A more modem treatment for a high-ceilinged room in commercial work is secured by horizontal bands of color (preferably from three to five 194 0007-PTL-000278 DOUBLE COMPLEMENT Another four color plan of considerable value in decoration is the Double Complement. It employs two sets of complementary colors (Figure XII) and may be illustrated in the following plan: Wedgwood Blue for the walls and trim; rug or carpet in deep shades of red or rose; upholstery in an orange tone and draperies in green. It should always be borne in mind that any color used in a color harmony may be repeated in varying tints or tones as long as all colors called for are used. Neutral colors (black, white and mixtures of these two colors--gray) may also be used in combination with any color or color harmony. Grays, such as Platinum, Puritan Gray or Fawn Gray, are particularly effective in decoration when accented with one color or two complementary colors of fairly deep value and high, chroma. 189 0007-PTL-000273 However, care should be taken not to violate the rule that equal areas (or approximately equal areas) of contrasting colors are not effective in combination. Pushing Walls Out Generally speaking, darker values of colors, particularly of advancing colors, used on walls tend to make a room appear smaller. Receding colors tend to ma\e a room appear larger, and very light tints give maximum size to a room. Painting the ceiling, walls and woodwork all die same light color will further increase the illusion of spaciousness. ASCENDING VALUES Principle N- 4--Colors should be darker at the base and progressively lighter as they approach the ceiling. The suggestion previously given for using horizontal bands of color, each band progressively lighter in value, well illustrates this popular old law of ascending values in decoration. It suggests that the rugs be of darkest values, the furnishings a little lighter, the walls considerably lighter and the ceilings lightest in value. This used to be an almost inflexible law in decoration, and it still is unquestionably sound as it imparts strength and vitality to the color scheme, but it is one of the old time conventions that has been frequently disregarded in contemporary practice as a result of the influence of the modernists. Today, we see generous use of dark ceilings with light walls used with ingenious effect; deep, dark wall colors are used with rugs of very light value and ceil ings and walls are generally carried in the same color--and all with striking results. ESTABLISHING A THEME COLOR Principle No- 5--The main consideration in wording out a color plan for an entire building is to establish a theme color that will harmoniously tie together the color scheme for all units of the building. It should be possible for the eye to travel from one area to another without experiencing an abrupt interruption in color. A cherry blossom is a beautiful thing in itself, but cherry blossoms intermixed with green foliage and tied to the earth with green to neutral brown twigs, branches and tree trunks, become an harmonious whole. The reception and stair halls of a residence, or the vestibule, lobby and corridors of a public building should be treated as a unit in themselves and co-ordinated to the color scheme of the rooms which open off them, particularly where they are joined to these rooms by open archways. This may be accomplished by treating such spaces either in the 196 0007-PTL-000280 MONOCHROMATIC COLOR RELATIONSHIP Monochromatic color relationship is variation in chroma and value of a single color or the color range existing between any spectrum hue and neutral gray (Figure XTV). If we consider painted surfaces independent of accessories, such as draperies, fabrics, rugs, etc., more things can be ac' complished with monochromatic color relationship with paint and stains than any other principle of decoration. WALL COLOR WITH MORE PLATINUM OR As was pointed out when defining the word "hue," a color may vary in lightness or darkness and in brightness or grayness and still be the same hue. Such tints, shades and gradations of a color are said to be in monochromatic relationship to each other because they are all derived from the 191 0007-PTL-000275 LIGHT REFLECTION The difference in the light reflection properties of light and dark colors may be likened to the difference in bounce of a well inflated ball and one from which most of the air has escaped. The lighter the color, the higher the light reflection and the greater number of times light will "bounce" away from the colored surface against which it is directed. A higher value of a color will reflect more light than a low value of the same color. Different colors reflect different amounts of light. Generally speaking, a room is more satisfactorily lighted when the ceiling, walls and floor reflect light in the following percentages: Ceilings, 65 to 80 percent. Walls, 35 to 65 percent. Floors, 10 to 20 percent. In work rooms, where efficiency is of greater importance, the higher valued colors are better. Lower values are permissible where decorative treatment is of first interest and maximum vision is not essential. The luster of a paint is important from a light-reflecting value. As a general rule, walls and ceiling should be done in a "matte" or flat luster. These lusters diffuse or spread the light in all directions. A gloss luster "mirrors" the light and reflects bright spots that can produce an annoying glare. The following list will serve as a guide in selecting P&L Calibrated Colors for walls and ceilings of rooms where light is an important consideration: LIGHT REFLECTION VALUE OF PRATT LAMBERT LYTA.LL FLOWING FLAT COLORS Standard Color PerCent of Light Reflected Standard Color PerCent of Light Reflected Standard Color PerCent of Light Reflected White Buttercup Yellow Bone White Sudan Ivory Lime Yellow Lime Green Platinum Melon Green 89 79 72 70 70 63 59 53 Rose Dusty Green Puritan Gray Wedgwood Blue Indian Turquoise Fawn Gray Swedish Red Delft Blue Empire Green 52 50 50 47 39 36 33 28 26 Cocoa Brown Regency Blue Blue Spruce Caribbean Blue Burgundy Fern Green Windsor Blue Ruby Red 23 22 21 17 16 16 16 13 198 0007-PTL-000282 BALANCE AND PROPORTION Mastery of the principles of harmonious color relationship as previously outlined is basically essential in the use of color. There is almost limitless latitude for individuality and ingenuity in their adaptation if colors are combined with a sense of feeling of balance and proportion. Its importance will become almost obvious with practice, but a few principles can be outlined for guidance. Principle J^p. 1--Equal areas of contrasting colors are not pleasing. A bath room with a Melon Green dado and a Rose upper wall would not be pleasing because the areas would be approximately equal. An all-Rose bath room with green towels or an all-Melon Green bath room with rose towels would be effective because of the limited use of the contrasting or complementary color of the towels. The amount of contrasting area should be governed largely by the degree of brightness or chroma in which the contrasting color is used. In an all-Rose bath room, bottles of primary green would afford fitting interest, but shower curtains which occupy a greater area would be appropriate only in a grayed tone of green. Similarly, a brilliant Red-Orange vase affords the needed touch in an Indian Turquoise living room, but Swedish Red in a more subdued tone, would be more pleasing for the draperies or for the inside of the book cases because of the greater area involved. The smaller the contrasting area, the more brilliant the contrasting color may be, and conversely, the larger the contrasting area, the more neutral in tone it should be. * Equal areas of the same value and chroma are exceedingly monotonous. The living room decoration of yesterday with its low chroma, evep-toned buffs, taupes, mauves and yellow-greens, lacked variety and animation. Equal areas of fight tints are likely to appear dull and uninteresting. A bed room with walls, curtains, spreads, etc., carried out in light tints such as Sudan Ivory chartreuse and turquoise, in an effort to attain cheerfulness, will seem to lack something. It lacks the punch that a counterbalancing touch of a deep, rich color (low value, strong chroma) will give it. A dark Burgundy rug would give it needed balance and strength. Equal areas of dark colors are likely to be depressing. A room painted in a deep green would prove depressing if all the furnishings and accessories were carried out in deep blues and reds. It requires relief from dark values. Paint the woodwork Bone White, use blond, bleached furniture and gay, light fabrics and you add vibrant interest to the room. The so-called modem in architecture and decoration may have been carried to some extremes in 193 0007-PTL-000277 LIGHT AND ITS EFFECT ON COLOR The amount and quality of daylight has a direct bearing on the way a color registers on the eye. Paradoxically, the chroma of a color is lowered both with bright sunshine and with reduced light. By way of illustration, assume that colors are most correctly and truly seen in a north light on a clear day. These same colors, viewed in strong sunlight, will not appear more intense (stronger in chroma) as might natur' ally be expected. Quite the opposite, they will appear less intense. Bright sunlight tends to lighten a color. If a panel painted with a grayed color, such as Dusty Green, is held where it can be shifted back and forth from bright sunlight to a normal (north) light, it will quickly demonstrate how much brighter and stronger a color appears in normal light than in bright sunlight. Now, paradoxically, when the intensity of light is reduced below nor' mal, as for example, with the approach of darkness, bright colors in a room appear to fade out. This effect, resulting from the steadily diminishing light, is similar to the effect of adding black progressively to the color. The color seems to become darker and darker. The apparent contradiction to keep in mind is that colors seem to lose brightness (chroma) both in bright sunlight and in subdued light. As daylight fades into twilight, another phenomenon of the effect of certain qualities of light on color is perceptible and that is the gradual lightening in value of the darker colors in the spectrum and the gradual darkening of the lighter colors in the spectrum. "f These various idiosyncracies of the qualities of ordinary daylight in their effect on color can be very disconcerting to an architect working out a color plan because the colors used in the plan that is worked out in one quality of light may become noticeably distorted when viewed in a different light. Likewise, a color composition or ensemble for a room may be notice' ably different in varying amounts and qualities of light. Therefore, it is always wise to plan the color scheme for the time of day or night when the space is most extensively used. North light is generally best for passing judgment on color selections or color matches. Color schemes for rooms should be chosen with consideration to ex' posure. The warmth of south light may be compensated by the predomin' ating use of cooler colors, such as Empire Green, Dusty Green, Melon 200 0007-PTL-000284 bands) separated by a V/z' stripe. The effect is particularly good if each successive band starting at the bottom is progressively narrowed in width and lightened in value, with the ceiling in a very light tint and the trim carried in the same color as the bottom band of color. CEILING UNE CHAIR RAIL- DADO 33" FIGURE XV FLOOR If Raising a Ceiling f It is more difficult to raise the height of an obviously low ceiling. Vertical lines, such as are found in wall paper, will help most. Warm ad' vancing colors on the walls, with white. Bone White or a very light green ceiling will also create the illusion of increased height. Pulling Walls In If a room is disproportionately long in relation to its width, the room can be brought into more normal relationship by applying an advancing color of fairly deep value on the two end walls and a light tint of the same color on the two side walls. If a monochromatic effect is not desired, the side walls may be painted Platinum or Puritan Gray. Obviously, the maximum correction would be effected by using an advancing color on the two end walls and the complementary receding color on the two side walls. 195 0007-PTL-000279 by the even greater disadvantages of eye strain and resulting fatigue, with a consequent loss in worker efficiency. Color and light in normal relationship eliminate eye strain, reduce fatigue, step up efficiency and increase productivity.- Hospitals used to fee decorated all in white to emphasize the appearance of sanitation. Now, white walls are rarely seen in a hospital. They have given way to walls painted in more restful, cheerful colors and tints. PHYSIOLOGICAL REACTION OF THE EYE TO COLOR While some persons, with practice, may develop a highly educated "eye for color," it is interesting to note that all individuals, except the color' blind, possess some instinctive automatic adjustment to favorable color relationship. Without knowledge of color principle, the eye, within limi' tations, instinctively registers proper and improper color relationship. For example, a discordant combination of orange and blue (a dark orange in combination with a light blue) attracts the eye. The eye automatically tries to restore die colors to their normal spectrum tone order, and quickly tires in the effort. The instinctive reaction of the eye to color is best illustrated by taking a small piece of primary color, such as red, on an area of white, and con* centrating the vision on the red spot until the eye tires. Now, quickly withdraw the red spot or shift the gaze quickly to another white area, and the same shape as the red spot will occur in an "after image" but in the contrasting color of green. Repeat the experiment with primary yellow and the "after image" will be purple. This experiment not only proves the instinctive reaction of the eye to color, but likewise the instinctive desire of the eye for contrast--the most favorable relationship of color. The "after image" registered will always be the complementary color. This explains the factors which affect eye "equilibrium." The eye focused on a bright primary color soon tires. It seems to crave color contrast. A quick glance at the color complement will restore eye equilibrium or comfortable vision; likewise, dosing the eyes briefly will restore eye equilibrium. Carry the experiments a step further and intermix the con' trasting colors and we arrive at a range of grays which are ideal for comfortable vision, ideal for rooms in which to work or spend long periods of time. In the intermixing of red and green, we would arrive at a gray with a rose cast or a gray with a green cast, colors which would be pleasing in effect. While the completely neutral gray would be very satisfactory for good vision, it would be uninspiring to live with. 202 0007-PTL-000286 same color as adjoining rooms or in neutral grays or off whites, or in monochromatic tones of the colors in the adjoining rooms, or by recalling the dominant colors in the adjoining rooms. SELECTING A COLOR Principle 7v[o. 6--To select a suitable background wall color against wkich to silhouette the more colorful furnishings, draperies, etc., is not as simple as it may seem. Paint colors are usually selected from small color card chips or by painting a small area of wall or trim. Such small areas of color are deceiving, not only to amateurs but frequently even to skilled colorists because they utterly fail to show another principle of color, namely, that color intensifies with area and with reflection. The degree of intensification is not easy to estimate. The inclination is to select colors that are too bright. A suitable soft blue-gray (Regency Blue) selected for a living room may be rejected because it looks like a lead color in a sample chart and even more so in liquid paint, but as the paint dries out on the four walls of the room, an unbelievable reinforcement of the blue cast becomes apparent. The color may dry out with a stronger bluish cast, but the greatest intensification of the bluish cast will come from reflection. The intensification of color is greater in a small room than a large room; in a north room than a south room, but it is always a factor. The problem of tinting a color is made more complicated by the fact that color may dry lighter in some types of paint and darker in others. For example, a perfect color match in a wall paint and an enamel in the wet may change to a poor match when dry. f The simplest and best answer to this problem is to use wall paints and enamels of established merit, the colors of which have been carefully wor\ed out by the manufacturer to meet normal conditions. It is usually necessary to paint out a great many rooms to satisfactorily insure that each tint and shade will meet the decorative requirements of the average room. Pratt & Lambert is one of the very few paint manufacturers who have been willing to undertake this expensive but important work. In selecting a color, it is well to remember that color loves company. Association with other colors brings out the best in any color. We can best appraise a color by placing it adjacent to its complementary color, because contrasting colors in juxtaposition make each of the colors appear stronger and brighter. 197 0007-PTL-000281 Orange, as a color, has few weaknesses. It is high in the spectrum and consequently can be used successfully in light tints of high light reflecting value. On the other hand, its color complement, blue, being low in the spectrum scale, it must normally be confined to values of relatively low light reflection. To use blue in high values would violate the normal spectrum order. While the tints of orange and yellow-orange, such as buffs, tans and creams, have enjoyed long popularity, they are commonplace. They have been long and widely used because they are safe background colors, but now that newer, more original and distinctive tints and shades of PSL, Calibrated Colors are available and die rules for using them are becoming better known, there is a definite trend away from the use of buffs, creams and ivories in decoration. There is an increasing desire for colors more animating than earthen colors. Nature itself seems least proud of the earthen buffs and tans, as it seeks to cover them with mats of vari-toned greens. Green, which is between yellow and blue in the spectrum, combines the psychological influence of yellow and blue. It is a combination of the qualities of sunshine yellow and sedate, cold blue. It becomes one of the most restful and pleasing of all colors. Green, which is found so generously in nature, is a wonderfully versatile and extremely adaptable color. Here' tofore, in decoration, green has not enjoyed the popularity it deserved because interior paints made in that color have always been too bright. Grayed tints of green, especially those found near the hub of the color wheel, Dusty Green, Empire Green, Indian Turquoise, etc., are ideal for backgrounds. Such grayed tints, low in chroma, are soothing to .the eyes and thus are suited, not only for residential areas but also for work rooms, schools and offices. A gray'green, such as Dusty Green, is often used in hospital operating rooms for two reasons. It is easy on the eye and therefore promotes accurate vision and it has a psychological benefit to the surgeon in restoring eye stability as he looks away from, areas of red to green walls. Violets and purples are likely to have a depressing effect on some people. However, adequately shaded with black or gray to produce a raisin or plum color for a rug, they can afford a strong solid base on which to build an attractive color plan. They may also be used in brighter tones in restricted areas as accent colors in drapery materials, upholstery and accessories. Light tints of lavender or orchid for wall surfaces are not only lacking in favorable psychological reaction, but when so used would almost 204 007-PTL-000288 REFLECTANCE VALUES FOR LYTALL FLOWING FLAT MIXTURES Mixtures Per Cent of Light Reflected Reed Yellow (Y) Sprout (Y) Kent (Y) 84 82 81 Crocus (Y) Candlewick (Y) Sonora (Y) 79 79 73 Citron (YG) 71 Chateau Rose (R) 66 Jasmine Yellow (YO) 63 Carnation (RO) 61 Canary Green (YG) 61 Blossom Pink (R) 61 Feather Gray (N) 58 Aspen (YO) 58 Pablo (R) 57 Chalk Pink (RO) 56 Blue Ice (B) 55 Sprite (G) 55 Peach (YO) 54 Quaker Pink (R) 53 Quince (G) 50 Tea Rose (RO) 50 Chapel Gray (N) 49 Parchment (RO) 48 Shell Tint (RV) 47 Sand (N) 47 Dresden (B) 43 Milan Blue (BG) 43 Mixtures Per Cent of Light Reflected Sagebrush (G) Malaga (G) Mint (G) Tiber Gold (YO) Brittany Gray (N) HopiRed (RO) Cimarron (BG) Pepperroot (G) Quarry (BG) Biscay Blue (B) Wisteria (B) Abbey Rose (RV) Flamingo (RO) Petunia (RV) Elf Green (BG) Bali Green (G) Topas (RO) Jasper (BG) Sea Moss (BG) Jay Blue (B) Pewter (B) Sahara (RO) French Green (G) Everglade (BG) Jade (BG) Ceylon Blue (B) Tyrol Blue (B) Aden Blue (BG) Nocturne (B) 43 42 42 42 40 40 38 38 36 35 35 34 34 34 34 33 33 32 32 31 31 31 31 30 28 28 27 27 27 Mixtures Per Cent of Light Reflected Clover (G) 26 Bluestone (V) 26 Cascade Blue (BG) 26 Begonia (RV) 25 York Blue (B) 25 Parrot Green (G) 24 Lagoon Blue (B) 23 Raspberry (RV) 23 Thimbleberry (RV) 23 Devon Blue (B) 22 Phlox (RV) 22 Mauve (BV) 21 Foxglove (BG) 19 Cabana Red (RV) 18 Pagoda Red (RO) 18 Bark Brown (RV) 17 Loganberry (RV) 17 Blue Bird (B) 16 Bluebell (B) 15 Canyon Red (RV) 15 Morocco (RV) 15 Thistle (BG) 15 ,Persian Blue (B) Charcoal (B) 15 14 Avocado (G) 13 Plum (BV) 12 Wine (RV) 11 Cobbler Brown (RV1 11 n o t e: Letters enclosed in parentheses, immediately following color name, indicate color family in which the respective color may be found. 199 0007-PTL-000283 While the living room wall colors should be restrained to create an atmosphere of restfulness, a more stimulating color is preferable in the dining room to promote a more cheerful, animated atmosphere in which to enjoy food. We normally spend but a short period of the wakeful day in the bed room and it may be decorated in brighter colors to suit the taste. The principles that have been outlined for the work shop, study room and the home, of course, are adaptable to the office building, hotel, hospital, school and factory. In kindergartens, where much time is devoted to organized play, the wall colors should be bright and gay, whereas m the studious higher grades, light tints only should be used on walls. Ceilings should be done in light tints of the wall colors used and not in white. Color selection based on psychological response offers great possibilities for the hospital and considerable progress has been made in this field, using subdued colors for housing highly nervous patients and brighter and more stimulating colors for patients who would benefit from mild stimulation. In no field, with the possible exception of the theater, has any group so fully capitalized on color response as in the merchandising field. Both bright and subtle colors are used with studied understanding to attract attention and stimulate buying. People will travel a considerable distance, if necessary, to find a pleasing atmosphere in which to eat. Restaurants serving the same quality of food as others have greatly increased their business with colorful decorations that make eating a seaming luxury. The grocery store, once drab and old fashioned, has taken on the appearance of a house wife's paradise. Merchandisers of women's apparel invest great sums of money to buy the services of the finest colorists and designers in order to show off merchandise with the most telling effect. Their customers, for the most part, are not students of color, and only a few of them have the ability to create color combinations of merit, yet all are favorably influenced by the proper use of color. Recognizing the important part which color plays in architectural design, Pratt & Lambert'Inc., has developed Calibrated Colors which are correct in value and chroma, and has trained its architectural representatives in their proper use. Their services are available to any architect upon request. This includes the writing of a complete painting specification and one or more distinctive color plans. Address requests to the nearest Pratt 5? Lambert Architectural Service Department. (Page 9). 206 0007-PTL-000290 Green, Indian Turquoise, Regency Blue, Wedgwood Blue, Delft Blue, Windsor Blue, Puritan Gray, etc. The warmer colors, such as Sudan Ivory, Cocoa Brown, Rose, Fawn Gray, Ruby Red, Burgundy, etc., should predominate in rooms with a northern exposure. The amount of light entering a room should also be ta\en into account in selecting a color. The less natural daylight there is in a room, the brighter and lighter the value of a color should be to compensate for the lack of light; conversely, the brighter the room, the darker the value and grayer the color should be to compensate for excessive light. Artificial light sometimes does unexpected things to color, particularly with incandescent or light of low wattage. With a normal amount of this kind of artificial light, the usual result is an apparent yellowing of a color. A peach color becomes more orange, a blue becomes turquoise, and a turquoise becomesgreen. Fluorescent fighting is becoming increasingly popular. 'While its use has been confined almost exclusively to offices, factories and similar large areas, it is now being used with increasing favor in residential kitchens, laundries and similar working areas in the home. To be safe, before approving a color, it is. always best to view it under the kind of artificial light to which it will be exposed. So far, rules have been offered for producing pleasing and comfortable effects with color and light. Color should never be considered independently of light. Physical reactions are influenced by the quality and intensity of light, just as they are by the chroma and value of colors. , When outdoors in strong sunlight and especially during the winter when the ground is covered with snow, we protect our eyes against "snow blindness" by wearing colored glasses which relieve eye strain. Snow is blinding and so in a lesser degree are rooms which are painted all white. Color is a normal complement of life. Consequently, unrelieved white is unnatural, monotonous and uncomfortable to live with. It causes excessive contraction of the pupils of the eye which, if endured for long, can become irritating, tiring and even painful. Until recently, the interior of factories were painted all white, pre sumably on the theory that good vision was dependent upon maximum illumination alone. The advantages of increased light were, however, offset 201 0007-PTL-000285 temperature of the room, but it also applies to the temperature of the materials being applied, and to the temperature of the surface over which the material is applied. While exterior paints are not as sensitive to heat and cold as interior finishes, there are limits beyond which it is impractical to apply them. It is recommended that outside paints should never be applied in temperatures below 40* or 45" F., and better results will be obtained if the temperature is between 60 and 80 F. While it is necessary to have proper ventilation in the interior of buildings when applying finishing materials in order to hasten the drying of the fresh film, it is important that no draft or current of air blows against the freshly finished surface. This causes unevenness in the drying, produces streaks or silking in varnished surfaces, and dull spots in enamel and wall coatings. Equally unsatisfactory results will be obtained from applying finishing materials in extremely humid or rainy weather when the interior or exterior atmosphere is saturated with moisture. If paint or other finishing materials are applied in very hot, humid weather, the product may not properly dry. In extreme cases, in certain sections of the country, coats applied in the afternoon have been known to remain almost as wet the following morning as when freshly applied. Temperatures and weather conditions have a very decided effect on the results secured in the application of paint, varnish and enamel. MOISTURE IS A TROUBLE-MAKER Moisture is the cause of many paint failures. It causes burning or saponification of paints when used over plaster or masonry. It causes blistering, peeling, flaking and scaling from wood or metal surfaces. Moisture and Plaster Walls It is impractical to attempt to paint freshly applied, unseasoned plaster. When insufficient time is allowed for the plaster to dry through, "hot spots" may occur in the paint applied over it. "Hot spots" are soft, ugly looking areas erroneously believed to be caused by excessive lime. Actually they are caused by moisture dissolving the water soluble alkaline compounds in the plaster. This solution saponifies the paint film turning it into a soft, soapy substance which, when dry, peels or flakes off. 208 0007-PTL-000292 THE PSYCHOLOGICAL REACTIONS TO COLOR Color in nature is never tiring; it is dispersed so masterfully. There may be bright spots of flowers in the foreground, but they are always silhouetted against vast neutral backgrounds of earth, rocks, grass, tree trunks, foliage and the limitless area of blue-gray and white sky. Un favorable color relationship may exist in a bouquet of flowers because the flowers are closely grouped together, but flowers in a garden are seldom in unfavorable color relationship because of the interspersed neutralized area in which they grow. Nature may overwhelm us with a galaxy of color when the entire wall of the sky is smoldering with red, and all the admixtures of red-orange, blue and mauve, but that is only for a brief period. It is possible that we might tire of the glamorous colorings of fall foliage if we had it with us the year around, but nature avoids over-indulgence. In any event, we can not deny the exhilarating psychological effect of a beautiful bed of flowers, a glorious sunset, a forest of fall foliage. The psychology of color can not be defined as a complete, exact science because there is yet much to be discovered in the field of psycho logical research, but enough is known for practical purposes. It is well established that color can animate or tranquflizc, excite or depress, delight or annoy, soothe or irritate, according to the combination of colors used. At the outset, we are prejudiced in our approach because of life-long associations of certain emotions with certain colors. We use such ex pressions as "red with rage," "blue as indigo" or "yellow as a dog." Very often our emotional associations with color are contradictory. Red, the color of blood, and associated with combat, may have its association with rage, but the opposite of rage is experienced emotionally as we view a red and red-orange sunset. Red may inspire rage, but it may also inspire warmth and happiness. It is true that certain tones of blue may prove depressing. Blue, the color of ice, may be associated with coldness, but it is also associated with spirituality. There is also a dignity and serenity to blue that makes it well adapted to creating a formal atmosphere. Yellow is associated with cowardice. There probably is no wellfounded basis for this because yellow is the most luminous and cheerful of all colors. It is the closest approach of any color to sunshine. 203 0007-PTL-000287 metallic paints (wall paints and enamels) on radiators. The following quotation is from a U. S. Bureau of Standards publication (LC445): "-- the last coat of paint on a radiator is the only one which has an appreciable effect, -- a radiator coated with metallic paint will emit less heat, under otherwise identical conditions than a similar radiator coated with non-metallic paint. In order to obtain the same amount of heat from the two radiators just considered, the temperature of the one painted with metallic paint must be some' what higher. Under these conditions, exactly the same amount of heat is being supplied to the two radiators and -- practically the same amount of fuel is required --. In other words, while it may be desirable for various reasons to avoid the use of metallic paints on radiators, no appreciable saving in fuel will result from the use of non'metallic rather than metallic paints." Since modem decoration requires that radiators and grilles be painted in the same color as the adjoining walls, it is important that these surfaces be properly coated to avoid blistering and cracking of the finish, and a marked change in color caused by excessive heat. Flat wall paints resist blistering and discoloration under heat better than glossier finishes. Eggshell wall coatings and enamels tend to discolor more than flat wall paints, but are more practical from the standpoint of cleaning. The use of gloss wall paints and enamels should be avoided as they tend to blister and flake more than flat or eggshell, finishes. Under excessive heat, white wall paints and enamels tend to yellow, oftentimes to the point where they present more of an ivory color than white. Light pastel colors, exposed to 200 F. (operating temperature of many radiators) also undergo a change, but this change is objectionable only when the colors have a blue tone such as light blue'grays, light greens and light blues. Ivory, cream and buff color wall paints and enamels will discolor, but the change in these colors is comparatively inconspicuous. New radiators, convectors, grilles, etc., should be primed with a thin coat of P&L Interior Trim Primer. When this coat is thoroughly dry, preferably with the aid of a little radiator heat, it should then be coated with a thin coat of Vitralite Enamel Eggshell or Lyt'all Flowing Flat. The thinnest possible coat should be applied in order to minimize blistering and flaking tendencies. Under no circumstances should the heat be turned on full until the finish has thoroughly hardened. 210 0007-PTL-000294 invariably violate the rule of normal spectrum order and thus create a discordant relationship with other colors. To summarize the generally accepted psychological reactions to color, refer again to the color spectrum (Figure III), and start at red and classify it as the most exciting of all colors. Then from red-orange to yellow-orange we pass in varying degrees from exciting to stimulating colors, and approach yellow, which is less stimulating but the most cheerful of all colors. Then we come to the greens (yellow-green, green and blue-green), which are progressively more tranquilizing in character with the maximum degree of soothing influence in the serenity of blue, from which we approach the more depressing violet and purple. To simplify understanding, we have interpreted color psychology largely from the standpoint of spectrum colors. However, the degree of psychological reaction to a given color is also dependent upon the degree of brightness or dullness of that color. THE PRACTICAL APPLICATION OF COLOR PSYCHOLOGY Response to color is an emotional response. Emotions are not static. Consciously or unconsciously, we seek variety and change in emotional experience. Life is vibrant. Color can be adapted to meet the moods of functional requirements. Color can create an atmosphere of restfulness, concentration, cheer or gaiety; likewise it can induce restlessness, excitement, depression or nervousness. We need only to adapt the principles that have been set forth to produce the desired reaction. We use the more brilliant hues to express gaity for recreational enterprises such as the cocktail lounge and the theater. We remember that the more brilliant the hue, the more stimulating the effect, and that red and orange are the most exciting of all spectrum colors. Bright colors soon become very tiring. In the work shop, office, study or home, where we spend most of our waking hours, it is desirable to use colors that are not emotionally fatiguing. It is equally important that the colors chosen for use in these areas be reduced in chroma to die proper degree of grayness. The character of the work, of course, may have a bearing on the color selection. Grayed greens and blue are particularly well adapted to promote thought and induce concentration; on the other hand, a relatively bright yellow on the cool side of yellow is ideally cheerful for the kitchen. 205 0007-PTL-000289 10% solution of muriatic acid, after which the wall should again be washed with clean water. An even better method of H*>aning is to use a steam and water jet without the add treatment. The wall is then ready for painting." (when thoroughly dry) PAINTING ACOUSTICAL MATERIALS The paintability of acoustical materials varies widely and depends upon the surface appearance and structure of the material. Some types can be painted without impairment of sound-absorbing capacity. Some types cannot be painted without losing much or all of their acoustical efficiency. Flat paint is preferred to eggshell or gloss enamel for painting acoustical surfaces for two reasons: (1) it is more porous and therefore has better acoustical efficiency; and (2) it has low binder-content, consequently it has the least tendency to bridge holes and fissures. Pratt Lambert Solidex is especially well suited for painting most acoustical materials. STAINING AND DISCOLORATION OF EXTERIOR PAINTS Staining or discoloration of exterior paints may be caused by a wide variety of conditions, the most common of which are as follows: Metal Staining is caused by screening, gutters, downspouts, hardware, house mimbers, lighting fixtures or exposed nail heads. Both copper and iron form soluble metallic salts as they weather and when these salts wash down over the painted surface, stains develop. Where copper is the cause, the stains are yellow-green in color. Where iron is involved, characteristic rustcolored stains appear. These stains are not superficial surface stairs, but are formed within the paint film itself. Metal stains can be differentiated from other types of stains or discoloration in that they are usually confined to small areas directly below or adjacent to exposed metalware. Paint composition has a considerable bearing on susceptibility to metal staining. Rapid chalking minimizes staining and P6?L House Paint ranks high in resistance to such action. So-called ``stain-proof' paints have been available for a number of years. These paints do not contain zinc oxide and zinc sulphide but are mixtures of white lead, titanium dioxide and extender. Examination and exposure tests disclose that paints of this type weather poorly and develop a mottled gray appearance shortly after exposure. This unsightly appearance is more objectionable than the metal staining that these paints are designed to prevent. 212 0007-PTL-000296 PROBLEMS AND ANSWERS Following is a discussion of painting problems which occasionally confront the architect, and their possible avoidance or solution: REDUCTION OF FINISHING MATERIALS Unauthorized thinning of finishing materials of all kinds generally carries in its wake a chain of griefs and unsatisfactory results. Painting materials are made with a delicate balance as to hiding, working, leveling, drying, luster, color retention and durability. When a skimpy finish is observed on a given surface, it is almost certain that the goods have been improperly thinned. Explicit "directions for using" are printed on the label of each can of Pratt Lambert paint, varnish and enamel. If a product is designed to be reduced by the user, the amount of thinner to be used is definitely specified and the product should be so reduced. If no reduction is specified, the goods should be used in the consistency supplied. STIRRING OF PIGMENTED PRODUCTS Probably more complaints result from lack of proper stirring of pigmented products before and during application than from any other cause. Pigment particles are heavier than the liquid in which they are suspended. Therefore, the pigment, including tinting colors, have a tendency to settle to the bottom, the liquid remaining on top. Before using, the product must be thoroughly stirred so that pigments and tinting colors may be as thoroughly incorporated with the vehicle as when freshly manufac tured. If this is not done, lack of hiding will result, and the color on the surface will be off shade. TEMPERATURES AND ATMOSPHERIC CONDITIONS Varnishes, enamels and interior paints are sensitive to heat and cold. When subjected to cold temperatures, they become thicker in body. In this condition they will not flow out evenly under the brush and the same is true when they are applied over a cold surface. When finishing materials are subjected to extreme heat, they become thinner in body, the depth of the coat is less, and care must be exercised to prevent runs and sags on the surface. 70% F. is the ideal temperature at which to apply varnishes and enamels. This not only applies to the 207 0007-PTL-000291 Mildew can usually be recognized by the following: 1 Spotty discoloration of surface. Mildew usually has a blotchy appearance. 2 It Is frequently powdery and is almost always present as a sur face condition. 3 It occurs in localities and situations where atmospheric humidity has been persistently high, or where the underlying surface has Been damp. Mildew growth can be prevented or greatly retarded by the use of fungicides, which are used in two ways: (1) to combat mildew on a surface before it is painted and (2) as an additive in paint to retard future mildew growth. The following list includes commonly used fungicides: Copper and mercury compounds, such as copper napthenate and bichloride of mercury. Phenol derivatives, such as thymol. Chlorinated phenols, such as the Dowicides and Santophens. Most chemicals which are toxic enough to be good fungicides are also toxic to human beings, are dark in color, react unfavorably with paint or possess a combination of these disadvantages. No known fungicide is absolutely harmless to both human beings and paint. Most of them do not dissolve in paint but have to be ground in. Certain types of paint are less susceptible to mildew growth than others. High zinc oxide content paints and dense, hard-drying paints resist mildew growth best. Mildew is most likely to occur on dark green, dark brown or dark red paints, for such paints dry slowly and this provides an ideal lodging place for mildew spores. The following suggestions are recommended for mold or mildew al ready present: 1 Scrub with an alkaline cleaner, such as Oakite, Wyandotte, trisodium phosphate, or sodium metasilicate. Use according to manufacturer's directions; in most instances, 2 oz. of cleaner to a gallon of water will produce a solution of satisfactory strength. 2 Rinse with dear warm water and squeegee dry. 214 007-P TL.000298 This same combination of moisture and water-soluble alkaline com pounds permanently affects many paint pigments, especially blues and greens used for tinting wall paints. The colors undergo a marked change usually evidenced "by peeling or bleaching. The only safe procedure in painting plaster is to allow sufficient time for it to become thoroughly dry. Moisture and Wood It is .customary to use kiln-dried lumber for exterior siding, interior trim, flooring, etc., but even this will absorb moisture unless adequately protected during storage and erection. In extreme cases the absorption may be sufficient to cause blistering, flaking and scaling of the paint applied over it. Any moisture on the surface at the time of painting will likely cause the paint to peel or blister. The precaution is to direct that all wood shall be thoroughly dry before painting. Moisture and Metal Unprotected ferrous metals rust quickly when exposed to moisture. When rust accumulates, it must be removed with a wire brush or steel wool, because paint applied over rust will not properly adhere to the metal but will easily scale. The best practice is to paint metal only when clean and dry, first removing any foreign substance, especially rust and scale. Moisture and Masonry Most types of masonry absorb moisture either from the mortar or plaster or from rain and snow during storage and erection. Adequate time should be allowed for all moisture to evaporate before painting interior or exterior surfaces of concrete, cement, stucco, brick, cinder block and tile. As an additional precaution, exterior areas should be painted only in the warm months and after at least a wee\ of clear, dry weather. PAINTING RADIATORS, CONVECTORS AND GRILLES For approximately twenty years, heating experts have debated the relative efficiencies of metallic paints (aluminum and gold bronze) vs. non- 209 0007-PTL-000293 BUILDING A FINE VARNISH OR ENAMEL FINISH When an engineer is charged with the responsibility of building a structure he carefully studies the plans and specifications before beginning the actual construction work. His training and experience have taught him the necessity of working according to plans and specifications, and the importance of paying strict attention to detail if the structure is to stand as a monument to good work well done. So it is with the building of a fine varnish or enamel finish. If die materials are applied in accordance with the specifications and directions, and if close attention is given to every finishing detail, it is possible for any good craftsman to build a smooth-as-silk finish that has depth and beauty and is free from blemish. There is something about fine woodwork, trim and paneling that appeals to most people. Possibly they associate the wood used in the interior of a building with the beauty and grandeur of growing trees, or it may be the friendly, warm feeling that wood imparts, because unlike metal, it is seldom cold to the touch, and properly finished lends great decorative value to any room. There are two reasons for finishing wood. The first is to preserve it and the second is to enhance its natural beauty. Wood exposed to the atmosphere will crack, warp, cup, twist and pull loose from fastenings. Unfinished wood quickly absorbs moisture, dirt, dust, grease, soil and soon becomes unsightly. The finishing of wood to improve its appearance requires the con' sideration of two alternatives--the finish may be transparent, revealing the natural grain of the wood, or it may be an opaque finish that completely conceals the grain and color of the wood, substituting in its place a uniform white, black or colored surface. Varnish, shellac, stain and paste filler are transparent coatings. Interior trim primer, enamel undercoating and enamel are opaque coatings. TRANSPARENT FINISHES There are few things more beautiful than wood paneling or trim that has been carefully selected for grain and figure and'has been finished with varnish or other transparent material. Among the woods most suitable for this purpose are oak, walnut, mahogany, chestnut, birch, maple, fir, white pine, yellow pine and red gum. The first four are classified as open grain woods, while the remainder are known as close grain woods.' 216 0007-PTL-000300 PAINTING EXTERIOR BRICK MASONRY Not all brick is equally paintable. In fact, some types should never be painted at all. Since most brick is made from local deposits of clay or related substances, almost any chemical composition can be expected and an equally wide variety of painting characteristics may result. The type of brick used has a greater bearing on paint failure (scaling) than does the paint. In general, soft or common day brick offers the best paintability. As brick increases in density and smoothness, painting hazards also increase. Pressed shale brick and sand lime brick are difficult to paint. Hard glazed brick is the most difficult of all to paint. Sand'finished and textured bricks hold paint better than the smoother varieties. Experience indicates that it is unwise to paint new brick masonry which is very hard, very smooth or glazed. Weathering roughens the exposed surface and makes it safer for later painting. Now brick and other new masonry surfaces may be painted after 30 days of good drying weather with Pratt 6? Lambert Alkatite Cement Stucco Paint, instead of waiting months for the alkali to leach out. The 30'day waiting period insures that the fresh concrete or mortar has thoroughly dried. Alkatite Cement & Stucco Paint cannot be applied over wet or damp surfaces any more successfully than other organic coatings. Used brick is a popular construction material for attaining certain architectural effects. In general, used brick is a safer painting surface than new brick, but for one exception. That exception is brick formerly used as a lining in chimneys and flues. Such brick is usually black and not suitable for painting. The discoloration is due to tar or pitch deposits which will bleed into light colored paint applied over the brick. Brick structures frequently develop a white frosted appearance known as efflorescence which is nothing more than a deposit of soluble salts that have crystallized after moisture has carried them to the surface. These accumulations of salts eventually cease as weathering progresses and rain washes them away. It is unsound to apply paint over any water'soluble material and therefore efflorescence should be removed before painting. The Brick Manufacturers' Association of America recommends the following treatment: "-- thoroughly brush while dry to remove all efflorescence possible in this manner. Wash with clean water and then wash with a 211 0007-PTL-000295 Blond or bleached wood stain effects have their place in a modem decorative ensemble but they can not replace, nor do they belong in a plan which calls for the use of period architecture and furnishings. They lack the richness and beauty always associated with well'finished mahogany, walnut, birch, gumwood, oak and similar woods. SPECIFY QUALITY MATERIALS In selecting a color and finish for interior woodwork, trim and paneling, it is possible to choose from a wide range of wood finish effects, both con temporary and period, and secure a result at least equal to any finish here tofore produced, provided high quality stains, fillers and varnish are used in accordance with directions and they are applied by skilled mechanics. Ordinary stains, fillers and varnishes often obscure the grain and figure of the wood. Carefully-made Pratt & Lambert wood-finishing materials, resulting from years of experience in catering to the exacting requirements of architects, fine cabinet makers and furniture manufacturers, develop and enhance the natural beauty of the woods on which they are used. THE WOOD MUST BE SMOOTH Before any finishing material is applied to wood, the surface to be finished should be as smooth as satin. Mill dressed lumber frequently does not present a suitable surface upon which to apply stain, filler and varnish. Almost invariably it requires a thorough sanding by hand after erection to eliminate saw or sander marks and other slight defects. While coarse grades of sandpaper cut faster and easier than fine sand paper, they leave scratches that finishing materials will not obliterate. 2/0 garnet paper is recommended for sanding new wood, 5/0 for sanding shellac and .6/0 or 7/0 for sanding varnish. Sandpaper is generally manufactured in sheets 9 x 11 in size. For hand-sanding they are usually cut into quarters and wrapped around a square or rectangular block of wood. PASTE FILLER The filling of open grain woods, such as oak, chestnut, mahogany and walnut is an important operation in building a beautifully smooth varnish finish. A good paste filler is made with silex (yery finely-ground rock crystal quartz) mixed with linseed oil, drier and the necessary pigment colors to obtain colors such as natural, oak, walnut, mahogany and white. The latter color is used almost exclusively for developing effects in which the color of the pore is in striking contrast to the color of the stain used, such 218 0007-PTL-000302 Metal staining can be prevented by painting exposed metal with "61" Spar Varnish or suitable exterior paint, or by using zinc or cadmium'coated hardware and nails, or aluminum instead of ordinary iron and steel in con' struction. Where metal staining does develop and it is desired to remove the stains, the following cleaning procedure is suggested, although the results may not always be satisfactory: Copper Stains--First, wet surface with clear water, then sponge with a solution made by dissolving H/2 to 2X/^ oz. sodium meta* silicate in a gallon of water. Rub lightly with sponge until stain disappears. Wash again with dear water. Rust Stains--Follow same procedure as above, but use a solution of 2% oxalic acid in water or 5% phosphoric acid in water. Gas Discoloration is caused by the action of sulfur gases upon lead compounds (white lead, chrome yellow, chrome green, lead drier) in paint. These gases are present around chemical plants and oil refineries, are produced by the burning of soft coal, the decomposition of sewage, or river and harbor pollution. Unlike metal staining, gas discoloration is a surface effect, which will disappear as the paint film chalks--provided that the condition has been caused by some temporary contamination of the atmosphere. Where fume conditions are abnormally bad, use lead'free paint. The discoloration caused by sulfur gases can be lessened or removed by sponging the paint with hydrogen peroxide or a dilute solution of acetic acid, followed by a dear water rinse. Mildew is a frequent cause of discoloration of exterior paint in certain parts of the United States. It develops mainly in the south and in coastal districts where both high temperature and high humidity prevail. Mold and mildew are low forms of parasitic plant life which develop where warmth, darkness, moisture and suitable food sources exist. Almost any organic material, induding most paint vehicles, is a potential food source for mold and mildew. For this reason, mold and mildew already present on a surface which is to be painted must be destroyed in order to prevent in' fection of the fresh paint and a new growth. 213 0007-PTL-000297 Pratt & Lambert add stains are made from water soluble dyes, water dilute adds or a combination of both. While they raise the grain of the wood, they are well suited for use on hard woods, where deep or unusual effects are desired and where the finish will receive severe exposure to sun light. Fumed oak, aged oak arid pickled pine effects are typical finishes obtained by using acid stains. On open and dose grain woods the stain is applied after the wood has been thoroughly sponged with dear water to raise the nap, allowed to dry and sanded smooth. If a varnish finish is called for, open grain woods are then filled with paste filler followed by a wash coat of shellac before varnishing. Paste filler is omitted on dose grain woods and also on open grain woods when an "open pore" effect is desired. SHELLAC A coat of pure white shellac should be applied after the wood has been properly filled and stained (if staining is necessary to secure a desired color). The function of the shellac coat is to thoroughly seal the filer and die stain and to secure a smooth, non-absorbent surface which will hold out one or more subsequent coats of varnish. Here a word of caution is advisable. Shellac should not he used under varnish on floors or on exterior woodwor\. While shellac is entirdy suit able and practicable as a sealer on interior standing trim, woodwork and paneling, when used on floors under varnish, it reduces the serviceability of the finish. On wood floors and exterior woodwork, varnish should always be applied directly over the filler or stain. VARNISH A final operation in building a beautiful, transparent finish is the ap plication of one or more coats of varnish to protect the surface, and to more fully enhance the beauty of the wood grain. The number of varnish coats used is determined by the effect desired and the degree of durability required. Pratt & Lambert "38" Pale Trim Varnish, Gloss, Satin or Dull is recommended for interior trim paneling and other woodwork. Its almost water-white color eliminates "after-yellowing," which invariably follows the use of ordinary trim varnishes. Two coats should be used on high-grade work if the luster selected is Gloss, Satin or Dull. Regardless of what luster may be selected for the second or final coat of varnish. Gloss should be applied for the first coat. When dry, this coat should be lightly sanded with fine sandpaper. For an open pore effect either Satin or Dull should be used for the final coat. These two lusters closely resemble the finish obtained when a gloss varnish is rubbed by hand to a satin or dull finish. 220 0007-PTL-000304 3 Sterilize by sponging with thymol solution (10 parts thymol, 25 parts denatured alcohol, 75 parts water), bichloride of mercury solution (1 part in 300 parts water) or formaldehyde solution (4% - 10%). Use rubber gloves. n o t e: Bichloride of mercury is extremely poisonous. DO NOT rise it in food establishments. 4 Rinse with clear water and squeegee dry. Bleeding is caused by extraction of soluble colored substances from the wood or previous coating during the application of fresh paint. The discoloration appears at once; all other types of discoloration develop after the paint film' has dried or weathered. Sappy wood, knots, asphalt (from roofing work or the erosion of screen enamels containing asphaltum) and prior paint coats containing organic colors (para reds or toluidine toner) are the commonest causes of trouble. Stains from these causes can not be removed, but they can be covered by repainting if the discoloration is properly sealed. Before painting, areas of discoloration caused by knots, sappy spots, stains, etc., should be first sealed with a coat of Pratt & Lambert WP'578 Sealer. Over large or particularly resinous knots, apply two coats. f / 215 0007-PTL-000299 After the primer has been allowed to dry over night, the surface is ready for a very light sanding with fine sandpaper to remove any little nubs or specks of dust that might have lodged in the film while the primer was drying. After sanding the surface, all comers and crevices must be brushed and wiped dean of dust. ENAMEL UNDERCOATING A coat of Pratt & Lambert Vifxalite Enamd Undercoating is then applied. Its name describes the product. It is the coat that lies immediately under the enamel. Therefore, it must hide so well that when dry, it presents an absolutdy opaque surface. It must level out so smoothly that no trace of a brush mark, sag or curtain can be found. It must dry so hard and smooth that when the enamel is applied, it will flow freely over the surface, just as it would flow over a pane of glass.' Too often flat wall paints are used in place of enamel undercoatings to cut costs. Such paints are totally unsuited for use under enamels because they are by comparison, coarse and porous. When an enamd is applied over a flat wall paint, it not only strikes in, causing streaks or high lights, but the resulting finish is pebbly and uneven. ENAMEL The surface is now ready for the find coats of Pratt S? Lambert Vitrolite Enamd. Technicd skill, newly-devdoped raw materials, specid mills and exacting manufacturing supervision have made possible this outstanding enamd which possesses unusud whiteness, does not "after'yellow" and dries hard over night. The gleaming Gloss or the satiny finish of Eggshell may be washed again and again without harm to the finish or luster. The first coat of enamd should dways be Gloss. When thoroughly dry, it is sanded lightly with fine sandpaper, the surface dusted dean and then the find coat of Vitralite Enamd Gloss or Eggshell is applied. If, for reason of economy, a three-coat job is specified, either Gloss or Eggshell may be used over the Enamd Undercoating. If exterior woodwork is to receive an enamd finish, it is necessary to use a primer and enamd made especially for exposure to the dements. Pratt & Lambert Effecto Primer and Effect Enamd are especially designed to resist extreme heat, cold, sun, rain, snow and ice. 222 0007-PTL-000306 Three major steps must generally be taken to produce a satisfactory transparent wood finish--(1) filling, (2) staining, (3) varnishing. Paste filler is primarily used to fill the pores of open grain wood so that the varnish will not sink into these tiny cavities, but will dry with a smooth surface, free from "pin-holes." A stain is used only to change the natural color of the wood. If a natural effect is desired, the staining operation is omitted. Another function of paste filler, other than natural, is to color the wood, either as a supplement to the stain, or if the stain is omitted, to secure color contrast between the wood and the pore. Close grain woods, such as birch, maple, fir, white pine, yellow pine and red gum do not require filling. If other than a natural finish is desired, oil stain or acid stain of the desired color is applied directly to these woods. "Open Pore" effects which have become quite popular in recent years are obtained by omitting the paste filler, (which would ordinarily be used on open grain woods such as oak, walnut, mahogany and chestnut), and apply ing a coat of stain, a coat of shellac and a finish coat of varnish in a satin or dull luster. On interior trim, woodwork and paneling, it is good practice to apply a sealer in the form of pure white shellac over the stain and filler and before varnishing. While shellac seals the surface and holds out succeeding coats of varnish on trim and woodwork, it is not a satisfactory sealer for floors. The third operation is that of varnishing. One or two coats are applied, depending on the effect and kind of luster desired. Trim varnish is available in three lusters, gloss, satin and dull. Satin produces a haqd-rubbed effect that is very popular with many architects. Dull dries with less sheen than satin. The latter is used most frequently over light-colored or blond stains applied on dose grain hard and soft woods, such as birch, white pine, yellow pine and fir. It has been said that the fine art of wood finishing has been lost and that contemporary painters and finishers are unable to reproduce the beauti ful effects which were so widely used on the interiors of fine structures, late in the 19th century and the beginning of the 20th century. This is not true. The statement may possibly be based on the recent trend toward so-called blond or bleached wood effects whose popularity may be attributed more to their low cost and die temporary scarcity of certain woods, than to their decorative beauty. 217 0007-PTL-000301 SUBJECT * . * FILE "61" Lacquer Black and White (also Colors) --------------------------------------------- L-C-E-G-l "61" Lacquer Clear Gloss ----------------------------------------------------------------------------- L-C-C-G-?'" "61" Lacquer Dull ............ ......... ....... ..................... ........................................... -.......... L-C-C-F-l "61" Lacquer Thinner ------------------------------- ----------- ------------------------------------ L-C-T-2 "61" Linoleum Finish Gloss, Satin ------------------------------------------------------------------- V-A-I-44 "61" Penetrating Sealer Natural ------------ ---------------------------------------------------------- M-F-M-15 "61" Quick Drying Enamel - Colors --------------------------------------------------------------- E-A-C-15 "61" Quick Drying Enamel Gold and Silver ------------------------------------------------------ E-A-C-27 "61" Quick Drying Enamel White ---------------------------------------------------------------------- E-A-W-31 "61" Spar Varnish .............. -........... -............................................................................ V-A-S-20 Abrasives, Sandpaper and Other Coated ---------------------------------------------------------- M-T-B-99 Acid Proof Stain, Black ------------------------------------------------------------------------- ---------- S-T-W-5 Acid Stain, Circassian Walnut ------------------------------------------------------------------------ S-T-W-l Acid Stain, Expedite, and Lacquer, Shelf Life of----------------------------------------------- M-T-B-112 Acid Stain, Light Fumed--------------------------------------------------------------------------------- S-T-W-2 Acid Stains ---------------------------------------------------------------------------------------------------- S-T-W-3 Acid Stains, Codes for------------------------------------------------- ------------------------------------- S-T-W-6 Acoustical Finish Flat White -------------------------------------------------------- W Acoustical Materials, Painting--------------------------------------------------------- M Add-Oil Paste Paint 404 White ------------------------------------------------------------------------- P-A-E-14 Airless Spray --............................................................................. Alkali Resistant Primer................ ............. ........ .......................... -............................. w-C-P-20 0007-PTL-000702 as Silver Gray Add Stain on oak with white pore. Quite frequently, made-on-the-job or poor quality fillers are used and invariably this practice results in a pitted varnish finish and douded color. To insure that all the pores of open grain wood are filled flush with the surface, paste filler should always be thinned to a consistency equal to that of heavy cream. It is then applied in a smooth, even coat and allowed to dry or "set" until die volatile thinner has evaporated and the film on the surface has changed from a liquid to a "mealy" substance. The filler is then packed into the pores of the wood by wiping it across the grain of the wood with a rag, burlap or other suitable material. All remaining surplus filler is then removed by wiping the wood dean, this time with the grain of the wood. STAINS The stains most widdy used for interior finishing are oil stains, pene trating stains and add stains. Pratt & Lambert oil stains, or as they are sometimes called, pigment oil stains, are unquestionably the most practical and satisfactory stains for use on both soft and hard woods. Unlike pene trating stains, they do not strike too deeply into the wood, thus producing a streaky and doudy finish. On the contrary, they stain the wood evenly and devdop the hidden beauty of grain and figure. Pratt 6? Lambert oil stains do not raise the grain of the wood as add stains do, nor do they show brush and lap marks which is one of the chief objections to using penetrating stains. Oil stains do not "set up" as fast as other stains which permits their being wiped, if a lighter color is desired. Oil stains hold their true color much better than penetrating stains. The dyes used in the pentrating type of stain are not always fastfto light. Consequently, if they are used on window sills, sash, show windows and similar surfaces exposed to direct sunlight, the color may fade, presenting a very unattractive finish. This is not so true of oil stains which are made from selected fast-to-light pigment colors ground in pure linseed oil and reduced with oil and thinners having a low evaporation point. Another objection to the use of penetrating stains is that when used over filler, they "boil" the filler out of the pores of the wood which results in a pitted varnish finish. If the procedure is reversed and the filler is applied over the penetrating oil stain, the filler will soften the stain and cause much of it to be removed when the filler is wiped off. When so used, the filler does not dry hard and thus fails to provide the desired foundation on which to apply subsequent coats of varnish. 219 0007-PTL-000303 SUBJECT FILE Applicators, Roller-------------------------------------------------------------------------- :-------------- M-T-B-109 Architectural Clear Lacquers -------------------------------------------------- Architectural Finishes-------------------------------------------------------------------- M- Asphaltum Varnish, No. 1 ------------------------------------------------------------- ---------:--------B-J-A-5 Auto Gear Varnish, Quick,No. 1041 ------------------------------------------------------ A-F-F- Auto Rubbing Varnish,-One-Day--------------- -------------- ----------------- --------------------- A-F-R-V-7 Back Priming ------------------------------------------------------------------------------------------------- M-T-B-104 Baking Methods: Intra-red and Other --------------------------------------------------------------- M-T-B-98 Bar Top Varnish -------------------------------------------------------------------------------------------- V-A-W-3 Barn & Fence Paint White-----------------------------------------------------------------------------------P-A-E-68 Barn & Roof Paint ------------------------------------------------------------------------------------------ P-A-E-44 Barn Red - Paste, 419 and K419 ------------ ----------------------------------------- --------------- P-A-E-45 Bathroom Accessories, Commercial Standard Colors for Kitchen and------------ - M-T-B-81 Black Acid Proof Stain ----------------------------------------------------------------------------- - S-T-W-5 Black, Chassis, No. 1038 -------------------------------------------------------------------------- ;------A-F-E-90 Black Enamel, Dull----------------------------------------------------------------------------------------- E-A-B-7 Black Enamel, Gloss------------------------------ -------------------------------------------------------- E-A-B-18 Black Finishing Enamel, Durable, No. 1039 -------------------,------------ --------------------- A-F-E-16 Black Stack Finish ---------------------------------------------------------- ------------------------------- E-I-B-l Bleaching of Old Floors, Cleaning and ------------------------------------------------------------ C-L-E-l Bleaching with Blanchit, Wood --.........-............. --......... ................... ......................... M-T-B-71 Blistering and Peeling of Exterior House Paint-------------------------------------------------- P-A-E -43 0007-PTL-000704 If a hand'irubbed varnish finish is desired, two coats of Pratt & Lambert Cabinet Rubbing Varnish may be used as the finish coats over paste filler and/or stain, as desired. When dry, the first coat should be sanded to a smooth finish with fine sandpaper. The final coat is rubbed down to the desired luster with fine pumice stone and rubbing oil. EXTERIOR WOODWORK Exterior woodwork subjected to extremes of weather requires a more moisture'resistant finish. Three coats of Pratt & Lambert "61" Spar Varnish axe recommended for this kind of work, and as previously mem tioned, the shellac coat is omitted. Tests conducted over a long period of time clearly indicate that for full protection against the elements, exterior woodwork should receive no less than three coats of spar varnish. OPAQUE FINISHES An enamel film is no stronger than its weakest coat. A cheap, porous primer or enamel undercoating lacking adhesion, is a poor foundation upon which to apply a coat of enamel. A hard, brittle enamel that easily chips off at the slightest blow, soon presents an unsightly appearance and offers a very poor foundation when it becomes necessary to repaint. Nowhere is it more true than in an enamel job that there is no long-term economy in short cuts in the preparatory work, or is there any economy or satisfaction in the use of cheap, porous undercoats and hard, brittle enamels. THE SURFACE MUST BE SMOOTH AND CLEAN The secret of building a fine enamel finish begins with the preparation of the surface. The wood must not only be smooth, but satin-smooth. This can only be accomplished by a thorough sanding with fine sandpaper. The next step is to dean the wood dust from every little nook and cranny of the trim and moulding. Not a pairtide of dust or dirt should be allowed to remain on the surface to later mar the finish. INTERIOR TRIM PRIMER A first coat of Pratt & Lambert Interior Trim Primer is then applied. This primer is espedally made to lay a perfect foundation for the succeeding coats of Vitralite Enamd Undercoating and Vitralite Enamd. Interior Trim Primer combines hiding, leveling and holding-out properties to the maximum degree. 221 0007-PTL-000305 SUBJECT FILE Chassis Black No- 1038-------------------------------------------------------- Chlorinated Rubber Finish & Primer---------------------------------------------------------- ---------------- M-F-M-42 Church Pew Varnish-------------------------------------------------------------------------------- V-A Circassian Walnut Acid Stain------------------------------------------------------------------------------------S-T-W-l Cleaning and Bleaching of Old Floors-------------------------------------------------------------------- C-L-E-l Cleaning and Washing Paint, Varnish and Enamel-------------------------------------------------------- C-L-E-10 Clear Finishes for Exteriors ---------------------------------------------------------------------------------M-T-B-115 Cobaltene---------------------------------------------------------------------------------------------------------------- D-R-Y-13 Codes for Acid Stains-------------------------------------------------- ---------------------------------- ----------- S-T-W-6 Codes for Glyptal Base Products and Method of listing on Orders-------------------------------- M-T-B-53 Color Comparisons with Vitralite Enamel Eggshell Color Mixtures, Lyt-all Flowing Flat, New - Light Reflection Values and------------------------------------------------------------------- ------W-C-F-40 Color Mixtures ---------------------------------------------------------------------------------------------------- M-T-B-lll Color Mixtures in Vapex with Similar Mixtures in New lyt-all Flowing Flat, Comparison of------------------------- ----------------------------- W-C-F-44 Color Standards, P&L, with Dichromate Solutions,----------------------------------------------- M-T-B-40 Comparison of Color for Kitchen and Bathroom Accessories, Commercial Standard--------------------------------------------------------------------------- M-T-B-81 Commercial Standard Colors for Kitchen and Bathroom ""Accessories1------------------------------------------------------------------------------------M-T-B-81 Comparison of Color'Mixtures in Vapex with Similar Mixtures in New Lyt-all Flowing FMt----------------------------------------------- ---W-C-F-44 Comparison of P&L Color Standards with Dichromate Solutions---------- -.......... ................. ...................... ------------------------------- M-T-B-40 Complaints------------- ------------ -- ......... ......... -............... ------......................... _____------ M-T-B-85 Concrete and Paint------------------------------------------------------ M-T-B-114 0007-PTL-000706 Effecto Primer thoroughly seals the wood, and after a light sanding, it presents a smooth, impervious surface for the subsequent coats of enamel. When dry, the first enamel coat should be lightly sanded. The second and final coat, when dry, will then present a smooth, glossy surface of unusual durability. Regardless of whether the finish selected for wood be transparent or opaque, one thing is certain: To secure a beautiful, durable decorative effect, it is necessary to combine quality materials and good workmanship with a sound painting specification. If, in the finishing of trim, woodwork or paneling of any building, due observance is given to these three important factors, the result will be a credit to the architect and contractor, and a source of long-lasting satisfaction to the owner. f / 223 0007-PTL-000307